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Posts Tagged ‘Mynyddoedd Cambrian Mountains’

LAMINATION

These words have gathered themselves together

Like swallows in a cooling sky.

Dark news from the cities

Where fools hold sway.

The stone at Llanlleonfel hardly speaks,

Stuttered in silence, its lines unread.

The stone of Llanynis taken to safety,

A kind replica gathers moss in an empty field.

The stones of Llanddewi Cwm, the woven stones,

Broken and holy, no one sees any more.

Words there are dying, eagle cries scratched and fading.

The stones of Gelynos subside into their own graves,

Locked in roots, bound by promises, muttering names.

The stone at Llanwrtyd, the old view subverted,

The road to world’s roof pitted, empty.

Is it still there in the darkness?

A mystery looking out, an old palm resting in an old lap,

As if after despair.

The stones of Llanafanfawr, huddled safe from storm,

Root words that mean their opposites, that savour contradiction.

The stone of Llangamarch, bestowing its blessing on jackdaws,

By the river’s edge in the water’s roar.

A storm of awen stripping away discourse.

A scroll rolled and unrolled a galaxy away.

The stone of Cilmeri, where hope died,

Where hope is offered flowers continually fading.

A place to lose heads, to find a well of eventual peace.

All these stones cold, hard, mute.

They can not tell of our futures here,

Though they remember the past,

And that, they all know, is the same thing.

The stone of Llanlleonfel is an Early Dark Age memorial to two fallen Welsh warriors inside the small church at Lllanlleonfel. The script is hardly readable now, the exploits forgotten.

The stone at Llanynis is a deftly carved pillar cross, removed to a local museum, but replaced with a fair reproduction, leaning isolated in a cleared graveyard.

The stones of Llanddewi Cwm, are no longer in situ. They consisted of deeply carved interlace patterns, once part of a free-standing cross stone.

Gelynos is an early Non-Comformist chapel site on a hillside road. Its walls long gone, its gravestones tipped and sinking into the earth.

Llanwrtyd stone is a memorial stone with abstracted Celtic-style head, lost within the depths of an old church nave.

The stones of Llanafanfawr are enigmatic geometrical carvings now placed into the porch wall.

The Llangamarch carving is above the church porch. It has a representation of a figure holding a spiral below a sun wheel cross.

The stone at Cilmeri was placed last century in memory of the death of the last great Llewelyn, Prince of Wales, ambushed and slain here.

All these stones are in, or look over, the Irfon Valley in mid-Wales, where I live. The title ‘Lamination’, which is name given to the weathering deterioration of these old carvings, is also a play on ‘lamentation’, particularly the Biblical Lamentations of Jeremiah, so popular in the Reformation for its relentless descriptions of ungodliness and destruction of nations.

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The Doors of Midsummer

A breath of cloud moves east across Y Garn’s face.

Words are as scarce as swallows in a cold summer.

Anyway, anyway, they only grow from dream to tangled lie,

flowering like the bindweed covering all beneath,

Weighing down, weighing down until nothing else remains.

The doors have opened in every hill,

An invitation to join the dance and summer’s feast.

But we are taught to doubt generosity,

To look for the trap in openness and goodness

(nothing is true that comes so free and easy).

River and clouds are the rulers of this world

and they move on in their own time, unbidden.

Tune to a key that sings of endlessness, even though

no one here knows anything of that song.

For emotion is born from time and loss:

In timeless halls is no such thing.

No such thing but endless dance and bliss.

If the summer never ends

It will be a hard winter, here.

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THE HEDGES

The hedges hawthorn foam.

Precise time ceased and waiting.

A mist to smudge everything not near.

And a blue cool watchfulness

Before slow, large drops of rain.

Hills, and hills behind the hills, we see.

Hills and hills in the heart of the land.

Inch by inch they choose green

Over wan winter brown.

Inch by inch they swell and sing

Sated with descending arcs of summer stars

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Rain over the hills, light in the valley.

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DHRUPAD 23 (green)

Look now green green now.

Even green in the hills, the high cold hills

with their hearts of stone, sniff the green the tips of bracken there

amongst the old debris pink and brown,

so many cold nights

and winds and slow days of so slow heavy rain.

By the thin rivers and

the fast streams the sedges green and growing

that were hog bristle brown, dead and belligerent and wan wan wan.

And even

the clouds even the clouds

so low and slow and fast, tinged now with

a certain green a certain glow a reflected green, a green smile the world

knows

once frosts are gone and the larger days and the cowslips

foaming over the roadsides in drooping cream bee buzzing delight

now.

The pink grey empty slopes over Aberedw peppered

all peppered with hawthorn white and creamly perching there,

a crown for each moment each outcrop tonguing scented air

pert as hounds bright eyed and keen for sunlight warm and honey

smooth.

A green green breakfast it is now

for the hungry hills,

the hungry hills.

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SPRING SCATTER (haiku-ish)

Moon as bright as morning
burnished by a cold wind.
Mountain river white as clouds.

Floating mountain.
Two crows.
Spring sun melts frost.

Cold wind.
Bright sunlit air.
These blackthorn days:
Tumbled jewels.

Along the lanes,
blackthorn blossom.
On the high hills:
the bones of the snow.

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STORM PASSING

Sway , as wind makes the grasses.
Here then there (but silence in the soil still).
It, breathing, roars. Tears away what breath there is.
It, moving, alights and passes through all, a sudden thing.
It, breathing, shudders the solid, twists each sound.
The singing fires dance free and the slope of wings as sharp as scythes.
Sedge, winter dry, rattles with a serpent’s hiss.
On tip-toe we scramble homewards, whipped eyes watering.
Such a small thing, this flush of weather. Half a day
Flooded with impecable instants of translucent uncertainty.
And we, made small again and frail by ineffable, invisible airs.

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COLD LAKE DAY

Rust red are the fingertips
Of the dead, scraping at the edges
Of the day. They shall seek to admit
Just a little more light, a little more
Where the hills hesitate then vanish
(They are remembering the very
Oldest of names, hollowed as tombs,
Frost-bright, distant).

In storm wind
Trees and crows sing dancing. Endless
Fields the sheep wait patiently,
Wait patiently turned away from rain.

It is a hard day hung upon
The crosstide of the seasons.
Brief and battered, a smudged world
The colour of old dried blood and bruises,
The colour of steel and verdigris,
Of sodden soil and seed slumber.
A wind ripped thing pinched with rain.

Sorrow is a cold lake in the mountains,
A grey heron waiting to feed.
Joy is a cold lake in the mountains,
A grey heron waiting to feed.

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DHRUPAD 18 ( war song)

A RE NE

It is
it is not words we need
not words but the song of words
the music of words
the cry and lilt and torn cry of words
howled out and yearned loud and quietly sobbed
in the silence of the listening hearts.

A RE NE NA

It is not words but the rain of words
the storm of words keening the keening
the wind whipping the eaves of desolation
and the sedges sharp and the sedges grim and the wild paths long
and the bitter air and the lost horizons.
A peal of words a crack of words a silence of words
naming each name lost
each heart lost
each breath stopped
each eye dimmed
each each each and every small beauty
each small memory lost
each small dream destroyed
each each each day gone and never never never sung of again.

A RE NE NA TE

Oh the songs they are all the same
from the bleak hills of the old north
from the brave fools
from the fast journey south to stand on a hill sleepless and doomed
from the quick soft slick betrayal in winter woods
the diminishing the diminishing of life.
From the long night trains into endless smoke stained dawn.
From the massing on the edges of death
and the bare skulls’ teeth with the crawl of yellow gas between between
and the loud death
and the silent death
and the long death
and the death of colours
and the death of goodness
and the peals of ripped hot metal ripped from earth ripped from earth.

A RE NE NA TE TE RE NE NA

It is the madness of song
the madness of words
the mad remembrance of each moment
endlessly unforgotten endlessly cherished endlessly endlessly.

A RE NE NA TE TE RE NE NA RI RE RE NE NA

This salt wound flowing
these withering withered hours that will not let go.
Wordless are the words of the song that we sing
a summing up of the sound of the world
of all time that was and is and will be
cast aside in a moment in a movement
in a drowned moment.

RI RE RE NE NA

Relaxed and airless free now of pain and forgetting forgetting
the drum of endless names lost
endless names endless names endless
this wordless song singing mourning all all
all lost held cast put away put away
deep deep deep in the bones
of the bones of the stone memory
of things named named named.

TE NE TOOM NE

I have included the mantra used in dhrupad singing: it derives from the sacred Sama Veda texts that primordially combine sound with meaning that goes beyond meaning. Any words we use to clothe the unseen depths of human emotion and experience only gain significance when they somehow fold within themselves the wordless music of the world. Poetry only rises above prose when it too folds itself into wordless song, when words become haunted with song that goes beyond and yet perfectly expresses, meaning.

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Our Geography (1)

Our geography is mellow and tear-washed,
meandering and mud-stained.
It dreams through mist and slanting rains,
bites its lip and grasps the rooted valley sides.
It sends out messengers and bards
on posts and cries their hovered song.
It wears its history against a fickle, fast future;
views as unbecoming the speed of our own descent.
Though welcomes us back always
to its folded silences.

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AFTER A LONG DROUGHT

The log lorries roaring hungry to the forests,
their bare ribbed skeletons longing for another heavy load.

Such a waste of words this poetry is,
scattered in the warm wind unable to withstand
the returning silence that covers with cloud the hills
turned heather purple
and the curling first thoughts of autumn
and the spit of rain.

The path to Fannog was damp
and the woods smelled of blackberries.
The steel still waters sullen and drained,
the old farm’s walls, out in the shallows,
Surfaced again, thirty years, more, since the last time,
haunting the view,
the craggy rocks impossible in sunshine
after so many years dark under murky waters.

They have receded
pulled back from the tops of their drowned valleys
like lips curled back from a corpse’s teeth,
the bare stumps of black trees, the slope of field and fence post.

We are measured by what remains –
these scars and careless piled debris swept from sight.
“Swimming forbidden. No diving allowed. Submerged objects”,
the bones and worse, the dreams,
the miscalculated grandeur, the voiceless dispossessed,
(as if we belonged ever, as if we stayed).

I have been dreaming of the flooded lands again:
the rivers rising to drown the roads,
all the fields turned sweeping water,
all the hills left desolate, no way out.
As if they were memories,
as if these places had names,
as if these trackways had purpose.

Sinking down, the cracks between dream and memory.
Flash floods, the sudden storm,
turbid waters, long drought,
a draining of the steep slopes,
drying mud on smoothed contours, the feeder streams silent.

A habitation deserted.
Roofless silence.
Low cloud shifting down long valleys.
Looking like rain.

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