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Posts Tagged ‘Wales’

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CAPEL

1
Prayers fledged fluttering hungry to heaven.
Sins numbered, piled up on threadbare Sundays.
Precious is the clear sound of running water in high summer drought.
Clear-throated the hymns from the strong men drunk in praise.
These chapels set dour and grey against the weather God tests them with.
A pungent slow burning peat, this faith of farm work and school mistress.

2
Beyong the roof of human pride
Where Time slows, then stops, then turns to stone
(Mapping out the green bloom, the grey wheel of lichen breath)
Counting down the centuries ’til Eternity
There floats the height of the day and the meat crow dancing:
Poised upon life and death, the line they know so fickle and thin.

3
Drab with the spew of winter and as bitter as Jeremiah
Polished pine slows each musty sunbeam.
Bent arcing benches, each pew a hierarchy strained forward towards the throne,
Concentric jury leaning in to catch spark,
Dazzled is the ignition of the Word.
Burned up in glory or despair
(The cast-iron certainty, the stinging blister of guilt).
Now silence swallowed again, head bowed, the creak of doom summoned.
An enunciated slow pronouncement from other deserts
To a lost people, outnumbered, outmanouvred, dispossessed.
Gather ye in these bleak barns, ye Chosen lost and living yet.
Humbled together, take tea of Christ and God’s new supper.
A thin brew and be thankful for that: there is nothing else.
But better beyond the doors of Time and a hope of warmth and light
And just rewards for a drudge of work in mud and ice and rain,
And a voice of thunder and delight of which the organ sings,
so strong and sweet.

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Notes: Wales is full of Non-Conformist Chapels. Every village had one, two, three, barn-like constructions looming over the lanes. Though they are dour and weatherworn now, the ones that have escaped becoming trendy private houses, can be very impressive, with wonderful wooden interiors. The photographs show the interior of our village chapel that originally dates from the 18th century. Gosen Capel is named after the Land of Goshen in the Nile Delta where the Hebrew tribes were settled so as not to upset the urban Egyptians. There is an irony here with the Old Testament histories and the plight of the rural poor of 18th and 19th century Wales. The egalitarian and popular nature of Methodism addressed the general populations in a way that the established churches had no wish to do, as they were supported and run by the educated and Anglicised gentry.
The ‘height of the day’ and the ‘meat crow’ in the second part are literal translations from the Welsh of the names for skylark and raven.

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DARK MOON RIVER

Dark moon
river runs eyeless.
pools star-filled and silent

then dawn in honey cherry ink
stretched, spun silent,
a planet’s edge mating space

though most are dreaming
so miss the wide breath of beginning

a placid fire before an invention of green
all blue it is, and utter peace,
and the mist, like smoke, hangs upon the hills.

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a landscape for wang wei

the big hills
have gone visiting
the sky

in slanting rain
the green trees
dance and mime

incense rises
curving through all space

the window is a shrine,
an offering to silence

old men suck tea
and talk of distant troubles

i will paint in green
and grey and gold

a solitary bumblebee
wends its way
amongst comfrey
and wormwood.

—

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Preseli Meditations (Rock Signs)

Eye
Is a palindrome,
As is
Sees.
Voices distant
Speak in tongues
From cracks in rock
Split open by light.

—

Split open
By light
A heaven swing
Through star roads.
A cloud hymn
And the sing of insects.

—

The sing of insects
Deep in winter.
Sunlight clicks
Its fingers.
One door opens.
Another closes.

—

Another closes
Creeps seeps
Through the
Butter of time,
The honey of space.
Dressed in bones
They come
Rolling down
With news
From heaven.

—

From heaven
Fingers prise
The smallest chink.
An eye blinks
The mirror
Cracked becomes
A door.
Backwards the
Paths lead
Backwards to
The beginning.

—

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Walking further than intended
A river breeze in the tree tops
And below, streams of birdsong.

—

The grasses are shooting green
But still in forest shade
The violets in full bloom.

—

A running stream
A cowslip sky.
At the forest’s edge,
The scent of green.

—

Deep in the woods
Violets bloom where no-one sees.
Perfected in themselves,
Complete within silence.

