ARTEFACT
We come and go one by one,
or in twos and threes,
waking, sleeping from dream to dream,
handfuls of dust cast heavenwards, taking shape,
then falling back to settled earth. Bubbles, thoughts, whispers.
Birdsong in a pearl-still dawn.
All day in this small green field,
in its tangled bare hedges,
in its edge of trees,
in its deep grasses, the birds
flit and feed, pause and fly off.
All day the sunlight picks out the distant slopes,
the forests, the valleys.
And they, too, come and go with mists
and clouds
and drifts of rain.
For months now I have been working the canvases,
(for people do so like a view to hold on to,
one so dear to them, one they do not have,
a way through the mute walls,
to remember an opening out, a beyond,
a distant something).
Against its nature to drip, against its habit to mix and merge,
against my own fingers’ wish to sweep and gesture.
A discipline,
the tying down of an illusion,
confection for tongue and eye.
A sweet minded moment, an ache of forgetting.
The life of itself, a liquid thing,
to be constrained so, to process
as a stately, well-dressed thing.
Not just a swirled, delightful, mute moment.
A meaning. A purpose identified. The monitoring of the familiar.
As if. As if.
As if there were a story.
As if there were a careful, structured tale.
A small beginning, a once, a long-ago.
Through wild, thorned paths and fog and frost
to a final end so careful balanced.
A just so.
An as it is.
Something to leave behind.
Something to say.
More than a rise and fall.
More than a raven’s cry across the valley.
More than a blackbird in the cool dawn air.
More than a drift of mist above a hidden river.
More than a rise of trout as the gnats dance on light.
The fire is lit
and it must be fed ’til nightfall.
Then, untended, it will die down,
become silent.
That smooth black,
silk-dark soot:
a hand-print,
a fingerprint on a cave wall:
we are here,
dreaming.
And we found a way through.
—-
the idea of the black hand-print as a “way through” draws the poem to a powerful closure.
Thanks. Seemed to be a good way to draw together ‘art’, mortality, remembrance and continuance. It wasn’t something that occured until I was writing the fire verse.