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Posts Tagged ‘metaphysics’

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THE VAPOURS OF HEAVEN

 

Shall they stray far,
These wandered thoughts,
Drenched with the vapours of heaven?
Shall they, distilled, sublimate,
Take new form, grow winged
Then smiling, dissolve?

Shall they, folded,
Nest upon timeless light.
Sleep, and wake golden,
Luminous, singing?
Shall they, without surcease,
Dance eternal energies,
Still named, at home
On vast, breathing cascades
Of space?

Shall they, (these thoughts),
Turn swallows, spin as swifts,
Light as thistledown, rise
Like willowherb, weightless,
A drift in summer,
A slow gentle breeze
Bird-filled?

Shall they stretch, sprout nerves,
Become sensible, grow good souls
With new names, find mouths
And lips and tongue
And sing their own song?

The vapours of heaven:
A saffron casket, rainbow-locked.
Small whispered bells,
Honey-lipped bees.

A sky stretched
To blue transparency.
A tent with purpose,
An unseen sea,
Scaled skin of cloud.

In amongst and between,
Within cloud and moving mists,
Droplets suspended awaiting surface:
To acquire direction, to know gravity,
To locate tidal choirs.

It is all music, all music,
Nothing but song.

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These images are taken from a series of ink drawings, scanned and photographically enlarged to reveal strange details. The revealing of other structures formed a parallel word stream imagining thought/word becoming sentient of themselves, hence the text, as one possible accompaniment to the images. (Other possibilities included star names or quotes from the works of John Dee). Some of the images are pixelating because of extreme enlargement, so these I may remake as pencil drawings…

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SCRY

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1
Small things
From deep pools
We rise.
Vaporous things lifting,
Turning,
Weightless drifting.
A lick and dissolve,
Ice smoke, sighing, aimless
Rise, spin, twist and dissolve,
A white fade lift,
A tongue, forgetful, vague.
Without a mirror, you see,
We scatter.

2
The falling down of words
Like honey bees or like rain.
They shall patter and gather together.
They shall wash away all dust of death.
They shall be as mirrors
And as suns.

3
Johannes, named from a river
Forever flowing east,
Named from the delta of Aphrodite
And the Aegyptians,
Of perfect memory and skill mathematic.
A subtle blade, enough to wriggle between worlds,
Searching the point between brightness and darkness.

4
All the cities are dying.
Accursed, they spread limp
And rot from centre outwards.
We have purchased all, yet still hunger, empty.

5
The view mists, fogs over.
A spray of rain and rose petal.
Summon the spirits again, Edward.
Summon again the blast of visions.
I have learned the language of angels
And now they pester me
As flies in summer meadows.
The kings and queens of England
Process in elegant spite, shifty-eyed,
Blaming cousins and the fickleness of peasants.

6
Around the garden walls,
Drab sparrows squabbling,
Happy as morning.
In the hills again,
Lost in mists,
Tight-lipped hunters.

7
Those accustomed to gaze and gaze
Letting in the world unmasked, unaltered,
Though they disappear, remain behind each edge
Every line of silver,
Seared into time’s retina.
Like Padmasambhava’s cave,
Taking up his body’s shape,
A perfect void forever sitting,
Open mind, open heart, unclassified,
Uncategorised, a species beyond light,
A ripple cascading throne,
A point through stillness, through reflection,
Through mirrored glare.
The eyes that look back
At all eyes,
Time collapsed to a breath,
Space folded
To a golden nest,
A beer relished at evening.

8
The sacred,
Always a little smutty,
To these men of science.
A vermilion stone smeared with faith.

9
So slight is the edge that shines,
The mirror’s reflectant skin.
So small a thing to throw back vision,
To show what is and is not there.
Such a line between, ( if line there is),
Seen and unseen.
So fragile a mechanism
To construct comprehension.
We settle to a silver lie,
Satisfied with thin smiles.

10
The eyes may tear something new from light.
New stranger seeds, planted in sight,
Doubts of how deep and shallow
All this reflected life might be.
God buried deep in the liver of a fool.
The Devil buried deeper in his reason.
Rise and fall, a history of empires
In this one small breath.
The same elements congeal
In madmen and in stars.
Somewhere a sun shall rise
And we shall be young
And beautiful again.

11
They push through our bitter fictions,
A stain within vast humid dream.
Spirit filled are the worlds elsewhere
Engraving slowly, they take form line by line.
Removed are the curls of nascence
A ticking clock, a creak, a shadow.

12
It is not malevolent to desire survival,
To thrust through to bigger life.
We are pushed and torn apart
As natural as morning, an evolution of sorts.
Best not, then, weigh nor judge,
(All, after all, the mockery of self
And self-existence).
A fly lands and takes off,
A pest, a nuisance, slow in slow air,
But what if, what if.

13
Our prevalence, our striding
Incessant self-portraiture:
A mistake, a neurosis, surely.
A better view must prevail,
A breaking through of stronger stories,
Radiant gods with heads of eagles,
Sky gods with lightning hair.
Beyond a mirror’s glass
That thin veil allowing silvered vision,
Presumes a surface woven illusion.
So many haunted eyes,

14
The utter strangeness of it.
A timed lapse, a void, a flicker.
Dark matter, the deep fog,
A sunless pressure, trenched, ocean deep.
Black smokers blistering more strange life.
We become utterly replaced again.

