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The full length piece can be found here as a blog page as it takes up a bit of space (though does not comprise many words). I have recently been looking at some very old travel writings, mostly taking the form of haibun. This one was composed on a brief visit to the Orkney Islands, north of mainland Scotland, during the midsummer of 1980. I have added a few new linking texts, but apart from that the piece remains as originally composed. Accompanying the text were originally some black and white photographs, but as this was long before the days of digital anything, I will have to do considerable playing around to reintroduce them (once I have located prints or negatives)

XVI
(solstice)

Returning to Stromness I cooked an evening meal and then wandered aimlessly along the coast. Although I had to rise early next morning, planning to take a boat to Hoy, I was unable to leave such a beautiful evening. Despite the hour, it was still very light, and a deep silence filled both myself and the land through which I walked. Resonance was everywhere. Great wellings up of deep emotion when I beheld the waves on a small foreshore; the trawler, its mast-light flickering, heading out to sea; the hills and cliffs of Hoy across the water almost melting into the deep stillness of oncoming night; young lambs bleating on the hillside; mother ducks with their young by the shore.

this evening, too, lingers,
unwilling to leave
your summer stillness,
Islands of the far north.

on the shore
wave upon wave
only deepens the silence,
Islands of the far north.

XVII
(gift)

soon to depart,
at last
the tune
of something
framing this land

the stranger
knows a wholeness
to which
he does not belong.

mull kodak2 072

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20130407-214920.jpg

TIED

My heart is tied to the swell of time.
This tide of days, this wash of seasons.
This breath, this slow explosion,
This unfolding, this revealing and concealing.

Unfurled, I am stretched elastic
From dawn to dusk,
From horizon to horizon’s edge,
Surprised by cloud and bluster,
Swept up in flock and murmur.

Chimed, cascaded,
Catapulted into distance,
Collapsed to dancing, molecular dust.
Sun-caught, moon-cooled, star-pierced,
Tumbled through grasses and shadows,
Shorn by cold, wakened by ice,
Shaped and turned, lathed, formed,
Reduced, concentred, made real,
Made utterly real, made whole.

Gauged and runnelled,
Flooded in memory,
Eroded in seconds and hours,
Made into the new,
Then back to familiar, dust.
A rise and fall,
A breath, a heartbeat,
A word
Whispered.

*

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Finally, I have got round to putting “The House of Trees” into format for e-publishing on Smashwords. Please go and have a look. You can download the first 20% for free, and the whole darn thing is only $2.99 in whatever format you would like.

House of Trees cover3a

http://www.smashwords.com/profile/view/Simonhlilly
Book page to sample or purchase The House of Trees: http://smashwords.com/b/302318

Here is the foreword to that book:

“FOREWORD

This long poem was composed in the late autumn of 2012 and through that winter into January 2013. It was conceived on the Isle of Skye, Scotland, during a short visit there. The main themes emerged from elements within that spectacular landscape, and became woven together into an exploration of the nature of freedom. At this time Scotland was again considering whether it would be better off as an independent nation, planning for a referendum in 1214. The history of Scotland, as with most small countries, is full of external pressures and influences. The yearning for freedom is palpable, as much as its strong sense of identity, but seems to be tightly knotted together with nostalgia, pain, suffering, the past and the mythic presence of its Celtic inheritance. My heart opens and relaxes whenever I return to Scotland. Although I was not born there, (and my traceable ancestry is largely rural English and Welsh), I lived and studied in Edinburgh for six years during the 1970’s and 80s, and always look forward to breathing its air again.
Everything we know, every place we cherish, is mythologised and overlain by countless personal coincidences. Significance and resonance colours all our perceptions and memories, often without our conscious knowledge. Poetry is maybe the most precise and accurate means to explore and record these deeper tides of the mind. When we make judgments, when we are asked to decide, it is not the rational mind that pulls the strings. That sensible voice of justification is merely the storyteller that weaves more stubbornly held beliefs and preconceptions into a political statement of policy. The past is not just a record of events. The past maintains itself and evolves through the present. The present, it might be said, is merely the visible tip of the submerged iceberg that is the past. It is in the same way that, amongst traditional cultures, the visible world is conceived as being a reflection, or an elaborate set of clues, to an underlying and much more powerful realm of spiritual beings.
“The House of Trees” is a weaving of these levels of mind: my mind, the mind of the land, the mind of its peoples and the powerful dreams that haunt every pool and rock. The outer always mirrors the inner. To attempt to differentiate the subjective from the objective may be thought by some as the noblest goal of science, a compassionate climb out of foggy ignorance into the clarity of certain knowledge. Indeed, the failure to make the distinction between inner (imagined constructs) and outer (perceived objects) is regarded by some as a sure sign of mental illness in this civilised world. The paradox, the mighty joke, is that both in our most detailed examination of the nature of matter and in our more hesitant exploration of the functioning of the mind the deeper we delve, the less substance we can find. Certainty evaporates like an ice cube in the sun. Each horizon is a dream illusion can never be attained. We yearn, reach for and remember stories that placate or vindicate us, that tell us how we got to where we are, that tell us the roads by which we can go on a little farther.
Simon Hughes Lilly
Exminster, Devon, England. Spring 2013″

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Yew textures

13

Equation

Belonging and separation
These, the truth of all relating.
Belonging and separation,
These, the fabric of all existences.
Belonging and separation:
The biology of being
The song of the heart
The engine of thoughts
The migration of souls
The tide of peoples
The stick and goad of leaders
The yearning of lovers
The fear of death.

Staying in one place:
The rowan, the birch
Taking up, letting go,
Bending to withstand rain,
Rising in springtime.

A blessing to all
A curse to none.
The house of trees
Ever remaining.

I breathe in
The wood of my own making:
The spliced double oak
Of my lungs
Shattering separation,
Drawing in life to life.
Feeding the forest
Of my blood, a red tide
Whispering the twin rivers
Of extension and return.
My own yew and alder,
Heart life, deep-rooted.

A dream of trees,
This world.
A home of trees.
A house of trees,
An open sanctuary,
A boundary of contentment.

The bright tumbling birches-
I breathe their fluid lightning,
Sucked in to my belly.
Spinning, revolving, sweeping away
Sorrow, liquid atonement,
A clarity of spiral song,
A reverberation of pure note.

I breathe in the star snow of rowan,
A descent of clustered frost,
Rock-borne, persistent.
A waterfall descent of night
Shot through with sparks of song.
A tumbled universe
Bridging beginnings and ends.
A resonance of watching silence.

I breathe the resin air of pine,
A seed of taste on the tongue-tip.
Awakened presence, reminder of place.
I breathe out the distant glimmer
Through the centre of my eyes,
Arrow-straight, target-less,
Horizon’s endless pull.

The tree of memory.
The tree of branching thought.

I breathe the sweep of ash,
The straight, silent spear tip of it,
Key to all houses.

I breathe the shattering quiver
Of aspen the whisperer.
A fountain of echoes,
Shaking each nerve tip
With rippled delight.

I breathe without movement
A perfect balance of oak.
Remaining poised,
Certain stitch, well held.

And I breathe a pool of yew,
Contracting, expanding, bubbled time,
A well of silence,
A well of time.

Half here, half elsewhere,
The dancers know that tune
Of leaf and root, galliard of the seasons.
The slow inhalation of moments,
The gnat-cloud of thought
Dispersed and reformed
In new pools of sunlight.

The house of trees:
Allowing the dark,
Allowing the stillness,
Acquiescing to gravity
And the yearning for light.
Placed, established, settled.
Whilst we,
Free to wander
But rootless and unsatisfied,
Busy to hide the doubt of silence,
The insistence of other questions.
Always running away, scurrying.
Better stories
Awaiting beyond.

It is time (surely) to
Attain a place,
An open view,
learning to remain.

Over the hills of Knoydart
The clouds have settled.
Dawn stills the waters
Between Raasay and the deep wood.
Distilled essence,
Liquid morning.
All roads and paths
To elsewhere
Are empty.

The house of trees:
A beginning and an end
Of remembering.

tall trees

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moss cave

11

The tasting of edges

Here is how it is,
How it was:
From the vastness of sleep
A coagulation, a gravitation
Towards the poignant edge.
The bliss of voiceless silence
Shaped and constrained:
Electrical motion, remembering, defining
The surge of emotion, the
Tumble of language, the assertion
Of primacy, constraint, neural nets
To catch and take hold, own,
Possess, reject, disown, demean.

