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Posts Tagged ‘morning’

BHAIRAV (THE WEIGHTLESS WEIGHT OF AIR)

Air.

Flowing river from mountains cooled,

And the passion of stars

Piercing the bow of Time.

Air.

Layering droop and singing yet

On the long slope of dawn.

Air.

Tinted blue yet.

Twisted warm and wan.

Twisted slow, rolling.

Air.

Dreaming pulses

As reasons’ reflection

But vague yet.

Vague and languid,

At edges stalled.

Moistened in sleep,

But not.

But not.

Air.

Piled deep

Down to the stars.

Life sways hanging, drifting.

Trees with their hair

Loose and swaying

Singing, singing,

Down to the starlit voids

Hanging the tidal edges

The endless full innocent darkness.

Air.

The trees shape

Single syllables

Howled whisps of vowels

Finding froth from feeling.

Air

Patterned, pressured, punctured

Parcelled.

Air

Twisted and released,

Spread out and stretching,

Tidal current

The vapours caress

Their gradient glacial moments.

Air

Sun bright now

Shifting shimmering.

It suffers all thought.

Turning about

Returning it to silence.

Air.

Sun-bright now,

Spirit-filled

Song-filled

The tongue of gods

Hungry for this and that.

It will not

It will not.

It will

It will.

Invisible lover of every surface.

Air.

It stretches, it pulses.

Gods are born from air.

They flow in and out,

Grow fists of nothing.

They flow in and out.

Gods born from

The turbulent throbs of air.

Movement shiver shafts.

Silence

Silence.

Bhairav is a well-known Indian raag of the early morning. I have only recently grown to love it and its variations. Perhaps the tense sharps and flats put me off. It has the energy of cool space, of heights, of growing light, of distance, of precise wing-tips, of soaring wings, of the dip and soar of red kites. This is a sort of verbal alap – a slow exploration of the moods and directions of morning air, here in the mountains.

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MAY MORNING ROAD

I shall set before me this road,

Laid out across the misty cool morning.

I shall set it to wander between

What I know and what the world knows.

The light that pushes through the stretched hopes

Stretches green and upwards

Where the clouds melt and thin

To impossible blue.

I shall tie this road here

And let it wander between it all.

Gods would fight an eternity to be here.

They would gather murmuring like bees

To be fed on this transient translucence.

It moves lightly, this road, with nowhere to go.

It revolves around its own curiosity,

A certain lightness, familiar but untrodden.

It tastes a certain way, delicate between the cuckoos.

It will go a distance

Before it finds

It has not moved at all.

Admittance to the centre of all things.

It shimmers with breath,

This May morning road.

—

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RAAG MEGH

find the

slow rituals

that absorb time and space.

.

there is

no hurry,

words vanish, yet

last forever, somehow.

.

the green, warm rains

as soothing as music, fill

the breathing valley.

.

one step

is all it takes

to start a dance

no-one has seen before.

.

we will, for sure,

be swept up in

sadness and joy.

.

we will, for sure,

be persuaded that beauty

is just not enough.

.

slow air pushes

the thin rope of smoke

to and fro by the window.

veils of rain hide the hills.

.

it is green and cool and lovely,

the trees say.

look at our slow dance,

they say.

.

and let go

their tired leaves.

Raag megh is a pentatonic raag (raga) played during the rainy season, but because of its cooling, calming influence is also played at any time and circumstance. i used it as the name of this poem as it seemed to fit its atmosphere and mood. Check out raag megh on youtube, especially those by ustad rashid khan, pandit jasraj and kushal dass.

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GYLFINIR

(The Curlew)

cool morning.
clouds rise.
the curlew calls.
sunlit
is the new horizon.

damp grasses –
fresh green.
sheep in the fields
curlew on the hill.

inner light.
sun slips through
before the rain.
a distant curlew calls.

melancholy joy.
a pause in the rain.
the curlew’s descending call.

perhaps we shall
be forgiven
perhaps, forgotten:
cuckoo and
curlew
in the empty wood,
the flowering field.
sunlight and
shade
on the distant
mountain.

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Time slides as the seasons slide,
One into the other.
As the sun slides and the moon slides.
Time slides as the days slide,
Toppling over and over,
Rolling as the sun rolls, as the stars roll.