15
A charming magus chants destruction
And parturition in one caught breath.
The wonder is we do not see
How small and fast, how struggled and unfree,
How lost and how imprecise,
How glorious and how wrong.

16
The wise remain silent,
Watching skies unutterably changed.
I cannot say with whose voice for sure,
Or whence or from when.
A slight recorder.
A wave front.
A gravity well.
A spinning top
Each second more slowly.
The grate of opening
And closing doors.

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Spera solis, sol

The ghost that circles our borders,
The glory rolling on our horizons.
The lord of brilliance
To whom we dance and bow.
We follow and weave
Amongst his messengers of shadow,
His pillars of light.
Day is woven thereby
And life is shaped,
Ordered in waves of delight,
The wake from his wheels.
The red bull of morning
Roaring with the dawn.
Boat of heaven, chariot of fire,
Wagon of deliverance.
To him we turn our heads,
To him we bow.
Sustained and warmed
We are pulled up,
Flower, fruit and wither
Under his round sight.
A map of heaven,
An intimation of beyond,
Unfathomable, a cipher,
A sign, a blaze.

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Spera martis, mars

Here he is –
Certain gaze,
Certain smile.
All the girls (despite themselves)
Twist their hair, bite their lip.
Bright eyed amongst themselves
With giggled whisper,
(But they will never, ever tell
Of those desires that are so deep hid).
They will all, we will all,
Trail after him
Blaming ourselves for every scar,
Every wound, every bruise.
Who cannot match up to such as he,
So sure he is
Of justice and victory,
So fierce and radiant.
We have become the red planet,
Enslaved by bold and noble action,
Unwilling to reflect,
But act, react.

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OPEN

Beyond doing,
beyond not doing,
beyond beginning again
and remembering.
Disbelieving nothing,
the old man,
walking
through walls.

WITHIN WITHOUT

Neither is it the wind
Nor the tree
That howls
In this storm:
In the convolution of the ear,
In the eye’s tear,
In the blood’s roar,
It finds a home.

Emptiness
Finding and losing
Edges.

Bitter beauty,
Is beauty
Nonetheless.

KEEN

Slaked,
tongue cup still tastes,
somewhere,
sharp sorrow,
pulse.

DEFINE

Clarity: not a knowing,
not a thing,
not graspable,
never owned.
It is a landscape, high,
with a wind from the mountains,
a forgetting of,
a removal of frames and views,
cold on the tip of the tongue….

RESOUND

When we hear a phrase of the tune we have always danced to,
we remember and forget,
become more and less ourselves.
That’s it, that’s it.
Struck dumb by namelessness,
bright eyed,
melting.

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Scribbled reminders.

A big mistake it is
To hold that life belongs
Within the certain bounds
Of ones that begin and end,
Live and die, generated, disintegrated.
That outside the skins of being
Are voids of senselessness.
Look bravely beyond the borders,
Yet fail to recognise reflections in mirrors:
Self is an organ
Not an organism,
A way of catching the light,
Ice floes on oceans,
A difference of density.

No matter how pink
The clouds of dawn:
The blackthorn blossom remains
White as snow.

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YELLOW LEAF

Jade.
Jaded.
Used to be to make immortals of us.
Green mask, green breastplate.
Now verb, adverb.
We lack lustre, grow weak.
Taste dust.
The cloth has worn thin
on our fine designs.
Look carefully through:
something else moves beyond.

TOUGH AS

We become rubbed thin and fragile,
or tougher than we look –
Worn leather, finely cracked,
no longer mirroring any pride,
any care.
Its own nature
(to hold old bones together, to have some guts).
Slipping into a role,
where we become comfortably bedded in,
but invisible and fading.
A worn path.

HELD RELEASED

I shall trace through ways and roads of time,
The pathway between white and that of rainbow’s lustre,
Enfolding moments, met and so woven,
Cupped as hands that spill never any drop.
In the weeks of early autumn,
In golden, honey, humming days,
As trees loose the leaf’s weight,
(The burden of slow breathing days)
Throw their branches skywards,
Open out empty, like slaves set free,
And cry cool:
“We are clothed in blue
That is the kiss,
And it shall never cease.”

SLEEPLESS

Though I cannot twist the fire around
Where it leaps and slides.
Though sleep is elephants in chains.
Though lamps fuse the night.
Though time and shadows stutter.
Though voices still and all breath whispers.
Though your skin lies here velvet as hillsides.

VESSEL

This voice born from caves
This voice shaped emptiness
This voice the flavour of silences

This vessel of poetry,
Always lucid,
Empty ’til held
And warmed by palms,
Tipped towards lips –
An exchange of breath.

SOLACE. SPELL

Rocked, enfolded, supported.
Nurtured, swaddled, assured.
Smoothed into sweet sleep.
The birds of sunset,
The birds of dawn.
The stars of evening,
The stars of morning.
A dappled, tree shade,
A strong trunk,
A canopy of gentleness.
A rain of comfort
An opening.
A belonging, a belonging,
A belonging.
Succour, solace, ease.
Breathe, remain.

