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Posts Tagged ‘inspiration’

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SOIL OF A NEW HEAVEN

The bare trees bend.
Birds bob and float –
Words of a haiku
Searching for a place to rest.

A single beam of sunlight tracks the valley floor
From a sliding sky-pool of bright gold.

The last few leaves have fled
And there will soon be rain.

A fragrant savage despair –
Like love, but not love.
A bitter yew red dust wedded
To ash and water,
Sprinked jet, sprinkled amber.
A language hugged and big as mountains.

The words of Taliesin sucked in through eyes,
Turned, fermenting in a cauldron heart.
Spat out in a limping century,
Adrift in baseless magic,
Amongst debris of another false economy.

Strike this hard sky-grey flint until the sparks fly –
Then the river words shall flow torrenting
Pulled by a centre true and weighty:
Inescapable earth, the spinning fort
Where all yarns are woven up, mataté and mill.
We shall be ground yet,
Ground down and ground up.

We shall become grist and whispers in the ears of playing children
Who do not know anything of us, not names nor actions,
But threaded on the same hopes,
The lilt of a language as natural as falling asleep.

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THE WORDS WE COLLECT

It is the whispers in the walls,
The ghosts that breath upon our lips.
We dissolve, lost in sounds from elsewhere,
From rooms, from halls.
Left, empty enough, losing attention,
We step out of ourselves
And for a moment become monstrous,
Glorious shadows in the winds
Of strange, bright mornings.

Though none of it speaks for us:
The silent, swirling mists, nor
The resounding, thundrous deep,
Nor the wells without light,
Nor the stars without memory,
Nor the movement of seconds,
Nor anything of the vastness.
For all these are constrained
By our sound, and uttered unbeknownst
By those guilty of innocence.

Left dancing on air, breathless,
Pierced, spun to a fine point, examined,
Cast out, then disregarded.
Swimming in an ocean of shadows
It is hard to know what is of value.

I shall put my ear to the door of the earth,
And listen to the ones never dead,
A music not of our blood though equally holy.
Even its echoes dissolve flesh and name
In the round chambers, skull-domed,
Grass-topped and nibbled by sheep.

For the extraordinary rests upon the ordinary,
As sound rests upon its own silence,
The known is upon the unknown
As birds rest upon tall oaks in evening.

We live above the noise, dipped in cloud.
Hearing rumours of the dreams of others,
And building what we can out of that.
Once given a name, believing that makes us real,
Practicing a story sewn from fables.

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A Cloak of Words
(The head of Bran whispering poet’s ears)

A whole long life he muttered dream charms
In the warm safe hall, in golden birdsong.
This life is a metaphor for living, but is not quite,
Is what he said, till curious, one looked beyond the doors.

The cold sea winds, the mist-white cry of gulls,
The memory stripped, fact bones, dream blubber,
Food for drowned thought, shivered clear,
Born again.

The snow creeps down to the valley floor.
A bullfinch in a flash of sunlight.

The Good Raven is cloaked beneath,
hidden and always in our blood.
And he will whisper, good-hearted,
as bright brows burst with illumined fire,
a convocation of the one, the only, bard in many voices.

A sea of hills, and one mighty one striding through.
It is a downward spiral from there, no good came of it,
Except a good tale dusting sunsets with fools’ gold.
Perhaps that is, after all, enough. As much as
Can be hoped for where women are unheard
And men so willing to go to war for pride.

So senseless is this suffering as to drive them raving, about the forests,
To perch muttering in bare branches, to shun the comfort,
To converse with blackbirds, to remember in aeons,
To weigh the heavy genealogies, to befriend stars.
Brave enough to see and to speak in true riddles;
To confound the self-righteous mind, to spit out the grit;
To fire the dark night with lightning, to sweeten bitterness.

And to go unheard, to go misunderstood, to go mocked,
As the world itself is, as the son of the world is,
To be turned into ghosts to frighten children with,
Unfashionable prophets, an annoyance of thorn woven crowns.

Bright-eyed, the blessed carrion-eaters return
Making the most of the already lost.
Wishing them well with a natural grace.
The beautiful bones pecked clean,
A lean, mysterious perfection
Is all that ever remains.

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CONJURATION

He sits by the window letting the landscape go.
A little incense will stretch and curl in the moving airs.
There is welcome rain on pale, misted hills:
The meadows and their trees will green.

The shoals will flicker beneath thin surfaces,
And there is skill in waiting and skill in catching up the glimmer.
Sometimes it is enough to hold one wriggling thing.
Sometimes a light touch will tease a line,
A bright twist into this world, a hopeful humming reel.

There is the holding and the letting go.
A whisper wish to Gwyn ap Nydd
Who hunts these lost ghosts and churns them upwards.

