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THE COMPETITION

( 2. The Prophecy of Flood)

Tell me, then, that there are no gods of weather

Now everything is measured, everything explained.

That we can go about our business safe and sane,

Not wondering what shall befall us if we anger or stray.

That knowing vanquishes fear.

That naming disarms the fact.

.

I would not pit the gods of cities against the gods of the world.

Though the god of money enchains us to its tumbling promises,

Though we are comforted here by the law and order

Laid out in concrete streets.

.

The breath of time we measure, but the god of Time is not of us.

The god of storm, the god of light, the god of life, the god of death,

The god of twilight, the god of decay.

They are all no smaller now than they were before.

Tame the weather, and there is a greater weather.

Cage Time, and there is a greater Time.

The gods are those against whom we dare not compete.

The sky towers we have built of swaying, rickety philosophies are no match.

The chiselled, honed words, all the equations, mean nothing

But a murmur dream.

.

Is there anything more poisonous to the soul than competition?

The battle for worth, the war for best?

Listen! I am the best at sorrow, the best at melancholy.

I am forty days of rain. My bitterness, a pointing finger

That wipes the slate clean. Above all. Below all. Separate. Distinct.

In the flood I am the spark that burns down the one remaining boat.

Sneering at lesser things is my entitlement.

First among the angels. Too great to fall.

The Elders lined up there on their thrones, counting points, counting scores.

Chosen by the chosen to join the ranks of the chosen.

Offer up your pious praise to God and deftly gather up the gold.

We honour the first, the second, the third (with a shrug)

Wave through the beautiful, wave through the best.

Wave off the rest. Judge and separate.

Gwion was a pauper, grabbed by the ear and told to watch.

Afagddu, the soot black sullen shadow, was the chosen one,

Born for greatness, a certain destiny.

Taliesin: best at bragging –

I was. I am. No one better than I.

The stunned poets casting up their eyes to

The heaven he says he comes from,

Packing their bags, looking to find less glamour-filled halls.

He knew a thing or two:

Please the crowds and praise the kings.

A bawdy innuendo, a prayer, a vision of glorious death,

And for the quietly watching intellectuals, ambiguity in spades.

A foundling of dubious parentage, brought up by rivers and seas.

A certain affinity to water, like Moses: cool fountains and dowsing

The springs in burning deserts, slaking thirst with words and glory.

How many streams are there? How many rivers?

Following the frightful pillars of smoke, the pillars of flame,

The burning bushes, the falling star.

There is a green land, and a green hill far away,

And the best of the best shall find peace there.

Across the river to the green lands for your sorrows.

A green hill of suffering for all your good works.

You shall become forever now, a constellation

Of the revolving fortress of glorious night.

I, not I, the river that is your awen,

The best, displayed in shining light,

A rainbow promise.

A slight and glorious

compensation

for past and future horror.

This is the second poem that was written with Llanwrtyd Eisteddfod in mind. Not one of the finals I chose to submit: too long a rant and not so obviously following the theme, though it continues and develops some of the threads found in the other seven parts.

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THE COMPETITION

(1. Prophecy of Fire)

I, not I, cannot lean against this luscious, deadly heat.

We are not roses, to drop our heads, to scatter petals,

To grow again as rain again splashes the dusty leaves.

Our grief all adds up, all weighs down.

These winds, these fires, these bitter, clever bombs, we cannot fight.

There are no winners, just braggers who will fall as well, soon enough,

Choked on the unguent of their profit, the poisons they excused.

Our shades shall not even cool us,

not as the forest shade does at Crychan, at Cwm Henog.

There shall be no violets in that twilight we surrender to at last.

There shall be no streams of delight, no wells of peace.

No tumbling nant at Nant yr Onnen nor crouching Ceirios.

The mists at Cwm Dyfnant:

they will be a smouldering of bracken and barbed wire.

Shadows, shadows.

A weather of shadows. A cloud of shame,

Claws of rock clambering from sunless cleft to cheer the last demise,

The victory of heat and blood,

The will to win, whatever.

The old, the ever, the same.

The truth of prophecy, the dregs, the well-worn path.

There shall be no competition then.

No mastery. No tenderness.

No tongue to sing the rhythms of praise, (the eloquent lies),

not to man, not to God, not to the primroses, not to the speckled thrush.

There shall be no golden chair on the hillside, then.

No crown. No applause.

No reply when the question is asked.

No one left to call for peace.

The sword unsheathed, the petals falling, the kites spiralling,

The fields bare and thistle-browed.

In the end, we shall see that there was nothing,

After all, to chase after, nothing to win.

The great blue skies,

piercing blue once more, over all,

And the cuckoos returned to Garn Wen,

the curlews to Cefn Gast.

This was one of my entries for this year’s Llanwrtyd Eisteddfod. In the end I submitted two poems from a series of seven on the same title. I shall be posting them all here soon enough.

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SCENT OF SALT DECAY (war song)

Wave on wave.

How can anything

Stand against

This world of change?

The cliffs shake,

The moments judder.

It will all be overthrown.

