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Posts Tagged ‘art’

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CONJURATION

He sits by the window letting the landscape go.
A little incense will stretch and curl in the moving airs.
There is welcome rain on pale, misted hills:
The meadows and their trees will green.

The shoals will flicker beneath thin surfaces,
And there is skill in waiting and skill in catching up the glimmer.
Sometimes it is enough to hold one wriggling thing.
Sometimes a light touch will tease a line,
A bright twist into this world, a hopeful humming reel.

There is the holding and the letting go.
A whisper wish to Gwyn ap Nydd
Who hunts these lost ghosts and churns them upwards.

To mark a path only, or to push down into it,
Or to be pulled willynilly in mad rush and see,
See where it leads, traipsing forgetful, curious.
Or but to float above serene and light as hawk bones,
To not become distracted by maybes,
To contain all, to exclude nothing, to lose track of no slither,
To allow a subtle sedimentation – to be that patient,
To become equanimity, geological.

It will be the touch of madness that marks it out,
The touch of madness they shall not forget.
The discomfort of impossible resurrection:
Light that is not there, a bubbling up of echoed sounds,
A mystery of conjured voices, a song of ghosts.

This, the slow and certain engraving of our vanishing lives
Upon your smoothed and cooling brows; etched, hatched and nested within
Your twigged and tumbledown minds.
A thimble of the past to dull each ache of uncertain stitch.
That impossible race to reach each sunsetting horizon.

Between the moment and the madness
Is where the bright shoals swim.

—

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ELECTION

Cloud is low, a light rain.
The rivers will rise, and the cuckoo’s voice.
These is no road to happiness.
Sit still a while. It is here.

In cities sprout the sudden
Intricacies of deceit:
New plans of action;
Words dressed, eloborate dances.
Fear cultivated as if it were virtue.
Hypnotic screens drip poison:
Connla’s Well on every tongue.
We rear the monsters of others.
The monsters of our own,
We have not recognised.

Shucked out and flailing,
Naked goodness pecked by crows,
Growing cold as the summer
Warms the wooded hills.

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MUSIC FOR THE END

I shall not go into tomorrow
( though I may dream there).

These poems poised to begin again.
Our music, the only thing to give us birth.
What the endless aeons of starlight have waited for.

At this river’s edge – the taste of tears and flowers.
I shall dream tonight the distance –
Roaring waterfalls in Yolmo,
And the pearl liquid silent waters:
Loch Craignish after rain.

Do what we may, it will never be enough.
We paint the day and start again.
The gods have cursed us with their beautiful weaknesses.
With poetry that will not stay,
With friends and with loves
And with endings.

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1
Go down, come down
Through the hollow heart,
The yew of Llanfechan
Peeled away, the long
Sunlight moment
Mesmeric, the voice
Of voices whispered
On green tongues, long
And longing, and full
Of tragedy.

Enclosed, but
Wearing thin,
Boundary still between
Worlds, the boundary
Between times,
Given up to earth,
Food for the
Little things.

That is what the mighty
Always are.
The upright fading away.

Let me bow down,
Bow down to earth
And mulch,
Forgotten in lost
Corners, lost
On a tangent,
The slant of
Trajectories
Towards
The same
Centre.

2
This heart,
A bowl of dust.
These hollowed hills
Scooped out, abraded
By flocked moments,
Voracious, universal.
This pulse, this canopy, this swan,
Arced and spread-winged,
Reflected, shattering rainbows,
A quiver-full of light
And a mumble of story.
We no longer swing the verses,
Though the chorus is our breath itself,
Self-generated, a blueprint, a prayer.

Curtained in cloud and light, the valley floor,
Unfamiliar at this height, all becomes
Mysterious and fading.

The old tree, clasped in itself
Knotted with hymns it knew
Before brick and stone.
Its own Last Trump, its own
Resurrection, the woman in the sun,
Seven bowls and seven seals,
A thundering voice ‘How much longer
Shall we suffer in hunger? How much
Longer shall we suffer in thirst?’

To change shape and, invisible,
To infiltrate the insignificant.
A sermon on patience
And darkness.

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TRANSIENT 5

A day of slow skies
Testing new brightnesses.

Cwm Dwfnant is lost
In dreams of cloud once more.

In the green centre
The river whispers

And the crows feel that
Spring is near now, over the hills,

And sunlight, too,
In the slate and stately rise and exhale.

A sleeping world,
Dreaming of waking,

Dreaming of a small unfolding.

—

TRANSIENT 6

Tinder, the horizon.
Laid just so
With blue on blue
To catch spark and roar
Come sunrise.

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Transient (4)

Skies of palest violet,
An uninhabited eye
Whose souls are words.

An unimaginable wind
Blows light in waves
across the hills.

Like heaven,
the snowfields rise above,
Hardly visible, their glimmering.

A village of daffodils sways.
The jackdaws freefall in joy.
There is ice in the buckets
And all the farms roar with fires
For the lads and lasses hunched
With cold hands
From a long night’s lambing.

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TRANSIENT 3

The light that paces
The valley floor

Graces hearts with
Its bright and stately shade,

Reminds the soul
It ever ends and begins again,

That nothing, not one breath,
Remains more

Than one
Scintillating motion.

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The words
of the sea
Roaring drunk
And glorious
in endless sunlight.
He has squeezed through
regardless,
Touching the soon
And the many.
He knows that
Poetry is
not the words.
Words
are what remains
When poetry has flown.
Flown like a bomb,
like a sunrise,
In all directions,
too great for human kind,
But not the soul,
singing, silent, watching
In endless birth,
the reason beyond itself.

—

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Sunlight and whispers,
Bright rolling silence.
There is no confusion here:
All things fall fearless
Against the movement
And the stillness
Of hours and their dust.

Footsteps all forgotten
(Puddle, pool, stream, river)
Nothing but the distance of the past
And the distance of the future
(And the skylark remembering both).

The diagonal slide of sun and moon and stars,
Tides of light and shade,
The constant abrasion of the wind.

It hardly breathes, so still it is
In its rising and falling distances.
The silent rolling hills of heaven.

These uplands spread out
Like God’s own hands
On the first Sunday,
Sun-warmed skin stretched pale
Over rippled knuckles,
Bone resting quiet,
Muscle and tendon singing.

Sky-touched, the first moments,
Cloud thoughts, the pale waving grasses,
This click of warming rock.

—-
The Elenydd is the old name for the central uplands of Mid Wales, known as the Cambrian Mountains. The southern border is effectively the Irfon Valley, where I live, though in actual fact the valley is bordered on its other edge by the Mynnedd Epynt, a very similar landscape.
The Elenydd is a very ancient mountain range worn down to a high bog and grassland plateau cut deeply by streams and rivers

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MARI LWYD 4

This dream we cling to
As if it were the only dream.
This wind, these hills,
This heart so tattered,
So threadbare.
Scoured even,
Stretched thin,
Worn down.
A whisper in the rain.
A word forming in the pines.
Winter shows the bones
Of what is, of what
Will remain,
Of what the old songs sung.
This has been your life
Down to this frozen moment,
This darkening path,
Distant laughter,
Sparks spinning
From the bobbing torches.
Shall we go on?

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