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Posts Tagged ‘time’

RISING, RETURNING

Rising through mist and rust and gold.

The rain coming and going and the oaks holding on.

History repeating itself, as it always does,

And the eternal poets weeping and laughing

In their sunlit words.

We shall reach home soon, as we always do,

Until the very last time when time shall slow and stop,

And the oaks, only, will be holding on then

In rust and gold and sunlit drifts.

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THERE, THE STILLNESS SINGS

sink down a little, beneath these surfaces.

the same world, a different view.

a cool wind is blowing, though the mists stay still.

the deep hills in the north, the uplands of the south

are nowhere to be seen.

in the garden scented rose petals drop like rain.

sink down and find the earth,

a rich soil of dreaming.

my souls have coalesced

but drift apart as stars do,

As wandering flocks do.

without even trying

the hills begin to emerge.

it will be a hot day

and we shall be grateful for shade.

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WAR HAS CAST THEM

War has cast them off the mountain

And they have never yet returned

Except their tattered ghosts minding flocks

And the wind and the rain and the ravens.

The stone, green under soil.

The soil, black under sedge.

The distance sailing above cloud

Shaped by worlds beyond reach,

Reciting the names, reciting the names.

SOME GO

They weave these times of plague

with threads of brighter days.

Sharing the names of farms and families:

Nain, hen nain, hen hen nain,

and the tales of the tales she told.

The hearths swept and re-laid

for an eventual return

after the storms of the world blow by;

the family bible left open at Lamentations.

Some go into the hills,

finding the silent walls

moss green, wide strewn;

the signs all but lost,

like the songs of living and dying:

the songs of harvest, the songs of planting,

the songs of weaving, the songs of lamenting,

the songs of losing and of finding.

It is the songs of living

that we have lost forever;

the songs of simple doing

that told us we were not alone

in feeling the rhythms of breath

as muscles worked and tasks completed.

It is all silent in the hills now.

cloud and curlew,

raven and lark.

Memories fade

as the farmhouse walls

tumble under moss.

Hold on to the names,

the farms, the families,

the cherished dead.

Over their heads

the world changes.

Plague days,

words dying.

The Epynt is an area of high uplands between the Brecon Beacons and the Cambrian Mountains in Mid Wales. A strong, rural, Welsh speaking area, the Epynt was cleared of people at the start of the Second World War so that the land could become an artillery training area. Eighty farms were given a few months to pack up and leave, breaking and dispersing a robust culture to find their own way miles away from their homes. After eighty years the land is still possessed by the government and this year many descendents have got together to remember their families, where they lived, where they moved, who remembers tales of the old days.

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RAAG MEGH

find the

slow rituals

that absorb time and space.

.

there is

no hurry,

words vanish, yet

last forever, somehow.

.

the green, warm rains

as soothing as music, fill

the breathing valley.

.

one step

is all it takes

to start a dance

no-one has seen before.

.

we will, for sure,

be swept up in

sadness and joy.

.

we will, for sure,

be persuaded that beauty

is just not enough.

.

slow air pushes

the thin rope of smoke

to and fro by the window.

veils of rain hide the hills.

.

it is green and cool and lovely,

the trees say.

look at our slow dance,

they say.

.

and let go

their tired leaves.

Raag megh is a pentatonic raag (raga) played during the rainy season, but because of its cooling, calming influence is also played at any time and circumstance. i used it as the name of this poem as it seemed to fit its atmosphere and mood. Check out raag megh on youtube, especially those by ustad rashid khan, pandit jasraj and kushal dass.

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FAINT BREEZES

Faint eternal breezes between stars

Where the gods have walked.

.

The door-hinge between worlds screams

And time is changed. Your names are of no value here,

Nor your skills.

.

Your future has been stolen

Because the past was not understood.

.

All roads dissolve at the misty edges.

This forest is your accuser.

This forest is your river.

.

The dance between two and three,

The vanishing one eclipsed.

Umbra, penumbra, chorus, echo.

.

The table of utter silence.

The taste of grey iron chain,

Grey as morning, neither this nor that.

.

Four stories long the seamstress works,

Head bowed in patterns, the needles

Darting in and out.

.

Blake and Burne-Jones naked on the shore,

Collecting the teeth of dragons,

Barefoot in embers and sea wrack.

.

The sky boat reflected in the moving waters,

The stallions hobbled, too wild, even, for war.

.

It is the gentle who are moulded

For vengeance and bleak reply.

.

And still the future is mute but growing.

It will be bright with accident,

Possessed with skills of no use whatsoever –

The arts of distraction and decay,

The sowing of grief and duty.

.

Do not look for any meaning in the words ( they say)

The key is not the door.

There is no lie in winter.

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ON STRUMBLE HEAD

A scribble the shape of ghost emotion

locked in a dark of its own

eroded by slow dissipations.

Attenuated solidity, it dusts and fragments,

worn to grit and feathers – like the scoop of ravens

haunting the far and airless void of fractured cliff.

.

So it is the sun shines down this stooping lane.

So it is the sky stretches out cloud as thin as yesteryear

down to a sea-wet sunset.

