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Posts Tagged ‘Poetry’

VIEW

Hokusai would appreciate the view:

Garth Bank rising like a sleepy Fuji

Framed by those leaning pines

And the placid, silent sky.

He would have changed nothing,

But chosen the lines for beauty

And the colours calm and dun as the day.

A landscape without pearls,

Though edged by snow hills.

One by one we lose our weight,

Floating upwards to eternity.

The two rivers whisper it

In their deep and hidden ways.

I catch the scent of planed hinoki.

Last day of January.

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SCRIPT

The politics of throwing babies into the blazing hearth.

The myth must rise above all choices of good and evil.

Joy and suffering are characters that come and go,

They have their own scripts.

And no matter how erudite we believe we are,

No matter how much better.

The cycles of myth will do away

With our little stories of greatness,

The prattle of improvement,

Our enfeebled longevity,

Our chaotic randomised knowledge

Of nothing in particular.

In the end we justify conflict

Or run in madness to the wilderness,

Feathered in terror and forgetting.

(There is a myth for that one too).

The pocket watch has free will –

It can stop or go.

But once the spring is tight,

Each cog must do what it has been assigned.

And what truth anyway is greater

Than slowing the passage of time

And the moment that time stops?

The dance begins, the dance ends.

In eternal halls the dance is never tiresome.

Memory, to the gods, is an irrelevance.

‘But there must be more!’

Is also a line woven into the myths,

A function of the equation.

Descartes horribly right,

But still missing the point.

Act, because you must, O Arjuna.

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LULLABY

The hidden stars that the owls sing to.

The white branching birches shift from sight into sound.

The failing grains, the falling grains,

Tempered in Time’s wailing rivers.

We fail again to measure glory,

So sleep weightless and numb.

But that is what keeps us sane:

Stick to the lines once learned.

Recite nothing that breaks the rhyme,

The tick and tock of year in, year out

To forbid the howl of ghosts

And the crack of bone.

Keep the marrow hid, untasted.

The slow circling wings have the names of gods that are patient.

The fine threads, the dust of mould settles in.

Sleep, so as not to dream this dream.

Sleep sight and sound.

Slow sighs: the rise and fall of life within.

The woven world, golden with words.

A throb of muscles and distant gunfire.

Keep the visions in the flame of the hearth.

Keep the prophecy in the cooling cauldron.

The future shall be our breakfast

But now we rest, bathed in owls,

The hidden stars, the birch’s bone fingers,

A blanket weight, an imperceptible falling.

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TWO DISTANT MOMENTS

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I breathe the cool cloud

The jackdaws lean into.

The spice of wet grass.

A radiant moment dissolves into eternity.

.

Evening turns to rust.

The blue hills bloom cloud.

Soft, this beautiful melancholy.

.

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THESE MAPS, THESE ROADS

These maps, these roads, written and rewritten word on word.

Size and distance, though, these are not to be measured.

The roads and maps are real but travelled, somehow,

By ships that fly, by pigs that speak, by horses

That move and yet not move.

The shape of words – that is the key

To all that is and is not.

The holy lines that sum up all dimensions,

That lie so perfectly,

That birth sound out of silence and void.

Chase the edge of one thing, the infinite borders,

The central compass points.

Trace with keen fingertips the way they merge and separate.

The same pattern is in the whorls of your hand and always has been.

The world is measured by its forgetfulness.

The eternal is uncovered by those with perfected memory.

No words left orphaned, no thought muddied or misplaced.

A perfect fractal prison of a million voices,

Laying down the roads and all the maps.

Remembering, remembering, it is all remembering.

Beyond the gods and monsters

There is a perturbation of light and shadow.

Beyond light and shadow, a flickering notion of this and that.

Beyond this and that, a line of movement and a point of stillness.

A certain chain of gravity, (that is love and jealousy),

And a flow of iron-grey chains.

The roads, the winds of space, move along,

The paths of gods and worlds dreaming,

Dreaming they have time and space and something,

Something else, a name, a reason, a future, a history.

A certain trajectory, a ricochet away into story.

New words, same roads, same houses, new owners,

Same walls, same ghosts, same roads, new roads,

New names.

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DARK LANGUAGE

It is not to find a new whore to worship.

Nor to glory in our own juices.

It is not to be comforted in the warm skin of animals,

The trees roaring to oblivion in the hearth.

It is to summon the dark language

Not spoken since the ice has melted.

The wisdom of witches bending the storm winds

And tasting righteous blood.

Banished beyond dawn and sunset,

Banished beyond the myths of brightness

And simple good death in war.

So old it would not even be recognised –

The hum of bees, the chorus of sparrows.

Acid-etched into the deepest rock,

The ache within molecular passions.

Blue electric sparks off tongue-tips

Singing the dead to rise up and talk.

The dead, soft and blue-blooded,

We will eat them to remember

The nerve tides, star-tingled.

Doubting the echo of endless thoughts,

Speaking in slivered silence, silver laughing out loud.

We breathe to serve, to record absurdity.

The dreaming language breathes us real.

Small wonders, we die out eternally.

The dreaming language beneath the sound and sense,

Beneath the patterns of stars, their names,

And their bitter rivalries.

One step beyond madness-

It is impossible to return from there.

A vacant house inhabited by echoes.

To hold all impossibilities at one instant

A fractal language that spins old darknesses.

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IN HER HOUSE (Dakini Day)

.

In her house of stars

the dark one’s hunger is unabated.

Clothe yourself in time and space and it will not be

Half enough

to approach her roaring silence.

The void around which the cauldron’s form is boiling:

All the gods burn bright

to feed that eternal heat.

Spinning arms dredge the web of roads between emptiness.

Vast is the well and vast the language.

The proud will not find it.

The worthy will not find it.

It is not what you are, nor what you would wish to be.

So hungry it can never be sated,

So full it can never be found.

Words approach and are swallowed.

Eternal dancers surround it.

Pillars of smoke are its witness:

The primal hole where gods ejaculate and die.

Supreme Glistening Darkness, we hear your song and tremble.

We draw your name as the moving waters do.

Down, down, down.

We do not know by knowing.

We do not remember anything by remembering.

Be still. Be silent.

The spiralling throne finds us and draws us in.

A cold breath passes through us.

We sigh and become glorious.

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TO RETURN

We live where we can breathe the light of stars.

Where we watch them dowsed at dawn in the rivers of the world.

This is our power: to dismiss your ravings.

To grow food and share friends,

To chop wood and to watch the flocks.

To vanish, when the time comes,

Into the same song our mothers sang.

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THESE WORDS

.

These words we feed around our firesides,

They are the seeds that feed us.

These words, the sustaining grain.

By them we will be filled,

By them, we reach out and touch others.

By them, we find songs and sing.

By them, we see visions.

By them, we feel edges and give names.

By them, the sudden scent of memories floods in,

The healing waters, the healing well.

.

In these words are the songs of our forebears, their dances.

The words we use, they flavour our world.

They are our beer, our bread, our whisky, our offerings.

.

These words mean more than they say,

Each filled with spirits, each a ghost coming home.

.

We plant them here to grow, to become forest roots,

To become the patterns between stars.

They are the rivers in the oceans,

They are the paths our ancestors have always taken,

Moving on from land to shining land,

Hearth to hearth across the dancing skies.

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TWENTY YEARS ( OF DRUID TRAINING)

1

It was like a rope of light

let down into the chaotic darkness.

Only later would we see

it was a deadly serpent

and the chains of enslavement.

But such is the nature of knowledge

and we shrugged, accepting all costs.

.

Nyt o vam a that

Pan y’m digonat

.

It was not from a mother and a father

That I was made.

.

2

One year we were held in complete silence.

No word spoken

but internal recitation of all the masters’ words.

Becoming each one, and their lilt,

moving into their expressions,

reclothed in passions,

Eyes opening in other worlds.

.

A’m creu a’m creat

O naw rith llafanat;

.

And my creation was created for me

From nine forms of consistency:

.

3

Another year we each were given

one word only, to unwrap.

To follow, to hunt to its uttermost,

to its bright birth,

In a name that has become ours alone.

A map of our journey,

a seal on our circumference.

.

O ffrwyth, o ffrwytheu,

O ffrwyth Duw dechreu;

.

From fruit, from fruits,

From God’s fruit in the beginning;

.

4

Once the words were learned

all the rhythms and the hidden wealth:

We could see how nothing existed

outside of those patterns of plaid.

No move, no colour, no conceit,

nothing that was not drawn

from that well of words.

And so we learnt to see around us,

in every hall, in every byre,

where each would walk

and where in each tale

they would place themselves.

And how with a word

it might be shifted

and how with a gesture

the plot might be moved on.

.

O vriallu a blodeu,

O vlawt gwyd a godeu,

.

From primroses and flowers,

From the blossom of trees and shrubs,

.

5

One year we were given

the gift of madness.

.

Prid o pridet

Pan y’m digonet,

.

From earth, from the sod

Was I made,

.

6

Another year we slept all the long days

and at night gathered around still pools

to learn the dance of stars, and their songs.

