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Posts Tagged ‘landscape photography’

Tree spell ritual

The world breathes through me

and I am full of trees.

Silent teachers fill the silence;

Patterns dance at the surfaces of light.

Through doorways I dissolve

And am reborn with bones of truth.

Made whole and healed with cloaks of song.

Anchored, rooted, nurtured, sustained.

Harmlessly unfurled, patiently watching.

I am full of trees, dreamed by trees.

Ruthlessly harmless, sustained in emptiness.

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The Doors of Midsummer

A breath of cloud moves east across Y Garn’s face.

Words are as scarce as swallows in a cold summer.

Anyway, anyway, they only grow from dream to tangled lie,

flowering like the bindweed covering all beneath,

Weighing down, weighing down until nothing else remains.

The doors have opened in every hill,

An invitation to join the dance and summer’s feast.

But we are taught to doubt generosity,

To look for the trap in openness and goodness

(nothing is true that comes so free and easy).

River and clouds are the rulers of this world

and they move on in their own time, unbidden.

Tune to a key that sings of endlessness, even though

no one here knows anything of that song.

For emotion is born from time and loss:

In timeless halls is no such thing.

No such thing but endless dance and bliss.

If the summer never ends

It will be a hard winter, here.

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FROM TRE TALIESIN TO YNYS LAS

1

We climbed the ladder road,

The wind road, peeling away distance,

Letting it drop curled below us

And the wide river mouth talking

Of nothing but the past it has known,

And the sands blowing snakes of words

Across the scoured wet flats

Where the land once was – a safe

And green world sloping down to sunlit seas,

Where now are tiny fishes and wriggling worms

And the hush of marram and the high wail of gulls.

2

That river has a poet’s mouth –

Meandering and easy, opening out to sunlit distance

The glory of horizons and a sweep of dangerous current.

I have sat on Taliesin’s grave

Gnawing his white knuckle bone

Between my teeth, tasting the marrow of bitter truth:

That there are no primary domestic bards here

But only the drone of tractors bailing sweet green hay

And thin clouds carded by wind over the bay towards Borth,

And a lazy river snaking between wavering weeds of slap-brown mud.

Swung between the rugged and the banal, lost on thin white roads.

These words, at best, are dry-stone, held together by habit

And a certain gravity that is the stubbornness of breath.

Look out, look down from here, from the throne, from the tomb,

From the seat of recognition ( the sword pulled out, the sword sheathed again).

We long for peace and call for peace,

Knock on the doors in the hills for our admittance

But have forgotten the password and cannot satisfy the gatekeeper

With our unconvincing boasts of embroidered skill.

It is not to do with pronunciation,

It is not to do with truth.

It is the quality of our hunger,

The rain-sated weight of bland inheritance,

The mouthed repetitions.

But let that go. Let the wind sweep it clear,

Let the estuary throat sweep away the salt bitterness.

The world is bright, regardless. It shines in the sun, regardless.

And the song remains, regardless.

Though no one hears it.

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THE HEDGES

The hedges hawthorn foam.

Precise time ceased and waiting.

A mist to smudge everything not near.

And a blue cool watchfulness

Before slow, large drops of rain.

Hills, and hills behind the hills, we see.

Hills and hills in the heart of the land.

Inch by inch they choose green

Over wan winter brown.

Inch by inch they swell and sing

Sated with descending arcs of summer stars

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Rain over the hills, light in the valley.

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DHRUPAD 23 (green)

Look now green green now.

Even green in the hills, the high cold hills

with their hearts of stone, sniff the green the tips of bracken there

amongst the old debris pink and brown,

so many cold nights

and winds and slow days of so slow heavy rain.

By the thin rivers and

the fast streams the sedges green and growing

that were hog bristle brown, dead and belligerent and wan wan wan.

And even

the clouds even the clouds

so low and slow and fast, tinged now with

a certain green a certain glow a reflected green, a green smile the world

knows

once frosts are gone and the larger days and the cowslips

foaming over the roadsides in drooping cream bee buzzing delight

now.

The pink grey empty slopes over Aberedw peppered

all peppered with hawthorn white and creamly perching there,

a crown for each moment each outcrop tonguing scented air

pert as hounds bright eyed and keen for sunlight warm and honey

smooth.

A green green breakfast it is now

for the hungry hills,

the hungry hills.

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SNOW SEQUENCE

River words turn running slow.
To see, to say, to move on.
A winter’s day has little warmth.

A winter’s day has little warmth.
We huddle around our hearts,
Crunch bowed through snow.

Crunch bowed through snow
Finding footprints to keep to,
White hollows the slipping lanes.

White hollows the slipping lanes.
Lines of hedge float empty
Cold smudges reasons to move.

Cold smudges reasons to move.
Time falls in flakes ending all.
Weighted we bob, suddenly uncertain.

Suddenly uncertain,
This is not the world we own nor shape.
Even names for things have dissappeared.

Even names for things have disappeared.
The river mutters between teeth of ice.
Slick and black the waters smirk.

Slick and black the waters smirk.
Glass cold whispers sliding by.
River words turn running slow.

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CHAPEL PINES

Gosen chapel now is grey and silent.
hard to keep warm
without the wrath of God.

filled twice, filled thrice a year
when the dog-tired farmers, or
their small, steadfast wives, turn, turn and
return, to the sleepy earth
they are made from.

jackdaws in the chapel oak
are the black-clad preachers now,
and the line of pines that divide
the living from the dead, and the west wind
that scours the marshy fields,
joining together in dreary, beautiful psalms.

they keep the view open to the empty hills:
the wandering constellations of sheep,
the souls of these departed lovers,
grazing the lovely green.

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