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Posts Tagged ‘cosmography’

View From A Mountain Garden ( part)

2

Of ghosts,
a splendid architecture of ghosts
Do we make our habitations.
From the heart and sinews of seas and forests,
From the ground-down aeons of mountain muds,
From river stone, from oak shadows….

this waiting house,
a world reconstrued, once
laid low to dust, now breathed
and built up once more…

a nest for sighs and whispers
wrapped in birdsong
wrapped in leaf…

making no choices, though shaping all.
says nothing, mother and grandmother,
mam a mam-gu of the land.
dressed in their wild and neatly stitched green lawns,
their tidy beds, their hasty gates and tumbled yards…

they all rest in their own weight,
watching the come and go.
an anchor for time and space,
intimation, imitation, even, of eternity.
our own cosmography outliving us….

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SGRAFFITO

Eyelids turned translucent,
The walls of flesh dissolved.

In utter darkness a pool of mercury trembles.

He should place the day upon his forehead,
The moon’s taste upon his lips.
The music of crickets he should place
Upon his ears,
And the music of starlight
Upon his breast.

These veins: bright rivers that knit a certain landscape.
Blood red are the hills in sunlight,
Rust, the slopes, in rain.

Falling beyond breath and beyond sleep.

His two eyes should both behold
His best beloved.
In his left hand, his cares.
In his right, his passion.
Upon his feet
Strong wings of lust.

Small, dark, is the day.
Fevered and wan the sun.
The crow’s wing coughs.
Withered is the hill.

Swells the beginnings and endings, bright burning, dreaming names.

Let him be surrounded
By a great host of angels and demons.
Let him observe as they mutually engage,
Rise and lift, conjunct and consummate,
Until they fall apart slaked, becoming satisfied dust.

This scatter of farmsteads
Glistens white as quartz
Washed desolate,
The cold stream
Of winter’s winds.

In utter darkness an impossible music shapes words.

Light from a billion years
Pours from the sky,
Not casting one shadow.
It sinks to a core of iron and gold,
Filling silent caves to feed a petalled tongue.

In utter stillness everything waits and forgets to wait.

He should focus upon his own coming and going,
The last bright moment of his breath.
The sudden possession of valley roads,
The heralding wing-tips of hill hawks.

His wish is fervently to disappear
From the sight of all men,
So he shall contemplate
The paradox of rainbows.

He shall write his name forwards
And backwards
Until it become a single,
Unutterable line.

Diamond backed
The pines at dawn.
A burning roar,
A stormfront clamour.

Rests within these moments of choice, the fall of dust.

This heart a bowl, a harp, a bird.
Weightless, filled with hope,
An open sky is all it lacks
And courage to give it all away.


Sgraffito – a process of scratching through different layers (clay, paint etc.) to reveal what is beneath.

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GLIMMERED PATHS

Beneath those clouds, that dark and glowering sky,
Lie and roll the high hills of home.

Beneath the bracken brown and sedge-sharp hills,
The grey and time-cracked waiting rocks.

Beneath the rocks the slumbered weight, the beds of coal and iron.
The slow seep, the echoed drip that always, always tastes of blood.

Beneath that blood, a fierce and endless joy and sorrow:
Souls and stars, swaying each along their own and glimmered paths.

Beyond the paths, a singing ark of life,
A soaring choir, a cast bell, a cave, a resolute remembering.

There, are turbulent silken seas, all the bones ground down to salt,
Worms turned eloquent: a sudden, unexpected glory.

I dream the drovers turn towards home, tallies marked,
Murmuring their loves, long and low.

Their secret green and hollow ways
Singing light and fireside.

Hard is any parting in winter.

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And now, at last, these geometries fade and waver,
Shimmer and dissolve. They pale into dream by the minute,
Their patterns particular, their patterns platonic, eidetic,
Now smudge and stumble, arching poetry drowned
As crystalline mechanics impose precisions of direction.
Here revolve the greater means, the spheres of motion.
More primal their causes, more abstract and faceless
In their godwards ascending.

Spera nona – spera motus octave spera que fit motus eius de septentrione ad meridiem et e converso ( ninth sphere, which moves the eighth sphere and causes it to travel from north to south and vice versa)

We spin and drift
Caught in a mighty flow of will,
Ninth and tenth now are these spheres,
Mighty, faceless,
A slow measuring out
Of purpose,
A swing of footsteps,
A steady scythe, left to right.
A fall of stars,
A winnowing light.

Spera decima – spera suprema qua fit motus de occidente ad orientem et est pricipium motus (tenth sphere – highest sphere in which takes place the movement from west to east and which is the principal of all movement).

Fold up and slew the horizons.
The palaces of motion,
Hollow vowels, time evolving
Revolving through centuries
Turning one way, turning another,
A dance, stately and preposterous.

Natura pricipium corporis (Nature as the principal of bodies)

The four spheres of the soul:
Anima vegetabilis
Anima animalis
Anima rationabilis
Anima celestis

Discontiguous,
Folded between the transcendent, fierce certainty
Of angels, and sullen dust,
(The grinding orbs of time and space),
Float four soul worlds,
Unhinged, awaiting injection,
Awaiting ejection:
A breathed upon word to vivify
And consecrate voiceless earth.

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WORLD TREE
( a local cosmography)

The tree of blood
The tree of impulses,
And finer still,
The tree of silver rivers,
The tree of memory and
The tree of possibilities.

Branching sight,
Branching sound,
The shape of light
Hitting solid edge,

The edge turned hollow
The hollow turned vessel,
The vessel filling with light.

Radiant fingers
Exploring being and not.
Holding and flowing
Magnanimous, curious,
Reacting. A central
Creating vision,
Hollow seed
Spinning
Golden outwards.

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