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Posts Tagged ‘landscape’

VOYAGE OF BRAN (1)

For what reason

Does she call the Raven King,

Arcing over the waters to a safe land?

She is wedded to the song, blossom and fruit,

Calling from afar.

No matter where we turn

The music is invisible.

It sinks so deep that we sleep

And see what we cannot see,

Wish what we cannot know,

Set sail in hope on small boats,

Our lives no longer holding us

On their certain courses.

Cast adrift to find joy,

To measure it and move on

As the visions shift

And prophecies grow stronger.

We, in turn, become more, and less,

Floating above, sinking below.

The Raven sung by love to rest.

And restless shall they be

With and without this world.

The taste of the tree,

Never quite enough.

Never seen again,

Melting into the music.

Oh! Silver Branch!

VOYAGE OF BRAN 2

I turn back to see the future,

To see what has been missed.

A silver rent sings across the sky,

Laughter that only a world can make.

I know we dream, but do not know how to awaken,

Or if it is wise.

Water birds are screaming lies,

Hearts sink deeper into permafrost.

The smudge of sneers on too many faces.

Truth that was struggling is dead.

Best not to speak at all.

Let the world in, though,

That impossible branch of song,

To new pathways, new biologies.

Look back.

Has it not all been written of before?

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BRYN

Bryn does not care

Whether it is ice or storm.

It does not care which angry voice

Strides the world to call for war.

It rises as it always has

Making a horizon towards heaven,

Feeling the deep, slow pulse of the seasons

That is the heartbeat of the earth.

Feeling the downward blessings of rain

That trickles its poetry through

Heather root and bracken arch.

Bryn, that is no name at all.

Singing itself to itself.

The throne, the Elders, the Hosts,

The shining voice, itself to itself.

Holding its counsel, abiding in silence,

Resting alone. An island above the mists,

Above the green glow, moving the stars

And giving each its shelter

In its own dark womb.

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It flowers with the breath,

Unfurls like a fern on the hill.

A cuckoo thing from somewhere else,

Desiring to belong, to be heard.

A voice rumbling with thunder,

A hiss of rain, a roar of wave,

A keening of curlew.

Nothing new, though,

nothing new can ever be said.

Before the flocks, before the engines,

Before the need to be somewhere else.

Kite and buzzard wheeled high above here.

On their upward soaring voice,

The voice of moving, warmed airs.

With vision open, fixed on hope,

Their hunger to remain.

Insistent is the voice of a silent land,

Holding those who care, to stand still a while to hear.

From the ground, and from beneath that,

It will rise up in its own time.

An uncurling, a reaching thread,

A line of a melody,

A translucent tusk of language.

In the waters, between field and wood;

In the moments, as cloud shades and passes;

Before certainty and after doubt;

A voice weighs and judges its own worth.

The verses shall all bow down, bright-browed.

Prophecy is the love-child of thought.

Lost souls, reborn, eager to take flight again.

The root of my tongue is locked to a syllable of light.

A spark electric, a leap between precipitous cliffs:

The long darkness of being, the long darkness of non-being.

A slim, swaying golden chain

Rising up to eternity,

Sinking to iron-cold oceans.

It shall not cease til it ceases,

Takes breath, and speaks again:

The whispering of rock and stream and soil.

A mother’s voice, never lost.

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UPLANDS (4)

(Where it begins)

It is the mind (is it not?), that weaves the stuttered fragments

Of our own experiencing?

That makes a seamless landscape of sense, a fabricated clarity.

A story with fitting beginning, middle, end.

Hammocked between void and void we taste our own landscapes

In sweet and bitter.

Just so, we see the vast uplands there, rising smooth and even, up to heaven,

And do not feel the weight of mind, do not strain against the uneven road,

Do not catch breath at the long slopes, the impossible tussocked miles,

The scouring winds, the hungry rains.

We hold the truth of dream against the storm of tangled life.

The stories of the heroes, the builders, the survivors.

The steady, solid ones. Not the wrecked bodies, not the broken fingers,

Not the minds locked fast in relentless, ruthless faith.

Not the worn down, gap-toothed, corrugated, rusted.

Not the sightless windows. Not the tumbled walls.

Not the lichen-eaten names on tilted stone,

In ground once holy, now deserted.

Unhomed, we long for the home over there, in that heavenly blue gradient

Where peace must surely lie, a rippling shroud of psalm and skylark.

It sinks down. It all sinks down.

Covered, transformed in secret, wrapped in lightless pools,

Sucked dry by jealous peat.

This is where it begins, where life becomes holy, unnamed,

Ready to flow down into the valleys, green and sheep-scattered.

This is where the mulch is ground into futures,

And futures return to the past, and small things take control

Once and for all.

