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Spera solis, sol

The ghost that circles our borders,
The glory rolling on our horizons.
The lord of brilliance
To whom we dance and bow.
We follow and weave
Amongst his messengers of shadow,
His pillars of light.
Day is woven thereby
And life is shaped,
Ordered in waves of delight,
The wake from his wheels.
The red bull of morning
Roaring with the dawn.
Boat of heaven, chariot of fire,
Wagon of deliverance.
To him we turn our heads,
To him we bow.
Sustained and warmed
We are pulled up,
Flower, fruit and wither
Under his round sight.
A map of heaven,
An intimation of beyond,
Unfathomable, a cipher,
A sign, a blaze.

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Spera martis, mars

Here he is –
Certain gaze,
Certain smile.
All the girls (despite themselves)
Twist their hair, bite their lip.
Bright eyed amongst themselves
With giggled whisper,
(But they will never, ever tell
Of those desires that are so deep hid).
They will all, we will all,
Trail after him
Blaming ourselves for every scar,
Every wound, every bruise.
Who cannot match up to such as he,
So sure he is
Of justice and victory,
So fierce and radiant.
We have become the red planet,
Enslaved by bold and noble action,
Unwilling to reflect,
But act, react.

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Here are the next few sections of what has been written so far…..

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Spera mercurii, mercurius

Quick as murder,
Bursting breeches, this lad
Gobby, too smart
Full of street tricks,
Alley cat, sly and sleek.
He will flicker in the shadows,
Stealing pennies, stealing favours,
Stealing wisdom from the faded.
An eye for the back door, pimp of lawyers
And all knot makers. A shiny solution,
A quicksilver poison.

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Spera veneris, venus

Mother of all beauty
(Some will say all sin)
Herself herself washed ashore.
What can we say?
She is the summit of air,
The hills of love,
The valleys of lust,
The sign before day
And the star before darkness.
Her form is whatever you desire.
Her desire is to be encompassed.
All fruit she offers, never ceasing.
As the sea’s waves
She laps and drowns,
Roars and lulls.
We are swept sway
On honey breath,
A five-fold star,
A pulse.

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POETS OF THE GREYING VOID ( BOOK OF VOICES)

Only by these words
Only by those your demons allow
By those airs and sorrows,
Those scars,
That keep them so contentedly anaesthetised.
A mirrored spirit in mirrored halls.

Teeth and lips, tongue and breath
A landscape dreaming life
Into itself.
A moon, a lost planet,
A drift of photons.
Sparked, struck flint,
A blink or such
In darkness
Illuminating nothing
Momentarily searing
Momentarily serene.

We cannot question the beauty
Of these voices, beautiful as they are,
So like our own, so like oceans,
So like sighs.
The meaning comes and goes,
A flock fierce and pierced.
The quivering salt
That falls, drying hard,
A new skin.

Maintenance of edges
Honed, traced upon, mapped,
The armies of the Lord,
A sway jut-chinned, belligerence.
The same countries, the same roads
Renamed, mispronounced.
Recidivists redacted,
All is sweetly perfumed,
Sweetly ended.
This my demons demand:
A better, bitter truth.

—

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I have been looking at this work now and then for a while. Like the soul, (should it exist), this is a work in progress. It takes its ideas from medieval cosmography, where there is a concentric hierarchy of planes and beings extending down from, and up to, the Godhead. A mythic universe, populated with the history of thought and dreaming

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Or do we descend,
Pulled by the centre?
Or split, (not knowing)
Each way seeming the
One, right way,
Disorientated
Or reorientated, lost
Or on the road home,
(Something, something here
Is familiar..)

Centrum mundi

The centre of horizon’s cross,
Hung saviour seeing
All things,
Constrained, speared
By:

Terra
Acqua
Aer
Ignis
Corpus corruptibilis quod est
Quatuor elementa,

This corruptible body
Consisting of four elements.
Corruptible, corrupt, corrupting,
Spinning away ( or towards)
Perfection. Untrustworthy,
Fickle mud rising
Yearning for perfect emptiness.

