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Posts Tagged ‘inspiration’

Sorrow and joy

Dark and light

And all the colours

Stretched as an arcing bow

Between them.

Tell me,

Which is the best?

Which is better?

I know the sorrow that is better than joy.

The darkness more comforting than light,

Water mixed with jet.

.

It is on the heights of Beulah now,

Hung between heaven and earth,

Between the sun and the shadow

As the light shifts, too, across the valley,

And the cloud-flocks drift slow

And easy at this turning of the seasons.

.

Gwion Bach, told to watch.

Bored and tired of staying still,

‘Til suddenly he knows it all

And is off trailing glory,

And laughing at the witch

He has stolen it all from.

.

Yet he, too, is swallowed whole at last

And set adrift on eternity,

Forgetting his name,

Remembering everything else.

All the rivers of the world flowing over him

Until he bursts up loud and shining,

Words cascading,

Putting all the rest to shame.

.

No matter, no matter,

That you are not the best, love.

As long as you do the best you can.

Put no one to shame with your brief flash of brightness,

But light up all so all may see they burn as bright.

.

For a moment,

For a moment,

We shall be as clear and light.

Before the twilight cauldron

Shall silence us all.

The arcing fall, the leap,

The endless golden moment

Between worlds

Filled with song.

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THE TALIESIN SHADOWS

1

He comes forth by words,

out of darkness and brightness

(we, watching, blinded by both).

.

Out from blood, out from skulls,

out from the groves and the mist.

.

They tumble, birds from nets,

these wild words seeking skies.

.

The scent of oak and moss,

the scent of rust and iron blood.

.

A thousand years,

and still no-one has fathomed its depths.

.

The evening sky swept clear of life and death,

autumn clear with the tooth cold edge to it.

.

He has learnt to weave the shadows.

Mystery is his cloak, a feathered cloak of wings,

wings of words.

.

The meat of the past, the blood and muscle

of all forebears held in rhythm and sound.

.

They have perfected their own shadow,

full of mystery and silent horror.

.

Persistent dreaming encourages a certain familiarity

with dear monsters. “My awen is an ash spear”.

.

We talk to the spirits of the dead,

recounting their stories, reviving their memories,

reincarnating the spirit.

.

I will sing and sing and sing your words.

Your voice feeds my nerves

and I become, first, between, then other, then empty,

and you can walk in.

.

My shadow

becomes your shadow,

your words,

my words.

.

2

I open my mouth.

There is silence.

But now the wind

From the graves

Forms sound, the vowels,

The rivers of sound from the caves of wisdom,

From the mounds of remembrance.

.

I will not sing to the lords, to the rich kings.

I sing to the free, who lack good weather,

Who seek rain in drought, seek sun in storm.

.

The space of song.

They listen and travel through these words

To become closer to the divine.

This is my space. The protective weaving of poets’ words.

Enwrapped, entranced, protected within the poet’s rhythm.

3

Cauldron

This cauldron: iron hard consonants

Wrapped round and shaped by the curve of vowel.

What will it not encompass?

What shall never be encompassed by it?

.

Awen is greater than this cauldron’s expanse,

Awen is deeper than its deep resounding belly.

Powerful is the echo of that fortress of truth,

Yet an echo in the hills of distant thunder is what it is.

The ocean roar of awen in the cursive chambers of shell and bone:

A whisper of voices, millions, there are millions, from the deep before.

.

Deep as this cauldron is, and as ancient as its gigantic creators,

It cannot contain the horizons of Annwfn.

One part is understood and named,

Four-fifths remain eternally hidden.

A clear light blinds by its brightness

And the shadows deepen wherever it shines.

It cannot be named by names, it cannot be sung by songs,

It cannot be understood by philosophy,

It cannot be measured by maps.

Look up, look down, at the revolving stars:

It is there and not there.

Stir the bubbling verses in the honey cauldron:

It is there and not there.

In the breath and in the void

It escapes the understanding as the sun at sunset,

As the cuckoo in winter,

As the wren in the hedgerow.

There and not there,

A diminishing cry

Stirring the mind of poets.

.

He grows from his words – the seeds of sound

On the soil of listening silence.

Embodied, he is mystic light, a tricky one, iron hard steel.

An evolution of the world’s voice found in the dark tombs,

A clothing of golden brocade for liquid tongues.