It will all find surcease.

The movement will not stop.

The movement in the heavens.

The whispering rush of undertow,

The pouring sands into the depths.

What is set in motion

Will roll ever on.

We shall move from despair

Into empty lands

Yet not escape the roar of it.

They clamour and tumble

Towards the heights

And fall back broken.

Hollow caves are their hearts

Beating cold wrack and ruin.

The scent of salt decay.

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WILD HUNT

I am lost

So I am yours, Gwyn.

Driven mad, worn thin,

By the fickle certainties of man,

The lies of the blood

In the lees of trust.

To slip and wriggle

Into cracks and crevices,

To numb as many seconds

As we may.

Kneel down in the soil

And weep.

You are clay that knows death

And have learnt a mechanical time

So as to watch its coming.

The whispered “This is how it is”.

That is a lie weighed down

By the phantasms of others’ dreams,

Souls worn wan draped in dust.

If we are not reborn

Then where does this yearning come from?

If we are not reborn

Why does music bring so many tears?

If we are not reborn

Whence the joy, whence the sorrow?

If we are not reborn

How do our desires arise?

Whence our dissatisfactions?

If we are not reborn

What purpose does hiraeth serve?

What purpose the stirring of the blood?

The bones of trees

I turn to small hopes.

Collect your souls, Gwyn.

Scatter them into a new Spring.

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THEIR NAMES

Their names are the doors they wait behind.

Dreaming, dreaming, they thus dream us.

A silver moon scythes the snow fruit that admits us.

Timeless is the round dance of breath.

There is constant war in heaven, and hunting,

And fast, hot seduction.

How else, otherwise, could it be here?

The stars pour themselves into the hills.

There will be ice upon the marshes.

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RAVEN IS POET

1

I have built my nest in the billowing cloud.

My phurba beak subdues the demons of hunger and despair.

This bright eye measures the generations of worms

And the oracles of shattered bone.

I ride the cracks between worlds on the wind of stars.

Does not my voice peel back all illusion?

What wealth is there here but the wealth of memory?

And I am not unfeeling.

I remember all their names, all their reasons.

Their genealogies are the forests of my delight.

A gathering at suppertime where I cloak the unseeing

In a sheen of knives.

My philosophy, you see, is alchemical, pure and simple.

I shall eat all suns, steal all warmth, reveal all truth that is lie.

There is no sin except satiety.

No song that is not beautiful.

No poet that does not dissect the foolishness of the world

And feed off it.

A long-shadowed cross, I am nailed as a sacrifice and a hero.

Fast, my deep is deeper than all skies.

My deep is the deep within.

Navigator of the impossible, I have the voice of icebergs,

The gravel of continental subduction.

I am generous with praise:

I will laugh joyous at the capers of poets and the drunkenness of heroes.

I wheel and turn patient as the stars,

Wait for the sickle moon to bring it all down to food.

The eloquence of continuance.

The continuance of dreaming.

Consume and consummation, it is all one to a raven poet.

Laughter is the weapon of last resort.

2

Snow on the mountain.

Hazels flower in the valley.

Still no signs of any wisdom.

Snow on the mountain.

Silence after the last battle.

The world again

Shall fill with birdsong.

3

Spin in gorse-bright light.

Dance of black cloak, black knives.

Exultant raven warriors.

4

I am Dark Mountain.

My wife is Midnight.

My daughters are Hunger Sated and Sleek Breast.

My sons are Piercing Hunger and Arrow Straight.

We are descendants of Snow on the Mountain

And Utter Darkness.

The Well of Memory and The Blasted Tree

Are our dwelling places.

Soot Black

Ocean Depth

Bright Brow

Radiant Ash Tree

Thief of Knowledge.

Turner of the Wheel

Season’s End

Hunger Abates.

Wind and waters name us thus.

Mountains name us,

The vast sky names us thus.

5

At the end of the universe ( or at its beginning)

There sits a raven-headed god on a stone throne.

I have seen it. It is so.

He has one eye that sees all things.

He has three eyes for the past, present and future.

He has four eyes that roam in every direction.

He has five eyes that glimmer in the dark and see all things.

He it is who makes the eggshell curve of the sky,

The white light of day. I have seen it. It is so.

When the sky was broken open and the earth fell out

That is when the ravens were born – in the space between.

6

From the bird god’s breath there comes a warm wind.

Let it blow the seeds of destruction away.

Let it extinguish the embers of hate.

May the needful dead fall ripe to our praying beaks.

A thousand ages is his out-breath.

A thousand ages he will breathe it all in again.

Sky and land and the holy air

Will wrap in silence about his dreaming.

We shall be named one by one

And nested in the cliffs of his gaze.

7

There is sufficient death.

We have no need

For the glut of war.

Our falling, floating dance

Inscribes the air.

We tumble towards

Our altar, earth.

We rise to sun,

World-filled cries.

This dance we dance

Is for the dance

Of life and death,

For the bird-headed god

At the end and beginning of all things.

For the drink of it.

For the breath of it.

For the bliss of it.

Raven poet I am.

