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Posts Tagged ‘repetition’

SCRIPT

The politics of throwing babies into the blazing hearth.

The myth must rise above all choices of good and evil.

Joy and suffering are characters that come and go,

They have their own scripts.

And no matter how erudite we believe we are,

No matter how much better.

The cycles of myth will do away

With our little stories of greatness,

The prattle of improvement,

Our enfeebled longevity,

Our chaotic randomised knowledge

Of nothing in particular.

In the end we justify conflict

Or run in madness to the wilderness,

Feathered in terror and forgetting.

(There is a myth for that one too).

The pocket watch has free will –

It can stop or go.

But once the spring is tight,

Each cog must do what it has been assigned.

And what truth anyway is greater

Than slowing the passage of time

And the moment that time stops?

The dance begins, the dance ends.

In eternal halls the dance is never tiresome.

Memory, to the gods, is an irrelevance.

‘But there must be more!’

Is also a line woven into the myths,

A function of the equation.

Descartes horribly right,

But still missing the point.

Act, because you must, O Arjuna.

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DHRUPAD 1 (mountain air)

slow now, slow the grey cool,

slow
the
way
down.

The gods love this – space free of souls,

no
weight
of prayer.

Small thought light as wings, light on light,

shimmer stacking cloud.

The journey is one breath belonging to horizons
all ours.

They hover here,
hover here,

endless attractors
the cascading distant waters,
the air breezed
from
high
ice
centuries abiding in white.

Slow now, the in and out

suffering little from its movement,

revolving an axis honeyed.

If there are words, they become smudged distance. If there is

sound,

it drifts cloud and misty vapour,

sand, grained and free,

slipping
sift
away,

slow, now, slow.

I have been listening to a lot of Classical Indian music lately, especially rudra veena and surbahar that are instruments ideal to interpret the ancient style of dhrupad. Dhrupad is a vocal devotional music that slowly and thoroughly uncovers the notes and patterns of each piece. There is a lot of repetition and sequences, and although words are sung, it is the emotion within the notes of the raga that creates its profound effect. These poems take some of the rotational effects of dhrupad and its exploration of motifs and rhythm. Originally written as a continuous text, they will best be presented in an open arrangement so that the eye intuits the timing of its narration/reading by the various groupings of words and phrases. (I do not think I will be able to accomplish it very well here within this page structure, but hopefully there will be some of the flavour I intended). There may be something of e. e. cummings, and something of Harold Budd, something of the word patterns of George Macbeth and something of the helter-skelter pace of Dylan Thomas. But most of all, I hope, the slow savouring of sound and image suggested by the alap and jhor of dhrupad.

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