Feeds:
Posts
Comments

Posts Tagged ‘metaphysics’

ORACULAR MESSAGE

In the woods, in the green wet woods

The dead are waiting with their songs.

.

They have longed for their flesh and they have forgotten.

The rivers are full of their passions.

It is a cold steel desire, a lust like winter.

.

It is gone now, subsided into multiplicity,

The tracks lost, the flash of prey in the bushes,

All become unintelligible like a valley dissolves in driving rain.

.

But the dead are waiting there with their slim fingers

To crack open your sight, to break open your eyes

The release the hawk of your mind, the hungry raven of your heart,

The river of your reason.

.

This is for you, a prophecy for you

Because you have read these lines,

Because of the intersections of the stars,

Because you are nothing but this,

About to be forgotten, about to be lost.

.

The dead are waiting in the woods, singing and dancing,

Forgetting everything.

.

You have dreamed enough.

You have destroyed enough.

.

They slide between species, have no regard for distinctions.

They breathe the matter ejected from shuddering galaxies into the void.

.

These words are not for you

But you must remember them and pass them on.

They are for the last one who leaves.

Who turns to flick the light switch

And with a small smile steps into darkness.

.

Tell them the dead are waiting in the green mossy woods.

Tell them to listen for the sighing song

For the surprise of pine scent drift singing storm winds.

Tell them to remember the small things,

The notions that eat worlds.

Tell them the dead are waiting

To take them home.

.

Read Full Post »

DAYS NOW

Days now the whispers come and go

worm words generated from earth,

words of smoke, words of plants.

.

Turn sideways, become thin,

slip between one day and another,

at the year’s ending so little noise.

.

These stars – they are not now,

they have burned bright and died

a million, million years ago.

.

Therefore, I bow down and breath deep

the dead light of our ancestors,

gone and here and gone again.

.

Time is the fat of stars;

seeping in the long years,

other glorious mornings long gone,

distant golden mornings,

other silent rooms, other footsteps.

.

Nothing goes to waste

but slowly changes from what it was

woven threefold into other days.

.

The Magister holds starlight in his crystal spheres

to rot them down to raven’s wings

where seconds copulate birthing strange homunculi.

.

They know the answers only the dead know

in butterfly whispers etching notions,

as acid reveals the jagged web of meteorites.

.

He is old now,

his bones creak like galleons do.

His mind, though, a bright moon in a stormy sky

for he is, he says, acquainted with all the demons

that dwell beyond law and science,

who converse in riddles

and move as if dancing upon other gravities.

.

Their heads are broken open,

their orifices sprouting green tendrils,

their skin, inhabited scrolls

where letters form and reform in curious calligraphies.

.

Lascivious is their language,

exotic and full of lilting innuendo.

Their madnesses are roads untrod before.

.

He reads the books that have never been opened,

by walking backwards through mirrors.

His only sustenance, the tiny measurements of primordial dust

wherein he seeks his own eternal name.

.

He practices the mudras of teaching and of dissolution.

His words fall sparsely in vast space

like birds that fly across a still sunset sky.

.

Their skin peeled back, returned to light

they tend their dripping hives,

honey vowels, the sigh of release.

They climb upon one another,

puncturing their certainty,

melting into each other’s futures.

.

The sawhorse shall be put together.

A new constellation shall appear in the southern sky

as Betelguese, or its ghost, or its future,

Weighs the likelihood of eternity.

.

The world is fire and light

and time is the fat of stars.

The apple winces in its dawn frost,

The sequoias sing to planet’s spin.

.

Clear facts stumble unheeded through forest fires

whilst ungainly notions dress the moments.

.

The alembic bubbles and quivers,

uncertain whether it can hold

the sentience of its own soot.

.

Still the Great Work must continue.

In holiness we are rubbed out completely

imagining new wings, writing new musics.

.

Read Full Post »

DHRUPAD 23 ( Pema Özer in Autumn drift)

Slow slow slowly now

slowly now taste the shapes the sounds as they form

as they fall as they flow slow with the colours of autumn

slow the autumn falling slow to mists and coming going coming mists

slow no need to seek the means the meaning to move on.

