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Chöd

CHÖD

There is no artifice to the morning,
No allegory, no metaphor.
It is a clear road, known,
Never before travelled:
A cold wind streams from the North,
A dissolving moon sliding slowly down.
My purpose for existing,
Maybe only to be a friend
Of this little cat (future Buddha)
And to offer comfort where I can,
Watching the light grow and spread.

A flood of fast despair boiling tragically,
The collapse of possibilities, the revealing of wounds.
A world that is not enough, cast away.
The wonderful gods we have chosen,
Radiant with omnipotence, turn out to be
Exaggerated parodies of our own neuroses,
Given all power and now driving sanctioned insanities,
Mitigating circumstances for all atrocities,
All excuses sinless and shining.

In a high field the ice winds
Flow around a young girl dancing,
Naked, spinning a drum.
She has no possession, nothing of value
That she has not given away.
Her breath, her flesh, her voice, given away,
Her dance, to feed the ever hungry,
To clothe the ever despairing,
The hungry ghosts and tragic gods,
The parasitic demons, the lost children,
The bright feathered ones.

Within a vessel of silence,
With words of silence,
With melodies of silence,
She gives it all away
Until she has everything and nothing.

Drum like a heart at the heart of reasons,
At the heart of reasons not to,
At the heart of simply no other options,
At the heart of no choice.
Giving it all away.
All the language, all the fabulations.
Here,
This is yours, this is yours,
Feed and be satisfied.

There are no paths here to this field,
Nor are there any roads that lead away.
A road is an excuse not to stay where you are.
No future has ever been laid down by a road:
They simply return us
To where we have already trodden –
Debris of an old campfire, burnt cans,
Strewn plastic, shredded in tatters on black branches,
Whiff of ordure and wet ashes.

Do not follow the ones that say follow,
The bright parasites, shining destroyers of choice.
Pioneers of novel disaster, slaves to habit,
Recycled, irrefutible logics.
Step off the road, just step off the road.
If it is a new destination you seek,
Step off the road.
Return to the silent grasses, wordless whispers,
Mycelial clusters of small symbiosis
That feed the hungry ghosts
The roots and white fingers of dirt and dark.
Step off the bright road
That heads for war,
The bright road to a bright future.
Step off, sink down, be silent.
Refuse to be moved by impatient passions,
Goaded by entrepreneurs of stolen honesty.
Give away all the excuses that tell the reason why not,
Feed them to the subtle beasts.
Open to the cold north air, itself of itself.

A hollow, ringing emptiness:
Words that are of less value
Than last autumn’s torn, sliding, burnt brown leaves.
Heard only by those already listening,
Maps to those already on that path,
Validation of shared insanities.
Chanted the chanted spells,
To wake the world with word and song.

I shall sink to silence,
Sink to silence
Where the spinning drum
Calls the hungry demons,
Who, satisfied will turn flakes of laughter,
Sink to earth and dissolve.
A word to silence,
A thought to breath,
A soul to the winds,
The cold north winds.

Chöd is the Tibetan Buddhist/Bon practice of offering oneself as sustenance to all beings, a stripping away of owned existence, owned energy, owned thoughts, owned beliefs. This piece emerged from a pre-dawn slushing of phrases and ideas. It started as one thing but changed in the focusing upon it to something else. Machig Labdron is a popular figure, portrayed as a naked young woman with long, flowing hair, chöd drum in hand, dancing. She was an influential yogini.

20130204-192339.jpg

Arising

ARISING

The haiku is often what is not said. The spaces filled by personal recollection. And, of course, catching the moment a mind jolts awake.

This haiku,
Wordless, is
What is not said.
The shaped voids
Becoming occupied
By personal recollection,
A sorting of remains,
Catching the moment
Mind catches sight
Of itself
Mirrored.

These words have no meaning.
And these lines are silent.
No sound, no movement.

In the heat of late summer
The shrine in the mountain forest
Filled with the gossip
Of old men in green shade.

Storm sweepings
(debris of the sway of the world)
Sugi smoke rises and crackles.

In its own dark hall
The taiko drum plays with silence.
Unstruck, its taught skin
Ripples out roundness
Beyond sound.

Ripples across Sewa Lake,
Waves of branches in the wood,
The oncoming typhoon.

The cicadas ignore,
The ants map
The grey weathered boards
Of the audience chamber.

The carefully robed priest,
Each toe grasping the steps,
Opens the door between worlds
With invitation and gesture.

A slow wheeling of kites.

This sign is not in use.

Imbolc

IMBOLC

The small fires
Must sustain us still.