Then, in their spheres of crystal motion
Each in their turning, each lord of spirits,
Masters of music, ordainers of action,
Gatekeepers, judge and jailors.

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Spera lunae, luna

Chimes she does and roars,
Moon scything time.
Each mother’s mirror,
Queen of slow oceans
Queen of indigo night.
Ever thirsting, drawing moisture,
A mist of dream, a catalogue
Of sorrows whispered in midnight,
A chariot of ice tears, her starry train.

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BUXTON IN THE HIGH PEAK

Away into the high hills shrouded.
Away to the high, scoured lands laid with lines of stone.
Where the wind crows cedilla the sky
Giving their own reasons for silence and for speech,
And the unknown calls across fields in trills and ghosts of rain.

We are smudged and drawn thin through tangles of time,
Halting to grasp slim volumes, locate a name or place.
A footfall, a scumble of gravel, a whisp of evening moth,
A rag, a window outlooking, a scurry of moments.

But always, cloud-hugged and green,
The valley air pricked with cool distance,
Fluent with miles of silence and the sky.
The depths below and the depths above,
A certain thinness, a certain wild lateness to the season,
A short uncertain summer, clouded, piled up fragrant.

A near forgotten tune, a debris of careless architecture,
A mapping of overgrown scars, a huddling of sorts.
Under the dark maples, under the covens of elder,
Under the long light, the distant shining land crowned with evening sun.
The long roads, the long roads from hill to hill,
A nonchalent scattering of sheep, stone kept.

This long breath, a cool drink, a meeting of streams
Down by the rose, purple rose-dropped park
Where jackdaws bob in and out those stately walks
Where the walnut tree and the yews kneel and pray.
And always the happy, straining dogs, the flurry of ducks
And the slow, heavy drops fall bending the grasses,
Blue geranium and honeysuckle, and a drift of elm seed,
A patient confetti, swirled away down drain and culvert.

The high town and the low town
A history of names, a relaxed concentric dream,
Gathered, pooled, walled by silent woods,
By silent caves and the sound of running waters,
A scribbled note from heaven.

—

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Keith "Maggie" Brown's avatarCALL ME MAGGIE

A good story can make or break a presentation, article, or conversation. But why is that? When Buffer co-founder Leo Widrich started to market his product through stories instead of benefits and bullet points, sign-ups went through the roof. Here he shares the science of why storytelling is so uniquely powerful.

Source: lifehacker.com

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SOLSTITIAL

This longest day
Hard to throw off endings,
The slip of names and times,
The ongoing of impossible disasters,
The rot and decomposition, composting dreams.
It is the words
That lack the elegant bright moment.
It is the mind
That, persistent, contrives distant futures.
It is the habit
That dredges what lies safe in darkness,
Holds it up, misinterpets and despairs.
So many words for failure
So few for bliss.
And thus our bias
Sweeps us toward an edge,
Soft screaming, torn thin.
World watching on
Keeping balance between
This dark, this light,
This day, this night,
Knowing it is not the thing,
Not the specific, nor the particular,
No soul weighing more than any other.
But it is the spin, the dance, the chant,
It is the hymn of becoming and return,
The melting of light, the retaining pattern,
Constant
is the revolution
of breath,
The breath of revolution.

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DREAM BETWEEN DREAMS

It shall be called
The dream between dreams.
It shall have the sound of rudra veena
Howling the low, long song
Of mountains.
A doorway that vanishes
In walls and moments,
Hunters of persistence and cunning
That track betweens
With such eager precision.

A sepia lithograph of ancestors
Scattered with scratched code.
A stuttered sunrise,
A mumbled equation.
Fragmented, woven storeys.
Intercepted thought-
A patterning of stars.

It shall take beauty to itself.
It shall wear a body
Suspended and gently packed
With birdsong.
It shall have a sunrise
Located in a northern way.
Magnificence untranslated and untranslatable.
A verticality, a rotation, a specific gravity.

Freed from the body
It twists to a certain extent,
A mind will take colours to itself
As murmurs of joy.
A shuffled deck of cards
(Where all images are constantly changing),
Vapour words uttered to themselves and gone,
Drawn from all tomorrows,
A suffering of beauty.

