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Posts Tagged ‘art’

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BRANWEN SINKS DOWN

Peeling away from this world
No longer glued by its bold certainties.

On a bare, high rock, above the sea,
The voices of wheeling gulls
Make more sense and better songs.
All the gods shrunk again
To caracature and silhouette.

Bawds and predators in golden ships
Sail across the shining sea
Offering friendship and support.
Business opportunities, so they say.
But there is nothing in their pipelines
But death and drought and bones.

A multitude, dreaming dreary dreams
Not their own,
A calcifying inculcation calculated
And considered,
A drip-feed of paralysis and boredom.
Our men of skill are liars
And gloaters over trashy baubles
Transfixed by the mutilation of time.

And so she will sink again
Into the green mounded ground
(White wings folded over her head),
Not wishing more desolation to be hers,
Not wishing to remember anything
But the oldest songs still drumming deep,
A heartbeat under everything,
Hidden roads, perhaps forever safe.

And so she will dream on wide wings,
Back and forth over wide seas, breathing,
Breathing, whispering messages,
Carrying messages, a quivering web.
Pushing down deeper,
The dreams will always, always,
become more real.

—

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Samhain in Annwfn

Transgression by assumption.
You have taken what does not belong
By assuming everything you see here
Is yours by right.
Taking what is mine
You shall take my role and duty.
You shall by this become completely me
(And yet not), and I you.
Enter the deep and see perfection
And its flows.
Twilight woven through with gold.
A brocade worn thin and transparent,
Sky-patched, redolent.
A more perfect dream
Sunk into the depths.

As if eyes had been staring at the sun:
Now everything veined red-gold,
Too dark and too bright to see,
An inner burning light that dims the world,
Makes sense of flickers and ghosts,
And tongues of fiery liquid language
Scarce understood but lascivious.
Skin turned fallen leaf, crunched,
Made liquid, sucked up,
A new wine burning with blushed passion
Or so it may seem.

The skill here
Is not to weigh nor judge
But to lick the lightest air and breeze
And swim undisturbed, unseen
According to most fluid laws.
Dreamed but not dreaming,
A metaphor eternal, echoing.
There is, and never was, a thing made single,
Nor one made so especial
It could not be reflected endlessly
In midnight pools.

And all this
Only a beginning.
A recalibration.
A falling leaf
Slowly spinning.
A kiss.
A message.
It will be dust in the morning.
But the ache of memory:
That will be the always hidden gold.

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connla’s well

to bend and break the smallest thing.
to lust for endless yes and no,
an absolute reckoning, soul shredded,
monotheistic, the lie of ultimate truth.
bright and rainbow bright
are the poisoned slicks of connla’s well.
persistent petrochemical degeneration,
a vitriol squirming to return to peace,
to a simple organic hush,
the breathless pall of surcease.
dark and bodiless in perfection,
a simple voice unquestioned,
a greasy fire emitted,
the burning of all things
superstitious or holy.

and deeper yet: a spark not found in stars
acidic and relentless, demonically proud,
an unholy perfection eternal.
anathema, contrary to all things,
a mistake unretrievable,
adhering to all beauty
with a most perfect destroying jealousy.

these things do the foolish wise bring forth.
these days and nights of eloquence do they refuse.
these they will rue, though still persue the poison of power.
they will become the unnamed, the cursed, the wretched,
though yet will they delve and dive deeper into death
and deeper yet, lost and seething, dissolving, rotting,
ruining all, ruining all.

—

Though ‘irretrievable’ is correct, i prefer ‘unretrievable’, seeming to sound more final.

