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Posts Tagged ‘Wales’

View from a mountain garden (part one)

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a house is there,
below the dome of mountain.
in days past
it might have been said
that it nestled ‘neath
the beetling brow
of raven-dark crags.
it is where
the high lands,
the sky lands, stumble and slide
in rough, grey steps
to crouch, dreamy eyed
on dappled sunlight in grassy pasture,
no longer scoured bald with fast airs,
nor woven grey in slow fog.
just here, now, they open slow stone hands,
release the waters, silver and peat-brown,
in streams and bogs and falls.
a tumble of white rush, an ache
of distant noise between
silent rustling oaks, lost in
deep and distance that is measured
and marked by slow drifting sheep,
the pools of sunlight scudding east.

it is a long time staying still, a dwelling,
piled up, re-walled, obscured, uncovered, re-used.
a pronunciation of name, a genealogy of comfort
and shelter, hope and hopelessness, a garden
and a rusting, a perch between here and heaven
and a bell to the beyond beyond that.

these are the colours of a day.
a day before Spring with cold winds
and a sun remembering warmth
and the palest of blue,
fragile blue,
mist-filled, hazy skies……

—

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ARTEFACT

We come and go one by one,
or in twos and threes,
waking, sleeping from dream to dream,
handfuls of dust cast heavenwards, taking shape,
then falling back to settled earth. Bubbles, thoughts, whispers.

Birdsong in a pearl-still dawn.
All day in this small green field,
in its tangled bare hedges,
in its edge of trees,
in its deep grasses, the birds
flit and feed, pause and fly off.
All day the sunlight picks out the distant slopes,
the forests, the valleys.
And they, too, come and go with mists
and clouds
and drifts of rain.

For months now I have been working the canvases,
(for people do so like a view to hold on to,
one so dear to them, one they do not have,
a way through the mute walls,
to remember an opening out, a beyond,
a distant something).
Against its nature to drip, against its habit to mix and merge,
against my own fingers’ wish to sweep and gesture.
A discipline,
the tying down of an illusion,
confection for tongue and eye.
A sweet minded moment, an ache of forgetting.
The life of itself, a liquid thing,
to be constrained so, to process
as a stately, well-dressed thing.
Not just a swirled, delightful, mute moment.
A meaning. A purpose identified. The monitoring of the familiar.
As if. As if.

As if there were a story.
As if there were a careful, structured tale.
A small beginning, a once, a long-ago.
Through wild, thorned paths and fog and frost
to a final end so careful balanced.
A just so.
An as it is.

Something to leave behind.
Something to say.
More than a rise and fall.
More than a raven’s cry across the valley.
More than a blackbird in the cool dawn air.
More than a drift of mist above a hidden river.
More than a rise of trout as the gnats dance on light.

The fire is lit
and it must be fed ’til nightfall.
Then, untended, it will die down,
become silent.

That smooth black,
silk-dark soot:
a hand-print,
a fingerprint on a cave wall:
we are here,
dreaming.
And we found a way through.

—-

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Early morning frost
Wind beneath the raven’s wings
A nice cup of tea.

—

The first drops of rain
Three kites skim the valley floor
Their cries long and thin.

—

In the tall oak
by the chapel door
A gang of jackdaws
telling smutty jokes.
They have no care
for the slow sermons
of crows,
Nor the ponderous theology
of glint-eyed
ravens.

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March Song

Sunshine on the snowfields.
Rain in the valleys.

The fields are churned,
The lambs cold.

From chimneys
Woodsmoke leans southwards.

But in the hedgerows
Sparrows are chattering.

On every bank
Daffodils risk their yellow song,

And the jackdaws dance
Carefree in wild, grey skies.

—

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The rivers rise and fall
with the rains.

The hills come and go
folded into their colours.

Day and night are
the forest’s murmured breath.

Green are the roads full of song,
the spine of sky split open,

And the drovers’ cries,
forever herding stars.

Fountains of light sucked
into velvet: the silent midnight.

These moments, so translucent,
flower quietly in the heart.

Nothing concealed nor measured,
no meaning here:
A wordless thing,
open.

—

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Raven Wind

Eight from the cliffs,
In groups of two and three,
Flowing into the light,
Into mist and mazy weather
Buoyed on distant sight
Sharp as ice,
Bright as water,
Wing-tips singing,
A smudge
Of unbegrudged blessing.

