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Posts Tagged ‘art’

ALL THAT GLORY

All that glory, bred from blood and rot.
Ground bones to feed the noble good.
The Myrddin in us turns away.
Our Taliesin mocks the solicitous bards.
The histories of truth shall never be written.
The honest shall be driven mad
And disappear, unknown, unnamed,
Fuel for the mysteries of the deeps within.
This is the fabled cloth that suffocates us,
Memories rich, embroidered, gold-threaded,
Dreaming of heroes and just cause.

There was one who refused to give reasons,
And won by losing everything.
Who refused to be wise, refused to be violent
Who turned the wheel of matter
To become the spiral of eternity.
A simple seed buried and buried again.
Though cut each time it arises, given names and deeds,
Smothered again, tutored and redacted.

The first, the oldest gods, were not heroes.
They were farmers and dreamers, dexterous handed.
They were mothers and weavers, nursemaids, cooks.
Manawydan, king of Britain, best of cobblers.
He knew the loud ones take the power, write the stories.
He knew the land would grow empty, as always,
Drained by strife and pride, good and bad all cut down.
He kept his eye on the corners of things, on the smallest,
On the fine tendrils of futures, on the goodness
Of quiet satisfactions. There is no precedence
As we drift towards the doors of death.
Only goodness or bitterness will remain.
And the smallest of things, the smallest that sustain the rest,
Will do what they must, unwatched, unnamed, unknown
Woven through ephemeral eternities,
The inevitable victory of the insignificant.

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TALIESIN REVOLVES

The Living and the Dying:
Dipping in, dipping out, spinning, turning, returning.
This string, this blue cord, this mysterious line.

Slipping past the gatekeeper of dawn and sunset,
The dream rim, horizon’s cauldron.

The answer to crafty questions.
No one survives the heroic ideal,
Except transformed, ploughed back into and out of Time,
Through the door of the fortress that turns.

These ancient watching animals in the stream
Of the constellations, time creators outside of time.
Watch the movements from the physical to the ethereal.

“I underwent transformations, I circulated.”
Time is his landscape,
The bardic occupation of weaving the past into the present,
Kneading the present back into the past, the past into the present.

I was alive.
I was dead
About the aeons of the fortress,
About the one’s like kings,
How long their dwelling place.

I slept on a hundred islands,
In the seas of heaven, the firmament.

I mutated, I went around,
I am dissolved and passed through,
Strained and purified.

He passes through. He slices through.
The darkness, not understood until death comes.
Cian, Afagddu, Gwiwan.

O dyfynwedyd gwawt

The deep speaker, the speaker from the deep,
Passionately brought forth.
Not the quietness.

The deep ones emerge in the voice
Of the bard and the audience,
A flow above the shining drink.

The deep one becomes flesh

Dwfyn dyfu ygnawt

The shapeshifter,
Singing his own deathsong,
Uther, dead and singing,
Becomes Taliesin by this voice.

Nothing but skin and bone.

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THE BLESSING AND POISON OF GOOD WORDS

no moon, but a single
sickle call of an owl
in the deep valley

cold stars are winter’s eyes
as warmth leaves the world
and darkness wraps all up
as close to silence
as one can think.

by rivers and stars are we lifted up.
by rivers and stars are we brought low.

silent voices dipped in cloud.

I shall sit in darkness and dissolve into light.

dissolve into endless light.
dissolve into light.

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LONGEST NIGHTS

the smoke of owls
and the sparks of their prey.

the howl of darkness
and the howl of the dawn.

mist tumbles off the snowline,
jaundiced is the air.

fields lie fallow,
their farmers large as hills
and dark, watching for good time.

tumbled clouds tangled
in the sallow valley.

Scarce enough warmth
to go around the village,
scarce enough words.

a golden light within
everything, though.
pooled translucent light.

a river story blessing.
a famous birth
and a death that disguises glory.

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Storm Morning

Into the slow heron lift of it.
The storm morning roar,
Like a city train, rattles roof and windows.

Druid trees with one eye shut
Stand on one leg and let go of nearly everything –
That is what their roots, deep as choirs, allow.

On green meadow and crashing hill
We push against a sting of rain.
Lost, but not lost as the ones by the sea,
Watching the waves eat the shore and the harbours drown
And all the long, safe years melted away
In a wall of water and sound.

It is a patient world, willing always to start again.
A reformulation of parameters, season by season.
What is gone is gone, the autumn trees say.
What is gone is gone, says the storm of grey morning.

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TO WAKE IN WINTER

To wake in the long darkness
And feel the slow cold seep in.

