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Posts Tagged ‘Cambrian Mountains’

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DHRUPAD 21 : blackthorn spring

There was a song one morning in front of, behind, deep down,
my eyes opening, open eyes and still dreaming,
dreaming words and rivers a song of a song of a Spring song
of a blackthorn Spring,
song of a blackthorn song a dream song slow and fast and glorious.
An opening song a Spring song, a blackthorn white froth cool wave
warm sun song
a sudden slow here it is song
snow in sunlight not melting but blooming warm snow song
settling in sunlight song song.
On black branches along the roads
a sprinkled silk fine tight bound waiting waiting
for bursting out when the air melts and colour, colour colour,
to remind us of winter gone to remind us of flowering to remind us of sweetness and bitterness to remind us of beauty within it all
beauty within us all, silence and beauty dressed in white and waiting.
A heaven full of spirits here and now,
in this bowl in this valley in this horizon.
Leave them be, these fields of dreaming, leave them be and laugh.
A fragile bursting foam aflood in the warm valley side
not in the hills yet not in the hills but here and there in the flash of sun
or how then now then it is not sun
not sun but sallow sallow
by the river valleys orbed golden and mist green and shining gold sallow
in seas of light dipped and tasted and diving down
to find the old beauty the ringing song.
Sallow willow sweet willow goat willow great sallow
dipped rooted down to water and bursting gold
peeled back and shooting gold in misted blues
the long miles of blue and haze and mild shadow furred and generous. Blackthorn and sallow
sun and snow sun and snow
a year song long
and remembering these notes
this tune
this dream
a year
song.

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STORM PASSING

Sway , as wind makes the grasses.
Here then there (but silence in the soil still).
It, breathing, roars. Tears away what breath there is.
It, moving, alights and passes through all, a sudden thing.
It, breathing, shudders the solid, twists each sound.
The singing fires dance free and the slope of wings as sharp as scythes.
Sedge, winter dry, rattles with a serpent’s hiss.
On tip-toe we scramble homewards, whipped eyes watering.
Such a small thing this flush of weather. Half a day
Flooded with impecable instants of translucent uncertainty.
And we, made small again and frail by ineffable, invisible airs.

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LI PO WAITING FOR DRAGONS (DINAS WOOD)

Li Po, I suppose, will be standing there,
hands thrust deep into sleeves,
breathing the slow hills.
Admiring the play of light
and the way the oaks
catch the late year’s brightness
on their wriggled limbs.

And how green is the gold,
and how golden the air
spicing the hazy distant.
In leaf litter, the rustling
of jays and squirrels,
gathering up the fallen year.
In the glass layered river,
sounds swallowed
and turned to light,
light to sound.

Li Po remains motionless,
holding all the river of his thoughts,
so he forgets nothing, misses nothing.
What has gone, and what arises:
balancing the mind of clouds,
the mind of mountains,
the mind of Dinas, cave-filled, hunched.

He sees the forest crown
shaping syllables: each tree
a slow, fast, steady song.
He weighs dark and light
On the cliffs of Craig Clungwyn.
Notes the rainbow mists
above the Doethi valley.
Floats above the scouring wind,
hawk and skylark and willowherb seed.

Li Po, waiting for dragons,
for the roar of the Tao in the mountains,
the narrow road winding northwards,
the cauldron of the seven stars.
For the eye of the world to open unwavering,
mind melting into mind.

He will not have long to wait –
a century or two
at most.

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OUR GEOGRAPHY – WOLF’S LEAP

Esgair Bellaf
( The remote ridge)

A rock snout sniffs the air,
a sleek flank shivers from the peeling waters.
By the crumbling heather bank it once leaped
and remains where the Irfon lopes
from its own grey teeth
and spiral spital marks the tight gullets
of feathered stone that sing and sing
of tumbling downward from a midden sky.
It would slake its thirst,
wary on the fine silver sand,
hungry for the lost and forgotten,
hungry for the oak-shaded gullies,
homeward through the humming sedge,
roofed in curlew, roofed in skylark lustre.