Cold flows,
A cloudless wind
From the North.

Hope is our scarf.
Hope warms our hunger,
A thinly stretched continuance.

One small spark
At dawn
And the long,
Slow fuse
Of Spring
Is lit.

The beck and rill
Of Time.

Rag And Bone Man

lingam1

RAG AND BONE MAN

 

Misdirection.

Frantically waving

The world tries to warn :

Going the wrong way!

Looking out

When you should be

Looking in.

 

In the palace

Broken debris accumulates.

 

(Holding a red, wriggling

Worm of thought.

Articulated, reticulated,

Sinuous, slippery.

Transfixed now,

Sectioned.

 

It oozes

Phonemes,

It oozes

Pheromones.

Colours of, shapes of,

Moments of, pain of,

Pleasure of.

The demon (daemon)

Of Meaning,

No Archon this,

Nothing but Choronzon –

Crowley’s chaos beast.

Bright bubbles of edge

Bursting into void.

Clasping reality:

The cliff-face, wave-foam,

Everything

And nothing revealed.)

 

In the palace,

Silent, deserted,

Debris put by:

Collected are souvenirs,

Remembrances, clues,

Identifiers, histories,

Reasons, threats, excuses.

 

What has been rejected,

Labelled unacceptible,

Exerts as much gravitational pull

As the central proud combustion

Of signposted identity.

At the edge

We place the dark gods,

The Titans, the giants from before.

The ones whose names

We have all but forgotten,

The ones of the earth,

The child-eaters,

The self-generators.

 

With stick and staff

The thick-lensed caricatures,

Bewebbed stuttering scholars,

Chemical smudged whitecoats,

Steadfastly measure and dissect.

Never looking within

Never stirring the dusty dragons

The leering, prancing obscenities

The brilliant but quite mad molecules.

For, tell me if I am mistaken,

Is not the person but a bombastic dictator?

No democracy there, no credence given

To heart or lung or liver.

A hijacking by a handful

Of slick, white myelin-sheathed johnnies,

Serotonin spivs, smart mouthed,

Cocky seen-it-alls, know-it-alls.

 

These our trusted advisors,

These our judges, our jurors

Pretending po-faced objectivity,

Arbiters of reality,

Politic grandparents

Guiding us away

From the dark corners

The guts in the cellar

The stains and axe marks

The awkward questions

The nightmare realities

Of distinct extinction

Irreparable re-examination

Of priorities.

 

The patient sublimates.

The patient projects.

The psychopath, quite reasonably,

Believes a distinct view

Nothing but a gift, a duty.

 

Fearing that anathema

Of the Irrational,

The horror of insanity,

The embarrasment of pettiness

That dwells within,

A roil of unscientific, subjective

Oddness

(we all know it, we all know it

How can we not know it?)

Sweeping the dirty

And the improper continually

Under the carpet,

Rearranging the tired flowers,

A quite flick of the duster,

A spray of masking wholesomeness.

 

Spending nation’s worth

Probing the fractions of matter,

Qualifying,

quantifying statistical expectations,

Mathematically generated creatures,

Galactic searchings,

Subatomic manhunts

Whilst

Heroically

Ignoring

That one thing

We can call ours,

The architecture

Of thought,

Pulse of Memory,

Symbiosis of consciousness,

Monster of imagination,

The flicker of

Inward sound,

Power

Behind the throne.

We cannot, m’lud,

Declare the patient sane

Nor their acts judicious

Nor their perceptions true

Lest the evidence is forthcoming

From the Defence.

 

Is the ghost a demon?

Is it a god?

By their acts shall ye know them

By the world they allow

Not by their advertising campaigns,

Not by their multiple-choice questionaires

Not by their glossy manifestos.

 

Not by anything

But the evidence of their own,

Lonely, determined dive

Past the mechanoid elves,

Past the phosphorescent jellyfish

Past the trembling glory

Past the irrefutible

Past the last possible excuse

Past the only reason

Past the words and past the silence

At last to the bright halls,

The shining paths,

The alien, familiar gardens.

 

I hung for nine nights

I hung for nine days

Upon the World Tree.

Naked, I reached downwards,

Screaming I took up the runes,

Word upon word

Word to wellness

World was woven,

One Eye am I,

One view, completed.

concentric5

A Loom, A Stitch Lost

A LOOM, A STITCH LOST

Each time
I read the words
Of Angus
The paths
Of my brain
Meet the dance
Of my tongue
A taste
Of delight,
Sound sculpted
In silence
A dance,
A dance,
An expulsion
Of gestures
A condensation
Of landscapes
A world
Falling
Out of solution
Like diamond
Clear
Crystals.

