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Posts Tagged ‘seasons’

THE COMPETITION

( 2. The Prophecy of Flood)

Tell me, then, that there are no gods of weather

Now everything is measured, everything explained.

That we can go about our business safe and sane,

Not wondering what shall befall us if we anger or stray.

That knowing vanquishes fear.

That naming disarms the fact.

.

I would not pit the gods of cities against the gods of the world.

Though the god of money enchains us to its tumbling promises,

Though we are comforted here by the law and order

Laid out in concrete streets.

.

The breath of time we measure, but the god of Time is not of us.

The god of storm, the god of light, the god of life, the god of death,

The god of twilight, the god of decay.

They are all no smaller now than they were before.

Tame the weather, and there is a greater weather.

Cage Time, and there is a greater Time.

The gods are those against whom we dare not compete.

The sky towers we have built of swaying, rickety philosophies are no match.

The chiselled, honed words, all the equations, mean nothing

But a murmur dream.

.

Is there anything more poisonous to the soul than competition?

The battle for worth, the war for best?

Listen! I am the best at sorrow, the best at melancholy.

I am forty days of rain. My bitterness, a pointing finger

That wipes the slate clean. Above all. Below all. Separate. Distinct.

In the flood I am the spark that burns down the one remaining boat.

Sneering at lesser things is my entitlement.

First among the angels. Too great to fall.

The Elders lined up there on their thrones, counting points, counting scores.

Chosen by the chosen to join the ranks of the chosen.

Offer up your pious praise to God and deftly gather up the gold.

We honour the first, the second, the third (with a shrug)

Wave through the beautiful, wave through the best.

Wave off the rest. Judge and separate.

Gwion was a pauper, grabbed by the ear and told to watch.

Afagddu, the soot black sullen shadow, was the chosen one,

Born for greatness, a certain destiny.

Taliesin: best at bragging –

I was. I am. No one better than I.

The stunned poets casting up their eyes to

The heaven he says he comes from,

Packing their bags, looking to find less glamour-filled halls.

He knew a thing or two:

Please the crowds and praise the kings.

A bawdy innuendo, a prayer, a vision of glorious death,

And for the quietly watching intellectuals, ambiguity in spades.

A foundling of dubious parentage, brought up by rivers and seas.

A certain affinity to water, like Moses: cool fountains and dowsing

The springs in burning deserts, slaking thirst with words and glory.

How many streams are there? How many rivers?

Following the frightful pillars of smoke, the pillars of flame,

The burning bushes, the falling star.

There is a green land, and a green hill far away,

And the best of the best shall find peace there.

Across the river to the green lands for your sorrows.

A green hill of suffering for all your good works.

You shall become forever now, a constellation

Of the revolving fortress of glorious night.

I, not I, the river that is your awen,

The best, displayed in shining light,

A rainbow promise.

A slight and glorious

compensation

for past and future horror.

This is the second poem that was written with Llanwrtyd Eisteddfod in mind. Not one of the finals I chose to submit: too long a rant and not so obviously following the theme, though it continues and develops some of the threads found in the other seven parts.

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YOUR JOY

It is the time of year when dreaming bleeds into daylight.

All the roads turn green and make their way back home.

The thrush is singing loudly in the budding ash tree.

The nature of art is to tell truth through lies:

This smudge is not a butterfly,

This hill, you cannot climb,

This moment is long gone.

Crows and cuckoos, the bleat of lambs,

Sunlit grass and the dark uplands.

We war to keep things safe, to keep things the same.

Not even one day will survive into the next.

All the gods are here, waiting for your joy.

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The minutes crack open and bleed cold.

Breath is chapped and hesitant in semi-quavers, a minor key.

The hawk is ice that hunts unrepentant the mountain heights.

Slay complacent warmth, the fickle needs of small hearts.

The flutter of joy, cackle of crow.

A silent field: whiteness extends to the very mists of deep mind.

Carved walls at the edges of space, words written there:

We are extinguished and free.

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A small breath of wind lifts the mist ‘til more blows in.

Two days, three days frost, has melted

And the birds are in the leaf litter.

The mountain’s voice says

‘Winter is not over yet’

But here in the valleys there is a small respite.

A day or two, perhaps, of gentler thoughts.

The world revolves around us here.

There is lamentation and the groans of fools from afar.

The waves, perceptible and arcane,

Encroach on the plans of contented futures.

But here, for a day or two,

Will be blue calm and the hope

Of buds and roots.

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WAR CRY

A furnace dawn.

It will come on

To rain tears later.

Why are we always

Led by fools?

.

It is not gold, but spelter.

Not ore, but slag.

The forge of beauty is cold.

The taste of the morning air

Is bitter.

.

Two swans, white and dancing,

Fly low following the river westwards.

A sorrowful sky full of rain

Will cause more leaves to fall.

.

All our roads are cracked and failing.

They have borne too much,

Never thanked nor mended.

We watch weeds grow tall in crevices.

.

Within the hills

The druids and saints

Are turned to stone.

The names of things carved and fading

Where sheep are grazing.

.

There will be peace at last

When we are all gone.

First frosts will kill

The last rose.

.

The gods of creation

Sought perfection

And so always failed.

They have taught us sorrow,

The fleeting smile of time

And space.

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CUCKOOS

Cuckoos in the woods by Llwyngweision

Where the bluebells are almost, almost.

And curlews have been heard again by Cefngast.

The world teeters on the brink of this and that,

As it has always been.

A moment of sunlight,

A morning of rain.

The blackcap and the blackbird,

Their music amongst the pines and gravestones,

Recalling, recalling, forgetting, forgetting.

Annabelle is to open up the chapel

For one who searches names of a lost family.

Sunlight will warm the dust there,

The chill bones of God smiling at the sound of voices.

She knows the names and stories

Of a hundred years, almost.

When she is gone it will all be scattered in the winds, most likely,

And fall in flakes like the carved names of holy ground,

Illegible and smudged in pools of slow pale lichen.

The past scooped out and swept away –

The grinning smooth rocks when the rivers here lies low

In their dark green scars.

Hold it all lightly, then.

The mornings come and go.

A squabble of sparrows,

One slow bee meanders under the windowsill.

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MAY MORNING ROAD

I shall set before me this road,

Laid out across the misty cool morning.

I shall set it to wander between

What I know and what the world knows.

The light that pushes through the stretched hopes

Stretches green and upwards

Where the clouds melt and thin

To impossible blue.

I shall tie this road here

And let it wander between it all.

Gods would fight an eternity to be here.

They would gather murmuring like bees

To be fed on this transient translucence.

It moves lightly, this road, with nowhere to go.

It revolves around its own curiosity,

A certain lightness, familiar but untrodden.

It tastes a certain way, delicate between the cuckoos.

It will go a distance

Before it finds

It has not moved at all.

Admittance to the centre of all things.

It shimmers with breath,

This May morning road.

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STONE AGE

Snow clouds drift below moon and stars.

The river roars its long distance.

.

What can can we do

But breathe in the warm smoke of fires

And huddle down into the skins of animals?

.

In this way

We become the world’s eyes

In long winter.

.

Hunters of stories

In the mists.

Recounters of the long herds

And the cunning wings.

.

Sustained by the strong life of others.

So we may sing their praises

And with our hands

Shape amber and jet

And flint and bone.

.

Beneath the one tree of starlight

And dancing, rising sparks.

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VIEW

Hokusai would appreciate the view:

Garth Bank rising like a sleepy Fuji

Framed by those leaning pines

And the placid, silent sky.

He would have changed nothing,

But chosen the lines for beauty

And the colours calm and dun as the day.

A landscape without pearls,

Though edged by snow hills.

One by one we lose our weight,

Floating upwards to eternity.

The two rivers whisper it

In their deep and hidden ways.

I catch the scent of planed hinoki.

Last day of January.

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RISING, RETURNING

Rising through mist and rust and gold.

The rain coming and going and the oaks holding on.

History repeating itself, as it always does,

And the eternal poets weeping and laughing

In their sunlit words.

We shall reach home soon, as we always do,

Until the very last time when time shall slow and stop,

And the oaks, only, will be holding on then

In rust and gold and sunlit drifts.

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