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Posts Tagged ‘Poetry’

A small breath of wind lifts the mist ‘til more blows in.

Two days, three days frost, has melted

And the birds are in the leaf litter.

The mountain’s voice says

‘Winter is not over yet’

But here in the valleys there is a small respite.

A day or two, perhaps, of gentler thoughts.

The world revolves around us here.

There is lamentation and the groans of fools from afar.

The waves, perceptible and arcane,

Encroach on the plans of contented futures.

But here, for a day or two,

Will be blue calm and the hope

Of buds and roots.

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MOTIF – FIRST BRANCH

There is the sound of it:

The distant clip-clop of blossoming time,

A dream whisper, a faint scent,

A breeze, a wish.

.

Still we have not learned much

And rush to question

And rush to hold.

In full armour,

Pierced, weighed down,

Heart-broken.

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NEW YEAR’S DAY

When there is nothing good to say

Then silence is better.

It is a calm day today,

Small rain in a dark sky.

Above the quiet valleys,

A high wind from the west is roaring.

The last day on Earth will be like this:

Resting in its own beauty,

All known, nothing named.

All reasons self-extinguished.

Watched over, cherished, belonging.

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CHRISTMAS NIGHT, CHRISTMAS MORNING

The moon strides through mist.

He is one: half-dead, half-reborn.

The garden is all jet and water –

The black shadow that is time and space.

There is no truth here but stories,

Is what we learn if we live long enough.

The river in its shroud, past the silent graveyard.

Nothing for you to do but weep and sing,

Says the sighing pines.

Nothing but to find beauty here and sing it,

Says the sighing pines.

And the stars look down in envy.

They would fold their wings and walk

These muddy, leaf-strewn paths.

They would feel the cold air of morning,

Let go of hope and fear,

Sing with sun and sparrows.

Would build their small fires,

Feast on emptiness and fullness.

Eternity weaving clothes for itself.

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Heart

HEART

Heart anchored to this land.

No need for more questions.

The slow breath of seasons.

An Ivy road that clings and wanders

About the steep sides of Mynydd Troed.

This voiceless white sky calls

Into a vast unknown.

Three days stand still:

The cold of motionless time.

Take it to heart.

Let the silence of it

Dwell there a while.

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A lot of my writing this year has been towards an art/word project inspired by The Black Book of Carmarthen, a small, handwritten manuscript containing poems collected over a lifetime by one person. It is the oldest known manuscript written in the Welsh language. A mixture of ancient bardic poems and prayers, it is at once mundane and transcendent, simple and utterly baffling. The words that come to me are either reflecting some of the imagery or subjects of the fifty odd pieces, or dwell on the nature of the author and the continuity of language and writing. The art works I am making mainly combine parts of the manuscript pages overlain with my own woodblock prints from decades ago. There will, probably, be a book that combines text with image. It is in no way a translation of the original text. It is one artist’s reflections of the magical mirror and timelessness of ancient books.

MER KERTEV KEIN (Black Book)

(The marrow of fine songs)

It is a river

Uncurling in caves,

A white torrent on dark slick rocks.

It is a shoreline cave where mystery is born by echoes,

Far from comfort, where opposites couple in the roaring of it.

Spanning centuries each word tumbles combining elements.

Shadow worlds are dressed in time to shatter and rebuild the fragments.

Oh, speckle-breasted thrush,

Thrice the song to sing.

Morning rain.

Rain of morning.

Dawn storm.

Eternal song.

A river where meaning slips like fishes,

A flash, a flank, and gone.

The next ripple, the next wave, the scintillating light.

Umbral echoes.

It dances from sound to sound.

A juggler slipping from stone to stone

In the midstream rush. Where next? Where next?

And the foaming roar of it:

The world dancing elements and prophecy

And the arc of words cast up and caught, too fast for the eye.

A stream, a stream, of passion itself.

Sound clothed in the names of things,

The naked, naked sound.

A river of God’s being,

A bowstring caught and released,

The mouth’s harp

And its breath drum rhythm song.

There are spirits here

There are ghosts

Where I see these landscapes,

Familiar, sunlit, wild

I have never been.

I am haunted by the names

And by the meanings

Within the meanings I know.

Other pages in other hands:

Mirrored, pushing through.

I am become a palimpsest of prayer-

The angels with clawed feet

Offering golden torcs.

A language of waves,

Of echoing empty hills.

My eyes water the seeds of words,

Grow vast forests.

The dance of sounds:

Lost timeless for a while,

We dance and dance.

The memories are not ours

That lodge in our hearts.

My soul fragments to the four quarters

As though I am already buried.

There is a cold wind from the north.

A woman who is not a woman

Moves at the edges of my sight

Whispering rhymes with berry-stained fingertips.

One of Three and Three in One.

Before Eden we quake.

The Tower was too high,

The Tree was too bright.

The Flaming Sword

That drove us outwards

We stole for shovels and mattocks.

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HARD RAIN

Hard rain washing the world away.

Leaves fall through cooling air.

The gutters are singing an autumn song.

Rivers wake from summer’s sleep.

I was dreaming of eagles and their turquoise voice

In the days where darkness drums down more suddenly

And the cold cannot any longer be shrugged off.

I was dreaming of a path that was a spiral

And a spiral that was a mirror.

I stand before a silent oak.

Its name is eternal song,

Retribution, its door.

Its mouth is darkness.

In the end we do not know what matters.

This curl of sound, this exhalation of breath

Might be enough for a universe to be complete.

I study the taste of this turquoise,

Turn it between cold fingers

Then walk into the hill ( for all hills are doorways).

If you follow the hare, the path shall lie

Flat as grass before a strong wind.

If you follow the deer, the path shall be

Dappled and filled with birdsong.

If you follow the otter, the path will be

Silver and smooth as moonlight.

If you follow the dead,

Returning to their places,

You shall find your path

To womb and fireside

And questions: why and whereto.

All the warm singing halls

Lost in mist and blood.

All the familiar is a lie.

The world is utter strangeness

And the stars, known but unnamed.

I have been a trowel, an eagle, a pen.

What has been put together, falls apart.

These dreams you do not own.

Each is borrowed to keep you warm.

The path is a name you do not know.

This world is all the clue you will get.

Wrapped and unwrapped, each day a reminder.

There is no greater fool than a poet,

No greater truth than the lie of poetry.

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WAR CRY

A furnace dawn.

It will come on

To rain tears later.

Why are we always

Led by fools?

.

It is not gold, but spelter.

Not ore, but slag.

The forge of beauty is cold.

The taste of the morning air

Is bitter.

.

Two swans, white and dancing,

Fly low following the river westwards.

A sorrowful sky full of rain

Will cause more leaves to fall.

.

All our roads are cracked and failing.

They have borne too much,

Never thanked nor mended.

We watch weeds grow tall in crevices.

.

Within the hills

The druids and saints

Are turned to stone.

The names of things carved and fading

Where sheep are grazing.

.

There will be peace at last

When we are all gone.

First frosts will kill

The last rose.

.

The gods of creation

Sought perfection

And so always failed.

They have taught us sorrow,

The fleeting smile of time

And space.

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The sky rolls out from them, these hills

that witness all that moves round here.

Catching the last light in shadowed hands;

Sending breezes billowing through the rolling valley oaks.

They drop their white veils and dream of prophecies

That do not end in utter silence.

Their answer is in streams and tumbled stones

That last almost forever, almost.

And catch and keep the hearts of small and nested things,

To keep them safe until it is time to take them back to night

And to that other dreaming.

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CYMRU, IF I NAME THEM

If I name them shall I make them mine,

Those hills that rise and fall in cloudy distances?

Shall I take them into my folded self,

Safe memorised and belonged?

Will they, then, wake enough

To acknowledge this time’s short passage,

Allow a fleeting sun-warmed moment of life

To be counted and valued?

Is there then enough silence in them

To quench the rabble tides of complaint?

Enough sobriety and bliss to dismiss

The well-worn excuses of failure and exile?

We are eagles weeping in the crowns of eternal oaks,

Waiting for the one who made us thus,

To come and set us free, to give us,

One last time, our form and status,

To let us die loved in our own place.

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