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Posts Tagged ‘Pembrokeshire’

TY CANOL WOOD

It is a narrow house, the wood that is made for eternity.

A smoke of dream shivering upwards into air.

The roots of it smoulder below, flame-leaves lick.

It is a narrow house we are born into.

So much that cannot be reached, cannot be known.

The paths wander between moss boulders and broken bedrock,

clothed in thick green life.

Constrained by thin earth, yet they all do seem to dance,

and at night, some say, they walk

and the rock creaks open,

light spilling from golden halls,

and that unnerving perfect music, too.

A narrow road and a narrow house we have set ourselves,

But that is not the world’s way.

She dances and throws it all away in broad gesture,

Sings at the central hearth, though no-one listens much,

and knows that song is food for every soul.

Feels the billowing thunder head, this haze of gnats,

the invisible silver threads beneath,

and the chains of finest gold,

and the footprints of old gods between the stars,

that is birdsong here

in Ty Canol Wood.

This ancient small woodland in Pembrokeshire is named from the nearby house, Ty Canol, ( the central, middle, house). It has links to Otherworld inhabitants, and has a definitely magical atmosphere. Here I am contrasting the open, generous quality of the natural world with the restricted experience of mortality and human perception. The coffin is sometimes traditionally referred to as a narrow house and the tomb to a house of earth.

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CARN INGLI HAIKU

We are lost in its blue distance.

Carn Ingli praised by cuckoos.

A gathering of sunlight.

In the shadows of Carn Ingli

Even the near becomes distant.

Humming bees.

Some hills watch you for miles,

Knowing who you are, where you have been.

Carn Ingli, perched above the world.

A flock of blue stones:

Cracked open are their doors.

Crowned in heather and whin

Is silent Carn Ingli.

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DHRUPAD 22 (by the sea)

See see how it is how it is how the air is honey, honey now
and these clouds of milky love that drift so drift drift so slow sometimes,
so slow so so hard to see in which ways, where where do they go
they come they go so slow.
A sea too that breathes slow in sighs and sighing
coming going sighing shores. The waters turquoise,
turquoise sliding violet on violet with hardly a ripple, with hardly a wave.
At its edges the colour goes the colour goes to distant distant shine of light, the tiny far off cliffs of Gower, a radiant line of sand,
and birdsong from somewhere by here somewhere
in the cliffside blowsy bending bushes.
We are pulled down here funnelled down here
by a sighing wish for beauty, drifting down to the coasts drifting like sheep do in sunshine down down to the coasts.
And our eyes gathered up, turning and returning to this horizon this same singular steady horizon.
All the painters all the poets hunting beauty to become beauty to feel beauty, the weigh of it and know it.
A fly buzzes buzzes bounce bouncing off window glass, to get through to get through to get into that beyond that beyond to pass the invisible no,
to join the eternal, free and spacious world.
The cliffs here, like the hills of home move from bluff to smudge to etched deep etched edge with time and tide and sliding light,
though nothing can push this horizon from its certain line, nothing stop our eyes ever drifting over there.
Our own whisper thoughts slow slow then cease (almost), and music, even, except the breath of the wave of the wave the wave the wave on the folded bays out of sight below the cliffs here
bouncing green with sea kale and valerian, salt sweet and grasping each sandy earthed crevice there.
The poets, the painters, all the lovers all the lovers,
the long roads, even, longing for endings and sunshine and salt sweet salt tang, we all, all drift, drift down
funnelled by love funnelled by this beautiful distance
lying in sunlight signed by a moon in the drift drift blue slow blue sky roof the long slow day drift in the curved quiet bays
and the arc of sand and the nibbled shore
and the smiling houses all lined up
to see to see
to see
and be
within it
all.

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STREAMS, RIPPLED MORNING.

Words rolled smooth with time,
A singing pebble bed rippling this stream.

King and queen of fishers flash and dive,
(would I were so sure finding silver
Below sparkling surface,
Sun-bright in the morning).
Bright-bibbed, the dipper stalks dark waters,
The warbler hidden in the wood.

Heron statues,
Tree of patience,
Colour of a rainy dawn.

The world is eyes and voices,
A welter of revealing.

Chambered and vaulted is my heart:
The green, templed valleys of Dyfed.
Deep echoing, oak-shaded,
Falling by hour, by day, down
To the slow slopes of sand,
The crumbling cliffs,
The roaring seas from elsewhere
(the fall of distance, horizon’s gleam).

That deep terrain, the stark geology
Of tale and history,
Directs the tumble downwards,
The notes, even, of the song,
Outliving lives,
Covered and uncovered,
Season by season
Prescribing the curve and flow.

I would not be at Connla’s Well
Out in the far West
Where black poison drips
To that bitter pool below.
I would be here beside the purple alders,
Their grave hanging heads
Companionable as bright Bran,
His honey laughter
Healing the horror of interminable loss.
Both true, though, those streams,
So intermingling, roped, woven,
A salmon’s view bent to a circle,
The world of edges and endings.

I have found a small pebble,
Cool and perfect in itself,
A remnant of sky-reaching mountains,
Child of avalanche and ice grinding centuries.
And have let it drop
Watching ripples dance outwards.
It is nothing,
But it is something.
A small pool easing thirst,
A little rest from bleak winds,
A moment reflected,
A place to start from.

——

( the first line ‘words rolled smooth with time’ popped unbidden into my thoughts this morning, setting off ripples of imagery, memory and reflection. Dyfed is the old name for Pembrokeshire in the south west of Wales. Many of the tales of the Mabinogion are set there – though the bones of this piece are more to do with the nature of language than with location in time and space).

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