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GHOST POETS OF THE T’ANG

These exiled poets
Lost in cloud
Nothing to do now
Except compose
Haunted verses.
A wash of ink
Smudged with mist
And tears.
The real
And the unreal
Melting away

On their way
To the fields
The peasants glance
Sideways
Through open windows.
The threadbare
Silks, the padded robes,
The soft hands
Of government men.
Gazing out
Painting and poetry
And wistful regret,
Awaiting the whisper
Of city assassins.

Here now, between
the pleasant mountains
Green and deserted,
Viewing the long mists
From picture windows.
Centrally heated,
Supplies by van
From city stores
Who satnav the lanes
And slur the
Names they dare not
Learn to pronounce
( the old language of
Rain and rock and poetry).
Somewhere beautiful
To die
If die we must.
Deserted by children
Who promised to visit
Often, who came once
A long time ago
But prefer somewhere
Where there are shops
And ready entertainments
And motorways
To speed through
Undistracted.
To be kept busy,
To not notice time
Drifting away.
We shall coffee morning,
We shall do our weekly tai chi
Our monthly bingo;
Attempt gardening
Between the showers;
Seek and find some
Contentment,
Like Manawyddan
And Pryderi,
Hunting through derelict lands,
Until that thunderous roar,
That small, relentless whisper
Changes everything
And we slip
Slip from memory,
An ink drawing
Washed away
In the endless
Rains.

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I thought I had posted this late last year, but cannot find it anywhere, so maybe I didn’t, after all. The winter skies of the Cambrian Mountains and whispers from Taliesin and the Ordovices, Iron Age tribe of the uplands.

THE HIGH PASTURES OF HEAVEN

About its turrets are the wellsprings of the sea.
Clouds wrap the mountaintops,
Rivers run full with meltwater.
The dear horizon is our fortress,
Saviour from the revolving sky,
Pinned back to harmony.
One voice that is not one voice
That is one voice, the mind
Of the poet on wandering roads.
How is the poet like a hedgerow?
A tangle of blackthorn inpenetrable,
Interwoven, sharp with sorrows,
It bursts into pure blossom,
Its fruits are bitter truth that sustains
Through deep frosts.
How is it that poets and flowers are alike?
None knows when the sweetest
Shall spring up, though the seeds
Are everywhere.

The centre of the land here is a silent fortress, ageless.
Held motionless, it remains
Whilst the seasons roll their seas
Across the valleys.
Such emptiness in a heart, so
One can hear the tumbling flows of feeling
Before they cloak themselves in sound,
The sound before the language,
The language before the meaning,
The meaning before the comprehension.

The ravens knit the valley airs.
The weight of beauty, near unbearable.
So in the centre is silence untamed,
Rolled psalms of poignant distance..
Each path, each road, only now here
Because of the thousand weary feet trudged before
With stick and dog following the fluttering,
Oblivious flocks to and from the high pastures
Of heaven, the summer pastures of delight.

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THE THRUSH’S SONG

“I was a droplet in the air.
I was the radiance of starlight.”

I was a morning in late February,
Fresh with moments of green
And a wealth of birdsong.

I was a gradient of light
Sliding on the hillsides;
A calibration of sorrows
On the mountains;
A word somewhere between
Joy and sorrow.

A maker of firelight warmth
And a cup of hot tea,
A conveyance of small wonder
And a hunter of consideration.

The wind is light
And the clouds dissolving in colour.
The ground is waterlogged
And the trees become thirsty.
It is still silent on the road,
The paths still empty.
Their shadows hold winter,
Puddled, ice-blind eyes.

There is nothing that is not ordinary,
Nothing that is not wonderful.
The triple song of the thrush
Sings it all, again and again.
Praise for praise’s sake,
Word on word.

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