The walls of this house,
Our house,
Sure against the gale,
Black and warmed.

Here’s the truth of it:
This language is not my own,
Not my words, not my syntax,
Not my thoughts, nothing new.
History: the reiteration
Of the forgotten blood
Still roaring changeless
Down the rivers of the years.

Here we are:
Rooted, belonging,
Our right,
A place to return to,
Warm in the soot-blackened darkness
(The winds screaming, battering, squeezing
Sound from tumbling dust).

A silver flash on the black waters,
Leaping fish way beyond the heron’s gaze.
The tawny glen, its tawny sides
Closing in as day’s end darkens.
Where are the fires?
Where are the voices?
The footsteps of those returning home,
The yawns of babes
Turning in belly-filled sleep?

The roaring tide has left.
Its sound diminishes.
The white, wheeling gulls
Are silent specks, the dark horizon.

We are left at a peace
We do not want,
Wordless sorrow for the misplaced.

I’ll tell you of the purest emotion,
Feeling that is free of judging,
Free of qualification.
It is the only language of the heart.
Music, the language without definition,
The summoning of tears and smiles,
Our greatest blessing to the universe.
A song, wordless and unequivocal,
A language universal, sublime,
Fearful, shaking the roots of things,
A net for the Almighty’s scatterings.

(I would barely trust one
Who could not find a tune
With nimble fingers,
Who could not speak verse
As if it were his own heart talking,
Whose words stay cowled behind
Heavy drapes of seemly logic,
Whilst inward, seethes and rails
Against opinion not his own.)

It is not here
In the dream of standing alone.
It is not here
In the upright light of independence.
Uprooted, it is not possible to find a place,
Poor and worthless, it is not possible
To find gold or glory.
It is the same voice
As it ever was:
The clever words well-weighted,
Reasonable.

The rain on the roof,
The wind at the door.
We huddle
Holding the weaving of stories,
The paths telling how we got here,
The choices, the turns, the betrayals.
Cold draughts sweep abandoned corners.

The water does not fight the rock,
It tunes its song and flows around.
It is neither this nor that.
The stepping stones in the flood –
Not the only way to cross.

This house of trees –
It is a house of despair,
A house of howling winds.

This house of trees –
It is a bounty of bright life,
A re-population of delight.

This house of trees –
It is a signal to all
The tyranny of the past has fled.

This house of trees –
It is a plight of bitterness,
An empty, starved gesture of despair.

Delight and despair –
Sunlight and shadows on the hills.
Holding firm is not the way of life.
Freedom and independence, not
A way to understand life.
The making of edges
Is the sound and silence of the tune,
A convolution of anticipation.

Each edge, though,
Neither this, neither that.
We define too closely,
Barter truth for surety
Miss the paradox,
Hold too tightly.

The bright edge is a sword
That severs as the sunlight is a sword
That blinds the sight.

Coming over the hill –
The sharp curtain of the Cuillins,
The still waters of Ord.

Belonging or not belonging:
I borrow my breath
From the exhalation of sparrows
I borrow my sight
From the sparkle of waterfalls
I borrow my heart
From the song of dust and worm
I borrow my words
From the whispers of the dead,
From MacLeod under the sky,
From the white bones, the bleached bones.

I am nothing
But a continuance
Nothing but a path
Made by those gone on before
A house of trees
A house of birdsong
A house of utterance
A forever
Dreaming of a walled instant
Of peace.

BlackCuillins Ord

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Loch Dunvegan2

10

Taladh na mna Sidhe, (The Fairy’s Lullaby)

She came as a whisper
From her own fair folk,
Over the bridge between worlds.
Called by the cries
Of the one forgotten, forlorn.

A shining face above the cradle,
Cold long feet upon the floor.
Golden as a graceful willow
In winter time on Camalaig Bay,
Silver as moonlight
On the flanks of Beinn na Creiche.

To hold and cradle
One small dreamer
Disturbed by the silence of a room,
The merriment of the hall.
The world found cold, empty
Wrapped once more in love
And soft singing:

Look, my child,
Fine limbed, small brightness,
Lithe and graced with all.
My dream eye
Sees the same one
A master amongst stallions,
Strong grasp, clear calling,
A glory of lordship
In the morning, laughing.

