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Posts Tagged ‘Poetry’

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THIRD BRANCH

In brown light, thick as honey,
A book of instruction lies open that is a door.
Listen now, listen to these pictures.

How the reckless, (and even those we once thought wise),
Rush after what has been lost.
Into the fortress of emptiness,
Into deserted palaces and courtyards calling, calling.
And how they, we, I, reach for a clear golden perfect thing
And in that moment become immovable, entranced,
The fountain of all life bubbling inches out of reach.
The golden chains, (each link a true remembering
Of the one before), disappearing up into eternal blue
That holds the perfect vessel, that is equally curse and blessing.

If it has but one clear meaning, then it is not our poetry.
(A vessel chased and engraved with hypnotic flow,
Imperfect symmetry of ripples on a summer stream.)
If we are not led astray, it is not our poetry.
If we do not forget ourselves, wondering how we came here,
What it may all mean, then it is not our poetry.
We shall become poisoned by it and purged by it,
Blessed by it and made full with it. Stripped of skin,
Made shining and given new names, the names of ghosts long gone.
For the truth is: it shall revive the dead, made perfect again but speechless.
Only through our own voices now can they wander this world,
And we haunt them as they inhabit us.
Memory and forgetfulness.

A patch of sunlight sweeps the hills
And is gone.
These clouds, these hymns, these voices.
For a moment we shall fly upward, then remembering,
Fall down once more below the soil.

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This is how it is

This is how it is, or maybe.
(memory is a dark poetry,
old as clouds and as fickle.)

a mountain remembered:
golden and easy
and green in the evening.

this mountain leans into rain:
a glossolalia
of rivers.

this mountain:
lost for days in mist,
and dreaming.

this mountain cloak
draped over horizons,
cloud-shadowed,
bruised purple.

this mountain:
a joy to the stranger,
a burden to the desolate.

this mountain:
benign and warm
and sprinkled with sheep.

this mountain:
cairn-topped,
Its dead long gone
Into small things.

this mountain:
leaning skywards,
always growing upwards
mouthing hymns,
forgetting nothing.

this is how it is, or may be.
(memory becoming landscape,
too vast and folded for one glance).
evaporating our vocabularies,
a rearrangement of whispers.

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AUTUMN SQUALL

There are few words here.
Bleak hill, cool breeze.
Iron hard is the ground
Of the present –
It will not give way.
Seeing is the stark choice
Of poets,
Dreaming of what was and is
And feeling the bones push
Through the thin skin
Of the day,
Sky-bright and bitter-edged.
We will grab what we can
And always wish for more.
Certain hunger there.
Sharp breeze, bleak hill.


A short reprise on ‘llym awel”. As days grow shorter it may be that I will continue my explorations of this oldest of British poetry, so akin to the nuances of T’ang poetry and the haiku of Japan. I am about half way through. After a year’s break it will be interesting to see how the verses get assimilated.

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Book of Changes

I
Wind river
Ocean airs
Clouds race
Birds watch
From shelter
With anchor feet.
Sounds stretched thin.

“The Creative is heaven.
It is round, it is the prince,
The father, jade, metal, cold, ice;
It is deep red, a good horse, a lean horse,
A wild horse, tree fruit.”

II
News from far off
Sorrow and treachery.
Collecting radish seeds
As they ripen
Between the rains.

“The great prince issues commands
Founds estates, vests families with fiefs.
Inferior people should not be employed.”

III
Dawn already in the east.
Rain in the west.
We wait for news, and names.
The kettle bubbles.

“The well. The town may be changed,
But the well cannot be changed.
It neither increases nor decreases.
They come and go and draw from the well.
If one gets down almost to the water
And the rope does not go all the way,
Or the jug breaks, it brings misfortune.”

IV
Standing still,
All the flock, backs turned
To the wind.
When the storm is over
The grass shall taste sweeter.

“Innocence. Supreme success.
Perseverance furthers.
If someone is not as he should be,
He has misfortune,
And it does not further him
To undertake anything.”

I recently picked up a copy of Richard Wilhelm’s “I Ching or book of changes”. I had it many years ago, and though it is probably not the best translation, it carries a certain, stately grandeur in its language. This morning, in stormy weather, I decided to see what happened combining a few short verses I had written with random selections from the book. Meaningless and meaningful. Everything becomes oracular. Juxtaposition revealing the mysteries of the mundane.

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REMEMBERING OF A SOMETHING

I shall not remember this,
Nor shall be remembered for this.
And yet for a moment I am here,
Settled between grey hills in slow rain.
My love, still sleeping, her dreaming breath
A slow mist down by the river.

Where did it begin?
Moving on, just so,
As a shifting sunset.

Stone stretched thin until it admits hollowed light.
Dark cliffs wane, and here we are:
Saints as numberless as sheep,
Sheep as numerous as clouds.
Clouds piling to heaven then whispering to nothing,
Pushed by hills older than themselves.
The river runs thick and dark, naming each stone.
It is as easy to forget, sometimes, as to remember.
(Bitter ashes, black soot, husks huddled that once had faces).
How fast the grass covers it all, takes away cause and reason.

Here we are:
A silted green valley down to the sea at Llantwit,
Where the giants watch a slow eternal game of gwyllbwydd,
Playing out to itself between the ruled lines of cliff and ocean.
In the sunny town, eating pizza, we watched the wheezy trucks
Squeeze between the kissing buildings.
And the church bedded there, clutching the old stones removed
From rain and birdsong, mute and sullen awaiting uncertain resurrection.

Palaces of remembering are the storehouses of forgetfulness.
Dust and regret and time running on empty.
Familiar roads have become strange,
For we have wandered too far, and run out of words.
Nor have we yet forgiven the fools that led us here,
Nor the fools that followed.

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INK WASH

open window.
now and then:
sighing cars
roll by.

gutters muttering
in light summer
rain.

time caught
on cobwebs,
lost in cloud.

sedge grasses flower,
green trees
statue-still.

Li Po hums
and sketches
silence.

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LESSON

That little owls
Smell like
Old tea towels.
That barn owls’ wings
Smell of the pages
Of old books.
The weight
Of the night
And the folded green
Of light.
The balance
Of hunger,
And the return
To earth.
Pinion and
Orange eye.
A changing wind,
And the heft
Of an eagle’s claw.
Eight miles
Of sight
In a few ounces,
And a life
Of floating
Between.

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dark clouds.
blackbird singing.
pure heart

day by day
the rowan reddens –
memories stored for winter.

the old graveyard.
ivy and old man’s beard.
we all cling to what we once had.

morning mists.
a river dreams of seas.
dew in the stubble field.

reading poetry:
seeing the memories
of someone long gone

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For want of anything better
We climbed the hill at Narberth,
Bellies full, awaiting wonders.

But as we looked abroad
The land was empty and bare:
Void and desolate.

The clouds race unremarked,
The fields empty, no drift of chimney smoke,
No children’s laughter.

Because you have forgot the turnings in the road;
Forgot the choices, slipped down the easy paths
And left the future to evaporate,
All this has happened.

Once and again,
The tide of light recedes,
The storm winds roar.
There will be no shelter
But the future we fashion for ourselves.

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SPLUTTER

I tire of these poets’ ragworm tongues.
Words dragged drugged as alibi for art.
Stabbed and stripped, a menu mocked:
One cup of spit, a bucket of bile, wrangled gristle,
Punctuating slice, the wet meat slap,
Served up alleluia teenage grit.
Sneer chant, hooligan thrust,
Smelling of quick ink and sweat.
Educated ejaculate, staccato excess.
Did we not do all that in the sixties, but better?
And Dylan before that with fire and form
And beauty in the boiling of the blood
And its exquisite deadly music
Throbbing word by word.
But it is all too soft now
In the smell of burning plastic
And the falling fruits on flicker screens.
A manufacturing of synthetic ecstacy,
Needled sublime in neon sewer arches.
A scribbled, dribbled sgraffito, rude and crass.
Self-lubricated splutter, skinned, pampered,
Hung out, drying, shrunken, mean.
Slick city strutters, the ravens watch unfooled.

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