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Posts Tagged ‘mortality’

THE COMPETITION : 3 Prophecy of Glory

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Sunlight shines on the hills over there,

Above Beulah, between heaven and earth.

Watch it alight upon Allt-y-gest, upon Garn Wen.

It strokes the steep valley sides with glory.

We wear the crowns that others have made.

A moment in the sun, a hope it might remain.

The rivers are nearly dry here now,

Their voices silenced, their motion stayed.

If it rains in the mountains

The rivers shall rejoice here.

Thunder in the hills,

And then floods will be upon us

In the parched plains.

This glory steps up to us

Like a gift from the Tylwyth Teg,

A moment of gold in the late afternoon,

Before groping twilight shrouds in stillness

All but the endless dancing midges.

Sunlight now is on the bright brow of the hill.

Sing your song, then return to silence.

All the waters of the world are one river.

A moment of sparkling beauty is shared by all,

The passing sunlight, the rising moon,

The susurration of a million stars.

We rise and fall in a perpetual choir.

Sing to your soul, and be still.

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WILD HUNT

I am lost

So I am yours, Gwyn.

Driven mad, worn thin,

By the fickle certainties of man,

The lies of the blood

In the lees of trust.

To slip and wriggle

Into cracks and crevices,

To numb as many seconds

As we may.

Kneel down in the soil

And weep.

You are clay that knows death

And have learnt a mechanical time

So as to watch its coming.

The whispered “This is how it is”.

That is a lie weighed down

By the phantasms of others’ dreams,

Souls worn wan draped in dust.

If we are not reborn

Then where does this yearning come from?

If we are not reborn

Why does music bring so many tears?

If we are not reborn

Whence the joy, whence the sorrow?

If we are not reborn

How do our desires arise?

Whence our dissatisfactions?

If we are not reborn

What purpose does hiraeth serve?

What purpose the stirring of the blood?

The bones of trees

I turn to small hopes.

Collect your souls, Gwyn.

Scatter them into a new Spring.

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A RAINBOW WALKS

A rainbow walks the yellow hill.

Small birds know that Spring is coming.

The wide-winged hawks, too, wheel and watch.

The rain has reached us now,

Tapping the roof.

Our skies yawn wide here:

From the Radnor hills right round

Through Crychan forest and the hidden dive

To the Sugarloaf and the low lands beyond.

Epynt is the wall of centuries behind us,

The deep valleys of the Cambrians, an uncertain present.

The old stones have been removed,

Or lost, that pinned us to hope.

The roads run thin and crumble.

If you live forever, all this is of no consequence.

If you live one year, or two,

This doubt and uncertainty is extravagance.

Many hereabouts conjure their own futures

From a past they grasp as if it were theirs.

As well to leave it be, leave it be.

There is no power here but a rainbow

Walking, for a moment, the yellow hill.

And the flow of wind and cloud across the horizon

No one can see beyond.

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RISING, RETURNING

Rising through mist and rust and gold.

The rain coming and going and the oaks holding on.

History repeating itself, as it always does,

And the eternal poets weeping and laughing

In their sunlit words.

We shall reach home soon, as we always do,

Until the very last time when time shall slow and stop,

And the oaks, only, will be holding on then

In rust and gold and sunlit drifts.

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TY CANOL WOOD

It is a narrow house, the wood that is made for eternity.

A smoke of dream shivering upwards into air.

The roots of it smoulder below, flame-leaves lick.

It is a narrow house we are born into.

So much that cannot be reached, cannot be known.

The paths wander between moss boulders and broken bedrock,

clothed in thick green life.

Constrained by thin earth, yet they all do seem to dance,

and at night, some say, they walk

and the rock creaks open,

light spilling from golden halls,

and that unnerving perfect music, too.

A narrow road and a narrow house we have set ourselves,

But that is not the world’s way.

She dances and throws it all away in broad gesture,

Sings at the central hearth, though no-one listens much,

and knows that song is food for every soul.