—

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RED HILL

that open hill crowned with light.
this dark valley lost in winter.
patient oak and purple birch,
and the fast, grey river.

folded and hidden is the road to Troed Rhiw,
between the cliffs of day and the cliffs of night.

a cold wind and a cast of rain on the red hill.
at the rivers’ meeting are round silent pools,
the small sands, the worn, smoothed chambers, in the lee of the flood.

a roar, white as cloud, stretches the skin of green rock,
squeezed between the knees of Craig Clungwyn and Rhuddallt.
a mouth of water it is, a long name, a summons,
a history of welcomings and fare thee wells.

the withered sedge counts the hours and different ways,
dreams on the cliff’s edge of new green days.

and this I wanders between the thin weathers
watching the light stray as slow as sheep,
marking the orange and the gold on this fine day,
and a grace of blue sky hung for a moment
slung between Craig Du and the steeps of Pen Rhiwbie.

—

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THE WATCHES OF THE NIGHT

satin smooth,
the slip of minutes.
a thrum of rain, softly.

tumbled from skies,
dreams like the Towey,
slow, meander seawards.

a wide forest sleep
sighs, a symphony.
owl and fox, conductors.

wandering through.
a trail, footstep words:
small, moonlit puddles.

a dark plateau.
a dusted sequence,
trespasses unforgiven.

even bodiless,
adhering to habit,
cambered causeway.

a bridge suspended.
dark the waters
shimmering cold beneath.

sung by a shape of words.
mountains named,
a throned reciting.

an intimate decay.
a clock of heartbeats,
a lilting, familiar nod.

sideways and down.
subtle the shift,
the weight of dawn.

draped about,
falls discarded.
gathered in, forgotten.

—

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See how the sharp edge
of the moon
is a whetstone to the wind.
worn down, nail thin,
by heaven’s river.

keen, I suppose,
will be the waters at Pwll Bo.
focused, brown and roaring curses,
squeezed between rocks
in the ringing, whirled pools.

there is only this:
sudden mystery rippling
waves of grass;
a dog barking
as the hills come and go.
the waves of their edge
breaking deep
to the green valley’s bed.

last day of January-
flooded with passion
for things unmade.

and the yews of Aberglasney
will be bowed down
from the weight of stars,
their dark corridors
woven deeply with tingled silence,
a worm’s turn from Spring.

—

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SGRAFFITO

Eyelids turned translucent,
The walls of flesh dissolved.

In utter darkness a pool of mercury trembles.

He should place the day upon his forehead,
The moon’s taste upon his lips.
The music of crickets he should place
Upon his ears,
And the music of starlight
Upon his breast.

These veins: bright rivers that knit a certain landscape.
Blood red are the hills in sunlight,
Rust, the slopes, in rain.

Falling beyond breath and beyond sleep.

His two eyes should both behold
His best beloved.
In his left hand, his cares.
In his right, his passion.
Upon his feet
Strong wings of lust.

Small, dark, is the day.
Fevered and wan the sun.
The crow’s wing coughs.
Withered is the hill.

Swells the beginnings and endings, bright burning, dreaming names.

Let him be surrounded
By a great host of angels and demons.
Let him observe as they mutually engage,
Rise and lift, conjunct and consummate,
Until they fall apart slaked, becoming satisfied dust.

This scatter of farmsteads
Glistens white as quartz
Washed desolate,
The cold stream
Of winter’s winds.

In utter darkness an impossible music shapes words.

Light from a billion years
Pours from the sky,
Not casting one shadow.
It sinks to a core of iron and gold,
Filling silent caves to feed a petalled tongue.

In utter stillness everything waits and forgets to wait.

He should focus upon his own coming and going,
The last bright moment of his breath.
The sudden possession of valley roads,
The heralding wing-tips of hill hawks.

His wish is fervently to disappear
From the sight of all men,
So he shall contemplate
The paradox of rainbows.

He shall write his name forwards
And backwards
Until it become a single,
Unutterable line.

Diamond backed
The pines at dawn.
A burning roar,
A stormfront clamour.

Rests within these moments of choice, the fall of dust.

This heart a bowl, a harp, a bird.
Weightless, filled with hope,
An open sky is all it lacks
And courage to give it all away.

—
Sgraffito – a process of scratching through different layers (clay, paint etc.) to reveal what is beneath.

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—

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