To mark a path only, or to push down into it,
Or to be pulled willynilly in mad rush and see,
See where it leads, traipsing forgetful, curious.
Or but to float above serene and light as hawk bones,
To not become distracted by maybes,
To contain all, to exclude nothing, to lose track of no slither,
To allow a subtle sedimentation – to be that patient,
To become equanimity, geological.

It will be the touch of madness that marks it out,
The touch of madness they shall not forget.
The discomfort of impossible resurrection:
Light that is not there, a bubbling up of echoed sounds,
A mystery of conjured voices, a song of ghosts.

This, the slow and certain engraving of our vanishing lives
Upon your smoothed and cooling brows; etched, hatched and nested within
Your twigged and tumbledown minds.
A thimble of the past to dull each ache of uncertain stitch.
That impossible race to reach each sunsetting horizon.

Between the moment and the madness
Is where the bright shoals swim.

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SOMETHING TO BE SAID (MAYDAY)

Pauses grow longer, a melancholy may soon creep in.
We cannot escape our own voices.
( “We rarely go out these days and visitors, though longed for,
are a great discomfort”).
It is a wild guilt that wants our words in other’s heads.
Always a nuisance and a pleasure
to be infected with poetry,
to admit the familiar voices, to see which one leads, this time, the hunt.
Gwyn ap Nydd collecting souls, the ghosts of words,
The white words, the vapoured words,
the haunted words – as poetry is.
‘White, Son of Mist’ – like the morning,
the first attempt at May, after a night of rain,
new in stillness and birdsong, mist on green land,
the ash trees still thinking about their coming fountains of flowers,
roots wriggled so deep in the past, and aching old.
The dunnock’s sweet descent.
It filters down as if spider webs
And gold dust – the flecks
Of memory and forgetting.
A city with loud inhabitants, unkind and strange.
A darkness punctuated with doors and reasons.
As if it didn’t matter, everything collapses.
The moment passes, the tongue gives up.
It cannot make the chords that the brain sings in,
Just one note at a time, syllable by.
There is something to be said for silence.
The way the mist in its own dreaming gravity
Slides along the slopes
And settles in the cwms.
The way it shifts space.
The way it delineates what is not itself.
With what would we fill these silences
Should all the voices stop?

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this dreaming breath
named from a confluence
long streams tumbled for a while
on the meticulous dance of sun and moon
clothed in scars and mystery, veiled, draped about.
shaped by a host, a singing constellation of unnamed stars.

Having been in the woods
One may never come out.
Though scrupulous,
A whisper breath will still
remain, like the memory
Of mulch in the nostril,
The coolness of the skin,
The crack of twig, a cobwed brush.
We become inhabited-
The same as we ghost
Forgotten places.
Murmur.
Reverie interupted.

Leonard

This poet’s voice.
Like honey,
Like an earthquake.
A gentle mountain
With thunder.
Sun and rain,
we smile, we cry.
All vistors
With return tickets.


Heart’s warmth, the only sustaining fire.
We are huddled beings, backs to the night,
glorious in our strangeness, bred for our dreams.
Peculiar are the haunted songs echoing,
peculiar the views we insist upon, peculiar the words,
peculiar the moments.
revivified by the lightest touch,
ignited by the slightest breath,
flowered and flowering,
the thinnest web of cells strung together,
pushing outwards,
holding back,
translating silence.

This one breath
Is ours.
Then than
Too,
Is gone.
This stream
Of word
Caught in a
Flashlight
Moment
Then
Lost.
Remembering
What is
No longer.
A wonder!

Her shell-like,
Bending low to this little earth.
She will turn away
In sorrow and disbelief
Fall and fade
And become dark
And empty
Once more.

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Book of Voices ( This Sky: part 2)

Each cell voicing its own obituary,
Each mitochondrial Neanderthal fire-watching,
Knapped sound, flint words, held, tapped,
A feel for languid, mushroomed word
( so much glory hidden tangled beneath a milk stream
Of holiness, food, fingered, fluvial through substrate,
A healthy holy rot).
All with voice, all with dawning chorus of song.
An evacuation, a cacophany profane, blessed,
A golden urgent urination ( just so),
A mineral-rich, arcing satisfaction, an urge,
Urgent, unguent, a chrism (even), an eventide
And morning of the first day.
Smudged, succumbed, scumbled, it solidifies
And whispers itself out.
Such clarity cannot hold, a boiled ferment bakes dry,
Returns to sleep, mist rises in the valley,
Stars become acceptibly few, named, blink in and out.
The voices turn to their own dreams involuted,
A cochleal murmur suspended,
Slow revolving wrapped sleeping in spider-webbed tranquillity.
Sleep whilst you can, sleep in unity, in slow breathing
Revolved planetary orbits. Sleep pretty and woven.
Eyes lidded now, eyes lidded.
(Words, fragile as insects, scurry iridescent
Into darkness.)

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