They whisper in circles in their root-wrapped rooms.

The transcendence of death by the sages, by the brave,

By the wise, by the heroes who pass between, who pass on.

I have placed the words of the past in my body.

Golden, they rise up when my tongue bids it.

The mead flows, we drink and are drunk upon it.

.

The deep speaks, and it stirs the deeper still.

We are echoes and can trawl

The life beneath the single

Small light of the soul.

This voice overtones infrasound.

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WRITE

Write with the surge

Of words that boils up,

Nor tide over the roar

And rushing hiss, the fast bliss

Of licking, foaming sound

Eating sand and landwards,

Landwards up to cloud

Up to grass and sun.

Past the decent reach,

Roaring past the pitch

And yaw, troubling the roads

Eating the lazy lean of worn pathways,

Spitting out new views raw and hot with life,

life that burns bright and dances wild.

Life that lifts its skirts

And does not care.

A fire and flood of windswept words

That will whisper and remain:

“That we were here, that we were here”

Long into the longer silent night.

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PROLOGUE (dark druid arts)

I have sat down and tasted the words of the dead.

What do they taste of, the words of the dead?

They taste of the feathers of owls and the scent of old books.

They taste of domed silent libraries and the flow of a million minds.

They taste of iron and the flower of blood as it fills the mouth.

They taste of mud and rain and scythed grasses.

They taste of the forbidden, of the forgotten,

of the bitter and the everlasting.

They taste of answers and riddles and orifices.

I have sat down and watched them

As the old words make pictures,

As they attempt to communicate their forgotten truths

and the lying stories, and the power of breath and the power of song.

2

Let these sounds revolve slow:

The seed that sucks in water swells

Reaches out to worlds unseen

New airs moving, new sense, new scenes.

Becoming is leaving behind in darkness

That which feeds us still.

Moving out, moving out, peeling the familiar.

These fragments to be held without adjustment,

Without conclusion, as it were,

And if we were not shaping, as it were,

As if we knew somewhere deep already:

The old languages of the blood,

The old languages of potent dreaming.

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N THE BLOOD

How long does it need to be in the blood

Before it becomes poetry?

How long must it seethe ‘til it yields

A single drop reflecting new truth the old way?

How long mirroring, remembering, discarding,

Disregarding its own and other fashions

Until it forgets the watchers and turns in

To be just itself alone?

A single gnat swims unevenly

Through a still midnight room.

That is what life is, usually.

The wind outside, a faint electric hum,

The tick of clock and cooling fire.

The words sink down

A mulch of debris.

Nothing can be returned now.

It must move on and feed others,

Seek new flesh, bend new tongues.

It will pulse,

A thin capillary pull

To go on its way.

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DEFINITION

Somewhere between prayer and weeping.
Something like science and song.
When the wind catches your breath
And the waves fill the shore with longing.
When the cauldron bubbles and three drops unbidden
Jump hot and perfect onto the fingertips of your tongue.
When the ordinary suchness takes on shimmer.
When the sound of it somehow does not die away but lingers.
When it feeds us as nothing else can because it is why we are made:
The speaking of heart and head and gut.

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SOIL OF A NEW HEAVEN

The bare trees bend.
Birds bob and float –
Words of a haiku
Searching for a place to rest.

A single beam of sunlight tracks the valley floor
From a sliding sky-pool of bright gold.

The last few leaves have fled
And there will soon be rain.

A fragrant savage despair –
Like love, but not love.
A bitter yew red dust wedded
To ash and water,
Sprinked jet, sprinkled amber.
A language hugged and big as mountains.

The words of Taliesin sucked in through eyes,
Turned, fermenting in a cauldron heart.
Spat out in a limping century,
Adrift in baseless magic,
Amongst debris of another false economy.

Strike this hard sky-grey flint until the sparks fly –
Then the river words shall flow torrenting
Pulled by a centre true and weighty:
Inescapable earth, the spinning fort
Where all yarns are woven up, mataté and mill.
We shall be ground yet,
Ground down and ground up.

We shall become grist and whispers in the ears of playing children
Who do not know anything of us, not names nor actions,
But threaded on the same hopes,
The lilt of a language as natural as falling asleep.

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THE WORDS WE COLLECT

It is the whispers in the walls,
The ghosts that breath upon our lips.
We dissolve, lost in sounds from elsewhere,
From rooms, from halls.
Left, empty enough, losing attention,
We step out of ourselves
And for a moment become monstrous,
Glorious shadows in the winds
Of strange, bright mornings.