And my own
Weave
Emerges,
Upon
My own loom,
Shuttles fly:

Today
One more stitch
Lost
From the cloth
Of this life.
One more certainty
Dissolved,
One life
Lost:
Memory only
Clinging on:
Fingers of
What if
Fingers of
Maybe.

With sleep,
Letting go.
The wind outside,
The rain
The hail
Demarcating
In turn
Each four walls
Of this uncertain house,
Home yet
For a while

And then
The journey onward
The journey unknown
Together
Or alone
Drifting
In slow shoals
Forgetting
Our names,
Wind borne
Water borne
Sighing
Starwards.

star lines7

Yew textures

13

Equation

Belonging and separation
These, the truth of all relating.
Belonging and separation,
These, the fabric of all existences.
Belonging and separation:
The biology of being
The song of the heart
The engine of thoughts
The migration of souls
The tide of peoples
The stick and goad of leaders
The yearning of lovers
The fear of death.

Staying in one place:
The rowan, the birch
Taking up, letting go,
Bending to withstand rain,
Rising in springtime.

A blessing to all
A curse to none.
The house of trees
Ever remaining.

I breathe in
The wood of my own making:
The spliced double oak
Of my lungs
Shattering separation,
Drawing in life to life.
Feeding the forest
Of my blood, a red tide
Whispering the twin rivers
Of extension and return.
My own yew and alder,
Heart life, deep-rooted.

A dream of trees,
This world.
A home of trees.
A house of trees,
An open sanctuary,
A boundary of contentment.

The bright tumbling birches-
I breathe their fluid lightning,
Sucked in to my belly.
Spinning, revolving, sweeping away
Sorrow, liquid atonement,
A clarity of spiral song,
A reverberation of pure note.

I breathe in the star snow of rowan,
A descent of clustered frost,
Rock-borne, persistent.
A waterfall descent of night
Shot through with sparks of song.
A tumbled universe
Bridging beginnings and ends.
A resonance of watching silence.

I breathe the resin air of pine,
A seed of taste on the tongue-tip.
Awakened presence, reminder of place.
I breathe out the distant glimmer
Through the centre of my eyes,
Arrow-straight, target-less,
Horizon’s endless pull.

The tree of memory.
The tree of branching thought.

I breathe the sweep of ash,
The straight, silent spear tip of it,
Key to all houses.

I breathe the shattering quiver
Of aspen the whisperer.
A fountain of echoes,
Shaking each nerve tip
With rippled delight.

I breathe without movement
A perfect balance of oak.
Remaining poised,
Certain stitch, well held.

And I breathe a pool of yew,
Contracting, expanding, bubbled time,
A well of silence,
A well of time.

Half here, half elsewhere,
The dancers know that tune
Of leaf and root, galliard of the seasons.
The slow inhalation of moments,
The gnat-cloud of thought
Dispersed and reformed
In new pools of sunlight.

The house of trees:
Allowing the dark,
Allowing the stillness,
Acquiescing to gravity
And the yearning for light.
Placed, established, settled.
Whilst we,
Free to wander
But rootless and unsatisfied,
Busy to hide the doubt of silence,
The insistence of other questions.
Always running away, scurrying.
Better stories
Awaiting beyond.

It is time (surely) to
Attain a place,
An open view,
learning to remain.

Over the hills of Knoydart
The clouds have settled.
Dawn stills the waters
Between Raasay and the deep wood.
Distilled essence,
Liquid morning.
All roads and paths
To elsewhere
Are empty.

The house of trees:
A beginning and an end
Of remembering.

tall trees

magic wood

12

The Singing Wood

In the tangled thicket
Blackthorn barbs of thought
With no safe way to turn
Suspended, doubtful, tired,
A bright berry yet –
Container of seed, small hope
Only requiring its portion
Of sun and soil.

A dream of all the islands
Bridged and bounteous
Dangerous Sounds, riptides of recrimination,
Gravestones of sorrow
Mapped, but foresworn.
The few that foolish fought
Squabbling, slaying the hopes
Of all others, forgiven
But no longer exalted.
Each land with its sweet air
Breathing new life into its own
Sweet song, strong language
Not misered, but known by all
Shaped, gloried, delighted in.

The blessings of all required by all.
The gold of happenstance
A fountain of benevolence.
No capercaillie strut, no clash
Of antlered rut – lords only
Of knowledge and kind words.
All requiring all, sustaining all.
In the flash of day between
Long night and long night
The hearth of kindness
The food of companionship.