On the mountain,
Amongst the grass-warm breath
Of the peaceful kine,
A gatherer of silk milk,
Dressed in forest, dressed in snow,
Dressed in pasture sweet,
You my child, a habitation
Of delight.

The distant chink of harness
Shining in the setting sun
Leading your people
Harvest-home,
The chattering of women-folk,
The earnest sower.

You, who shall remember
The tenderness herein:
The warm womb,
The gift of my breast,
The throne of my knee.
Satisfied, content
Nurtured by the honey
Of dear love.

My lithe one,
My red and white one,
My strong yew sapling,
Dark green and handsome.
My laughing one,
Nodding golden iris by the shore,
Bright alder and birch leaning graceful.
A whisper, a chatterer, a sparkling of joy.
Last year, you were a seed in warm darkness.
Now you will soon be leaping high,
Running with song about the house,
About the fields, under cloud and sunlight.

May you not be harmed,
May you not be wounded,
May you not be slain,
But grow old and grey,
Crag-browed and wise,
A sharp nose for deceit,
A sharp eye for openness.

Child of warrior from the cold North,
Child of shadows, melting, lilting.
An in and an out you have,
A strong turning hope for peace.
A warrior’s hand you have for the land
Of the father of your father,
The mother of your mother.

The babe asleep,
She turned and left.
Tune turning in the air,
A waivering of rushlight,
A scent of honey milk.
A mother melting back
Into the weave of dream.
Footsteps soft fading,
Soft fading.

wooded falls1

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036DunveganShore

9 : Hunger

Across the long years
Most falls away forgotten.
Only a few fragments of song
On the scented wind,
A few stinging scars, tight and bitter,
Too highly regarded, dog-ends
Of disastrous choices,
Fit meat only for tales
Not for policies, not for futures.

Where there is gold:
There the cold-eyed, sly-smiled gather.
Where there is strife:
The carrion-eaters swoop in.

The hoodie cries
(Pecking at the eyes and brains of lambs),
Give us our freedom.
Too long have we been hunted,
Hung slack and bloody on barbed wire.

The martens cry
(As they bury into the bellies
Of the flock),
Give us our independence
To feed where we will
The endless, remorseless hunger
That comes summer or winter,
At ice-melt and frost fall.

The wily foxes circle,
Scenting an opportunity of gold,
Warm red crunch
In the dark hay loft.

To be left at peace
To be unhindered and honest,
Not to be slighted nor chivied,
Herded and diminished,
Nor subjected to the slow death
Of parasites,
Their cunning confusions,
Tongues of deceit,
Gold-grabbing fingers.

The freedom to belong
Is born with your each new breath,
Not with long lines of bloodshed,
Not with boundary stones.

Only when the bones crumble,
Where the fat feeds the soil
When the breath sighs, mingling
With the sedges on the loch-side,
Do we wholly belong.

Those who stand here,
And those who have died here:
They have the right to belong,
Like old MacLeod belongs,
Named and pinned under heaven
Until Time wipes even
The slumbering mountain away.

The ocean river squeezed through Sleat,
Fast, eternal,
At last leapt by stone.
The distant shore, desolate, silent
Hands reaching, never meeting.

Where you make your centre
Is where you are.
Where you belong
Your heart alone knows.
There is no language worth speaking
If it is not in kindness.
That it moves, whether fast or slow,
Voice and song
Are our only gifts to the universe.

We are not adversaries who struggle
For small freedoms, for the upper hand.
There is too much to be lost,
There is not enough to go around,
Never a second chance
When the wolves make the choices
Of who and when and where
A sacrifice is required.

From what will you escape?
What fiscal policy,
What redistribution of wealth,
Will free a pinched, aching heart
Filled with fear and debris,
The slurry of history,
The failures of others.

I have tasted a whisky in the hills,
Honey warm and smooth,
That in the city burned black and harsh…..

hawthorn,Ord

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My Place

MY PLACE

Skilled in nothing
Except a drift of words
Trawled from the bleak waves
Of day and night –
Remorseless time
Measuring failed silences.

A scouring dawn wind
Polishes the cold moon’s disc.

A clan of crows, purposeful,
Flies westwards.

If I knew it,
This
Would be my place,

Rooted and sustained,
Full of small wonders,
Upheld
By slow breath.

—–

Last post of 2012. May everyone have a great 2013!

—–

20121231-213748.jpg

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