Feels the billowing thunder head, this haze of gnats,

the invisible silver threads beneath,

and the chains of finest gold,

and the footprints of old gods between the stars,

that is birdsong here

in Ty Canol Wood.

This ancient small woodland in Pembrokeshire is named from the nearby house, Ty Canol, ( the central, middle, house). It has links to Otherworld inhabitants, and has a definitely magical atmosphere. Here I am contrasting the open, generous quality of the natural world with the restricted experience of mortality and human perception. The coffin is sometimes traditionally referred to as a narrow house and the tomb to a house of earth.

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A FALL OF KINGS

Crow! Crow! I can hear your voice across the valley,

keening and laughing, looking for your shadow

in the sunlight.

The heart may break into pieces

but the head will still go on nattering.

It can never stop, so used

to being fed by roots and wings

from its buried pit, from its damp, deep well.

It summons up and sees what there is and what is not.

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A dying comet streaks beauty in the slowest of motions,

upright as a ballerina melted by the music –

Posed and poised, palest and vanishing,

though here, still here, in the dawn light.

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A voice like last night’s river

hidden in the oak valley,

down by the alders

down by the willows

in their midnight silences.

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A voice like the morning road

across the valley side,

the streams of bright hope

rolling with ridiculous purposes,

speeding on, diminishing, diminishing.

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Beauty as it dissolves.

As it becomes something else.

Never moving, but dragged

into other orbits.

We move and stay still,

shine and are dissolved

by the shining.

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This is what the deep head says;

(the streaming golden head, brocaded

and folded with glory, the red-gold hair

in the golden morning).

The heart with rivers,

the heart with sunlight,

the bones that drag themselves together

from the long dream, and come together

in semblances of something already understood.

The faint, faint sighing hiss of erosion.

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Crow! Crow!

I hear you laughing across the valley.

The wheel never ends of the horizon,

and all its doors firmly shut for now,

so we can listen and laugh and return

to dreaming a world of bright never-ending.

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She burns still in the sky.

Return, return!

and that she can never do.

Pale and white-skinned and broken-hearted,

burning, slowly revolving all the fragments of grieving.

Time emptying out, filling up, emptying out.

The head and the heart and the white, white bones.

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A song as we die, Crow!

Just one more glorious lament.

It is what we were born for, what we can bear,

what will break us into four,

so we become our own horizon.

Smudged out by daylight.

Reborn as stars, the stories will say.

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And you know them all, Crow!

All the songs, all the stories, Crow!

Laughing and singing

and keening and smiling

and calling from heart to heart,

from sun to shade to sun

across the dancing swallow-crowned,

cool-aired morning valley.

Buried in the sky, deep down in the sky,

in the well of sparkling, starry waters.

Everything is nothing,

and that is perfectly

as it should be.

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AN ARTIST DIES

There will be one this morning

who walks out on the hill untroubled

by the mist and the rain.

Watching with a new eye the bright lichen

on the slick rock, the bobbing wagtail

by the water’s edge.

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Who will wonder only a little

At the acheless knees, the easy breath,

as he climbs the high ridge out of the oaks.

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Who will never forget the beauty, nor the love,

but who is still drawn on by a certain brightness,

Like something long forgotten now returning.

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There is a distant sea of weeping and emptiness,

A yearning somewhere far off beyond the day’s glint,

somewhere where everything is still the same,

though somehow veiled and trammelled.

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And he shall walk among his sheep

without them lifting their heads, even.

And his dogs will wag their tails,

then look around bemused;

and the cat will stare and stare,

blinking once so very, very slowly.

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And what was unfinished there

in the studio,

now seems utterly complete,

even so.

Good enough to leave untouched,

good enough to say what needs to be said.

The careful line, the hint of colours:

there is no end to this work.

A brand new sketchbook,

open and white,

is waiting.

