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THE COMPETITION

( 2. The Prophecy of Flood)

Tell me, then, that there are no gods of weather

Now everything is measured, everything explained.

That we can go about our business safe and sane,

Not wondering what shall befall us if we anger or stray.

That knowing vanquishes fear.

That naming disarms the fact.

.

I would not pit the gods of cities against the gods of the world.

Though the god of money enchains us to its tumbling promises,

Though we are comforted here by the law and order

Laid out in concrete streets.

.

The breath of time we measure, but the god of Time is not of us.

The god of storm, the god of light, the god of life, the god of death,

The god of twilight, the god of decay.

They are all no smaller now than they were before.

Tame the weather, and there is a greater weather.

Cage Time, and there is a greater Time.

The gods are those against whom we dare not compete.

The sky towers we have built of swaying, rickety philosophies are no match.

The chiselled, honed words, all the equations, mean nothing

But a murmur dream.

.

Is there anything more poisonous to the soul than competition?

The battle for worth, the war for best?

Listen! I am the best at sorrow, the best at melancholy.

I am forty days of rain. My bitterness, a pointing finger

That wipes the slate clean. Above all. Below all. Separate. Distinct.

In the flood I am the spark that burns down the one remaining boat.

Sneering at lesser things is my entitlement.

First among the angels. Too great to fall.

The Elders lined up there on their thrones, counting points, counting scores.

Chosen by the chosen to join the ranks of the chosen.

Offer up your pious praise to God and deftly gather up the gold.

We honour the first, the second, the third (with a shrug)

Wave through the beautiful, wave through the best.

Wave off the rest. Judge and separate.

Gwion was a pauper, grabbed by the ear and told to watch.

Afagddu, the soot black sullen shadow, was the chosen one,

Born for greatness, a certain destiny.

Taliesin: best at bragging –

I was. I am. No one better than I.

The stunned poets casting up their eyes to

The heaven he says he comes from,

Packing their bags, looking to find less glamour-filled halls.

He knew a thing or two:

Please the crowds and praise the kings.

A bawdy innuendo, a prayer, a vision of glorious death,

And for the quietly watching intellectuals, ambiguity in spades.

A foundling of dubious parentage, brought up by rivers and seas.

A certain affinity to water, like Moses: cool fountains and dowsing

The springs in burning deserts, slaking thirst with words and glory.

How many streams are there? How many rivers?

Following the frightful pillars of smoke, the pillars of flame,

The burning bushes, the falling star.

There is a green land, and a green hill far away,

And the best of the best shall find peace there.

Across the river to the green lands for your sorrows.

A green hill of suffering for all your good works.

You shall become forever now, a constellation

Of the revolving fortress of glorious night.

I, not I, the river that is your awen,

The best, displayed in shining light,

A rainbow promise.

A slight and glorious

compensation

for past and future horror.

This is the second poem that was written with Llanwrtyd Eisteddfod in mind. Not one of the finals I chose to submit: too long a rant and not so obviously following the theme, though it continues and develops some of the threads found in the other seven parts.

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THE COMPETITION

(1. Prophecy of Fire)

I, not I, cannot lean against this luscious, deadly heat.

We are not roses, to drop our heads, to scatter petals,

To grow again as rain again splashes the dusty leaves.

Our grief all adds up, all weighs down.

These winds, these fires, these bitter, clever bombs, we cannot fight.

There are no winners, just braggers who will fall as well, soon enough,

Choked on the unguent of their profit, the poisons they excused.

Our shades shall not even cool us,

not as the forest shade does at Crychan, at Cwm Henog.

There shall be no violets in that twilight we surrender to at last.

There shall be no streams of delight, no wells of peace.

No tumbling nant at Nant yr Onnen nor crouching Ceirios.

The mists at Cwm Dyfnant:

they will be a smouldering of bracken and barbed wire.

Shadows, shadows.

A weather of shadows. A cloud of shame,

Claws of rock clambering from sunless cleft to cheer the last demise,

The victory of heat and blood,

The will to win, whatever.

The old, the ever, the same.

The truth of prophecy, the dregs, the well-worn path.

There shall be no competition then.

No mastery. No tenderness.

No tongue to sing the rhythms of praise, (the eloquent lies),

not to man, not to God, not to the primroses, not to the speckled thrush.

There shall be no golden chair on the hillside, then.

No crown. No applause.

No reply when the question is asked.

No one left to call for peace.

The sword unsheathed, the petals falling, the kites spiralling,

The fields bare and thistle-browed.

In the end, we shall see that there was nothing,

After all, to chase after, nothing to win.

The great blue skies,

piercing blue once more, over all,

And the cuckoos returned to Garn Wen,

the curlews to Cefn Gast.

This was one of my entries for this year’s Llanwrtyd Eisteddfod. In the end I submitted two poems from a series of seven on the same title. I shall be posting them all here soon enough.

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GIVEN TIME

Given time

All the stones return.

.

Companionship, the soft moss

That greens broken voices.

.

We are accustomed to abandonment

Where roads turn back

Leaving the high hills to themselves.

.

We are accustomed to the tides

Of disdain from those

Who cannot see our wealth.

.

We breathe free in cloud and soft rains,

In the glance of sun,

In the silent press of snow.

.

What we lack

Has been given away freely.

Nothing of worth

Has been lost.

.

From the darkening skies

A single feather falls.

The stones are silent.

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SCRIPT

The politics of throwing babies into the blazing hearth.

The myth must rise above all choices of good and evil.

Joy and suffering are characters that come and go,

They have their own scripts.

And no matter how erudite we believe we are,

No matter how much better.

The cycles of myth will do away

With our little stories of greatness,

The prattle of improvement,

Our enfeebled longevity,

Our chaotic randomised knowledge

Of nothing in particular.

In the end we justify conflict

Or run in madness to the wilderness,

Feathered in terror and forgetting.

(There is a myth for that one too).

The pocket watch has free will –

It can stop or go.

But once the spring is tight,

Each cog must do what it has been assigned.

And what truth anyway is greater

Than slowing the passage of time

And the moment that time stops?

The dance begins, the dance ends.

In eternal halls the dance is never tiresome.

Memory, to the gods, is an irrelevance.

‘But there must be more!’

Is also a line woven into the myths,

A function of the equation.

Descartes horribly right,

But still missing the point.

Act, because you must, O Arjuna.

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SOLSTICE LIGHT

Listen, listen, the slow light of solstice morning.

Time shuddering, time standing still.

A word wind muttering indistinct, its rhythms and intent

As steady as oars would be, as steady as oar strokes across a glassy sea.

Listen, listen. We were all in one band, a magnificent number.

Heading west ( always heading west into darkness there, into the mists).

One raised his voice – the song we all knew.

One of those songs whose words would be ridiculous, banal,

Without the tune. Whose chorus impossibly united the living and the lost.

The glass sea slid by. Time ran out.

Some said it was a hard coming of it that year, but it was not.

It was not. It was as easy as breathing.

The reasons, so reasonable. The logic, implacable.

The rhetoric, bombastic and irrefutable.

.

The watchmen were silent, uncommunicative.

Impossible it was to know the minds of the doorkeepers.

We were there to free the imprisoned,

There to reclaim what had been lost,

There to carry home what had been taken.

Voiceless one by one we fell into silence there.

Burning bright as phosphor bombs falling from the air.

Bright as sparks hammered from the anvil.

The prize was claimed, as it always is,

The light released, the cave broken upon,

The tomb unsealed, the spell broken, the curse trod down.

But the world now, irrevocably changed.

Seven with breath, seven with tears still falling,

Seven tired and justified. Seven wan and clustered stars

Backward looking, racing on.

In a world, in a morning, not ours.