The rudra veena says:
“Music is the very means
Ye shall venture through vastnesses,
The telemetries of time and space,
Control panel of deity,
Bender of physics, answer to worlds,
Mating call of galaxies.”

—

The rudra veena is an instrument of South India, a pumped up, pimped up sitar, more growling even than the surbhahar ( a bass sitar). It has two huge gourds at either end, that wrap around the person holding it, and a long,wide fretboard. It has a monumental, alien sound in recordings. Live, it probably vibrates bones and deepest soul. Beyond human, the rudra veena is the player, human being the instrument.
( search ‘rudra veena’ into youtube and give yourself a thrill!).

—

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CONVERSATIONS 14

HOW EASY
Wonderful wonderful
how easy a cat will purr
how easy a flower will open
and scatter
how easy a smile
how easy a hand
how easy a good word
leads the way
becoming a vast flock
of joyous song and seeing.

—

VERBAL WARNING
Word to word
invisible tugged ties,
chains golden from tongue to ear,
a ripple of bells, a chime, tinkled river,
mind stream quenching thirst,
a million million reflections
showing nothing much of anything,
just how it is.

—

SEDIMENT
In the deepest oceans
Are the bones of all
That have ever lived.
A sediment free of sentiment,
World shaping pressure
Of was-ness turning into is-ness.

—

GRACE
Dressed ghosts, borrowed rags.
Why so hungry always? Why so?
As if bereft. As if supported.
As if punishment. As if reward.
As if a test.
Interpret this.
Pain and beauty.
Edges, boundaries, limits.
A dance to slow music.
If we can be but elegant, somehow,
so the universe turns toward us
(as we turn toward its ever open eyes),
weave a new way, gentle, strong,
accepting, melting, acquiescing.
Grace, it would be.
Perhaps reason enough.

—

RED SHIFT
Heat haze.
A shimmering road.
All the colours shifting towards evening.
A sharp sound rumbles into deep distance.
An elucidation of edges.
A smudge of vast moments.
Thought storm, tranquil dreaming.
Your voice (somehow) in my head (somehow).
Via the heart of things,
we ricochet amazed
through crystalline spheres.

—
HOW ELSE
A tissue of lives.
Connective, connected surfaces.
A fine tracing of whorls and ridges,
Whispering alphabets
Attempting an understanding,
Perhaps a cataloging,
An exposition of position.
A thin, sky thin, elucidation
A slender, tender hinting thing.
Not quite dream, not quite wish,
Nor remembering, nor forgetting.
This placental sustaining,
Held suspended,
Amniotic day,
Bridged away from pain.

Else we slip unseen,
Or so we conceive it,
Mouthing wept whys
Into blank cold nights.

—

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These are some more pieces from my ongoing project, “Death and the Maiden (A romance)”, which developed from a couple of images from the V and A I have posted earlier. At the moment I have a series of layered images, becoming dreamy abstracts. These I may add text or calligraphic elements to. The verse imagery parallels and complements the pictures, I hope. Love, sex and death – how very…

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Peel back the curious eye,
A dancing touch to your innards,
Let it pierce the mysteries
Of your fleshly mechanics….

Your cool fingertips, smooth as pearl,
Slip down roads to sudden roundness,
A blessing of seed…..

Swimming where oceans clash,
The liquid crush, wave on wave.
Our very ground throbs feathered…

Pouring souls into circles
Achieving the fruit of life,
Its juice drips warm to sleep….

Your face, a half moon
In the sky of my desiring….

The most perfect words
Slip between the cracks of sleep…

—

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Cradled in bone
Time rocks to and fro.
We trespass not so far
Then flow smooth and fast
Into luminescence,
Penetrating softnesses,
Following sages, burning letters
Flying before us.
An unprecedented rivalry of substance,
A cloud of element and vapour.
Demure, then ferociously hungry
We exchange bodies for heat and flame
And roaring liquids.
Pouring vessels.
Spout of hard bliss.

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