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EXIT STRATEGY

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Easy to make reckless plans with full bellies,

But many hearts sank in silence amid the wild enthusiasm.

To drag us all into darkness is the destiny of heroic leaders,

And it is they and their names will be ever remembered

By the sleek, sleazy poets collecting their nightly gold.

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Of course, there were plans and there was strategy.

Of course, it was not immediate – that dissolution

Into the suffocating mists of isolating fear.

The poets’ make clear that there was some fine history there.

But we went into the great design believing we brought light and honour

And hoping quietly for at least a little plunder to justify the slaughter.

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No one had told us that the air there would be sharper than our steel;

That our proud bellowing voices would be snuffed out

Only by the weight of the unutterable silence of that place.

That the chains that chaffed us, ( the poet’s said), were the very sinews

That held our bones and breath, our only strength, our only continuity.

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We shall be mocked and sneered at by any who survive,

Even refined orators driven mad by the senselessness and broken screams of it.

These bright heroes dragged dizzy from the conflagration of hearts,

Goodness sold for pennies or twisted into shields to refute incompetence.

Greed disguised as quest. That tomb will not be opened.

No triple spells to cajole the lost towards a familiar banality.

No back to normal as the ghostly voices weigh down the thin air

With starved dreams and the corpses of tomorrow’s children.

Nothing but worms, now, of glory.

A heroic sunset it was, and now the cold darkness is creeping in.

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1

YOU WILL STOP

Green veins

Of sunlight

Take you to

The silent abiding light.

Within the within

Where voices

Are breezes

And waves, and

Scratched starlight

Arcs.

The smoke

Tells you

Who you are,

And from whence

And from where.

2

THE MESSENGER

What did it whisper?

That you were never going to live forever.

That this breath now,

Is your only road, in and out

Of this world.

That fears are seeds of infinite patience

And will push through the neatest pavements.

That time is all you have,

And you have no more time.

That we do not begin, nor end,

At our skin.

That all barriers and boundaries

are children’s games, lines of chalk.

That when you take,

You take from yourself.

That when you talk,

Silence would often have more honesty.

That you stand upon

A web of silence.

That you come and go

Like a breeze between dawn and evening.

That your footprints wash away

And the stars shine brightly.

3

SAPPHIRE SKIES

We contemplate more sapphire skies,

Breathe in and watch for pain.

Whether we will last or not

Is not the question

We should be asking.

4

UNSTITCHED

These most sapphire skies

shall see us stitch by stitch

become unstitched

and standing naked,

wondering how it was,

and why, becoming

took so strange

a gentle slope.

Tides and waves,

a change in the weather,

a blackbird’s rain song.

How could we have forgotten

so easily?

All is absorbed

becoming benign,

a honey sustenance

for new sunlight.

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A LULLABY AGAINST FEARS

Do you not see the doors swinging open, swinging shut?

With each breath in and out, the breeze of their coming and going.

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Cold is the mountain and the white snow will wake you, will wake you.

There is only a moment to know more,

Only a moment to remember and forget.

Until we know what it is to dream it,

We shall never waken.

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We thought we had removed from ourselves

The scent of death that followed us down

Through all the long centuries.

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We thought the posy of politeness had done more

Than mask the fear.

As always, it is the smallest of things

Breaks open the delusion

Of genteel comfort.

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Every room, every landscape, every moment,

Has a door that, should we walk through,

Would take us into other places, never to return.

They swing to and fro with our in and out of breath.

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A door of leaves, a door of grasses,

A door of breezes, a door of riverbanks,

A door of whispers, a door of praise,

A door of sorrow, a door of breath.

These doors coming and going

Between the world you know

And the worlds you do not yet know.

How many have changed you beyond recognition,

Forgetting the song you were singing

To get lost in a tune unfamiliar,

That better becomes you?

So many doors, remembering and forgetting.

A door of small things, a slight imperceptible door,

And you have gone to be elsewhere,

In sunlight unsullied, in radiance of starlight.

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