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Rhiannon’s Riddle

These my bare branches,
These the days of moonlit silence.
Seven are the ones lost to sleep
That should have been watchful
That should have been truthful.
A claw of cloud has stolen
my golden light, my golden sun.
I am sunk down by it and sullied,
Weighed by each retelling.
Bound again by careless generosity,
Bound by those not blameless.
An open honesty shall allay my worry,
And watchful bravery and a clear discrimination.
The hunter has risen and taken my firstborn light.
I am become wolf tied to stone,
Wandering the same road
Weighed down by it.
At night, the high table of the feast.
Neither here, neither there,
This road of travail, this cloak of flesh.
Golden is the harvest moon,
Birdsong of the morning.
All is fog
And my bright boy is gone.
The son eaten by the mother,
The mother deceived by her sisters
The hunter and his prey, taken, restored.
Pay attention Pwyll!
What is yours, is illusion.
Deeper by far is the world you walk.
My heartache is in this coming and going,
Half the time here, half the time
In a somewhere else,
more, or less, reflected perfect.
I will wait for you though.
Wait another year on year.
You shall only need to ask,
Only listen.
The footsteps beneath the ground,
The silver paths.
It shall all find return.
—

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these old poets:
smoke blue hills,
smoke blue clouds.
they rise up so,
they reveal themselves
and are curiously hidden,
conversing with vapour
between worlds
unmeasured, unfathomable.
they loom, nonetheless,
and shape the world.
it is from there
the clear waters fall,
from fell and moor
to feed, to wash clear our eyes,
to fill with song untranslateable,
echoing down the spine,
deeper than eye and brain,
deeper than soul,
into the bowels,
into annwfn,
the dark mysterious,
fecund deep.
rolling, these storm fast vowels,
ancestral to the blood.
this they prove:
there are no new songs.
just old songs
with new words,
old songs
with new tunes.

—

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Moon Sutras

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MOON SUTRAS

endless dhrupad
full moon
eyes closed

—

full moon
empty house
river whisper

—

this old man
scribbling poems
shadow trees

—

these tangled thoughts
this moonlit silence:
surely are the same.
silver veins
these hills
golden shadows

—

full moon
bright as day
little cat singing

—

mountain shadow
reaches the river
rising moon

—

The habit of an old man
down by the river
moonlit haiku

—

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BLACK BOOK

it seems time now
to turn back to those
terse ancient words of winter

(now the leaves flounder across lawns,
the grey lidless sky at the window,
and the hills melted in rain)

to tease out the meat
and gristle of them,
to open the heart,
see the red blood pump through
and where and how
that mysterious circulation,
vowel and consonant,
revolving as keys.

(and the cloud upon Bryn
like a dove on the brow of God.
and the trees in their lordly might
whispering from leaf to root to leaf)

each tooth and tongue
taking edge.
each passage,
a view coagulate.

(and the dusty crows thrown eastwards
on the wind of storm and shortening days)

a small breeze it is
that burns the flesh cold.
a bleak hill
a bleak hill.
harsh is the path,
and we, shelterless.

—

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YSTRAD FFLUR (Variations)

1
Flower valley, quietness complete.
To count the short years of the living,
To count the longer years of the dead.
2
Stones warmed by long late summer sun,
Dew still wet past midday, tears for the lost,
Prayers for them.
3
One arch, one door opening onto blue sky.
A strong door it must be
To have lasted the closing
of so many centuries.
4
Billowed on Deheubarth
Dreamed green weight.
An illuminated landscape
A foliate scroll, inhabited-
The whispers of history.
5
One stone archway,
aisles dew carpeted,
nave ribbed in cloud.
The constant choir is this little stream,
and sheep distant on grazed hills.
One yew of many remains
where the poet robin nests.
Pine and dark beech the only roofs now,
the wheeling kite the only call to vespers.
6
A vessel worn smooth with prayer heals yet and shall forever,
Blessed by its past and the dreaming dead.
A valley wide with flowers, a road ended in tranquillity.
7
Flower valley.
Nothing but peace.
Emptied of longing.
Rested under heaven.

