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Posts Tagged ‘collection’

CONVERSING WITH INVISIBLE FRIENDS
It is not infrequently that I find reading someone’s blog I become word-filled, or at least taste the winds of wordage. A spontaneous thing, a few lines cast down in appreciation or conversation. I have begun collecting those that pleased or surprised me under the above title. Some are complete in themselves, some just torn pages, sketches, notions. But amusing, I hope. A bouquet for my muses ( you lot of screen-lit waifs and strangers, mind-readers, mind-sharers, an osmosis of muses).

1
DREAMING

Caught in this hammock,
Dew-wet spider web:
February day
Dreaming of spring.

Night now.
The world calling low
Down my chimney:
“come out, the clouds
Are fast and glowing pale.”

2
JUGGLER

And what’s a man without his shoes?
A cold toed dancing monkey,
off balance
and drunk on gravity!

3
TINNITUS

It must all end thusly,
stopping suddenly,
like thoughts do, like life does,
as boredom or something more inviting
takes the stage.
A nice touch,
like hearing a wash of bar-room gossip,
or a sudden rush of fragmented,
incomprehensible telepathy….

4
TOO SMART

Stepping over cracks,
papered, glued.
Names for emptiness,
even clever emptiness that a mind can leap.
One by one
we shall all disappear,
finding everyone else,
who have also disappeared,
wondering how that,
how that could possibly happen,
how that could possibly happen again,
again
and again.

5
MUSED

The poet fights to get out,
is slapped down with a gritty hand,
that then too,
turns into a mudra of revealing.
A nonchalent hide and seek,
footsteps echoing in silence.
The maniac down the corridor titters loudly….

6
LILT

Speed and convolution,
locomotive breath.
Delicate pace
with careful tongue.

Disallowed,
my comments,
strange,
syllabic apprehension,
jealous machines…

7
ASIDES

Underestimated, the value of brackets!
They packet up thought and expression,
more similarly to thought and voice,
than more highly regarded punctuations.
I am all for brackets
( I shall make a placard,
and stand on cold corners
(with a small dog and rattling can).
(and I neither object to brackets within brackets
(though a sniffy grammarian might grumble)).
They are raised eyebrows and slight smiles.
They are knowing ness and by the way ness.
They are signposts in the significance
and waywardness of a train of thought
(we are now off the rails and improvising,
(mouth moving, brain aghast)).

And by the way,
the jewel of your words has a certain ring,
engaging,
wed to the world
(punning though,
is the sign of devils
playing with idle hands).

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Moonlight cover2

My first collection of poems is now available from Smashwords.( http://www.smashwords.com ) it contains one hundred and eleven poems compiled from my first year’s blogging, up until December 2012. This is my first attempt at e.publishing, and as far as I can see it seems ok – looks really nice on Kindle.
If you would like to take a look you can download the first twenty percent of the text for no charge. Price to download the whole caboodle is $6.99 (apparently there are 13,910 words, most of them in the right order! In a little while we should also have the book as a downloadable pdf available from http://www.treeseer.com

“This is the first published collection of poetry from Simon H. Lilly, an artist and lecturer who is also an established writer on esoteric healing. The majority of the works are from the last two years, with a selection of earlier poems spanning four decades. There are over a hundred poems, from short, haiku-style pieces to longer performance texts and epic narratives. The landscape of the changing seasons is often the backdrop upon which the nature of mind, awareness and reality is explored. His poetic influences are the spiritual landscapes evoked by Classical Chinese and Japanese poets, the rhythms and word-play of Old English charms and spells, and the wistful lilt and muscle of the Celtic bardic traditions, particularly the contemporary Scottish Gaelic masters.
Rich language, sometimes dense, sometimes light, always looking to recreate an instant within memory, a picture in words. Quiet, contemplative, but never sentimental, he describes these poems as “flocks of thoughts watched from a quiet distance”.”

Next project (when I’ve fully recovered) will be to publish “The House of Trees: a poem of thirteen parts.” and then maybe a volume with a mixture of word and image (a lot more unpredictable in how it will work on different reading platforms, though I believe).

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