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BHAIRAV (THE WEIGHTLESS WEIGHT OF AIR)

Air.

Flowing river from mountains cooled,

And the passion of stars

Piercing the bow of Time.

Air.

Layering droop and singing yet

On the long slope of dawn.

Air.

Tinted blue yet.

Twisted warm and wan.

Twisted slow, rolling.

Air.

Dreaming pulses

As reasons’ reflection

But vague yet.

Vague and languid,

At edges stalled.

Moistened in sleep,

But not.

But not.

Air.

Piled deep

Down to the stars.

Life sways hanging, drifting.

Trees with their hair

Loose and swaying

Singing, singing,

Down to the starlit voids

Hanging the tidal edges

The endless full innocent darkness.

Air.

The trees shape

Single syllables

Howled whisps of vowels

Finding froth from feeling.

Air

Patterned, pressured, punctured

Parcelled.

Air

Twisted and released,

Spread out and stretching,

Tidal current

The vapours caress

Their gradient glacial moments.

Air

Sun bright now

Shifting shimmering.

It suffers all thought.

Turning about

Returning it to silence.

Air.

Sun-bright now,

Spirit-filled

Song-filled

The tongue of gods

Hungry for this and that.

It will not

It will not.

It will

It will.

Invisible lover of every surface.

Air.

It stretches, it pulses.

Gods are born from air.

They flow in and out,

Grow fists of nothing.

They flow in and out.

Gods born from

The turbulent throbs of air.

Movement shiver shafts.

Silence

Silence.

Bhairav is a well-known Indian raag of the early morning. I have only recently grown to love it and its variations. Perhaps the tense sharps and flats put me off. It has the energy of cool space, of heights, of growing light, of distance, of precise wing-tips, of soaring wings, of the dip and soar of red kites. This is a sort of verbal alap – a slow exploration of the moods and directions of morning air, here in the mountains.

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MIND FLICKER

Dream-quick,
These words
Borrowed
From
A deeper well.

AIR OCEANS

Broad prowed,
Galleon wood-pigeons
Dip and anchor
On buttercup oceans.

Bright morning breeze.
Lullaby shanties
From crow’s nest trees.
Sun-still islands,
Slow air tides.

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7
VOTADINI

Sun, becoming burnished, cherry red,
Rolls up that hill,
A golden road to golden day.

This is our land, none better
For our long days,
As days stretch and darkness glistens.
A rich land for rich hearts.

We rise upon our high, green seats,
Our green thrones, rise towards the sky,
Lifting the land, a cloak, a wing, a song.

This vast curve of life:
A shield against all dismay,
A pool, heaven reflecting.

Islands arise from the morning,
Hearth fires radiate into the dusk.
This is our birth,
Rolling up the glorious hills.

*

I forgot about this one that I scribbled down a few days ago as dawn came up.
The Votadini were a tribe inhabiting South East Scotland up to the Firth of Forth, present day Borders and Lothian regions.
Their territory is characterised by big hilltop enclosures with large walls and banks ,(examples are Eildon Seat, Yeavering Bell and Trepain Law in East Lothian, which was probably their primary seat until it moved to Dun Eidyn (Edinburgh) in the 5th century).
The name probably means ‘fort dwellers’, though has also been interpreted as ‘those of the wide places’. Their name becomes transformed into the Early Medieval British kingdom/confederacy Gododdin ( ‘w’ sounds change to ‘gu’ in many Celtic tongues), well-known for the Welsh/British poem that records the disastrous defeat they suffered at the Battle of Catterick.

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