—-

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—

Ystrad Fflur ( pronounced ust rad fleer) is the Welsh name of Strata Florida Abbey in Mid Wales, north-east of Tregaron. It means ‘valley plain of the river Fflur’, but in Latin has become ‘Flower Valley’. Little remains here except an archway and foundations, but the site and location are memorable in their tranquillity and history. Strata Florida held the official records of the Welsh Kingdoms and actd as the religious heart of the country. A well-known poet Dafydd ap Gwilym (14th century) is said to be buried under the yew in the churchyard. Deheubarth was the name of the Kingdom here. The Nanteos Cup, believed by some to be a contender for the true Holy Grail, was kept at Strata Florida before the dissolution of the monasteries. It was famed for its miraculous healing powers. We visited on a misty, sunny day in late summer. It has a similar atmosphere and sanctified silence to Iona in Scotland, the same intangible presence of history and vigilance.

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SUNSET 10 (This Some Summer Sunset)

This some summer sunset,
Not enough of it even to work out
Which what words and as to emotions, feelings, memories,
It is a splash, a fat man’s belly flop
Makes sense, makes no sense.
We dress up time so, we dress up space,
With word and cause and story so,
Do we not? Do we not, instead of
Instead of knitting it in, gobbling it,
Consuming it, we pick around the edges
What is this? Do I like this? Like kids.
Don’t like beans. Don’t like. Do I like?
What is it I wonder gets in the way.
Is it these words, this mind minded to disturb all things
By poking around what is it? What is it called? What do you do? What do you do?
What is it for? Better to ask what do you not do.
Where are you void. More likely , then, perhaps, perhaps.
Well then, well then this sunset, end of day, end of moment.
Everything left is squeezed out – warmth, light, colour
In one last something. Not a moment not a fraction. A slide,
A dance, a declining breath, an elemental, really an elemental thing
Pushing buttons, or maybe that is just a weak poetic nature, words over deeds
Thinking over doing, a subsidence, a changing.
As much an entity as a breathing heart-stopping being is.
As much a smiling, frowning, complaining
Finite living, dying, changing thing.
The words will not do, they dance around, they are neither photographic
Nor autobiographic, nor philosophic. Generated, self-generated, unreached,
A mystery, so to say.
A mystery and a vast thing bursting in, changing, erupting, leaving as if,
But not as if it had never been, changing everything.
It cannot, thus, be described. An ocean of infinite depth
Pouring through a door ajar. All ghosts, all thoughts, all breath, all all
Led westwards in a blaze and then gone to a different silence.
Is and is not is. How things are. What the sages know. What drives us mad.
What we forget. What we long for. To be taken up within it.
The chariot of the warm sun and carried under the earth,
bones trailing rainbow light ’til we all emerge
Tentative then radiant, but always utterly forgetful,
Into the dawn.

—

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SUNSET 4

It is what prayers are for
And the memories of drunks,
The dear, tattered fragments of stones.

It will take no longer than the words to describe it.
A moment’s graceful decline as if space were brimmed with light,
As if matter were always blessed in glory.
A graveyard of poet’s eyes, their stumbled tongues,
Overblown or stunned to silence.
Do not take longer than this:
A breath deepened and slow.
One hill, then another, turns golden, then fades.
We become pictorial, the tattered end of day,
A blush of its colours remembered one last time.

Blink the eye, scar the memory, stain hearts with fire
And rekindle love of life.
It is what music is for, to taste the nameless moments,
To delineate the tides of between.
It is not for words that so wrap themselves tight
To squeeze out reasons and meaning.

A sigh to the west for the forlorn and forgot,
A pellucid madness perfected for sinners
Each breath shackled to an infinity without eternity.

It is always somewhere, this passionate moment, rolling westwards
An irreducible heartache, cast clods of cloud and colour
As it skids its wheel in the soils of the next horizon,
Slides through the octaves of light.

—

Another of the ‘sunset’ poems. They mostly cover the same concepts in differing proportions and different tonal voices. As I re-read and make some slight adjustments I feel slightly more kindly towards them…

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