.

This scribble root of gorse, buried and unburied

in a wall of lost time, scuffed by sheep,

peeled back by tooth of buck rabbit

and the hungry fox who is a poet for worms

and small chances in the night.

.

We slope down, we slope down,

a curved limb and a slow-motion fall.

The land reaches out, reaches out,

so in love it is with the distant perfect horizon.

The whitest lighthouse walls, a geometric parable of steps,

a blessing and a curse of isolation.

Here, it says,

not here, it says,

you are going, have gone,

astray.

.

This tower of the last word, reaching upwards in rain and spume.

A dancer, as a tree is, as a gorse bush is,

straining against gravity and used to failing beautifully

with grace and a small distance in the smile,

a cool distance where perfection lingers before it melts.

.

A ringing landscape song: thin lanes,

long and running bravely to thin air.

Dead ends, dead endings where the ravens wait

soaring up the world’s edges,

soaring up to taste the distant crashing,

testing the resilience of time against

the pump of heartbeats.

.

Small things matter, so close we are here to edges,

where the wind throws all opposition down

and the pastel fragile seasons

dress and undress eternal moments.

There is a transparency in the air

above Strumble Head, a wind-blown kiss,

a word of farewell.

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ALMOST JULY

Almost July now

The fragile weather moves through fragile time

Sways like flowering grasses, persistent as bindweed,

Sacred as the falling rose, fragile as breath,

Fragile as hearing the sweeping seas of green dip and rise,

The winds from the west bringing rain and no good news.

Fragile is it all, should you try to hold it.

Fragile is the moment, should you name and label it.

Fragile is the horizon’s light, should you yearn to calibrate it.

Though it is only thus from certain angles.

It is not so in the way it dances,

The way it remembers different times,

The way it sways in eternity,

The way it will change its name in a moment,

Change the steps, open, close, open its eyes,

Pick flowers for incense, for poison,

For your graveside.

A bit late, but I have a bit of a backlog of unpublished words that keeps on growing, so before it slipped completely from sight, here it is. And I have many more mythological pieces coming up at the moment, so this gives a bit of a break from the hard stuff.

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LOST 1

My white winged soul is over the sea,

Low over the silver waters,

Far from sight, for duty

And the hope of peace.

Gone from this world,

Gone from the next,

Spiralling down to earth

To scour the debris of other’s joy.

There is some small joy in loss,

But not this loss.

Settled and content were we,

As rocks on a sun-warmed hillside

( the popping of gorse, the dust of heather,

the impermanent river of skylarks).

Settled and content, rippled in sheltered shade

(the hum of bees, the dance of gnats).

But each change brings irrevocable change.

Worlds end at every whim,

The ruins dreaming in emptied desolation.

Time, a syncopated stutter

To relive or forget in themes.

The moment before death –

An unravelling of strategy and excuses.

Something pure there, something silent,

Something wrapped beneath the pain and sorrow,

Something unutterably sweet, something eternal flickers

Before the moment and the light dies.

Before the terrible glorious cauldron darkness,

The seething dice thrown before dawn

Where we have lost our voices

And must learn to sing again,

Sound by sound.

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A PERPETUAL DREAMING

.

far away, among the mountains

that uphold the sky,

.

there are those

who forever walk on tiptoe

.

and only whisper,

so as not to wake

.

the sleeping god

that dreams the universe is real.

.

the lullaby of cascading rivers,

the jade clear ice fields,

.

the resounding sapphire sky

with silent wheeling eagles

.

and murmuring chant

from the womb dark temples

.

to keep that sleeper wrapped

in the folds of wonder.

.

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ON THE HILL OF ARBERTH

Shall we climb the yonder green mound?

Expand our view to the wide unseen horizon,

See wonders, see the unattainable brilliance?

I shall tell you a story where the darkness shines

As bright as the glory of day,

Where the horror shouts loud enough

To wake the doorkeeper between worlds,

Where the pictures come as clues to other strange things,

Where places reconstruct in cellular aggregations

Down the spine and the tides of new air

Tingles with the riddles of a new way

To lose certainty and find a better truth.

Rest now.

Time and space is full already with this world.

Watch as patterns shift.

In shadows and slowed moments

Other worlds can show themselves,

The other that is not the other.

( the woodpigeon’s grey cool song

And the deep green wind between the hills).

It is so full, so full.

Let go the river downwards.

Just below, just below the known

Are the vast halls of golden brocade,

The sapphire cool pavements, as it were.

Wait, unframing, un-naming.

Roads are small patterns of consistency.

Mingle the words of in and out.

Lay one on another without choosing.

Climb the green rise and see what might be seen:

Distance, shimmer, dazed,

What is there is elsewhere.

Soften and dissolve the sight –

That is the way, ( a voice says), to see outside.

The mirror ripples, water turns to rock.

The slow creatures stop to dream,

The warm air chants with bees’ hum.

One step without moving.

There is an art to it akin to drunkenness and despair.

Waiting, not wanting control, dissolving slightly,

Wavering a haze of possibility.

Silence. The deep is the dream

That dreams you here.

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