This is the truth.

This is how it is.

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MOON DISC WORDS

Winter moon

Burns cold,

Burns deep.

.

Afagddu

Gwionbach.

Sun and moon.

This cauldron earth.

.

Winter moon

Looking down.

How many waters?

How many streams?

.

Winter moon.

Keeper of souls.

Cool breath of words.

.

Winter moon.

Cauldron warmed

By breath of nine

Maidens.

.

Winter moon.

Cauldron bubbling.

Road of souls.

.

Winter moon.

The gatekeeper asks:

What is your name?

.

Winter moon.

Born with no mother,

No father.

Bright browed.

.

Winter moon.

Taliesin.

Eloquent silence.

.

Winter moon.

No stunned poet.

Radiance of starlight.

.

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A lot of my writing this year has been towards an art/word project inspired by The Black Book of Carmarthen, a small, handwritten manuscript containing poems collected over a lifetime by one person. It is the oldest known manuscript written in the Welsh language. A mixture of ancient bardic poems and prayers, it is at once mundane and transcendent, simple and utterly baffling. The words that come to me are either reflecting some of the imagery or subjects of the fifty odd pieces, or dwell on the nature of the author and the continuity of language and writing. The art works I am making mainly combine parts of the manuscript pages overlain with my own woodblock prints from decades ago. There will, probably, be a book that combines text with image. It is in no way a translation of the original text. It is one artist’s reflections of the magical mirror and timelessness of ancient books.

MER KERTEV KEIN (Black Book)

(The marrow of fine songs)

It is a river

Uncurling in caves,

A white torrent on dark slick rocks.

It is a shoreline cave where mystery is born by echoes,

Far from comfort, where opposites couple in the roaring of it.

Spanning centuries each word tumbles combining elements.

Shadow worlds are dressed in time to shatter and rebuild the fragments.

Oh, speckle-breasted thrush,

Thrice the song to sing.

Morning rain.

Rain of morning.

Dawn storm.

Eternal song.

A river where meaning slips like fishes,

A flash, a flank, and gone.

The next ripple, the next wave, the scintillating light.

Umbral echoes.

It dances from sound to sound.

A juggler slipping from stone to stone

In the midstream rush. Where next? Where next?

And the foaming roar of it:

The world dancing elements and prophecy

And the arc of words cast up and caught, too fast for the eye.

A stream, a stream, of passion itself.

Sound clothed in the names of things,

The naked, naked sound.

A river of God’s being,

A bowstring caught and released,

The mouth’s harp

And its breath drum rhythm song.

There are spirits here

There are ghosts

Where I see these landscapes,

Familiar, sunlit, wild

I have never been.

I am haunted by the names

And by the meanings

Within the meanings I know.

Other pages in other hands:

Mirrored, pushing through.

I am become a palimpsest of prayer-

The angels with clawed feet

Offering golden torcs.

A language of waves,

Of echoing empty hills.

My eyes water the seeds of words,

Grow vast forests.

The dance of sounds:

Lost timeless for a while,

We dance and dance.

The memories are not ours

That lodge in our hearts.

My soul fragments to the four quarters

As though I am already buried.

There is a cold wind from the north.

A woman who is not a woman

Moves at the edges of my sight

Whispering rhymes with berry-stained fingertips.

One of Three and Three in One.

Before Eden we quake.

The Tower was too high,

The Tree was too bright.

The Flaming Sword

That drove us outwards

We stole for shovels and mattocks.

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WAR CRY

A furnace dawn.

It will come on

To rain tears later.

Why are we always

Led by fools?

.

It is not gold, but spelter.

Not ore, but slag.

The forge of beauty is cold.

The taste of the morning air

Is bitter.

.

Two swans, white and dancing,

Fly low following the river westwards.

A sorrowful sky full of rain

Will cause more leaves to fall.

.

All our roads are cracked and failing.

They have borne too much,

Never thanked nor mended.

We watch weeds grow tall in crevices.

.

Within the hills

The druids and saints

Are turned to stone.

The names of things carved and fading

Where sheep are grazing.

.

There will be peace at last

When we are all gone.

First frosts will kill

The last rose.

.

The gods of creation

Sought perfection

And so always failed.

They have taught us sorrow,

The fleeting smile of time

And space.

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It is not the roads that we have lost

That leave us blinkered and aimless.

It is the songs.

It is not the gold we have given away

That leaves us impoverished and hungry.

It is the songs.

Left silent without even echoes.

The body’s rhythm stuttered,

The heart’s reason stultified.

We have gathered, huddled in silent cities,

Upright, efficient, vague and unmoved.

No tides of song, no roaring winds of song,

No rising hearts, no heat.

Never lost in the making of names.

Never tangled in the fleeting syllables.

No lilt, no catch, no net, no praise.

No meaning that dives deep below meaning

And feeds the spirits of the dead and of other places.

No offered breath, no chant that infuses hours with timelessness.

The electric hum of compliance.

The drone of automatic equilibrium.

White noise of dissolving passion.

Quietly waiting an end to tedious static.

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