Feeds:
Posts
Comments

Posts Tagged ‘landscape photography’

DHRUPAD 24 (New Year) 10.1.2020

Slow, slow now, slow time uncertain

Slow as honey slow it is unfolded

The paths untrod, the ways clouded

The roads silver, the roads brown

The roads puddled poured into the hills.

The days slow, unnumbered

The days unencumbered, weighed in

Silence. Slow slow the revolutions

Of the red kite, the wheeling, returning

Circling in slow light in slow light

And the sun low and slow looking

Looking for a new name a new name,

And the air leafless, the land leafless

Something something on the tip of its tongue

A new name, a new name, a path

A new way and the small birds brown

And the small birds red and blue and brown

Pecking looking for a new name.

And all the dreams a-slumber

And all the days a-slumber

And all the seeds and the leafless air

And the falling rain dreaming and sleeping

A small new name, a new name

And the sparrows shuffling in the eaves

And the gutter rivers singing, chanting

Murmuring, whispering, breathing, sighing

A new name a new name. Slow, slow the days

Slow the days now, time as thick as honey drips

Pools and falls and collects time taking shape

Shape taking space space taking voice voice

Murmuring a dream here, a dream here a new

Name a new name a name a new name, slow.

Read Full Post »

DAY DISSOLVING

Falling waters,

thread white,

tumbling.

.

from that small distance,

the wheeling raven,

soundless.

.

So woven together

are the layers of the day:

a plaid of wind ripples the lake surface,

as if it were about to say something.

.

we shall dissolve

from light

into light.

.

slowly, slowly

down the side of Y Garn

roll clouds

mixed with sunlight.

.

the view

slides sideways

and is erased.

there is a new silence

that comes

just before the rain.

.

this season-

a balance point

clustered at branch tips.

.

we shall dissolve

from light

into light.

.

on dark smudged slopes,

the shout

of purple heathers.

a scree of broken moments,

small enough

to commit to memory.

.

falling waters

woven together.

moments such as these

make and melt worlds.

.

we shall dissolve

from light

into light.

Read Full Post »

DHRUPAD 23 ( Pema Özer in Autumn drift)

Slow slow slowly now

slowly now taste the shapes the sounds as they form

as they fall as they flow slow with the colours of autumn

slow the autumn falling slow to mists and coming going coming mists

slow no need to seek the means the meaning to move on.

Sun will not set sun will not rise sun standing still at midnight at midday

as if as if that sage, enjoying his beer enjoying the warmth of a lazy afternoon

dusty road in the mountains distant waterfalls sheep bleating

stop stop stop the sun and hold it there, slow slow to savour moments

out of inside of within wrapped up in time time time, the breath slow slow,

the words slow slow, the same the same the same, but not exactly not precisely,

not a landscape flickers by a landscape moulded forgot seen forgot seen seen

inhabited become sun-filled,

and the trees all autumn and slow breath, fall of leaves and drifting mists

and star-filled, star-filled, the river roaring darkness like that, like that,

that is like this, like this, slow slow unfolding with no end a measured walk

a stroll another beer,

watching time relax

and stay a while

.

Read Full Post »

SUGARLOAF (Cambrian Rift)

It is a sweet hill – the steep border between

The nodding bracken and the water meadows.

.

A straight road to heaven,

Last descendent of those ancient hills

That sit before the throne.

.

A knife-edge of rock slicing the wriggling roads.

.

Climb up it, and you shall see wonders

Where silence tumbles into cold wind.

.

Below, trees sway ranked in autumn colours.

They await the battle of winter.

.

Here, the tattered sky catches in grasses

And thin earth throbs with distance.

.

Road and river, far below, glow golden –

The land made soft by the flow of Towy

Fades down to the warmer west,

Down to the sea beyond horizon’s hills.

.

Breath and heart and hope rise here:

Who would not long for wings?

Read Full Post »

SOLSTICE LIGHT

Listen, listen, the slow light of solstice morning.

Time shuddering, time standing still.

A word wind muttering indistinct, its rhythms and intent

As steady as oars would be, as steady as oar strokes across a glassy sea.

Listen, listen. We were all in one band, a magnificent number.

Heading west ( always heading west into darkness there, into the mists).

One raised his voice – the song we all knew.

One of those songs whose words would be ridiculous, banal,

Without the tune. Whose chorus impossibly united the living and the lost.

