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Posts Tagged ‘photography’

MIND STREAMS

(for ‘Book of Voices’)

There is a landscape
Knitted over with slim streams.
Bright and dark, loud and whispered,
Each, eternal threads worming
Stories of thought and thoughtlessness,
Stories of song and reasons and whys.
Whole histories, whole epochs, whole aeons.
A continuity of dream, a muttered heart.
A thousand voices vying for eyes,
A turn of attention, an immersion in,
An interpretation of, an affirmation.

Some sing, some skirl, some shout.
Golden chained, ear to tongue,
A merry dance, a forced march.

There is a dark, tangled tree.
From my tongue it pours sap
Through throat and lung,
Wrapped to rooted loins.
A lean language, tango Argentinian,
A whipcrack thing, sinuous sine,
Insinuous, inescapable, one
Of a number of souls.

(On the black hill, a scattering of snow,
The bare trees spell out the names
Of distant saints born from rivers,
All borne to the sea, a tidal deity
Coming and going, coming and going.)

I carry with me, pelican-like,
All the souls, black and noisy as jackdaws,
On the tree from the mother inhabited
Down to now, a flock of sharp eyes
And voluble tongue……

—-

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Desert Songs(2)

Lulled by light, long and low.
Warm winds, fled with birdsong.
Distant rises the muezzins’ heart,
A hive of bees, nectar-fed.
The sands lift to colour the air,
A wave of snakes, a river in time.

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Blink

BLINK

Days of endless sun.
Thought and purpose
Slowly lift, shimmer, evaporate.
Staring at white horizons.
Blink.
Dog pack saunters
From shade to shade
Sniffing flowerbeds.
Blink.
Sand took form,
An antlike persistence
In the angled walls,
Windowless, shadowed.
Blink.
Ink-slow waves
In a gelatinous evening.
The winding path,
A hum of far generators.
Blink.
A camel yawns,
A cat scratches.
Blink.
Palm trees
Practice the mudras
Of elegance,
Lifting and falling
In a rippled breeze.
Blink.
The turquoise sea –
A clear calm eye.
This trembling smile
Of shoreline.
Blink.
The low land, reluctant,
Drinks sweat and blood,
Who would be content
With only water and love
And a settling of peace
To bloom with wild and lonely greens
( a song of shade and a same old longing-
Moon and moonlight).
Blink.
The small birds flit
The fast small hawk.
A flash of feather alley-fast
And soaring minaret,
A calligraphy of vowels,
A calligraphy of gesture.
A moment threaded through the blue
And sunlit sand.
Blink.
A sudden upright green,
A wash of convinced colour –
Reward for winter rains.
Blink.
Blink.

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Desert Voices.

Violet sky.

A woman

Is the air,

Dancing.

Wind,

The audience.

A silent world.

A silent world.
Waiting
For the footprints
Of saints.

Dust and sand
Dancing in lines.

In the heat,
Shadows melt away
To nothing.

Shadows melt away
To nothing.
Birds hop
From tree to tree.
Cat sits still,
Rolls and stretches.

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VALLEY ROAD

Hard against the hill
Is the shining snake road,
A year of seasons in its moods.

By the river’s wide roll it begins.
From sheep and fields and farms it rises.
Past the flat-capped shepherds, tight
Behind their wheels,
Through mud and puddles up, and corners
Rising to the sky, the open forbidden hills.
(A view of storm mountains, pearled
Valleys ploughed with mist and rainbows).

Down and round again, shuttled roads.
The forest’s lip, dark and curved,
With roaring streams and dappled.
Oak valleys pooled below, copper gold,
Horned, delighted.
A cast of rain thrown down
And forgotten.

The wilds of cloud and tussock,
Then down, down to the surf green,
To the familial names, to the crossed roads,
The straight paths.
To the door, our home in the dear silence.
The tall ashes pale now and yellowed
Falling one by one, as if counting,
As if counting.

___

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INVITATION

Come, come whilst the woods are green and golden.
Days crumble and fall, a burnished bracken,
A tremble of cobwebs.
They tumble and cascade, ripened and rotten,
A glorious ferment, a willed and wanted collapse.

The roof-tops in the forest,
Moss covered, dripping:
A kind of amicable silence,
A shared solitude
Threaded with birdsong.

Our scars, our pains, show
How we have become ourselves.
They are the maps that have brought us here.
In these pools of silence
Put them aside, fall, forget.

Come into cloud silences, the tumbling breezes.
In early morning, a slow drifting time,
The calligraphy of bats above the feeding sheep.
Where distance comes and goes,
The river’s voice everywhere and nowhere.
The long, pink dawn stretching low,
Rolled out on bird wings,
The green gold of valley oaks.

Come, before the days grow too short,
Before the fords deepen and run so fast.
The still soft light of woodland,
Bramble, bracken, willowherb that browns and thins.
And the dead risen up in their Sunday hats:
They sit in circles and talk endlessly
Of the past that we are become.

Come if you are homesick for woodsmoke,
For a slow, unwinding road,
A symphony of edges,
A breathed rhythm,
An enfoldment, a rapture,
An end and a beginning of stories.
A little time away.
A time given back to the world.
To be unnoticed, camoflaged, melted,
Drowned sweetly, the waves of autumn.

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On the edge of the Brecon Beacons in mid Wales, Myddfai has long been associated with traditional herbal medicines. The story goes that a young farmer in the 13th c. was passing by small lake in the mountains above the village and fell in love with a fairy girl, the Lady of the Lake. Their descendents were renowned for centuries as herbalists. The line died out in the 18th century and are buried in Myddfai churchyard.

WITH THE YEWS OF MYDDFAI

Walking amongst the dead,
With the yews of Myddfai,
(And are we not always with them?
The left and the lost,
As they are with us always,
Whispers breathing cool).
Ground ivy sweet underfoot,
Plantain fragrant above their heads,
The soft, springing grasses.

Taken up, become trees,
Corded limb and leaf.
Holly, cherry, elder all
And the certain hope of yew,
Candle eternal, resurrected
On cross-beams of utter time.

Trees of blood, names forgot
Yet the throb of heart and cell
Pushing out from one likeness
Into a congregation of small sacraments,
(A blessing of toes and fingers
And round, pursed mouths,
An O, a cup, a small, red, sweet seed).

Trees of name and trees of memory.
A date of birth and a date of decease,
Only a short, curved line between
To measure each coming and going.
A start and an end,
A retrieval of mythology,
A reinterpretation of dreaming.
Thin lines of light,
Delicate mycelial wanderings,
Sole nutrient of futures
In sunless soil and sinless light.

A tangled commonwealth,
A last, shared supper.
The weeds of healing
Melting and rising upwards.
In late sun, (October now),
The wood is warm to touch.
Take time,
We say,
But they leave time alone
And live beyond our means.
We, with borrowed flesh and borrowed light,
Who give it all back
(Willing or unwilling),
To be born again,
To be built into another time,
Another place.
Vessels pouring into vessels,
A fall into grace.

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BRECON CATHEDRAL YEW WOOD

Dappled, the dead sleep
A slow, chimed crumbling.
A choir, a roof, are these yews.
Riven and sundered, tied back and bound,
Reworked, ribbed, buttressed.
They stand between the leaning,
Between the soaring: the lime,
The cedar, archangel sequoia –
All elders singing before the throne.
A hymn of jackdaw and blackbirds,
An antiphon of ivy dust.
Time riding heavenwards by degree,
Folded and sealed,
A shrouded, deeper silence.

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YEW GROVE AT LLANAFAN FAWR

1
Light sensible, thick as darkness
And light veiled, filtering downwards.

One red cup, one seed dropped,
Rippled out, measured by millenia.
A ring of sinew trunks, weighted, poised.

2
Where the old road
Cups the round, green breast
Of Llanafan Fawr.

Where the quiet mound
Floats above the heads of valley oaks
(Distant voice of rock-sided Chwefri).

Where the dead bask in sun,
Sleep in shade,
Their names carefully chiselled,
Painted, kissed in lichen.

3
Rising up
From the Underworld
Where the dead become stars,
Where bones multiply,
Where dreams are born
And shadows grow their own souls.
There, the umbilical roots
Bind light to darkness
Making song
That wheels this world.

4
Fed by scintillating constellations,
A certain, mutual apotheosis,
A rippling out of layered years
Laid down in sinuous orbits,
A hug of dimensions,
A vessel for longevity, for remaining.
Only holding on.
Only breathing.
A mirror from each metalled yuga,
Withstanding heaven’s gobby adolescence.

5
Three great props to prop the sky.
As the gods choose their own forms
Grown from curse and pleadings,
From a universal need, the deepest science
Of leaning upon
They have measured up,
Filled the matrices,
Solved the quadratic and the algebraic,
Judged the swing of planetary orbit.
Readjustments made, reconfiguring
A weighty gravitation,
Collapse, expand, spin.
(Those three doors all life dances through)

6
Old before the brazen, gaudy eagles
Meticulously trampled lands not theirs
To glut the slovenly cities of the South.

Old before the contrivance of contorted guilt,
The crosses to be borne or cast away,
The ring of truth, the hope of doves.

Old before the King of the North and his kin
Bred saints amongst sacred hills.
Before Dewi and Afan, (who, maybe,
Were as eloquent as uncle Taliesin),
Sheltered wise candles from the wild storms:
The slick guttering stroke of marauding steel,
Thud and groan and a pouring out of life
In a red gush, anguished and final, among the silent trees.

Old as the penetration of water through rock,
The endless drip to sunless oceans below,
Is the strife of men, the lamentation of their women.

Old, and the richest of composts.
The most intricate of tallies,
A long genealogy, a swirl of lusts.
All commingled, compressed, considered,
All fit and meet, an elevated sight,
A blossoming of poison and beauty,
A perfect circle, a sunlit ripple.
One tree is a forest,
One grove a memorial
To these thousand thousand lives,
Drawn up, drawn in,
Held, encompassed.

—-

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YEW AT LLANYMDDYFRI

I am a fire banked up.
No loud voice
No chanted, righteous psalms,
No holy threats.
Quietly I suck the dead,
Draw from what they no longer need.
Green leaves and slow, dark sap.
A skein of green dressed in veils of ivy.

Not large, not small,
I go on regarding, regardless.
My hymns are quiet,
A gravity for time and space
To dance around.

Disregard me.
I am as undistinguished
As you shall be
As you fall forgotten
Mixed with mud and misty memories.
But I shall see days you shall never know.

A stone’s throw from eternity’s grey walls.
Lived in by wrens, lived in by blackbirds,
Priest and brown sexton.
Banked up against the long hill,
The green valley cowled and shaded,
A cave for meditations.

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