A gravel rain hits the windows in the valley.

The fire roars, fed with a world’s hungry breath.

We long, still, to be there: in the uplands of clear certainty.

Drained of doubt, stripped clean by simple necessity to go on,

Caressed by the wild that tests our bones:

The truth and freedom of powerlessness.

Doubtful moments gathered, sewn into a fine cloth.

Cloth wrapped around the meaningless distance.

A rainbow view, a bridge between body and void,

Longing, still, always, for both.

These uplands: hard to encompass,

The heart of things. Emptiness sublime.

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UPLANDS 3.

(Wellsprings of the sea)

It all begins from here.

Next to nothing.

With thoughts unrooted, heady.

Pulled out and upward to limitless blue distances.

It begins moving on the edge of the sedge-grasses;

On the uncertain, treacherous ground;

On the coolness of the wind that carries the spice of death

Deeply within its folds.

It begins on the copper whale-backs of time,

Arcing out of the valley floors,

Carrying scorched stars and the ink of jet certainty

Into the unknown orbit of delivered time.

It begins with a line of trajectory,

An abandoning of nicety,

An allowance of ululating song

And purposeless joy.

It begins with bones, begins with nakedness,

Begins with scattered remnants and piled stones.

It begins with remembering and forgetting,

And a pure tenacity to continue on.

It begins with a circulation of tears,

A saturated weight desiring heft.

Waters moving together, ribbons rippling out of sight.

Peat, brown as beer, iron-rich, blood of earth.

It begins before sound begins,

before the names arrive.

And then the names carry it into our own belonging,

Mapped out and pinned down steady.

Here and here and here,

we dwelt, we smiled, we died.

Always there, hinting blue, lost beyond reach.

Always yearned after, hazily recalled.

Always one step further, one crest away.

Always more real than the real,

Freer than freedom, a weightless soul flight.

There, with the buzzards, with the kites.

There with the patient grumbling stone,

With the stumbling cloud, the hissing mist.

A dream, really, of how it was, of how it will be.

The uplands of heaven, void and singing.

(40)

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UPLANDS (2)

Metres deep, feet, yards even,

Seasons deep, long years,

Scoured, strained, laid down,

A weight of water, a weight of

Tangled sedge-grasses, bones and stone,

Splayed, split on storm skies and roaming mist.

No one lives here long alone.

Bullied and pushed we must lay life on life,

Become entangled, near invisible,

Even to wheeling hawk, even to stoat and marten.

Tangle-rooted, stubborn as a song,

A narrow path wound between dry bluff and impossible wood.

The air here, though, pretends its own freedom.

Not trapped by contour nor disguised

As happy distance.

Pharoah’s prophet on Drigarn Ddu points an accusing finger.

The rules are here, laid out clear on rippled stone.

No wavering, no equivocation, no interpretation.

A bleak love and a hungry wind.

Garn Ddu on fire at sunset, the flashing shout of heather,

Open-mouthed, sinewed dust.

They still shall congregate on the circle of the horizon.

They shall come no nearer but yet beat your heart tender.

The Elders, entranced, caved-up, walled in rubble, unroofed.

Bitter beauty viewed from lascivious valleys: a yearning, there for here,

And here for there.

It is the paradox of the old religion heaped up to the silent sky.

The paradox of breath and flesh.

Leave it be. Become something else.

This impossible gradient burned into the land’s heart.

The desolation that gives us life.

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UPLANDS

1 (Near-eternal rules)

A perfect sky.

My tangled, old hands

forget themselves.

The valley dreams of the uplands and

The uplands dream of heaven,

and sing it so.

Easy it is to breathe its names

In the luscious sap

of hidden streams.

Easy it is to forget, though,

how to remain there,

Discomforted by continents of swelling air,

The sweeping veils of rain,

the unlikelihood of easy paths,

and how the weighted body

Yearns for flight

and how all thoughts always turn back

To the curling, dreaming bracken

and sullen silent stone.

The harsh gods gravitate here,

Born of flesh and born again,

with their horns and thunderheads.

Mud-spattered,

they hew and heft,

carve deeply the near-eternal rules.

Their language, as guttural, as singing,

as the falling crevices’ echo.

As the waters do,

melting away long millennia,

shaping bodies for breath

and for joy.

The deep folds of a planet’s shifting dream

Upon whose hunched shoulders

All the little things thrive.

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“I was a speckled white cockerel

Covering the hens in Eidyn”.

1

The egg is the sun,

Laid from the dark feathers of night,

Nested in the dawn of the world.

I am the grain of truth

Radiant in the drunkard’s boasts,

Naked in the silent waiting.

I learnt all languages from the waves,

All harmony from the tides.

Neither bird nor beast,

A tree in the forest am I,

A thousand eloquent tongues of green fire.

At dawn the cockerel calls my name.

Clear Song. Hall of Light. Mound of Obedience.

2

A domestic mythology.

A farmyard mythology.

No wolves, no hungry obstructors

Racing across space devouring sun and moon.

A black hen pecking the dust for grain.

In the corner of the eye

Time nailed fast to a new course.

3

Ah! The seed of poets

Spilling into the dark crevices

Of a fertile earth.

More precious than gold,

The desire for it,

More precious than song,

The moans in the hour of midnight.

I would strut and sing,

Hold all in dizzy thrall.

The girls would love it:

The boldness of it, the sly word,

The sliding, echoing eloquence.

Drunk would they be – the men snoring

Dreaming of a good death;

The girls tap, tapping on my door,

Filled with wonder till dawn’s light.

The seed of poets is an endless forest,

A skilful net of shining catch.

4

In Eidin I had dominion of the hill,

Dominion of the Mound, dominion of the castle.

A steady fortress was my staff,

Planted and reaching to heaven.

The gulls of Leith, the ravens of the Crags:

None was more raucous than I,

None more forthright in the bright morning,

None more persuasive in torchlight flicker.

They would rise softly ( like the Lammermuirs).

They would dip and sigh and open (like the Pentland Hills

Under a summer sky).

And I, the open tomb, echoing,

Doorway to golden moments freed from earth,

Free from guilt and sin.

A golden morning in the scattered dust,

Seeds uncovered, beginnings shining, a new sun,

New worlds nested, round and warm,

A clutch of futures, a prophecy of birth.

5

In a line or two

The bonny hero

Shall have his come-uppance.

Try as he might, the slippery eel,

The voracious worm, the flying hawk,

Shall be brought to justice, consumed, dead,

Himself eaten whole, adversaries conjoined,

The dark mother victorious.

6

Above Marchmont, above Morningside,

Above The Meadows, my covering wings,

My tremulous touch, sunlight penetrating

The deep hidden waters.

On The Mound, on Castle rock, on the Crags,

I brighten and burst forth.

On Arthur’s Seat I am resplendent.

I take my pleasures on the pleasant fields of Portabello;

I dive in the secret quiet waters of St. Margaret’s Loch.

The fortress is mine.

A crimson tram the long length of Prince’s Street.

A swoop down to genteel Inverleith.

My thirst goes forth beyond the shining rivers,

The blue hills dreaming in Fife

And the leaping span of poetry

To cross over it all to mystery.

My name is Taliesin.

I am the cocaine of bards.

Nine breaths of my cauldron,

And you are mine.

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Here.

There we are then.

Rainy morning.

The demons are sleeping.

Still summer

But there is a white quietness

In the air.

A sigh of traffic.

Floating on choices

The world drifts

For a moment

Deciding that hills and fields

Are best.

And a certain viridian

That belongs nowhere better.

Low cloud

Disguises everything else.

A small world glowing green.

.

Here we are then.

A few miles south from Beulah,

The seed of poetry

In every word.

Counting sheep and blessings,

Seeing the changes slow

And the changes fast.

The voices of the dead

Slowly accumulating

On the hillsides.

The fords full

And sullied

Spinning brown waters.

Reflection only

In still moments.

.

Here we are then.

Sun breaking through,

Bees at the honeysuckle,

Meadowsweet enough

To be making maidens

For the dispossessed.

Myth is the engine

Chugging in the cellar,

Fumes for the future,

Fuelled by dream

and prophecy.

Left here as time races on.

Piecing together clues,

Inviting menus,

Acrostic logic,

Randomly correct.

A divination, a distraction

From small glory.

.

Here we are then.

The footsteps of the dead

In every heartbeat,

Their sighs in every breath.

On the stairs

Their voices whisper,

In the halls

Their ghosts breeze by.

Belonging starts in the heart

And grows out from there.

Moses has not returned

From his mountain

And we have been left

To our own devices

Playing on coaltips,

Dabbling in poisoned streams,

Laughing at small jokes

And other’s discomforts.

Children still,

Beneath it all.

Watching the clock

We have never really

Learnt to read.

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Pirate jay swings high through his dark wood,

Eye on falling gold.

.

Day gives out early now, evening inks the cooling world.

The sun is warm, but shadows cool the slowing sap.

.

What have we omitted in the long summer days?

What remains undone? What forgotten?

.

Late roses fall, beans fatten.

Soon the frosts come, green pushing faint and failing.

.

Gather in now, and wait for winter.

Inevitable increments, time winds it all up.

.

Pirate jay, his eye accomplished,

Swings round the rolling decks of weather.

.

The hills crowd darker dressed in cloud,

The woods velvet coal, a dreaming nest.

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