KEEP

Probably better roofless,
These thick-walled
Shrugging thugs of the landscape,
And green-walled, green-tombed,
A habit for thrush and snail.
The fading echoes of invader words,
Muscled in, muscled out,
Left to a bed of leaves
And nostalgic wanderings of day visitors
trailing after twittering children….


REMAINS OF IGNORANCE

The river’s song:
the rocks in it’s smooth mouth,
the fear lumping in its warbled throat,
the distractions from waterness, from seawards rush,
from oblivion.
What it is not, that is its name.
It’s song is what it tries to evade, to avoid.
We are our frictions,
our aches ( what angels long for, what demons envy).
We, the worn face of mountains,
frosted, bitten stand regardless of pasts,
burnt in sunrise and sunset,
pierced by starlight.
The pain of breath,
the loss of in and out,
limited is the beauty of the limitless,
how it discovers,
entangled sweetness.

CORE

It is the nature of the deep mind,
oceanic, vast, lying dreaming
beneath the pedantic foppery
of fashionable habits of thought.
It is the engine,
the body of sinew,
the geometry of neurons,
the long, glimmering night,
the dragon’s steady, piercing eye,
the palace with silver service laid out,
waiting for Last Supper.

EQUATION

Teasing apart into this and that,
glowing piles of good and bad.
The labels are not the thing,
but short circuit our emotion,
(so smart we are. )
The truth is made of lies,
and bears our name.
Is, is not. Is not, is.
Neither is nor is not, is and is not.
Truth within lies. Truth lies within.
Within, the biggest lie.
Equations in a flow.
Freeze frame missing the real.
Paradox paradiddle.
Shiva’s drum.
This way, that way.

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NEURAL NET

As if holiness
Were a subtraction
They would have us
Feign goodness,
These bullies of belief.

Tracks of sparks in pathways of desire,
This darkened room, these walls and doors,
Appearing, disappearing.

A space to move in, a sudden halt.
Sparks and glimmer in the dark,
Sparks on roads, these gods, these equations.

This electric touch, this love glow
A scatter of sparks.
This blackbird in the morning,
This dull thud of bombs,
A scattering of sparks.

Sound and light
Sprayed along roads
Falling golden.
Configuring this dream.

—-

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continuing the themes on the nature of thought, the real, the truth, the seen, the unseen the creation of matter and the creation of meaning,

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WORD

Paper planes:
Some glide,
Some crash.

The subtle folds
Lilt and stomp
A trial by word,
A swoop, elegant
And pointed.

Hitting and missing
Of targets.
Languid language
Airborne,
Unconcerned,
Once born.

—–

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The last week or so I have found time and space to push on with a few art-book projects I have been wanting to complete. One is a printed paper copy of “The House of Trees”. It is quite a long poem, but even so a little short for a stand-alone book – at least one that feels like a real book rather than a parish church guidebook! So I have been working out how to interleaf the text pages with image pages. Originally I was thinking of one image page facing each new section of the poem, but practically, because of the varying lengths of the sections, this did not work so well. So I have decided to greatly increase the number of images so that each spread has one image page facing the text page. This has the advantage of consistency, and also of increasing the number of pages to about eighty or ninety – quite a nice thickness! Luckily, I had taken quite a few photographs on the Isle of Skye, upon which the poem is based. On of the most interesting things on Skye was the number of high quality artist’s galleries. I was particularly attracted by several woodcut artists. Woodcut and print are a match made in heaven, so I tried to see if I could get that jewel-like light and dark richness by working with my images.

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I have used quite simple techniques (complexity is beyond my computer skills), mainly playing around with contrast and gradients. The end result depends quite a lot on the original colour photos, but I have managed to get some rich, deep tones that remind me of wood engravings, and others that more resemble aquatint etchings. Here are a few that I like. Most of the images I am happy to present as near abstracts, suggestions of landscapes, textures and grains of wood and stone. As they are complementing, rather than illustrating, the text, I want them to set an atmosphere as much as anything else.

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You may remember some of the photographs that I used to accompany “The House Of Trees” as I was writing it and posting it here earlier in the year. I have used some of the same images but made many of them more graphic.

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I expect I will try printing some of these out for myself on etching -type archive paper, to see haow they fare as objects in their own right.

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I hope the juxtaposition of panoramic spaces with close up textural detail will keep the interest of the eye as it moves from page to page.

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Somehow the tonal reversals suit the nostalgic, Otherworldly flavour, where mirroring and transformations are a common motif. Also somehow fits in with the eye of memory and metaphysical meditations also….

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ARCHED (Part 7)

Stone
Cast in,
Rippling
Time’s pool.

Outwards
And inwards,
A settled pattern
Of comings and goings.

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And the weight
Of the stone:
An anchor, a haven.
Small, still island
In a restless sea.

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A forest for song.
A forest for silence.
A carpenter’s house,
A house of edge and curve.
A mother’s house,
A house of succour,
Of promises kept,
Of warm dark.

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Artificer’s jewel:
A design
Of forever.

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