To love, and to war against those
We do not love, is not enough.

Drained and wan, the ache of it.
The decay of worn roads and reasons.

The ravens are silent as they push
Against the folds of cloud.
The hills ripple but they do not rise.

We miss the touch of sudden sunlight
And a simple purpose to go on.

Is patience a curse or a virtue?

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BLACKTHORN SPELL

The cracked wind
Azure blue.

A tumbled sky
Ivory-scented.

Ice
Ashes
Alabaster
The Hunter’s hand.

A collection of images that I have put on a small blackthorn bowl, revolving around the time of early Spring and the blossoming of the thorn. The bowl is not quite finished yet- I am adding a verse from Song of Songs in Welsh and working out whether to put the English translation on as well.

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NOTES FOR A PAINTING

Sunlit meadow
Hidden river singing
Road winding into the mountains.

This road with the colour of itself roams and dips from pink to purple to the brown of a hunting dog. Laid as a wish upon bucking stone, a river of hope for dry feet.

River song
Singing heart
Road into the mountains.

Hidden river
Singing heart
Road into the mountains

Each footstep song, a rhythm of itself repeating with breath and sight, the same view, the slightly changing view, the folding and unfolding view.

Sunlit meadow
Somewhere the river
Singing to itself

This meadow slope lighted with its own green, radiant aura, hovers between dark wood and bright water. A vacant illumined shimmer.

Empty mountain road
Winding beside a river
The sound of sheep

Sheep on the hillsides
Sunshine on the meadow
Empty road.

The mountain faces are copper and lead. They yearn, as mountains do, to fade to mysteries invisible, and clamber towards unreachable towering midnights.

The road and I
Following the sound of the river
Into the northern hills.

This narrow road
Wanders into the hills.
The sound of the river.

The river, a sound of laughing sunlight, uncatchable as eels. We know it by what it is not. The colour of sky and leaves and earth and rock.

Aimless we both wander,
The narrow road and I,
Into the northern hills.

Narrow road –
I do not mind where it leads
Following the river’s song.

These bare branched trees, hazel and alder and oak down there with the birches. Lines drawn across time. A language of balance and holding still. They float more certain than the solid ground.

It will be autumn soon.
The narrow road lost in leaves,
Winding beside the river.

Narrow road and I,
Forgetting where we are
Following the river into the hills.

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DESCANT

Sullied though we are,
The earth shall take us back to itself.
They remain, these fading memories,
And the scudding light over far hills.

Certain is our fate, and always has been:
Summer moves graceful on winter’s bones,
The dancer and the music of the dance.

In desolate darkness is the night,
Where the ashes fall, where the pines fall,
Where the oaks fall, owl-filled, moth-filled
By the slightest light of speeding stars
Through a roaring of winds, the river mind speaks.

And in sunless cwm the shepherd’s house.
Brown light as thick as honey,
Walls sullen and the ticking clock.
An accumulation of sorrows and a life
Of small dissappointments nested in dust.

Belonging is the key to it all,
The only pause in a precipitous dream.
But clinging is not the same.
Wrapped around the web of memories,
Too rent and uncertain to give much comfort.

What is that name we have given ourselves?
And where was the road we turned off to get here?
I have forgotten the names of stars and trees,
And the clarity of goodness and of light.
Above all, I rely on whispers from clouds
And the words flowering from the oldest books.
For they glimmer, (do they not?) , with what has been lost.

All the doors stand open, as they ever have.
All the maps spread out and referenced.
All the ways well trod, all the paths tended.
Yet we move as if none have moved on before us
As if nothing else mattered so much or was so dear.

But the earth shall take us back to itself,
And we who can not forgive
Will be forgiven.

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VERSE EIGHT

A flash of summer and the swallows are all gone,
Restless above the purple flowers of heather.
Everything that is hard work and driven deep into sorrow mountain
Looks heroic and sunlit from this serene, absent distance.
Held equally suspended before the slope,
fragmenting between memory and forgetting.

Last night’s rain has burst the river’s banks almost.
The leaves spin that have fallen, though the silent wood
remains there, green and dark,
Folded into the valley’s thigh.
Small things shelter, all there is a scurry
and birdsong and bright eye.
A dream language self-generated,
a precision of small hungers.

A moment flows and eddies
Reaching out for words to be clothed.
But now it is a roundness cold and naked,
Hollowed in leaden light, tumbled in cloud.
Hills drift bodiless, dew-ringed.
All the hearts that have ceased
And those that have begun again
Will fail to encompass the mystery.
A perfect river, inexhaustible.

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