Garn Goch is covered in cloud again.
A slow drift, wordless love.
Seeds of rivers, seeds of seas,
Collecting on the stiff sedge
That lodges between the tumbled rock.

All slides on,
A smooth falling dance
Through winter, through spring,
Through summer.
A green slide and a grey slide,
Sun and rain.

A slow smoke rises, offered.
River mist: opaque as snow, radiant.
And the calligraphy of oaks.

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ARTEFACT

We come and go one by one,
or in twos and threes,
waking, sleeping from dream to dream,
handfuls of dust cast heavenwards, taking shape,
then falling back to settled earth. Bubbles, thoughts, whispers.

Birdsong in a pearl-still dawn.
All day in this small green field,
in its tangled bare hedges,
in its edge of trees,
in its deep grasses, the birds
flit and feed, pause and fly off.
All day the sunlight picks out the distant slopes,
the forests, the valleys.
And they, too, come and go with mists
and clouds
and drifts of rain.

For months now I have been working the canvases,
(for people do so like a view to hold on to,
one so dear to them, one they do not have,
a way through the mute walls,
to remember an opening out, a beyond,
a distant something).
Against its nature to drip, against its habit to mix and merge,
against my own fingers’ wish to sweep and gesture.
A discipline,
the tying down of an illusion,
confection for tongue and eye.
A sweet minded moment, an ache of forgetting.
The life of itself, a liquid thing,
to be constrained so, to process
as a stately, well-dressed thing.
Not just a swirled, delightful, mute moment.
A meaning. A purpose identified. The monitoring of the familiar.
As if. As if.

As if there were a story.
As if there were a careful, structured tale.
A small beginning, a once, a long-ago.
Through wild, thorned paths and fog and frost
to a final end so careful balanced.
A just so.
An as it is.

Something to leave behind.
Something to say.
More than a rise and fall.
More than a raven’s cry across the valley.
More than a blackbird in the cool dawn air.
More than a drift of mist above a hidden river.
More than a rise of trout as the gnats dance on light.

The fire is lit
and it must be fed ’til nightfall.
Then, untended, it will die down,
become silent.

That smooth black,
silk-dark soot:
a hand-print,
a fingerprint on a cave wall:
we are here,
dreaming.
And we found a way through.

—-

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Raven Wind

Eight from the cliffs,
In groups of two and three,
Flowing into the light,
Into mist and mazy weather
Buoyed on distant sight
Sharp as ice,
Bright as water,
Wing-tips singing,
A smudge
Of unbegrudged blessing.

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A lovely mist
Swaddles and swathes,
Dissolving the ground.

The chant of it –
An ululation of hilltops,
A thin taste of cloud.

The silent morning,
A slow rolling light,
A gentlest breeze,
A river ripple.

A high
And abandoned moon
Sings up the sun.

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SUNDAY HYMNS

What
Is a language
That is not spoken?
Silence.

Silent as the empty cottages,
As the deserted fields,
The grass-grown tumps,
The heaped-up midden.

Good men, great men and brave,
One by one, or leading others.
Seeming a wash of tides,
Motions of change,
Revolution of planets.
So they may be,
Or ripples on a pond,
A perturbation,
A breeze upon the forest tops:
Here, a noise, then gone.

Where are the great waves
As the tides recede?
Their roar growls less.
Sorrow and joy only.
Now a tale,
A whisper,
An epitaph,
A place for ivy fingers
To cleave to,
Slurring every mark,
Knife and chisel.

To end the silence,
Or to restore the silence?
To weave it.
Become substance,
Become word,
Become rhythm.

When does habit
Turn tradition?
When, pleas and moans,
Prayers?

Sunlight on
The distant mountain.
A wren seeks grubs
Among broken
Flowerpots.

—-

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SOFT

It lies ready,
Gleaming, gentle
For the gentle sun,
Gentle for the rain.

Gentle the dead,
Soft the morning twilit
Silence.

Soft the hour
And cool
Before birdsong.

A silvered grey
The heavy grasses
Full and laid
In low waves.

Seed mantra
Low and fragrant.

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