—

Allowed to breathe here
By the forest’s edge
This cowlip sky
A river wind in the treetops.

—

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CANOL HAF
(Midsummer)

a cowslip sky
above butter mountain.

the white waters whisper-
no rain for a week now.

the summer stars i have all renamed
and are become dear places i have loved.

and the faces that float smiling
as i sleep, shine warm as sunlight
in bee-blessed gardens.

—

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The precinct of the Archangel
by the mill on a stream.
I remember it on a fast road
between the high red hills,
curling up, like a bow,
like a warrior’s cold, virtuous smile,
and circled there,
(as they are wont to do,
these fortresses of God),
bright as the rolling eye of an ox,
enclosed in gold, round and cursive on parchment,
certain and lofty as the eagle’s eye,
brushed by the winged feet of angels,
fast as swallows, lion-maned and roaring downwards.
A stream in righteous flood, founded and pierced
watching the long abeyance of old stones,
set to conquer and control in the name of an almighty
(who needs none of it, but will not, ever, say).

Perched above the ringed stones,
placed upon the circle, a squared house, holy upon holy,
holy with age, each forgotten, become green and softened,
their lichen-words married together,
one song become all together wrapped, and reaching trees
carrying the dead and their bones skywards.
Ring on ring, ground grain and chaff-free
by chapped, sinewed sure hands of time
and the endless flow of its river
and the grinding together echoing amongst the hills,
all heathered and blessed with sheep.

The fast road does not see but always curves past.
A million herded feet, a thousand whispered wheels
roaring past leaving this hushed wonder.
Circled circle, reiterating its roundness,
a mapped and renumbered holiness.
Tree and stone and church, the eternal stream,
the mill grinding out stars.
All, prisoners of patience guarding each the older guardians.
Tree and stone and church, where the dead congregate in their branches,
whispered in the long winds, the setting suns.

A pale sun rolls along the fields, a pale and pellucid fraction of eternity,
named and mapped in a honey tongue
pronounced slow and certain on a fast road between high red hills,
there for all to see in the green evening,
its cool, green shade, its many circled names,
its deep and darkening bed.

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View From A Mountain Garden ( part)

2

Of ghosts,
a splendid architecture of ghosts
Do we make our habitations.
From the heart and sinews of seas and forests,
From the ground-down aeons of mountain muds,
From river stone, from oak shadows….

this waiting house,
a world reconstrued, once
laid low to dust, now breathed
and built up once more…

a nest for sighs and whispers
wrapped in birdsong
wrapped in leaf…

making no choices, though shaping all.
says nothing, mother and grandmother,
mam a mam-gu of the land.
dressed in their wild and neatly stitched green lawns,
their tidy beds, their hasty gates and tumbled yards…

they all rest in their own weight,
watching the come and go.
an anchor for time and space,
intimation, imitation, even, of eternity.
our own cosmography outliving us….

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Catalogue

rivermouth of the man-servant
house of the councillor
ridge road by the forest’s edge
the abbot’s land.
the dark stream and the winding river
dipped between the domed land
sprinkled with enclosures of saints,
tonsured walls on green tumped hilltops.
the washpool, wolf’s leap, devil’s staircase.

thr whistling ghosts of drovers and the
warm breath panting of their dogs.
stories of cobbled streets and a wild language
far away.

with gold of many kinds,
they return to the long silence here
and the starlit grazing
of sheep at peace.

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Looking towards Carn Wen at evening.

To watch the pass
of light and dark
and how they each
shape these hills, this way and that,
is all I wish now to do.
we live, we die
as the distances reveal themselves
then vanish with the pass of a cloud.

if not to fill our time with beauty,
if not to see the world as it becomes us,
then what?
a flicker of pain, a flight upwards of joy
and the rolling of light in the valleys.
what other instruction
for a being of discernment?
what other lesson but this?
and to count the days
’til cuckoos and swallows.
and to keep to the constellations
of sheep and the openness
of lambs.

we shall end again soon enough.
peace is here
and it is sufficient for a whole universe.
and to watch the clouds pile
and drift at the setting sun.
and the smell of dew
on grass.

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