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Posts Tagged ‘Mabinogion’

A6concentric2d

SPEAKING IN TONGUES (dream stream)

Drag it through, wiped, stained, dyed, a sop.
This brush awkward,
the hand suffers from doubt,
stutters laden with gold black signs.

The words to use, the words not to use, the ordering of words, the letters of the law.
Stumbling into gaps, minding the gaps, the howling winds, the imminent rain. It changes everything and nothing. A shaman’s song summoning, departing on the wind. Three worlds by far is not enough, is too much. The twelve halls of the Aesir, joy and feasting in each one, even Ullr’s dark vale.

This script unlocks avenues,
makes actors vapours,
vapours actors.

Howling time, death-watch seconds. Do we care which demons are summoned, so long as they stream in and tell us: now it is real, now those wishes will become ripe and fall, now there will become meaning to all the suffering.
Who is it who sings, no sirens, no silkies, no fatuus igni? The chimes, the bells across the fields mingling with the blackbirds. In the cooling evening so silently the apple blossom peels seconds apart, minute by minute, statuesque, the light holds back, turns solid.

The song is not and is,
Each word offering gifts of meaning
Obscuring invention
Reducing points to lines
The gap, the space,
The disenchanted exquisiteness of it
Enough to breed madness
Or eloquence
Or a flutter of coincidence
The coming together of likes.
The burning of division.
A drum of words, rhythm and shock, imitation of emotion, the ruin of time.
Belonging to, not belonging to, lists, listen to the names,
Each name
a thousand new names,

Each placed here and here in the dark body ’til it glistens, quickens, revives, re-dreams those vast cascades. Smallest shattering of lives, fragmenting to combine into consonant and vowel, the thousand names of every god, every hall, every realm, every storm over the enchanted forest where the golden boys play, the golden boys with golden hair, who watch but take no part in each inevitable slaughter.

A dream only,
a day of dream,
a feast of dream,
an amusement of titans,
a hypothesis of worlds.
The heart singing alone.
The soul’s shape as song.
An ululation.
A speaking in tongues.

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STREAMS, RIPPLED MORNING.

Words rolled smooth with time,
A singing pebble bed rippling this stream.

King and queen of fishers flash and dive,
(would I were so sure finding silver
Below sparkling surface,
Sun-bright in the morning).
Bright-bibbed, the dipper stalks dark waters,
The warbler hidden in the wood.

Heron statues,
Tree of patience,
Colour of a rainy dawn.

The world is eyes and voices,
A welter of revealing.

Chambered and vaulted is my heart:
The green, templed valleys of Dyfed.
Deep echoing, oak-shaded,
Falling by hour, by day, down
To the slow slopes of sand,
The crumbling cliffs,
The roaring seas from elsewhere
(the fall of distance, horizon’s gleam).

That deep terrain, the stark geology
Of tale and history,
Directs the tumble downwards,
The notes, even, of the song,
Outliving lives,
Covered and uncovered,
Season by season
Prescribing the curve and flow.

I would not be at Connla’s Well
Out in the far West
Where black poison drips
To that bitter pool below.
I would be here beside the purple alders,
Their grave hanging heads
Companionable as bright Bran,
His honey laughter
Healing the horror of interminable loss.
Both true, though, those streams,
So intermingling, roped, woven,
A salmon’s view bent to a circle,
The world of edges and endings.

I have found a small pebble,
Cool and perfect in itself,
A remnant of sky-reaching mountains,
Child of avalanche and ice grinding centuries.
And have let it drop
Watching ripples dance outwards.
It is nothing,
But it is something.
A small pool easing thirst,
A little rest from bleak winds,
A moment reflected,
A place to start from.

——

( the first line ‘words rolled smooth with time’ popped unbidden into my thoughts this morning, setting off ripples of imagery, memory and reflection. Dyfed is the old name for Pembrokeshire in the south west of Wales. Many of the tales of the Mabinogion are set there – though the bones of this piece are more to do with the nature of language than with location in time and space).

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