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Posts Tagged ‘Autumn’

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LI PO WAITING FOR DRAGONS (DINAS WOOD)

Li Po, I suppose, will be standing there,
hands thrust deep into sleeves,
breathing the slow hills.
Admiring the play of light
and the way the oaks
catch the late year’s brightness
on their wriggled limbs.

And how green is the gold,
and how golden the air
spicing the hazy distant.
In leaf litter, the rustling
of jays and squirrels,
gathering up the fallen year.
In the glass layered river,
sounds swallowed
and turned to light,
light to sound.

Li Po remains motionless,
holding all the river of his thoughts,
so he forgets nothing, misses nothing.
What has gone, and what arises:
balancing the mind of clouds,
the mind of mountains,
the mind of Dinas, cave-filled, hunched.

He sees the forest crown
shaping syllables: each tree
a slow, fast, steady song.
He weighs dark and light
On the cliffs of Craig Clungwyn.
Notes the rainbow mists
above the Doethi valley.
Floats above the scouring wind,
hawk and skylark and willowherb seed.

Li Po, waiting for dragons,
for the roar of the Tao in the mountains,
the narrow road winding northwards,
the cauldron of the seven stars.
For the eye of the world to open unwavering,
mind melting into mind.

He will not have long to wait –
a century or two
at most.

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DHRUPAD 14 (sky wedded)

seen
see now the sky now
wedded the sky wedded the sky
to silence, silent pool, sun sliding,
sun slides slips bright morning, citrus sharp and thin morning.
still, sharp morning.
Fennel, collecting
collecting fennel seeds so fragrant on my fingers,
green and full and cool and and.
It lies so still so still and cold now
still and cold the slipping sun the slipping sun low and citrus bright
delicate as fennel seed the pink cloud light puffed pink cloud morning, rimmed cold rimmed bright the slipping sun
and the apples falling now out of sight but falling
the leaves crisp and dry giving colour away
giving gold and green and all their days away to watch open-eyed open skied and breathing slow the silence grow
the silent singing silence the singing sky the slipping sun
and the moon still,
the moon still half gone
rolling bright dreaming dreaming of the last night gone,
night dark with stars
and now so clear and still there
there now there now settled bedded laid in silence
the slow dark and light the dancing shade the cool and citrus shadows the glaze colour gazing morning gesture clouding flow
small bright flicker shading clouds now shading sliding sun and riding moon higher still that that
higher than that cool cool riding the day wave bright and glorious cool sky sky wedded it is now.
World sky wedded

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Our Geography –
Nant Crysan

The rowan reddening,
No drop of sunlight wasted;
And the dried grasses to feast on
For finch and siskin.
The blue forest, floating on heat and haze,
Is cool still, the sound of trickling water,
And a breeze far off
On the slopes of Esgair Fwyog.

A row of hills weighs again its thoughts,
The horizon still no nearer.
There, by Spite Inn, the buzzard
Peers from its high post:
Something will stir and food will come.
The world wastes nothing,
Passing on one to another.

The road turns because it must,
Rises because it must,
Falls because it must,
No god complaining.

The rivers of old walls,
The lines of fields left fallow.
And the old names:
The ridge of the runaway,
Haunted still ( the cry of hounds and the drip of fear);
the ridge of the tumbling waters,
Haunted by another sound – of
Gathered ravens and ripped, uprooted, roaring torrents.

This rise and dip of this land
Draped between named places
Always slows and deepens my breath:
The way the hills fold up to the sky,
The way the forests have been patted
Into neat lines at field’s edge,
The way the water of Nant Crysan moves slow
And hidden in the sedge-rippled meadows
Where the black cattle come and go,
The way the fences fall into their own calligraphy
And the gates open always,
always to empty, sighing sky.

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LOST HAIKU

Autumn leaves.
The path ahead obscured.
That is why I am so late!

Only one leaf left
On the old tree –
And that is a bird.

(Basho on biophobia)

The old pond.
A shopping trolley pushed in.
Profound emptiness.

Midwinter road.
Around the corner:
Sunshine.

A half moon sunk low.
In the valley. Listen!
The river, shivering.

The past turns haiku.
The valleys dissolve in rain.
Dissappearing light.

To culture silence
Become that grey backed heron
And watch unhurried.

Dark water
The ash bows down
Reflecting.

The smallest day.
Mosses, lichen, drip their own green light.
Darkening woods.

Foot in mouth
I walk words
Tasting damp leaves.
The spiral of green moments.

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Storm Morning

Into the slow heron lift of it.
The storm morning roar,
Like a city train, rattles roof and windows.

Druid trees with one eye shut
Stand on one leg and let go of nearly everything –
That is what their roots, deep as choirs, allow.

On green meadow and crashing hill
We push against a sting of rain.
Lost, but not lost as the ones by the sea,
Watching the waves eat the shore and the harbours drown
And all the long, safe years melted away
In a wall of water and sound.

It is a patient world, willing always to start again.
A reformulation of parameters, season by season.
What is gone is gone, the autumn trees say.
What is gone is gone, says the storm of grey morning.

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SOAR Y MYNYDD

Where we rest
Deep in the mountains:
Soar y Mynydd

Hung in autumn air
Its white walls glowing:
Riverside chapel

Neat as it may be:
A congregation of leaves
Patiently waiting.

Soar y Mynydd.
Even when people have drifted away
The river sings hymns.

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It is the changing light
That is making the distant hills dance.

It is the falling voice of crows
That weds autumn to the stilling air.

It is the accumulated weight of days
That pales the valley oaks to gold.

It is the forgetting of our own dreams
That fills us so with pathless grey dawn.

It is only hour by hour in the garden’s work
That we learn a steady, silent patience.

Bending down to earth between a hum of flowers
Doing only what can be done,
Doing only what is timely.

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