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THE CORNERS OF SPACE

Follow the sun beyond the horizon
And there will never be a sunset,
Never a horizon.

The old poets knew this – that their voice
(River and root of it) runs through distance
And no ends are there to those meanings.
Each sound, a door to deeper dimensions.

(No owls tonight, though a slivered, smiling moon.
Between the song of the pines and the river:
Restless tumbling dreams.)

Here is the vertiginous well of the sky
And its steps, and its chambers.
The view of horizons and their echoes.

(Confusion arises with questions:
Clouds billow and change shape;
Gravity has little hold in dream states
Except by habit.)

Circumference, the vastness of mind,
The corners of space, encompassed
By a single breath,
Dissolves on exhalation.
A rainbow disease brought to a stunning collapse –
Endless blue.

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The Rocks

It is the rocks that make the river sing,
The world that gives us song.
Bones creak, branches heavy with snow,
Breath captured must release.
Spring will come.

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UNFOLDED
(Out of Taliesin)

I have been in many forms
But come back to this one:
Floating wingspread one,
Weightless and watchful,
A feathered arc, a bowl,
A cup of air brushed in
sunlight, wary, joyful.
(The wind has left a dust
Of snow on the far valley
Side, slate the dark sky
And the hills vanish
Like the living do, into
clouds of drifting whisper).
So easy it is to forget – a wonder
We do not learn it earlier.
And remembering: a dream
Patched from here and there,
The glue of emotion
The glue of regret.
A world unfolded from sound
And holding firm, fast spinning.
A potter’s wheel, potter’s hands.
Hollowed is blessed and so
I am hollowed and void.
Blood and breath, clod and clay –
A holy work to keep it
And let go of it.
(The trees bend and roar,
Their thoughts this droning chord.
A chant to the maker, blameless
Of suffering.)
These poets, suspended, becoming saints,
Hanging from the four directions.
Their parts scattered to make new worlds,
Their words taken literally, or buried,
A bed of seeds for Spring days
To play with.

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By Breath

Awen, awel, gwen, gwyn.
By sound they collect, though not by derivation:
A poet’s excuse.
Biological etymology, a bloom of lichen,
Mutually supporting, intergrown,
What is not the same becoming
What is not different.
Inspiration, breeze, white, so white.
The mist effloresces, it becomes name.

The hunched woman, the crooked woman,
Behind it all, birth and death mother.
Ceridwen, overflowing awen, bright river racing.
Energy of remarkable stimulation, disperser of the seeds of wisdom
(The soot black severed-head seeds of alder,
The fine feather floating of willow and poplar, careless Gwion Bach).

Fresh water mixed with jet.
We shall reflect upon it, upon its depths,
Upon the mirrored world it shows,
The membrane, the drum skin,
The roof of the sky.

By breath from Ceridwen,
Hunched over, tight focus, mind sharp,
The cauldron within Annwfn.
The place where things are true and of themselves.
In the world
It is not the world it is, the most of the world.
The inner world, the deep, the profound.

Perception of patterns
(all that perception is, after all)
Ogrfen in awen, a phase of awen, a part,
Patterns of the world in the breath.
Witnessing the deepening of things as they are.
The Ideal peeking through the ordinary.
In a chant, in a repeating, in a breath in and out
And the sound between. Again and again.

I sing awen.
I bring it forth from the depth.
Awen in annwfn weighs and judges the worth.
Awen brings forth annwfn

Deep awen – ddofn awen
Deep awen of deep memory,

The deep, deep within the breath.
And what will it turn out to be, after all,
Except this: annwfn is the memory
Of all things, unreleased, unchanged, unforgotten,
Piled up, sunk down, absorbed, soaked through.
A saturation of patterns, a pathway etched,
A river chiselled, a dance dreamed in the heart
Of all matter, what matters, what holds together.
Between the two cataracts of the wind, between the
Song of the lungs, the heart fortress and its salt tides.

Not the words, not the tale.
The weaving of sounds, the way to go beyond
And beneath the meaning,
Lost in the music, the meanings trail behind.

Eiliad – the composition of poetry,
one second, one woven moment,
A weaving in time.
Rhythm defining time
Moving through time
Harmony created to memorise, remember.
The thrush singing the world away
Revealing the underlying presence of sacredness.

This high throne, this chair, this rock: a place of song.
Worlds reflected in the sound and rhythm,
Mirroring, transformed, switched.
A seething mist, a sunlit hillside,
Sound of distant traffic.
When time has run,
it gathers itself up
And remembers
And by this
Becomes free
From itself.
Eternal,
Golden.

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THE WORDS WE COLLECT

It is the whispers in the walls,
The ghosts that breath upon our lips.
We dissolve, lost in sounds from elsewhere,
From rooms, from halls.
Left, empty enough, losing attention,
We step out of ourselves
And for a moment become monstrous,
Glorious shadows in the winds
Of strange, bright mornings.

Though none of it speaks for us:
The silent, swirling mists, nor
The resounding, thundrous deep,
Nor the wells without light,
Nor the stars without memory,
Nor the movement of seconds,
Nor anything of the vastness.
For all these are constrained
By our sound, and uttered unbeknownst
By those guilty of innocence.

Left dancing on air, breathless,
Pierced, spun to a fine point, examined,
Cast out, then disregarded.
Swimming in an ocean of shadows
It is hard to know what is of value.

I shall put my ear to the door of the earth,
And listen to the ones never dead,
A music not of our blood though equally holy.
Even its echoes dissolve flesh and name
In the round chambers, skull-domed,
Grass-topped and nibbled by sheep.

For the extraordinary rests upon the ordinary,
As sound rests upon its own silence,
The known is upon the unknown
As birds rest upon tall oaks in evening.

We live above the noise, dipped in cloud.
Hearing rumours of the dreams of others,
And building what we can out of that.
Once given a name, believing that makes us real,
Practicing a story sewn from fables.

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It is the rocks that make the river sing,
The world that gives us song.
Bones creak, branches heavy with snow,
Breath captured must release.
Spring will come.

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ALL THAT GLORY

All that glory, bred from blood and rot.
Ground bones to feed the noble good.
The Myrddin in us turns away.
Our Taliesin mocks the solicitous bards.
The histories of truth shall never be written.
The honest shall be driven mad
And disappear, unknown, unnamed,
Fuel for the mysteries of the deeps within.
This is the fabled cloth that suffocates us,
Memories rich, embroidered, gold-threaded,
Dreaming of heroes and just cause.

There was one who refused to give reasons,
And won by losing everything.
Who refused to be wise, refused to be violent
Who turned the wheel of matter
To become the spiral of eternity.
A simple seed buried and buried again.
Though cut each time it arises, given names and deeds,
Smothered again, tutored and redacted.

The first, the oldest gods, were not heroes.
They were farmers and dreamers, dexterous handed.
They were mothers and weavers, nursemaids, cooks.
Manawydan, king of Britain, best of cobblers.
He knew the loud ones take the power, write the stories.
He knew the land would grow empty, as always,
Drained by strife and pride, good and bad all cut down.
He kept his eye on the corners of things, on the smallest,
On the fine tendrils of futures, on the goodness
Of quiet satisfactions. There is no precedence
As we drift towards the doors of death.
Only goodness or bitterness will remain.
And the smallest of things, the smallest that sustain the rest,
Will do what they must, unwatched, unnamed, unknown
Woven through ephemeral eternities,
The inevitable victory of the insignificant.

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