Islands no longer prisons of belief
Walled by the bones of the slain.
Each a tree: oak, ash, thorn,
Birch, mazzard, distinct, shining,
A singing wood of distinction,
Where roots sustain
Woven tight together
Where branches catch light,
A net of bright breezes dancing.
Where trunks are lithe, given space,
Grow strong,
Sheltered and warmed by all.
Islands of the blessed,
Apple islands,
Shining in sunlit seas.

woods at Tokavaig

moss cave

11

The tasting of edges

Here is how it is,
How it was:
From the vastness of sleep
A coagulation, a gravitation
Towards the poignant edge.
The bliss of voiceless silence
Shaped and constrained:
Electrical motion, remembering, defining
The surge of emotion, the
Tumble of language, the assertion
Of primacy, constraint, neural nets
To catch and take hold, own,
Possess, reject, disown, demean.

The walls of this house,
Our house,
Sure against the gale,
Black and warmed.

Here’s the truth of it:
This language is not my own,
Not my words, not my syntax,
Not my thoughts, nothing new.
History: the reiteration
Of the forgotten blood
Still roaring changeless
Down the rivers of the years.

Here we are:
Rooted, belonging,
Our right,
A place to return to,
Warm in the soot-blackened darkness
(The winds screaming, battering, squeezing
Sound from tumbling dust).

A silver flash on the black waters,
Leaping fish way beyond the heron’s gaze.
The tawny glen, its tawny sides
Closing in as day’s end darkens.
Where are the fires?
Where are the voices?
The footsteps of those returning home,
The yawns of babes
Turning in belly-filled sleep?

The roaring tide has left.
Its sound diminishes.
The white, wheeling gulls
Are silent specks, the dark horizon.

We are left at a peace
We do not want,
Wordless sorrow for the misplaced.

I’ll tell you of the purest emotion,
Feeling that is free of judging,
Free of qualification.
It is the only language of the heart.
Music, the language without definition,
The summoning of tears and smiles,
Our greatest blessing to the universe.
A song, wordless and unequivocal,
A language universal, sublime,
Fearful, shaking the roots of things,
A net for the Almighty’s scatterings.

(I would barely trust one
Who could not find a tune
With nimble fingers,
Who could not speak verse
As if it were his own heart talking,
Whose words stay cowled behind
Heavy drapes of seemly logic,
Whilst inward, seethes and rails
Against opinion not his own.)

It is not here
In the dream of standing alone.
It is not here
In the upright light of independence.
Uprooted, it is not possible to find a place,
Poor and worthless, it is not possible
To find gold or glory.
It is the same voice
As it ever was:
The clever words well-weighted,
Reasonable.

The rain on the roof,
The wind at the door.
We huddle
Holding the weaving of stories,
The paths telling how we got here,
The choices, the turns, the betrayals.
Cold draughts sweep abandoned corners.

The water does not fight the rock,
It tunes its song and flows around.
It is neither this nor that.
The stepping stones in the flood –
Not the only way to cross.

This house of trees –
It is a house of despair,
A house of howling winds.

This house of trees –
It is a bounty of bright life,
A re-population of delight.

This house of trees –
It is a signal to all
The tyranny of the past has fled.

This house of trees –
It is a plight of bitterness,
An empty, starved gesture of despair.

Delight and despair –
Sunlight and shadows on the hills.
Holding firm is not the way of life.
Freedom and independence, not
A way to understand life.
The making of edges
Is the sound and silence of the tune,
A convolution of anticipation.

Each edge, though,
Neither this, neither that.
We define too closely,
Barter truth for surety
Miss the paradox,
Hold too tightly.

The bright edge is a sword
That severs as the sunlight is a sword
That blinds the sight.

Coming over the hill –
The sharp curtain of the Cuillins,
The still waters of Ord.

Belonging or not belonging:
I borrow my breath
From the exhalation of sparrows
I borrow my sight
From the sparkle of waterfalls
I borrow my heart
From the song of dust and worm
I borrow my words
From the whispers of the dead,
From MacLeod under the sky,
From the white bones, the bleached bones.

I am nothing
But a continuance
Nothing but a path
Made by those gone on before
A house of trees
A house of birdsong
A house of utterance
A forever
Dreaming of a walled instant
Of peace.

BlackCuillins Ord

Loch Dunvegan2

10

Taladh na mna Sidhe, (The Fairy’s Lullaby)

She came as a whisper
From her own fair folk,
Over the bridge between worlds.
Called by the cries
Of the one forgotten, forlorn.

