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Posts Tagged ‘space’

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STRUNG OUT ( a bereft history of every sing)

In the beginning,
The worm word:
Strung thin sound.
Hesitant, looped
Monochord.
Free:
As much as it wanted,
Tied:
Either end an anchor
Of some
it
or other.

Simple,
Soon tangled
( darned attraction
Of molecular
soup).

A good idea
Scribbled over.
Attempts at,
Forgetful of.

Seriously playful,
Now only
Serious, panicked
Lost, mazed
Trapped
Traipsing time
Tired
But unable to
Prevent
Echo, mutter,
Wild laughter.

Self portait-
The void black
Reflection
Dilated pupils
Staring, straining
Into space.

Midnight skitters,
Meaning pretends
Itself.
Vocal chord,
Knotted, node,
A gap between
Wuh, wuh, words.

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something to do with the primacy of sound, language, self-referencing mixed in with cosmogenesis, DNA as a jam session ( that slick four-piece polyrhythmic jive), a quote from Robert Musil, via N. Filbert ( jump starter of my brain). Souped up silence, those seers who strive beyond language, return from heaven stumbling and drunk, stutt, tut, tutter. I place on the tip of my tongue a consonant of fire, a vowel of air, extinguished by a sliver of spittle, mistakenly taken as a reason, a viewpoint, what is only a howl of sound, a pushchaired child hooting for echoes in cavern subways….

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the images are some sketches of the seed syllable ‘hung’, one of the three primal sounds of manifesting mind that may or may not become paint or silver or more words at some point

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CORIOLIS EFFECT

Seems its been
Raining
All over
poets
Everywhere today.
Cool air,
The sound
Of it
Syncopating thought.
And how many times
Do they say
Lightning strikes
The surface of the Earth
At any one time?
From space
There is, it seems,
A constant flickering,
Like the coming
And going
Of souls,
A lightening
And a darkening,
Maintaining a larger
Balance, of sorts,
Though
As unfathomable
As the
Blue swirl
Of cloud
Over ocean,
As distant
Sounds
Of despair
And sorrow.

This came in response to a comment by 47whitebuffalo and a poem by whimsymimsy, and others too I think. Linked by weathers and events, we fugue and echo, screen to screen….

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TIED

My heart is tied to the swell of time.
This tide of days, this wash of seasons.
This breath, this slow explosion,
This unfolding, this revealing and concealing.

Unfurled, I am stretched elastic
From dawn to dusk,
From horizon to horizon’s edge,
Surprised by cloud and bluster,
Swept up in flock and murmur.

Chimed, cascaded,
Catapulted into distance,
Collapsed to dancing, molecular dust.
Sun-caught, moon-cooled, star-pierced,
Tumbled through grasses and shadows,
Shorn by cold, wakened by ice,
Shaped and turned, lathed, formed,
Reduced, concentred, made real,
Made utterly real, made whole.

Gauged and runnelled,
Flooded in memory,
Eroded in seconds and hours,
Made into the new,
Then back to familiar, dust.
A rise and fall,
A breath, a heartbeat,
A word
Whispered.

*

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Moonlight cover2

My first collection of poems is now available from Smashwords.( http://www.smashwords.com ) it contains one hundred and eleven poems compiled from my first year’s blogging, up until December 2012. This is my first attempt at e.publishing, and as far as I can see it seems ok – looks really nice on Kindle.
If you would like to take a look you can download the first twenty percent of the text for no charge. Price to download the whole caboodle is $6.99 (apparently there are 13,910 words, most of them in the right order! In a little while we should also have the book as a downloadable pdf available from http://www.treeseer.com

“This is the first published collection of poetry from Simon H. Lilly, an artist and lecturer who is also an established writer on esoteric healing. The majority of the works are from the last two years, with a selection of earlier poems spanning four decades. There are over a hundred poems, from short, haiku-style pieces to longer performance texts and epic narratives. The landscape of the changing seasons is often the backdrop upon which the nature of mind, awareness and reality is explored. His poetic influences are the spiritual landscapes evoked by Classical Chinese and Japanese poets, the rhythms and word-play of Old English charms and spells, and the wistful lilt and muscle of the Celtic bardic traditions, particularly the contemporary Scottish Gaelic masters.
Rich language, sometimes dense, sometimes light, always looking to recreate an instant within memory, a picture in words. Quiet, contemplative, but never sentimental, he describes these poems as “flocks of thoughts watched from a quiet distance”.”

Next project (when I’ve fully recovered) will be to publish “The House of Trees: a poem of thirteen parts.” and then maybe a volume with a mixture of word and image (a lot more unpredictable in how it will work on different reading platforms, though I believe).

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Cold flame
Crisping leaves:
Autumn stars’
Distant roaring.

Time,
Weightless,
Escapes
Into the endless
Night.

Adrift,
We revolve slowly,
Catching sight
Ocassionally
Of where we
Have been….

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The Ten Mahavidyas

The mahavidyas, or “great wisdoms”, “wisdom goddesses”, or “Ten objects of Transcendent Wisdom” is a medieval Indian system of metaphysical thought that brings together aspects of goddess energy in a powerful and evocative manner. In certain aspects it falls outside the more familiar Hindu orthodoxy, whilst deepening and adding commentary to the esoteric traditions of the Himalayan region.

I first came across the Mahavidyas in my fourth year at the University of Edinburgh and was drawn to the powerful imagery- especially as presented in Alain Danielou’s “Hindu Polytheism”- so that I incorporated elements of symbolism in my sculpture projects. At the time I was using the image of the bowl a lot in my work and it seemed an ideal form to express the numinous within the familiar. A container of space, requiring emptiness to define itself, the bowl has often been employed as a metaphor for the polarity of existence.
Much more recently I was asked to make images representing each Mahavidya in the same way that I found symbolic forms for tree energies. It took a while to consider. It is one thing tuning into a tree energy and seeing how to visually freeze that unique energy dance, it is a different matter of scale to do the same to a powerful universal energy presence. Resolution came when I acknowledged that the Mahavidya energy patterns are transgender, transhuman, transspatial, transtemporal, transcultural entities. In other words, it was not necessary to get “permission” or authentication to begin this work. They do not belong to any one species or gender or time or theology, though their symbolic references will be culturally specific. I am possessed wholly by these energies as I am with the frequencies of the electro-magnetic spectrum. I do not need to achieve knowledge or understanding outside of myself. In fact they have a more permanent existence than what I consider to be my own personal reality.

MAHAKALI

Great Time
Time accumulating,
Licking
Laughing.
Disintegrates
your considerate sciences,
Your careful measured certainty.

Unfettered
Definitions cease.
Knowing Her
There is nothing else to know.

Beyond subatomic passion,
Endless rest, but awake.

Scurrilous,
Untramelled Reality,
Radiant darkness
Embedded, entangled,
Woven into solidity

Solid time
Still time
Waiting time.
Ungraspable, unavoidable

Warm red tongue
Licking your soul.
Warm lips clasping.

Atrocious vastness,
Contigious unity,
Invisible light
Revealed.

Exploding souls
Supernovae.

The image above is one of a series of prints I made of the Mahavidyas and related energies. This one is Kali, the Great Night of Time, Deathless Silence, Perfect Bright Darkness. Kali means ‘time’.
Though these energies are personified and worshipped as deities, they transcend all human categorisation and all cultural niceties. They are raw reality, which is why they are so scary! Any image is Mahakali, every concept is Mahakali. This image I have made is therefore perfectly MahaKali, though not exclusively so!!

If you are interested inseeing the other images or purchasing a few(!!) please go to click here

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