Sun will not set sun will not rise sun standing still at midnight at midday

as if as if that sage, enjoying his beer enjoying the warmth of a lazy afternoon

dusty road in the mountains distant waterfalls sheep bleating

stop stop stop the sun and hold it there, slow slow to savour moments

out of inside of within wrapped up in time time time, the breath slow slow,

the words slow slow, the same the same the same, but not exactly not precisely,

not a landscape flickers by a landscape moulded forgot seen forgot seen seen

inhabited become sun-filled,

and the trees all autumn and slow breath, fall of leaves and drifting mists

and star-filled, star-filled, the river roaring darkness like that, like that,

that is like this, like this, slow slow unfolding with no end a measured walk

a stroll another beer,

watching time relax

and stay a while

.

Read Full Post »

A DANCE UPON Y GARN

The bones of the hills

The bones of rivers

The bones of the mist

The bones of meaning.

How shall we talk to the bones

Of things, the sweet marrow?

That great grey slope,

A rising falling sine wave,

A rumbling note bending horizons.

Converse with it dressed thus in cloud

And become a stranger removed from illusion.

Untied, drifting, anchored only to words

And a dance that is so so slow, it brings worlds to their end

And changes them that new languages are needed

To begin to know it, to begin to know it.

Read Full Post »

Tree spell ritual

The world breathes through me

and I am full of trees.

Silent teachers fill the silence;

Patterns dance at the surfaces of light.

Through doorways I dissolve

And am reborn with bones of truth.

Made whole and healed with cloaks of song.

Anchored, rooted, nurtured, sustained.

Harmlessly unfurled, patiently watching.

I am full of trees, dreamed by trees.

Ruthlessly harmless, sustained in emptiness.

Read Full Post »

2016/08/img_2200.jpg<

Out from the Red Book (The Book of Voices)

Out from the forbidden book,
the hidden, the book bound
in oxen skin, bound in blood,
written in blood, as ever ( perhaps).
All gods (perhaps) begin in imitation
of the gods before.
Infected by the ticks that suck so greedy for meaning.
They begin (perhaps) as commentators, as compilers of concordance, as hagiographers, innocent and pious. Warming to their subject, become polemical, become critics. Constructing their own palaces they forget they are not dwelling within them, and so they become populated at first with (perhaps) the inanimate objects of remembrance –
a bowl,
a key,
a shrugged-off coat.
But soon the mirrors appear, innocent and deep as pools to windowless walls, become themselves windows, become doors, become landscapes, become the weight of antediluvia, become reason enough, become cared for, become owned, become obligated.
Demons are a different species entire.
Not content with philosophical dream
( who is who and what is real,
really real, that is divinely speaking, that is).
Demons cut the crap,
they want results, statistics, measurements, tangible, manipulatible (viz.)
Demons are out to make real change
in a world they disown and disavow.
A world they have spontaneously generated into,
demons deny evolution and chance.
They are here to correct all the clumsy mistakes, all the errors of judgement, all the delusion, all the fantasy. Demons are not here for the ride. They do not acquiesce. Intellect and cunning are their survival skills. To make a difference.

Wait. Wait.
A rolled mist
Blurring edges
Is sitting on the mountain.
Late summer air is still.
It may or may not rain.
Assiduous sheep are tugging
At the grasses,
Or seated, stare off unfocused:
Repetition of mantra
One continuance of chewed whisper.
Listen now. The air remembers rain.
Small leaves dance.
An incense of warm earth.
It becomes cooler
and the dreams return.

It begins with a slight inflection, a singular infection,
a voice that is or is not familiar. A stream, a trickle of thought.
A seed putting out simple translucent root, a fine idea, a resulting pleasing symmetry of leafed cotyledon. A simple isness, A here it is clear and sharp. Before long it, how you say, ramifies, manifestly bifurcates, adheres to Fibonacci's mad acceleration. Where there was one voice, now a fractalised howl of mob and counter-mob, simultaneous equations where x equals why not.
And so the poor dreamer,
and you, poor dear reader, face the chime of choice
which voice it is to follow and where to jump off ( this careering madness),
and when to argue back and when to say no I am lost
in a construction site for a palace I gave no permission for, on land I may once have said was temporarily mine own, or borrowed, or coveted, or squatted upon in a long evening of rest and so fell into dream and slept and melted into the earth, and dreamt of centuries cascading and so thusly, thusly,
the branched words
create and dissipate
and melt.

