Feeds:
Posts
Comments

Posts Tagged ‘atmospheres’

vapours of heaven1 vapours of heaven3

THE VAPOURS OF HEAVEN

 

Shall they stray far,
These wandered thoughts,
Drenched with the vapours of heaven?
Shall they, distilled, sublimate,
Take new form, grow winged
Then smiling, dissolve?

Shall they, folded,
Nest upon timeless light.
Sleep, and wake golden,
Luminous, singing?
Shall they, without surcease,
Dance eternal energies,
Still named, at home
On vast, breathing cascades
Of space?

Shall they, (these thoughts),
Turn swallows, spin as swifts,
Light as thistledown, rise
Like willowherb, weightless,
A drift in summer,
A slow gentle breeze
Bird-filled?

Shall they stretch, sprout nerves,
Become sensible, grow good souls
With new names, find mouths
And lips and tongue
And sing their own song?

The vapours of heaven:
A saffron casket, rainbow-locked.
Small whispered bells,
Honey-lipped bees.

A sky stretched
To blue transparency.
A tent with purpose,
An unseen sea,
Scaled skin of cloud.

In amongst and between,
Within cloud and moving mists,
Droplets suspended awaiting surface:
To acquire direction, to know gravity,
To locate tidal choirs.

It is all music, all music,
Nothing but song.

vapours of heaven8 vapours of heaven26

These images are taken from a series of ink drawings, scanned and photographically enlarged to reveal strange details. The revealing of other structures formed a parallel word stream imagining thought/word becoming sentient of themselves, hence the text, as one possible accompaniment to the images. (Other possibilities included star names or quotes from the works of John Dee). Some of the images are pixelating because of extreme enlargement, so these I may remake as pencil drawings…

Read Full Post »

The last week or so I have found time and space to push on with a few art-book projects I have been wanting to complete. One is a printed paper copy of “The House of Trees”. It is quite a long poem, but even so a little short for a stand-alone book – at least one that feels like a real book rather than a parish church guidebook! So I have been working out how to interleaf the text pages with image pages. Originally I was thinking of one image page facing each new section of the poem, but practically, because of the varying lengths of the sections, this did not work so well. So I have decided to greatly increase the number of images so that each spread has one image page facing the text page. This has the advantage of consistency, and also of increasing the number of pages to about eighty or ninety – quite a nice thickness! Luckily, I had taken quite a few photographs on the Isle of Skye, upon which the poem is based. On of the most interesting things on Skye was the number of high quality artist’s galleries. I was particularly attracted by several woodcut artists. Woodcut and print are a match made in heaven, so I tried to see if I could get that jewel-like light and dark richness by working with my images.

image8a

I have used quite simple techniques (complexity is beyond my computer skills), mainly playing around with contrast and gradients. The end result depends quite a lot on the original colour photos, but I have managed to get some rich, deep tones that remind me of wood engravings, and others that more resemble aquatint etchings. Here are a few that I like. Most of the images I am happy to present as near abstracts, suggestions of landscapes, textures and grains of wood and stone. As they are complementing, rather than illustrating, the text, I want them to set an atmosphere as much as anything else.

image56a

You may remember some of the photographs that I used to accompany “The House Of Trees” as I was writing it and posting it here earlier in the year. I have used some of the same images but made many of them more graphic.

image17a

I expect I will try printing some of these out for myself on etching -type archive paper, to see haow they fare as objects in their own right.

image14a

I hope the juxtaposition of panoramic spaces with close up textural detail will keep the interest of the eye as it moves from page to page.

image47a

Somehow the tonal reversals suit the nostalgic, Otherworldly flavour, where mirroring and transformations are a common motif. Also somehow fits in with the eye of memory and metaphysical meditations also….

image29a

Read Full Post »

%d bloggers like this: