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Posts Tagged ‘Philosophy’

SKY RIVER

Three days now the sky
Has been a rushing river of airs.
Caught in its roar
The bright moon day by day dissolves.
Now a thin cold lip,
An edge of ice fast melting.

Here’s a line, here’s an image,
Bold and clear, easy to recall,
Easy to frame.
But gone and shattered,
A leaping fish, up and shining;
A crystal hung in the sun
Never the same patterns of spinning colour;
A stream, a burble of tumbling,
One melody caught but then lost,
A fugue of endless forgettings.

So, the points, the main points,
Quickly before they slide, again, away.
What and where is the wind when it is not blowing?
What and how is a river when it is not flowing?
What and why is the mind when it is not full of words?
How can we say anything is certain
When we fail even to remember
Our passionate dreams from the fading dark of dawn?

Nothing seems fixed in the buffeting swirl of mind’s river.
I am the possessor of the sight
Of a juggler with knives and doves
Enraptured, disbelieving, horrified.
But I is an eye
In a peacock’s tail,
A ripple and splash
Over a river’s wide shore.
My certainty, no more than that cloud,
Breathing and gone as it races southwards,
Seawards, forgotten on the horizon, no longer itself,
Melted, merged, a long sigh.

Hold here, hold here, anchored.
That is, perhaps,
To miss the point.
Consider this elegant and judicious thought!
Consider this cloud, this sparkle of light,
This aeolian harp. This sound
That comes and that goes
( in the forest is there even a roaring
With no ear to hear it?).
There is something,
But it seems nothing when held.
There seems something,
But it is only a dreaming of numbers and probabilities.
The wise having spoken,
The rabble clamour and grab those chiselled phrases
(lacking any memories of their own).

The wisdom of mankind:
A moon melting away into shade,
A wind rocking the rafters,
Shaking the valleyed woods,
Inchoate, a chord.
Hold, and it is lost, dismembered, forgotten.

The colours of the dawn: a sequence of shifts, no moments,
No savoured fragments. Only as the blink
Of an eye, an inability to keep
Attention,
A distraction of impressions.
Mind, a movement of itself
Outward into itself,
A brash Mozart
Of improvised narcissism.
If you are not now looking at me
Then what am I?
Give me worth
Or I am less
Than dust
On the tongue.

Dissect and sever
Dream from sleep,
Sleep from waking,
Sense from feeling,
Real from fantasy.
Dam the air, dam the stream,
Divide the slow curves,
Tree shaded,
From the racing weir,
Rock shouting and white.

This moment of perfect sky,
Three woodpigeons buoyed and floating
Down to the small green field.
A rip of blue.
Two gulls distantly weaving.
Cloud shifting from grey to pink,
Teased out,
Carded fine and white
Through the teeth of the fast cold.

Recording moments:
A needle stuck
Repeating the same few bars, the
Same few, the same.
Or a rabble of squabbling voices,
A heckling audience,
Swaying faces in the dark.
A consensus of insanity
Taken to be, of course, sanity.

The sky is pearl and golden.
Three day’s wind
Has smoothed out the light,
Has rubbed the hills green and smooth,
Has dissolved the moon.
That is all.

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Moonlight through glass

Beginning of the New Year, according to some counts. Woken, as fairly normal, by roving,climbing, cats and whilst in the velvet struggle to regain sleep, caught a tumble of words on constellated subjects. An attempt to recover the drift hours later is usually unsatisfactory – but then dreams themselves are always so much more coherent before the linearity of recall.

The first unrolled from the title of a collection of poems I am getting ready to e-publish ( “won’t take long, start with something easy”…). The title, “Moonlight through glass” is itself taken from a small relief sculpture I made about thirty years ago : just words carved in relief upon reclaimed hardwood floor tiles from an old dance hall. The image is one that satisfies, redolent with silence, serenity, emptiness, peace. An ambiguity of completion and loss. Its partner is the image of “Moonlight on rooftops”. Somehow the epitome of melancholy to me.

Yesterday evening I was playing around with images for the cover of said, slim volume. Getting into the flow, I was revisiting a couple of colour prints, modifying them for a dramatic black and white. Happily, it turned into a potential project all of its own ( or at least so it seemed in the fever of creation). A sort of abstracted yantra meets medieval woodcut, chats with Blake on angels and ghosts, then nods at the engravings of Gustave Dore ( he with the appropriate accent), with a reminiscence of Book of Lambspring and alchemical doings. Possibly a way of illustrating words on the Mahavidya goddesses. Hence the circling of subjects, the orbit of words, that follows:

MOONLIGHT THROUGH GLASS

Moonlight through glass:

Solve et coagula

Dissolve and solidify.

Resting in silence

A vapour of thought

A mist of emotion

Twin mystery

( two of too many):

Light and orbit.

Something fast as infinity

Slows through a lens

Of liquid sand;

Something as unconcerned

And chaste, a satellite

Held gazing face to face,

A waltz of gravity.

Taking form, giving name, chasing thought.

Dance of equations, conjuration of stillness.

Simulation of solidity, (vibrating nothingness).

To give meaning,

To build a path in a pathless wasteland

(suddenly goals, suddenly distinctions)

Mirroring, reflecting, perhaps, the definition of our purpose.

Narcissus has become our jealous god

(echo lost, echo found).

Dancing round the fire,

Oh, we know that one’s name

That will spin gold for us

(though he will still trick us in the end).

And why, why, do we honour Prometheus,

That medler who ruined more than his own prospects,

Who brought down much more than fire upon us?

Too smart for your own good,

Answers too shiny-

Clear-cut, obvious, too self-serving,

Too monstrously elegant.

Ferment.

Closed system

Athanor.

One strong enough to withold,

To withstand all turmoil,

A roiling of opposites.

Not designed for madness

But madness is where we all must go.

The madness of too much,

The madness of not enough.

An incontinent ejaculation,

White noise, staining silence,

An endless slurry of love songs,

A loop of imprisonment.

Ferment.

The numbness of moonlight –

Passion stilled within the heart.

Whitened. Blackened. Consummated.

Brought forth.

Soot-faced puffers

Strainng to wriggle free.

Moonlight through glass:

The achievement,

The surrender,

The transcendence.

—–

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And not too dissimilar ( the metaphysics of stellar cosmogenesis, of electromagnetic emotions), words orbiting the bright imagery, the dark, powerful, inhumanly human goddesses, Ten Nights of Transcendent Darkness, Objects of Transcendent Wisdom, Mahavidya Goddesses. This one the aspect known as Tara ( Second Night of Hunger).

TARA: SECOND NIGHT OF HUNGER

Tara, Tara,

Hungry star,

Unquenchable yearning.

Infinite distance

Is the path to return by.

Light from the farthest edge

Wishing to return to your comforting blackness.

Consumed, conjoined, united,

Undifferentiated,

Possession of belonging,

Lines of gravitational force.

That which separates,

That which holds together,

And beyond all these,

The desire for so much more,

The desire for so much less.

——

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For the clearest, and certainly the most poetical and image-rich words, concerning the Mahavidyas I would recommend Alain Danielou’s great work “Hindu Polytheism” ( that majestic title now sadly pedestrianised to “The Myths and Gods of India” ).

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