The glass sea slid by. Time ran out.

Some said it was a hard coming of it that year, but it was not.

It was not. It was as easy as breathing.

The reasons, so reasonable. The logic, implacable.

The rhetoric, bombastic and irrefutable.

.

The watchmen were silent, uncommunicative.

Impossible it was to know the minds of the doorkeepers.

We were there to free the imprisoned,

There to reclaim what had been lost,

There to carry home what had been taken.

Voiceless one by one we fell into silence there.

Burning bright as phosphor bombs falling from the air.

Bright as sparks hammered from the anvil.

The prize was claimed, as it always is,

The light released, the cave broken upon,

The tomb unsealed, the spell broken, the curse trod down.

But the world now, irrevocably changed.

Seven with breath, seven with tears still falling,

Seven tired and justified. Seven wan and clustered stars

Backward looking, racing on.

In a world, in a morning, not ours.

.

The slim waning moon floating into the stormy dawn,

Losing its light minute by minute. No longer noticed.

Fading into day.

I have cast out on the grass, seeds for the small brown birds,

For the hungry and the cold.

The eagles and the hawks have gone. The songsters silent,

The stately waterbirds, the watching herons forgotten in the fluttering rush.

I shall sing the names, uphold the excuse,

a psalmist counting off lines in a cold cell: the cajoling verses of warrior kings

For fickle vengeful gods, the rosary of blood red beads, the genealogies,

Until the shivering silver-edged awen fails, tumbling into mute silence,

Voiceless watching an unextraordinary morning.

.

If we had not been so strident, so golden,

Could we have passed the doors unscathed?

Had we understood what was asked of us,

Has we not mistaken guileless honesty as elaborate deception,

A trick to catch us out,

Could we be in those halls still feasting?

There with no needs to forget,

no weight of dust and falling radiant starlight upon us.

No need to elaborate the litany of the dead,

Compose harmonious laments, gather together the names,

as if they meant anything any more, as if we remembered

Their bright eyes, their smiles, their warm strong hands,

Their words around the fires.

.

The ashes are cold and must be cleared now.

Reset the hearth. Begin again.

The splash of sweeping oars and the crack of canvas receding.

Our bright futures looking westwards: the new approaching night.

It is not what it could be,

Not what was promised.

But it is what it is.

Read Full Post »

SHADOWS

These lines – the chiselled shadows of words.

Consonants moth-whispered, vowels, lichen-grown.
.

A sunlit porch and laughter.

.
Light swings round the mountain

throwing a cooling shadow

across wood and field.

.
Ghosts do not tip-toe here.

As if they own the place, as if they always have,

Squeezing us between regret and reminiscence,

stained by poetry, small life blooming

on cold fallen hearths.

.
Their lilt of names and

who lived where

and who they loved

and who they hated,

whose sheep on which pasture,

whose son left and lost in another war,

whose daughter run off to a bigger life.

.
Pipesmoke and murmurs,

paraffin and oiled rags.

.
The long light stretches between October trees.

In the cities the streetlights flicker on.

On the farms ashes raked,

Cold stoves chivied back to life.

Small lives shadowed by greater things.

.
The chink of tools, the warm scent of sawdust.

.
A gentle downward slope into night.

Read Full Post »

JOHN PRICE ‘BEULAH’

Between heaven and earth

John Price, there, was a blackbird before rain,

a song thrush in the evening.

He kept to small lanes

and taught others his delight

at the end of a hard day.

Carpenter, son of a carpenter,

between the rolling roads and rising views,

between Llangammarch and Beulah,

he measured with a clear eye

the mortice and tenon of his rhymes,

turning the tune, tapping home the notes.

His voice heard mellifluous

by the hills and rivers,

by the gathered singing poor,

by maid and shepherd,

by schoolchildren and labourers.

To sing in chains

is to watch the chains

dissolve.

John Price ‘Beulah’ was born in Llangammarch. He learned his music from a couple of skilled local music teachers, particularly the ‘sol fa’ systems of notating music. Apart from a couple of years in America, where quite a lot of his music was published, he spent his life as an estate carpenter, teaching music and local choirs around the Irfon valley in his spare time. He was a prolific and influential hymn writer in the early 20th century, and also wrote many popular songs. His work did much to promote local choirs, so central to the characher of Welsh rural life.

Read Full Post »

Older Posts »

%d bloggers like this: