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LLYM AWEL, verse 8: Improvisations.

Ottid eiry, tohid istrad;
Diuryssini vy keduir y cad;
Mi nid aw; anaw ni’m gad
.

Falling snow, the wide valley covered;
They hasten, the warriors to war;
Myself, I do not go; a wound does not allow.

‘Istrad’ is not any vague ‘valley’, but an open, level or wide part of a valley floor, ( ‘dale’ or ‘strath’ are modern translations, suggesting gentle, cultivated land), distinguishing it from a steep or narrow-walled valley (cwm, combe, dingle, dell,)
‘Tohid’ could be ‘blanketed’, or ‘covered’. ‘Blanketed’ sounds too soft and benign, ‘smothered’ too dramatic. I’ve settled for ‘covered’ , though it seems a little pedestrian.
‘Keduir’ ( kedwir) are warriors, ‘cad’ is battle, but ‘warriors’ and ‘war’ is, perhaps, a better echo of the original sounds and semantics.
Each line ends with the same rhyme: istrad/cad/gad. The last line has a nice reflection in ‘..nid aw; anaw ni’m..’
There seems to be a disconnection between first and second lines. We are left wondering :what is the context? Is the landscape description simply to provide a scene through which the warriors move? Does it reflect the two events: a blanket of snow paralysing the fertile valley floor, the descent of the war-band on hapless neighbours? Is the snowfall a cover for an unexpected, aggressive assault?
There is a clear suggestion of the quiet, open space and silence of the valley contrasted with the fast moving, tightly animated, urgent group of warriors.
The stillness and emptiness of the landscape is echoed in the last line by the helplessness of the narrator left behind as his companions depart. Though there is no suggestion whether the narrator feels guilt or relief, we can see the view of the wide, empty snow-filled valley floor as a correlate for his physical, emotional and mental state.

Falling snow is valley’s shroud.
A warrior’s heart is vast and cold.
With skilled companions, open to chance,
Brave and proud.
A blizzard roar sweeping away all.

Unfathomable is the mind of a mountain;
The language of clouds: not easy to read,
a mystery sung by rivers.

The silence in waiting long.
Unkind the distance between here
And good company.
Vast and empty is the future
We fill with hope.
Empty and shelterless
Is the valley void of laughter.

Wide, white and shrouded
Is the green glory of the young.
Each year these wounds
And the memories of wounds
Pile up to muffle song.

A keening wind will bring tears,
Even to the strong.

Halt and bold,
Blood-smeared will be the footsteps
Of those who return.
Their tracks:
The lines of those before us,
All aches smoothed over,
Disappearing,
The wide, vast future
Brought sharp to a point:
One moment whole,
One moment severed.
Cut short,
All certainty
Reduced to dream,
All echoes dying away.

The groans of ice.
Frost-cracked, the stones split,
Gape skywards toothless:
The road and door
To other worlds.

Left lame, useless,
Not knowing.
Watching slow snow fall.
Hands without strength,
An empty mind trudges distances.
Goalless, remote, the hollow eyes.
A dry and empty cup.

The minds of mountains
And their clouds
Weep and rejoice.
Glory of sunlight
Spitting shadows.

—

2015/04/img_1462.jpg

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Spring
in Llangammarch:

Every house
a nest.

The cool air,
a wash of song;

The river,
a sighing.

Even in rain,
The sun enfolded

bright
In the heads
of daffodils.

—

2015/04/p1110464.jpg

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ALL FOOL’S DAY

Someone who believes the voices in their head
Are worth listening to,
Who shapes a voiceless howl
And paints peacock the grey goose feathers.

Bitter or sweet is its confection,
But flown, not owned.
A convection of breath muttered,
Cooling fast to silent shuffling.
A spark to set heads alight.
A bird at dawn joining in, joining in.

So very modern, so social, so angst.
Shaped anger, a certain brittle brilliance
(Too many pills, too many movies).
Judge not, lest ye be judged.

My colours are earth ochre and mud:
They blur and smudge and taste
As bitter sweet as old iron.
Red is not better than blue.
Nothing but our breath
Is not borrowed,
And that is shared with ghosts.

If I pick a posy of weeds
And small insects
It shall likely be thrown away
By evening, change within a day
To wilt and slime and compost.

A river of muscular words,
Knowing their trajectory,
Slick with fitting exercise,
Polished, glancing slyly
At themselves in mirrors.
Mine: are orphaned, skulk
Adolescent in corners
Wishing they were anything,
Anywhere but here, ignored,
Misunderstood, awkward
With self and not-self,
Ready to punch
And run away screaming.

Small curses and bitterness,
A sweet green wormwood of words,
Unfashionable as Homer and the ‘Seventies.
Nothing if not shaped air,
A moments held tight and wriggled free,
Regardless of reputation
And good sense.

Outside my window
The world tips towards a hidden river.
Every tree and field a palimpsest of seasons.
Boughs thick with time shudder and bend,
Hold their taut silhouettes.
Tangled, indistinguishable are their roots,
Their eloquent green tongues.

A patch of blue sky
The shape of continents
Slides across the sky,
Dissipating like smoke
Slowly turning.
First drops of April rain.

—

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GLORY PASSES

All the mountains have walked away.
The hills, stirred themselves and flown.
Nothing remains but clouds and mist.

Rivers fall straight from heaven.
Forests, hushed and silent now, listen.
Distance is the well of Time.

I sit without words, empty,
(Though words themselves
Are hollow flocks).
They graze and move on,
Ineluctable patterns,
A partial view of constellations:
Midnight cloud.

It is a virtue to forget,
To remember and to forget oneself.
A virtue to see what is without compare.

Unremarked, glory passes
As sun and storm on a Spring day.
Jewelled with light the bare branches,
Silver and dark the upland roads.

The sky laughs at the invention of morning,
Rises up as mountains return
Refeshed and glistening,
World without end.

—

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A Specious Species ( fragment from ‘Book of Voices’)

Nothing sacred now but our innane, profane cataloging of elements.
Delighting amongst minute, defined aberrations of despair.
Tearing wings off angels, pinning demons, peeled, perused and wriggling.
A reduction to the economic, to the social pressure, to the self-deceived confection
Of low-fat, sugared reason.
Too smart to see the mirror’s edge,
Too self-congratulatory with resonant parsimony, (our rounded, generic, philistine voice),
To notice the hysteric, farting ghosts gesturing in the shadows,
(Who hold all the prompts, pimp and pump the lines).
All the angry poets implode with bluster, become politicians of meagre degree,
Smutty with oiled conviviality, lugubrious with reasonable desecrations.
This world, too sharp, too uncoloured, subtle and muddied,
Requiring battened-down, serial numbered, thirteen-digit barcoded, sixteenth- level encryption, a designed decorum, ready-mealed, chill-packeted
For whenever the sudden, certain hungers disturb the entertainments
Of the bland and chained perceptions.
Blake and his roaring spirits plummet burning from a pest-controlled heaven,
Nicely neurotoxined, polypropylened, thin smiled and NVQ’d.
History scrubbed and redactable, requisitioned, gilded, sold off.
Each empire and squalid colony vacuum-packed,
Date-stamped, forgotten in elusive, intellectual deep freeze…..

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FRAGMENT (from Book Of Voices)

These tides, these stratigraphies,
These meridians,
Slightly, gently shifting
(boats on a small tide, moored lightly,
Testing their freedom, anchored
In hierarchies, in distance, from
Sane land).

A certain dance of veils,
A somewhat dramatic covering
And uncovering of chance meetings.
Automatic script (as if any thought
Were planned in any way),
Knee jerk eruptions of things
To put language to, a cauldron
Bubbling up – eye of, gizzard of,
Toe of, brain of…

Always one step away
From dream,
A small distraction
And the doors open wide.
These demons, these angels
Made from our shadows
(Following us humming,
Like bees to each
Nectared crevice)…

—

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This Breath

THIS BREATH

No sign yet of dawn.
No stars, no moon, no light.
There will be snow on the hills.
It falls, a cold silence.
To wait and see or to return,
Turn away from melancholy, and sleep.

Weighted air drenches shape
But fills all voids with breath.
Warmed and fed, it leaves a small
Certain beauty.
This world, so drowned in joy
And despair, so nourished with dream.

A blessing sufficient for all:
One breath after the next,
Gift, and prayer, and blessing.

This breath:
The most simple,
The most honest,
An uttermost illusion
Of in and out.

This breath,
This sigh,
This stutter:
All the gods watch amazed,
All angels weep with envy.

This breath:
All prayer, all praise.
A river running.
( This valley of Time,
This birdsong of Space).

The only, the one thing,
Tying, holding, moving on.
An only movement,
An only stillness.
Elegance in evocation.

A transept, a nave, a bisection.
An echoed footfall,
A hearth,
A home,
A catacomb.

—

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MIND STREAMS

(for ‘Book of Voices’)

There is a landscape
Knitted over with slim streams.
Bright and dark, loud and whispered,
Each, eternal threads worming
Stories of thought and thoughtlessness,
Stories of song and reasons and whys.
Whole histories, whole epochs, whole aeons.
A continuity of dream, a muttered heart.
A thousand voices vying for eyes,
A turn of attention, an immersion in,
An interpretation of, an affirmation.

Some sing, some skirl, some shout.
Golden chained, ear to tongue,
A merry dance, a forced march.

There is a dark, tangled tree.
From my tongue it pours sap
Through throat and lung,
Wrapped to rooted loins.
A lean language, tango Argentinian,
A whipcrack thing, sinuous sine,
Insinuous, inescapable, one
Of a number of souls.

(On the black hill, a scattering of snow,
The bare trees spell out the names
Of distant saints born from rivers,
All borne to the sea, a tidal deity
Coming and going, coming and going.)

I carry with me, pelican-like,
All the souls, black and noisy as jackdaws,
On the tree from the mother inhabited
Down to now, a flock of sharp eyes
And voluble tongue……

—-

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A MOMENT OR TWO

Here, the silence moves,
Breathing through the hills.

A slow rotation of light,
A rolling, simple atmosphere,
An eased exchange of airs.

These valley profiles punch through
A rippled horizon of high hills.

Valley roads snaking through
To the clear, white sky.

—

UPWARD

Snow is on the hills again,
But the blackbirds know Spring is here,
Singing through the long, cold rain.

—-

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LLYM AWEL verse 7, Improvisations.

‘Ottid eiry ar gwarthaw reo;
Gosgupid guint blaen guit tev;
Kadir yscuid ar yscuit glev.’

Snow fall on top of ice;
Wind sweeps the top of thick trees;
Fine is the shield on the shoulder of the brave.

In the second line the trees are described as ‘tev’, thick. This is an unusual use of the adjective and because it is not idiomatic, seems a little clumsy. However, it is difficult to find a substitute that will bring all the meanings that ‘thick’ brings in this context. We could use ‘thicket’, but that is particularly associated with a tangle of smaller plants, rather than large, mature trees. ‘Thick’ means, or suggests here, heavy, large, mature, as well as closely spaced, packed together. With this one word the poet creates the picture of a grove of closely growing, large, heavily boughed trees.
The word ‘tev’ might have been selected because it has an echo of the word for ‘company’, ‘war band’ ‘teufi’ (tewfi). This meaning ties the image of the strong, dense group of sturdy trees to the following line describing the ‘brave’ with their shields. With this in mind an alternate word for ‘thick’ might be ‘serry’, ‘serried’. Now only usually seen in the military term ‘serried ranks’ meaning ‘tightly packed, locked together, crowded together’. But then, the imagery would now only suggest a military comparison, so I left ‘thick’ as it was.

Cold falls on cold.
Snow on ice.
What is slain lays low.
What covers is covered.
The weight of it,
The silence, the
Inescapability.
Accumulation of
Immobility, a
Clenched fate.
Wind roars through
A sweep of tangled
Tree tops,
A settled silence
Below.
An upper wind thickens
Without repeal.
Beautiful remorselessness
Trembles down on all,
Helpless to conceal.
This serry rings,
Holds close, side by
Side, each with their chant,
Their blood cry:
Strong oak next to
Strong oak, strained
Sinew and bone hard.
Whip fast the holly,
Smooth white its wood,
Curved and needle sharp
Its nails.
Upright is the ash,
Its shivered spear,
Black, resounding.
Stalwart the pine,
Far-sighted, bellowing
Like the sea.
All the trees swaying
Together, thick with
Hunger, a winter
War-band, a stern
Throng.
How bright the brave
With shields shouldered.
How bright the fallen
Freed in fire. An
Endless song, futile, fearless.
Numberless as flakes
Of snow, the cold fallen.
A road of burning ice,
This river, tree-bordered.
Tattered their flags,
Their leaves. Gathered up,
Swept away.
Snow on ice. When shall
This roaring cease?
This utter beauty,
This brittle glory.
Black root,
Grim rock.

—

Sent from the Lilly iPad1

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