Though none of it speaks for us:
The silent, swirling mists, nor
The resounding, thundrous deep,
Nor the wells without light,
Nor the stars without memory,
Nor the movement of seconds,
Nor anything of the vastness.
For all these are constrained
By our sound, and uttered unbeknownst
By those guilty of innocence.

Left dancing on air, breathless,
Pierced, spun to a fine point, examined,
Cast out, then disregarded.
Swimming in an ocean of shadows
It is hard to know what is of value.

I shall put my ear to the door of the earth,
And listen to the ones never dead,
A music not of our blood though equally holy.
Even its echoes dissolve flesh and name
In the round chambers, skull-domed,
Grass-topped and nibbled by sheep.

For the extraordinary rests upon the ordinary,
As sound rests upon its own silence,
The known is upon the unknown
As birds rest upon tall oaks in evening.

We live above the noise, dipped in cloud.
Hearing rumours of the dreams of others,
And building what we can out of that.
Once given a name, believing that makes us real,
Practicing a story sewn from fables.

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A Cloak of Words
(The head of Bran whispering poet’s ears)

A whole long life he muttered dream charms
In the warm safe hall, in golden birdsong.
This life is a metaphor for living, but is not quite,
Is what he said, till curious, one looked beyond the doors.

The cold sea winds, the mist-white cry of gulls,
The memory stripped, fact bones, dream blubber,
Food for drowned thought, shivered clear,
Born again.

The snow creeps down to the valley floor.
A bullfinch in a flash of sunlight.

The Good Raven is cloaked beneath,
hidden and always in our blood.
And he will whisper, good-hearted,
as bright brows burst with illumined fire,
a convocation of the one, the only, bard in many voices.

A sea of hills, and one mighty one striding through.
It is a downward spiral from there, no good came of it,
Except a good tale dusting sunsets with fools’ gold.
Perhaps that is, after all, enough. As much as
Can be hoped for where women are unheard
And men so willing to go to war for pride.

So senseless is this suffering as to drive them raving, about the forests,
To perch muttering in bare branches, to shun the comfort,
To converse with blackbirds, to remember in aeons,
To weigh the heavy genealogies, to befriend stars.
Brave enough to see and to speak in true riddles;
To confound the self-righteous mind, to spit out the grit;
To fire the dark night with lightning, to sweeten bitterness.

And to go unheard, to go misunderstood, to go mocked,
As the world itself is, as the son of the world is,
To be turned into ghosts to frighten children with,
Unfashionable prophets, an annoyance of thorn woven crowns.

Bright-eyed, the blessed carrion-eaters return
Making the most of the already lost.
Wishing them well with a natural grace.
The beautiful bones pecked clean,
A lean, mysterious perfection
Is all that ever remains.

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CONJURATION

He sits by the window letting the landscape go.
A little incense will stretch and curl in the moving airs.
There is welcome rain on pale, misted hills:
The meadows and their trees will green.

The shoals will flicker beneath thin surfaces,
And there is skill in waiting and skill in catching up the glimmer.
Sometimes it is enough to hold one wriggling thing.
Sometimes a light touch will tease a line,
A bright twist into this world, a hopeful humming reel.

There is the holding and the letting go.
A whisper wish to Gwyn ap Nydd
Who hunts these lost ghosts and churns them upwards.

To mark a path only, or to push down into it,
Or to be pulled willynilly in mad rush and see,
See where it leads, traipsing forgetful, curious.
Or but to float above serene and light as hawk bones,
To not become distracted by maybes,
To contain all, to exclude nothing, to lose track of no slither,
To allow a subtle sedimentation – to be that patient,
To become equanimity, geological.

It will be the touch of madness that marks it out,
The touch of madness they shall not forget.
The discomfort of impossible resurrection:
Light that is not there, a bubbling up of echoed sounds,
A mystery of conjured voices, a song of ghosts.

This, the slow and certain engraving of our vanishing lives
Upon your smoothed and cooling brows; etched, hatched and nested within
Your twigged and tumbledown minds.
A thimble of the past to dull each ache of uncertain stitch.
That impossible race to reach each sunsetting horizon.

Between the moment and the madness
Is where the bright shoals swim.

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