And what then of the nature of the soul? (Another voice, this one, fighting back up for its moment of enunciation. God or demon, I cannot tell). An eternal this, unchanging as rock. Perhaps once it was so. Before Pre-Cambrian, before the Ice's oceanic weight bore down, grooved and dragged, split and scarred. Crushed and ground down in green darkness, ejected into sunlight as sand. This beach, your soul eternal: the gulls angelic and the gulls demonic pattering for worms buried in your upturned, dreaming face ( as it were).

A radical change of direction, a root radial, circumstantial, circumspect, returning to the red. The red book of Carl Gustav, the Red Book of Hergest, The little red, the red rag, the red flag ( who was raised first by slaves in peasant revolt and by the Welsh Valley miners in the Merthyr Riots long before the bolsheviks begun to get bolshy at the Bolshoi).
The red palace,
the red hall,
the red encampment.
Our mitochondrial mothers chanting in darkness,
sweat and iron and honey.
Beyond gods' dreams or demons' politicking. Beyond history of flesh, before and after reason. A drumbeat trance, a passion ululating. A long house divided into rooms, fires and pools of water, a vestibule, an entrance way, a tunnel, a choice of doors, a basket of grain, a purging void, a suspension of all but breath. Before the gods wrote psalms ( such bitter pious violence), before the demons copied them in glorious, golden satire, before the bifurcation of left and right and wrong, before our bilateral superiority, our redundant symmetrical mirroring, before the cultivation of the tree – thought-topped, guilt-rooted. A simple red ark holding all, a grain. Carp, pericarp, stamen, a seed neither plant nor worm nor fish nor fondness. A hearth of mothers. All things, they say, have been your mother. Birthed by all. Nurtured by all. Loved by all. A golden thread of goodness, stitching, stitching. A darn, a repair, a suture.

The cloud has lifted,
Tentative sunlight.
Mountain's crown domes up
Into a temporary sky.
All the flock is rested now,
Stilled and free from hunger
( though a crow still hops between them
Pecking for worms in the grass).

One tide voice recedes. One dream takes the advantage. The red book pulses, veined an endless circuit. It disappears into green hedgerows and down to the valley wood. If the worth is not here, it does not lie elsewhere. The word's sound in another's head. Demon or god, I cannot say. That is all. That is an ending, or a beginning.

Notes: this tribe of voices arose after reading a couple of pages from C.G.Jung's 'Red Book'. The text was a dialogue between two entities, one of whom suggested to the other that it was real but nonetheless a fantasy. This being the case, many more possibilities were able to be conceived. Being real, and being fixed, and being limited. Jung has been assiduously avoided for a century now. More subversive he is than Marx ( who of course modernly eschewed all things spiritual as a hoax). The voices I was entertaining could have been those of the sub-cellular. I have met them before. They have impeccable logic, and are deadly to the pompous ruler of the personality.
How the voices are represented by the red flag of peasant revolt is a clever twist ( just noticed). The cellular majority rising against the oppression of the elite. But also the red rag of forbidden blood. The mysterious female contract with creation, and so the women's huts, and so the Neolithic floor plans of squatting goddess form, and so the subdivided longhouses that remind one of the mitochondria, those indwelling stowaways in every cell – the female genetic line from primeval bacterial beings….

2016/08/img_2198.jpg

Read Full Post »

2016/07/img_2120.jpg

A Precision of Holly

This is how it seemed
in the white midnight of midsummer,
with a whispered moon,
between waking and sleeping:

through a hushed land a procession made
of Holly Lords, strong eyes of peace,
and all together with Holly Ladies, so soft with love.

Soft and strong singing quiet with steady step,
tall and whip-like truth not tip-toeing
around the sleeping, not roaring but
tipping the world in a slow spin onward,

setting rhythm to rights and breathing
green pooled ease in the red ripening of it,
in the swell of seed and fat-juiced fullness of it.

Dark in sunlight, pale glimmering in shade,
an equipoise of attentive judgement,
a precise distinction making room for joy,

an opening upon a narrow sky,
a cooling and a warming of blood,
too hot and too cold, wrapped, held, woven.
A statement, a clear intent, an incense risen up,
a perfected purification, a curved calm vector towards peace.

Read Full Post »

Older Posts »

%d bloggers like this: