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First few notes and ideas from a trip to Iceland last December. Another piece disappeared soon after writing – joys of instant technology – perhaps the giants of the aurora prefer to remain hidden, together with the dragons of the ice….

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I

A slight
Misinterpretation…
It was not
“Nevermore”
The raven cried
But
“endless”
Or “forever”…..
That timeless view
only one who sees
The whole horizon
Can utter.

II

The weight of white, cutting wind
Relentless,
Borne over the miles of ice,
Raising ghosts that smoke and snake
Across the black remnant of ice-free ground….

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III

At first,
Day on day of snowfields
Aches eye and brain.
Tired of colourless, outstretched miles,
We long for a taste of colour,
A clash of the familiar….
But with the continuing cold
Comes acquiescence:
No longer is this a world you know,
No longer parameters judiciously to be weighed.

IV

The weight of gravity,
Settling white,
remorseless accumulations
Of slow curves.

“We do not care
For your insistent heartbeat.
A fist
Thrown against forever,
A line of footprints smoothed and vanishing…..”

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V

“Nevermore”
Was not the raven’s cry-
That
Was a mistranslation.

Understandable, though,
The tones of black
Require a certain bleak vision
Mixed with cold humour:

A perspective of wan horizons,
Endless fields of snow
Punctuated by moments
Of death….

The word
On every raven’s call
Is
“Forever”.

Maybe
It was a gloomy
New England Protestantism,
(Baldur dead forever),
Maybe
A seer’s view….

Try as you like,
Small human,
Whatever weavings and turnings,
Clever, fast, considered,
All shall return to forever,
The dust in my voice,
The iris of this instant.
My name is Horizon.

“Nevermore”
Is the cry of one
Who can never look over the world’s edge,
Never see the sun under the earth,
Night fuse,
Egg of light……

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April notes

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April notes.

I

Leaves,

Tongues,

Unfurl to taste

The spring air.

A thousand dialects of green

Singing in the sunlight,

Floating on the breeze.

Whispering,

Rising,

Rustling.

II

Summer settles in.
Hedgerows all green at last:
Elm and ash awake, unfurl.

The first, fierce flash of flowering
Subdued and melted,
Satisfied and seeded;
Dandelions exhale upon
The warmed air.

Skylarks dissolve
Into the high blue,
Swallows sift
The thickening air.

Days
Expand and relax,
Warmth radiates
Into the evenings.

Spring saunters away,
Humming,
Stopping to smell
The blossoms of May –
Creamy tide of spice,
Her footsteps
Fast covered
And
Fading.

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The Ten Mahavidyas

The mahavidyas, or “great wisdoms”, “wisdom goddesses”, or “Ten objects of Transcendent Wisdom” is a medieval Indian system of metaphysical thought that brings together aspects of goddess energy in a powerful and evocative manner. In certain aspects it falls outside the more familiar Hindu orthodoxy, whilst deepening and adding commentary to the esoteric traditions of the Himalayan region.

I first came across the Mahavidyas in my fourth year at the University of Edinburgh and was drawn to the powerful imagery- especially as presented in Alain Danielou’s “Hindu Polytheism”- so that I incorporated elements of symbolism in my sculpture projects. At the time I was using the image of the bowl a lot in my work and it seemed an ideal form to express the numinous within the familiar. A container of space, requiring emptiness to define itself, the bowl has often been employed as a metaphor for the polarity of existence.
Much more recently I was asked to make images representing each Mahavidya in the same way that I found symbolic forms for tree energies. It took a while to consider. It is one thing tuning into a tree energy and seeing how to visually freeze that unique energy dance, it is a different matter of scale to do the same to a powerful universal energy presence. Resolution came when I acknowledged that the Mahavidya energy patterns are transgender, transhuman, transspatial, transtemporal, transcultural entities. In other words, it was not necessary to get “permission” or authentication to begin this work. They do not belong to any one species or gender or time or theology, though their symbolic references will be culturally specific. I am possessed wholly by these energies as I am with the frequencies of the electro-magnetic spectrum. I do not need to achieve knowledge or understanding outside of myself. In fact they have a more permanent existence than what I consider to be my own personal reality.

MAHAKALI

Great Time
Time accumulating,
Licking
Laughing.
Disintegrates
your considerate sciences,
Your careful measured certainty.

Unfettered
Definitions cease.
Knowing Her
There is nothing else to know.

Beyond subatomic passion,
Endless rest, but awake.

Scurrilous,
Untramelled Reality,
Radiant darkness
Embedded, entangled,
Woven into solidity

Solid time
Still time
Waiting time.
Ungraspable, unavoidable

Warm red tongue
Licking your soul.
Warm lips clasping.

Atrocious vastness,
Contigious unity,
Invisible light
Revealed.

Exploding souls
Supernovae.

The image above is one of a series of prints I made of the Mahavidyas and related energies. This one is Kali, the Great Night of Time, Deathless Silence, Perfect Bright Darkness. Kali means ‘time’.
Though these energies are personified and worshipped as deities, they transcend all human categorisation and all cultural niceties. They are raw reality, which is why they are so scary! Any image is Mahakali, every concept is Mahakali. This image I have made is therefore perfectly MahaKali, though not exclusively so!!

If you are interested inseeing the other images or purchasing a few(!!) please go to click here

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