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Posts Tagged ‘Taliesin’

RAINBOW WINGS

When the cloud is not down on the hill

there is no magic.

When everything is so clear,

nothing is seen.

The sound of the river,

what voices does it carry?

How can it be unravelled?

I shall tell you a truth

that is mine alone,

a truth of gold and silver

as pure as dream

and as radiantly unscathed.

A truth of rainbow-sheened wings,

roofing a golden palace,

dispersed by a breath,

by a doubt, by a breeze.

The truth no one believes –

that is the way to touch the Real.

The truth that cannot possibly be true,

that is laughed out of every hall,

that truth is the truth that can change the universe.

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TALIESIN ECHOES

“I have been the radiance of stars”

Standing still feeling the heat leave.

Pierced, made nothing, made all

By the silent kissing of a million stars.

Hanging headfirst over a boiling void of words,

Whispered, muttered down the centuries to now.

How beauty strikes us dumb

And then, how pain creeps in.

The holding and the letting go that

We never learn.

What the river says, what the river says.

Ye warriors, so like primroses.

Ye poets, so like hedgerows.

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AWEN

Awen in the deep floating night.

Awen in the river darkness

Awen in the drops of rain

and the wordless cool vessel of being.

Awen in the scent of wood smoke

and between the lights and between the shadows.

The seesaw of the world,

this fragile weight of balanced moments

haunted by what has gone and seeded by thought

not yet flowered, not yet fruited.

The seed within the cell,

within the roots of blood

and the roads of time.

We are within. We are within.

The awen, our eternal passing breath.

—-

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SOLSTICE LIGHT

Listen, listen, the slow light of solstice morning.

Time shuddering, time standing still.

A word wind muttering indistinct, its rhythms and intent

As steady as oars would be, as steady as oar strokes across a glassy sea.

Listen, listen. We were all in one band, a magnificent number.

Heading west ( always heading west into darkness there, into the mists).

One raised his voice – the song we all knew.

One of those songs whose words would be ridiculous, banal,

Without the tune. Whose chorus impossibly united the living and the lost.

The glass sea slid by. Time ran out.

Some said it was a hard coming of it that year, but it was not.

It was not. It was as easy as breathing.

The reasons, so reasonable. The logic, implacable.

The rhetoric, bombastic and irrefutable.

.

The watchmen were silent, uncommunicative.

Impossible it was to know the minds of the doorkeepers.

We were there to free the imprisoned,

There to reclaim what had been lost,

There to carry home what had been taken.

Voiceless one by one we fell into silence there.

Burning bright as phosphor bombs falling from the air.

Bright as sparks hammered from the anvil.

The prize was claimed, as it always is,

The light released, the cave broken upon,

The tomb unsealed, the spell broken, the curse trod down.

But the world now, irrevocably changed.

Seven with breath, seven with tears still falling,

Seven tired and justified. Seven wan and clustered stars

Backward looking, racing on.

In a world, in a morning, not ours.

.

The slim waning moon floating into the stormy dawn,

Losing its light minute by minute. No longer noticed.

Fading into day.

I have cast out on the grass, seeds for the small brown birds,

For the hungry and the cold.

The eagles and the hawks have gone. The songsters silent,

The stately waterbirds, the watching herons forgotten in the fluttering rush.

I shall sing the names, uphold the excuse,

a psalmist counting off lines in a cold cell: the cajoling verses of warrior kings

For fickle vengeful gods, the rosary of blood red beads, the genealogies,

Until the shivering silver-edged awen fails, tumbling into mute silence,

Voiceless watching an unextraordinary morning.

.

If we had not been so strident, so golden,

Could we have passed the doors unscathed?

Had we understood what was asked of us,

Has we not mistaken guileless honesty as elaborate deception,

A trick to catch us out,

Could we be in those halls still feasting?

There with no needs to forget,

no weight of dust and falling radiant starlight upon us.

No need to elaborate the litany of the dead,

Compose harmonious laments, gather together the names,

as if they meant anything any more, as if we remembered

Their bright eyes, their smiles, their warm strong hands,

Their words around the fires.

.

The ashes are cold and must be cleared now.

Reset the hearth. Begin again.

The splash of sweeping oars and the crack of canvas receding.

Our bright futures looking westwards: the new approaching night.

It is not what it could be,

Not what was promised.

But it is what it is.

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PROPHECY IN THE MORNING

Tra mor, tra Brython,

Haf ny byd hinon;

Bythawt breu breyryon

Ae deubyd o gwanfret,

Vch o vor, vch o vynyd,

Vch o vor, ynyal ebryn,

Coet, maes, tyno a bryn.

Small gods consume lesser gods

To become great gods.

Simple ideas coalesce

To plot the downfall of worlds.