Our dreams would be strange then,

and our names, unpronounceable

.

O vlawt danat,

O dwfyr ton nawvet.

.

From nettle blossom

From the ninth wave’s water.

.

7

One year we would speak only lies,

until we knew that truth is itself a lie,

and that the tides beneath us

are drowning darknesses

and screaming passions.

.

A’m swynwys-i Vath

Kyn bum diameth.

.

Math created me

Before I was completed.

.

8

A year as birds

soaring and rising on thermals,

to find the fulcrum of the winds

and to twist the cloud rivers to rope

for sun or rain or storm.

To placate, to restore.

.

A’m swynwys-i Wytyon

Mawrut o brithron.

.

Gwydion fashioned me

Great enchantment wrought by a magic staff;

.

9

A year abiding by trees –

some would not return,

fertilising the world

with their eternal silences.

.

O Eurwys, o Euron,

O Euron, o Vodron;

.

By Eurwys, by Euron,

By Euron, by Modron;

.

10

Another, we hunted and slew all the gods,

taking their women and siring new progeny.

These we fed with our own blood and souls,

so that they would know us when we summoned them.

.

O pymp keluydon

Arthawon eil math –

Pan ymdygyaed.

.

By five enchanters

Of a kind like godparents –

Was I reared.

.

11

One year to placate and cajole poisons.

Those songs were enticing, sweet as death.

.

A’m swynwys-i wledic

Pan vei let loscedic.

.

A ruler fashioned me

When there would have been a burning extent.

.

12

Then we did all return to our own families

To serve one year, unrecognised, in their midst.

For many that was the final chain broken to the past.

Allegiance of blood once sweet, now rancid, old, bitter.

.

A’m swynwys sywyt

Sywydon kyn byt,

.

The wisdom of sages fashioned me

Before the world was made.

.

13

A year of folding secrets into the mundane;

Of speaking to the deep;

Of remaining human.

Learning that love and hate

Are the gravity that keeps us here.

.

Pan vei genhyf-y vot,

Pan vei vach veint byt.

.

When I had being,

When the extent of the world was still small.

.

14

A year polishing swords and mirrors

And placing the singing spells

Of vision and death within them.

.

Hard bard bud angnawt,

Yt uedaf ar wawt

A traetho tauawt.

.

A fair poet, of unusual gifts,

I control in song

That which the tongue utters.

.

15

The genealogies of the lost

And the equations of gods;

Their doorways, their doorkeepers.

The mysteries under the earth

Where the stars wander,

Passionate light on an endless river.

.

Gwaryeis yn llychwr,

Kysceis ym porffor.

.

I played in the light,

I slept wrapped in purple.

.

16

The transmutation of the body into smoke;

To see without eyes;

To move the shining streams.

.

Neu bum yn yscor

Gan Dylan Eil Mor,

.

I was in the citadel

With Dylan Son of the Sea,

.

17

To become free in chains;

To remember the first cauldron

And the journey from there.

Brightness remaining.

To give everything away,

Yet remain undiminished.

.

Yg kylchet ym perued

Rwg deulin teyrned.

.

My bed in the interior

Between the knees of kings.

.

18

To summon guards and guardians;

To curse the dreams of kings;

To know the stars’ positions in daylight;

To travel out on rays of light;

.

Yn deu wayw anchwant:

O Nef pan doethant.

.

My two keen spears:

From Heaven did they come.

.

19

To know one’s manner and time of death;

To move into other forms;

To prophesy and to escape from prophecy.

Transformation at the moment of death;

To remember every name and

The shape and hungers of souls.

.

Yn Annwfyn llifereint

Wrth urwydrin dybydant.

.

In the streams of Annwfn

They come ready for battle.

.

20

To return to simple words,

To return to silence;

To remember and forget,

To move freely without ripples.

Three drops spinning –

Their taste, the honey moment.

To know that all is song.

That all is one song, one river,

And to listen to the winds from the hills there,

From the rapids, from the shallows,

To leap upstream, to float downstream.

To inhabit the world that inhabits the wise.

.

Ef gwrith, ef datwrith,

Ef gwrith ieithoed.

.

He made, he remade,

He made languages.

.

Llachar y enw llawffer,

Much llywei nifer;

.

Radiant his name, strong his hand

Brilliantly did he direct a host;

.

Ysceinynt yn ufel

O dosas yn uchel.

.

They were scattering in sparks

From a drop in the heights.

The Welsh is taken from ‘Cad Godeu’, a long and mysterious poem attributed to Taliesin. It is not meant as a commentary on my verses, nor the other way round. But perhaps they both come from the same place and act as a counterpoint in time and space.

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