.

The slim waning moon floating into the stormy dawn,

Losing its light minute by minute. No longer noticed.

Fading into day.

I have cast out on the grass, seeds for the small brown birds,

For the hungry and the cold.

The eagles and the hawks have gone. The songsters silent,

The stately waterbirds, the watching herons forgotten in the fluttering rush.

I shall sing the names, uphold the excuse,

a psalmist counting off lines in a cold cell: the cajoling verses of warrior kings

For fickle vengeful gods, the rosary of blood red beads, the genealogies,

Until the shivering silver-edged awen fails, tumbling into mute silence,

Voiceless watching an unextraordinary morning.

.

If we had not been so strident, so golden,

Could we have passed the doors unscathed?

Had we understood what was asked of us,

Has we not mistaken guileless honesty as elaborate deception,

A trick to catch us out,

Could we be in those halls still feasting?

There with no needs to forget,

no weight of dust and falling radiant starlight upon us.

No need to elaborate the litany of the dead,

Compose harmonious laments, gather together the names,

as if they meant anything any more, as if we remembered

Their bright eyes, their smiles, their warm strong hands,

Their words around the fires.

.

The ashes are cold and must be cleared now.

Reset the hearth. Begin again.

The splash of sweeping oars and the crack of canvas receding.

Our bright futures looking westwards: the new approaching night.

It is not what it could be,

Not what was promised.

But it is what it is.

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LAMINATION

These words have gathered themselves together

Like swallows in a cooling sky.

Dark news from the cities

Where fools hold sway.

The stone at Llanlleonfel hardly speaks,

Stuttered in silence, its lines unread.

The stone of Llanynis taken to safety,

A kind replica gathers moss in an empty field.

The stones of Llanddewi Cwm, the woven stones,

Broken and holy, no one sees any more.

Words there are dying, eagle cries scratched and fading.

The stones of Gelynos subside into their own graves,

Locked in roots, bound by promises, muttering names.

The stone at Llanwrtyd, the old view subverted,

The road to world’s roof pitted, empty.

Is it still there in the darkness?

A mystery looking out, an old palm resting in an old lap,

As if after despair.

The stones of Llanafanfawr, huddled safe from storm,

Root words that mean their opposites, that savour contradiction.

The stone of Llangamarch, bestowing its blessing on jackdaws,

By the river’s edge in the water’s roar.

A storm of awen stripping away discourse.

A scroll rolled and unrolled a galaxy away.

The stone of Cilmeri, where hope died,

Where hope is offered flowers continually fading.

A place to lose heads, to find a well of eventual peace.

All these stones cold, hard, mute.

They can not tell of our futures here,

Though they remember the past,

And that, they all know, is the same thing.

The stone of Llanlleonfel is an Early Dark Age memorial to two fallen Welsh warriors inside the small church at Lllanlleonfel. The script is hardly readable now, the exploits forgotten.

The stone at Llanynis is a deftly carved pillar cross, removed to a local museum, but replaced with a fair reproduction, leaning isolated in a cleared graveyard.

The stones of Llanddewi Cwm, are no longer in situ. They consisted of deeply carved interlace patterns, once part of a free-standing cross stone.

Gelynos is an early Non-Comformist chapel site on a hillside road. Its walls long gone, its gravestones tipped and sinking into the earth.

Llanwrtyd stone is a memorial stone with abstracted Celtic-style head, lost within the depths of an old church nave.

The stones of Llanafanfawr are enigmatic geometrical carvings now placed into the porch wall.

The Llangamarch carving is above the church porch. It has a representation of a figure holding a spiral below a sun wheel cross.

The stone at Cilmeri was placed last century in memory of the death of the last great Llewelyn, Prince of Wales, ambushed and slain here.

All these stones are in, or look over, the Irfon Valley in mid-Wales, where I live. The title ‘Lamination’, which is name given to the weathering deterioration of these old carvings, is also a play on ‘lamentation’, particularly the Biblical Lamentations of Jeremiah, so popular in the Reformation for its relentless descriptions of ungodliness and destruction of nations.

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PROPHECY IN THE MORNING

Tra mor, tra Brython,

Haf ny byd hinon;

Bythawt breu breyryon

Ae deubyd o gwanfret,

Vch o vor, vch o vynyd,

Vch o vor, ynyal ebryn,

Coet, maes, tyno a bryn.

Small gods consume lesser gods

To become great gods.

Simple ideas coalesce

To plot the downfall of worlds.

Ye prophetic poets who starve in corners.

Ye warrior kings who walk on mothers’ sons.

Ye ocean depths. Ye wild autumn skies.

Ye ultimate icy silences. Ye forests singing.

Words that lack mouths fall impotent.

Memories that lack accuracy

Become stories for the bored and enervated.

Today, like every day,

Is the last day of this bright world.

Today, like every day,

Will become ashes glowing in the cooling evening.

What will you do to sustain?

What will you do to glorify?

What will you do, O foolish ones,

To mimic eternity, and fail?

I am Taliesin and I am bitter dust.

Bright browed and grown from circumstance.

A seed swallowed by a great mother, hatched and thrown adrift.

If my words bite hard, they are to waken you.

Your footsteps are poison

Wherever you tread.

How shall reparation be made?

Pop arawt heb erglywaw – nebawt

O vynawe pop mehyn.

Yt vi brithret a lliaws – gyniret

A gofut amwehyn:

Dialeu trwy hoyw gredeu bresswyl.

The words in Welsh are from The Prophecies of Taliesin:

At the beginning:

As long as there is sea, as long as there are Britons,

There will be no fine weather in the summer;

Feeble will be the lords who come to them

Through deceiving the weak.

An attack from the sea, an attack from the mountain,

An attack from the sea, the uninhabited region in tumult,

The wood, the field, the hollow and the hill.

and at the end:

Every supplication going completely unheeded

By the lord of every place.

There shall be turmoil and tumult in the host,

And spreading tribulation:

Acts of vengeance mixed with constancy of fair promises.

Prophecies accumulate their own veracity.

They become the origin and end point of themselves.

Boulders thrown into a stream,

Turbulence upstream and down.

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The Doors of Midsummer

A breath of cloud moves east across Y Garn’s face.

Words are as scarce as swallows in a cold summer.

Anyway, anyway, they only grow from dream to tangled lie,

flowering like the bindweed covering all beneath,

Weighing down, weighing down until nothing else remains.

The doors have opened in every hill,

An invitation to join the dance and summer’s feast.

But we are taught to doubt generosity,

To look for the trap in openness and goodness

(nothing is true that comes so free and easy).

River and clouds are the rulers of this world

and they move on in their own time, unbidden.

Tune to a key that sings of endlessness, even though

no one here knows anything of that song.

For emotion is born from time and loss:

In timeless halls is no such thing.

No such thing but endless dance and bliss.

If the summer never ends

It will be a hard winter, here.

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How the cuckoos sing sweetly
Of treachery and loss.

In the dewy morning
The rivers run low,
The hills to themselves,
Quietly weeping.

Ravens are joking on their way
To the slaughter-fields.

They do not need
The permission of gods
To be satisfied and at peace.

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ELECTION

Cloud is low, a light rain.
The rivers will rise, and the cuckoo’s voice.
These is no road to happiness.
Sit still a while. It is here.

In cities sprout the sudden
Intricacies of deceit:
New plans of action;
Words dressed, eloborate dances.
Fear cultivated as if it were virtue.
Hypnotic screens drip poison:
Connla’s Well on every tongue.
We rear the monsters of others.
The monsters of our own,
We have not recognised.

Shucked out and flailing,
Naked goodness pecked by crows,
Growing cold as the summer
Warms the wooded hills.

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