Ye prophetic poets who starve in corners.

Ye warrior kings who walk on mothers’ sons.

Ye ocean depths. Ye wild autumn skies.

Ye ultimate icy silences. Ye forests singing.

Words that lack mouths fall impotent.

Memories that lack accuracy

Become stories for the bored and enervated.

Today, like every day,

Is the last day of this bright world.

Today, like every day,

Will become ashes glowing in the cooling evening.

What will you do to sustain?

What will you do to glorify?

What will you do, O foolish ones,

To mimic eternity, and fail?

I am Taliesin and I am bitter dust.

Bright browed and grown from circumstance.

A seed swallowed by a great mother, hatched and thrown adrift.

If my words bite hard, they are to waken you.

Your footsteps are poison

Wherever you tread.

How shall reparation be made?

Pop arawt heb erglywaw – nebawt

O vynawe pop mehyn.

Yt vi brithret a lliaws – gyniret

A gofut amwehyn:

Dialeu trwy hoyw gredeu bresswyl.

The words in Welsh are from The Prophecies of Taliesin:

At the beginning:

As long as there is sea, as long as there are Britons,

There will be no fine weather in the summer;

Feeble will be the lords who come to them

Through deceiving the weak.

An attack from the sea, an attack from the mountain,

An attack from the sea, the uninhabited region in tumult,

The wood, the field, the hollow and the hill.

and at the end:

Every supplication going completely unheeded

By the lord of every place.

There shall be turmoil and tumult in the host,

And spreading tribulation:

Acts of vengeance mixed with constancy of fair promises.

Prophecies accumulate their own veracity.

They become the origin and end point of themselves.

Boulders thrown into a stream,

Turbulence upstream and down.

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FROM TRE TALIESIN TO YNYS LAS

1

We climbed the ladder road,

The wind road, peeling away distance,

Letting it drop curled below us

And the wide river mouth talking

Of nothing but the past it has known,

And the sands blowing snakes of words

Across the scoured wet flats

Where the land once was – a safe

And green world sloping down to sunlit seas,

Where now are tiny fishes and wriggling worms

And the hush of marram and the high wail of gulls.

2

That river has a poet’s mouth –

Meandering and easy, opening out to sunlit distance

The glory of horizons and a sweep of dangerous current.

I have sat on Taliesin’s grave

Gnawing his white knuckle bone

Between my teeth, tasting the marrow of bitter truth:

That there are no primary domestic bards here

But only the drone of tractors bailing sweet green hay

And thin clouds carded by wind over the bay towards Borth,

And a lazy river snaking between wavering weeds of slap-brown mud.

Swung between the rugged and the banal, lost on thin white roads.

These words, at best, are dry-stone, held together by habit

And a certain gravity that is the stubbornness of breath.

Look out, look down from here, from the throne, from the tomb,

From the seat of recognition ( the sword pulled out, the sword sheathed again).

We long for peace and call for peace,

Knock on the doors in the hills for our admittance

But have forgotten the password and cannot satisfy the gatekeeper

With our unconvincing boasts of embroidered skill.

It is not to do with pronunciation,

It is not to do with truth.

It is the quality of our hunger,

The rain-sated weight of bland inheritance,

The mouthed repetitions.

But let that go. Let the wind sweep it clear,

Let the estuary throat sweep away the salt bitterness.

The world is bright, regardless. It shines in the sun, regardless.

And the song remains, regardless.

Though no one hears it.

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ECLIPSE CYCLE

Soot black is the smith of sullen silence.
That shadow sitting always beside oblivious brightness.
Both watch the long hours –
Time fermenting with horizon’s rim,
Belly of the mother instinct hatching another triplicity.
Old gods making new gods.
An eternal chase, the subject becoming object,
The percept, concept.
Mind mazing itself ( as it does),
Its own lurking, horned monster.
This dance is neurological, biological, botanic,
A mitosis, a meiosis, a synthesis, a metabolism, an eclipse.
A hungry chasing wolf devouring light.
Crouched by the fire, our faces warmed,
Our backs chilled by starlight.
To make sense of this short story,
A fading posy of reasons,
A crushed sweetness of bedstraw.
The bards will sing and for a moment
We shall remember and forget
Everything that is and is not ours.
Visit the gods and get drunk with them.
Wordless, understand everything
Before the light of dawn
Spreads a bleak cold.

In most ancient cosmological myths the importance of the relationship between sun and moon and their meeting at eclipses are central to the understanding of how things are. To understand the world it is necessary to understand the dance of the powers moving above it. The tale of Ceridwen, Gwion Bach and Afagddu is a triplicity that might, at some levels of interpretation, be an exploration of the all important eclipse cycle, as well as the workings of the bardic process and the structure of human consciousness.

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