A shining face above the cradle,
Cold long feet upon the floor.
Golden as a graceful willow
In winter time on Camalaig Bay,
Silver as moonlight
On the flanks of Beinn na Creiche.

To hold and cradle
One small dreamer
Disturbed by the silence of a room,
The merriment of the hall.
The world found cold, empty
Wrapped once more in love
And soft singing:

Look, my child,
Fine limbed, small brightness,
Lithe and graced with all.
My dream eye
Sees the same one
A master amongst stallions,
Strong grasp, clear calling,
A glory of lordship
In the morning, laughing.

On the mountain,
Amongst the grass-warm breath
Of the peaceful kine,
A gatherer of silk milk,
Dressed in forest, dressed in snow,
Dressed in pasture sweet,
You my child, a habitation
Of delight.

The distant chink of harness
Shining in the setting sun
Leading your people
Harvest-home,
The chattering of women-folk,
The earnest sower.

You, who shall remember
The tenderness herein:
The warm womb,
The gift of my breast,
The throne of my knee.
Satisfied, content
Nurtured by the honey
Of dear love.

My lithe one,
My red and white one,
My strong yew sapling,
Dark green and handsome.
My laughing one,
Nodding golden iris by the shore,
Bright alder and birch leaning graceful.
A whisper, a chatterer, a sparkling of joy.
Last year, you were a seed in warm darkness.
Now you will soon be leaping high,
Running with song about the house,
About the fields, under cloud and sunlight.

May you not be harmed,
May you not be wounded,
May you not be slain,
But grow old and grey,
Crag-browed and wise,
A sharp nose for deceit,
A sharp eye for openness.

Child of warrior from the cold North,
Child of shadows, melting, lilting.
An in and an out you have,
A strong turning hope for peace.
A warrior’s hand you have for the land
Of the father of your father,
The mother of your mother.

The babe asleep,
She turned and left.
Tune turning in the air,
A waivering of rushlight,
A scent of honey milk.
A mother melting back
Into the weave of dream.
Footsteps soft fading,
Soft fading.

wooded falls1

kyleakin sky

9

Seven Tears: Lamentations

I would see them all gone:
The small black rags of malice
The small black rags of nightmare
A poison of harsh cold iron will.
Forbidding beauty, disdaining.
Who turns the flame of hope
To worms of despair.
A curse of faith despising life.

I would wish the gentle ones
Back in the deep glens,
By the loch-side:
The long chant, the ordered hours,
Prayers for all, care for all.
Chant in the cold night,
Praise in the dawn,
A haven, a refuge,
A fire of openness.

I would not leave the hills silent,
Nor barren, nor unsung.
I would not have them feared,
Nor mocked, nor misunderstood.

At very least, a common prayer:
The song of gathering in,
The song of weaving,
The song of sinew and patience,
The rock and sway of fruitful hours,
A song of peaceful construction.

This silent, bitter solace of hearts
This leaden, sullen lock-jaw –
A walled, guarded desolation
In the midst of shining presence.

We would not know freedom, even,
Were we feeding at its warm breast,
So torn and twisted our hearts
Have become.
So cursed by the darkness
Left to breed inside so bitter,
Bitter, wormwood would be sweet.

This long rent severance,
This decree of exile,
This proclamation of abandonment,
This churning mistrust peeling
Mind from heart, half from half,
Mothers mocked, sons burst open,
Daughters broken.

It was not the cry of a fox
At the cold centre of the night,
Nor gull ghosting on the water
That woke me into darkness.
It was the despair of a woman
Echoing hills and empty streets.
In the certain dark, ill-lit,
Wordlessly crying out,
Summoning the flicker of pain.
The endless distraught
Eternal wringings of sorrow,
Bloody clouts reddening
Water-lapped stone,
Consonants of spite,
Howling, sobbing vowels
Down the long years.
When shall it cease?

I, too, should leave by that bridge,
(would I could),
Leave the sullen solidity of pain,
The unforgotten sin, remorseless blame,
Not wasting one more word
On the forlorn rigidity of final hope
They cling to who have not already
Released clawing fingers and drowned.

I, too, would return to the twilight dance,
A weaving with purpose and poise,
An upholding, a reimbursing,
A constant, belonging chord.
Chant and chanter, strings of song,
No need, ever, to remember or forget.

Free from those who would sever the root
To free the tree, who would wash the soil
From each endeavour, strip the river
From its valley, would feed their children
To a red mouth of destruction

Dawn Kyleakin2