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The full length piece can be found here as a blog page as it takes up a bit of space (though does not comprise many words). I have recently been looking at some very old travel writings, mostly taking the form of haibun. This one was composed on a brief visit to the Orkney Islands, north of mainland Scotland, during the midsummer of 1980. I have added a few new linking texts, but apart from that the piece remains as originally composed. Accompanying the text were originally some black and white photographs, but as this was long before the days of digital anything, I will have to do considerable playing around to reintroduce them (once I have located prints or negatives)

XVI
(solstice)

Returning to Stromness I cooked an evening meal and then wandered aimlessly along the coast. Although I had to rise early next morning, planning to take a boat to Hoy, I was unable to leave such a beautiful evening. Despite the hour, it was still very light, and a deep silence filled both myself and the land through which I walked. Resonance was everywhere. Great wellings up of deep emotion when I beheld the waves on a small foreshore; the trawler, its mast-light flickering, heading out to sea; the hills and cliffs of Hoy across the water almost melting into the deep stillness of oncoming night; young lambs bleating on the hillside; mother ducks with their young by the shore.

this evening, too, lingers,
unwilling to leave
your summer stillness,
Islands of the far north.

on the shore
wave upon wave
only deepens the silence,
Islands of the far north.

XVII
(gift)

soon to depart,
at last
the tune
of something
framing this land

the stranger
knows a wholeness
to which
he does not belong.

mull kodak2 072

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CONVERSING WITH INVISIBLE FRIENDS
It is not infrequently that I find reading someone’s blog I become word-filled, or at least taste the winds of wordage. A spontaneous thing, a few lines cast down in appreciation or conversation. I have begun collecting those that pleased or surprised me under the above title. Some are complete in themselves, some just torn pages, sketches, notions. But amusing, I hope. A bouquet for my muses ( you lot of screen-lit waifs and strangers, mind-readers, mind-sharers, an osmosis of muses).

1
DREAMING

Caught in this hammock,
Dew-wet spider web:
February day
Dreaming of spring.

Night now.
The world calling low
Down my chimney:
“come out, the clouds
Are fast and glowing pale.”

2
JUGGLER

And what’s a man without his shoes?
A cold toed dancing monkey,
off balance
and drunk on gravity!

3
TINNITUS

It must all end thusly,
stopping suddenly,
like thoughts do, like life does,
as boredom or something more inviting
takes the stage.
A nice touch,
like hearing a wash of bar-room gossip,
or a sudden rush of fragmented,
incomprehensible telepathy….

4
TOO SMART

Stepping over cracks,
papered, glued.
Names for emptiness,
even clever emptiness that a mind can leap.
One by one
we shall all disappear,
finding everyone else,
who have also disappeared,
wondering how that,
how that could possibly happen,
how that could possibly happen again,
again
and again.

5
MUSED

The poet fights to get out,
is slapped down with a gritty hand,
that then too,
turns into a mudra of revealing.
A nonchalent hide and seek,
footsteps echoing in silence.
The maniac down the corridor titters loudly….

6
LILT

Speed and convolution,
locomotive breath.
Delicate pace
with careful tongue.

Disallowed,
my comments,
strange,
syllabic apprehension,
jealous machines…

7
ASIDES

Underestimated, the value of brackets!
They packet up thought and expression,
more similarly to thought and voice,
than more highly regarded punctuations.
I am all for brackets
( I shall make a placard,
and stand on cold corners
(with a small dog and rattling can).
(and I neither object to brackets within brackets
(though a sniffy grammarian might grumble)).
They are raised eyebrows and slight smiles.
They are knowing ness and by the way ness.
They are signposts in the significance
and waywardness of a train of thought
(we are now off the rails and improvising,
(mouth moving, brain aghast)).

And by the way,
the jewel of your words has a certain ring,
engaging,
wed to the world
(punning though,
is the sign of devils
playing with idle hands).

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CORIOLIS EFFECT

Seems its been
Raining
All over
poets
Everywhere today.
Cool air,
The sound
Of it
Syncopating thought.
And how many times
Do they say
Lightning strikes
The surface of the Earth
At any one time?
From space
There is, it seems,
A constant flickering,
Like the coming
And going
Of souls,
A lightening
And a darkening,
Maintaining a larger
Balance, of sorts,
Though
As unfathomable
As the
Blue swirl
Of cloud
Over ocean,
As distant
Sounds
Of despair
And sorrow.

This came in response to a comment by 47whitebuffalo and a poem by whimsymimsy, and others too I think. Linked by weathers and events, we fugue and echo, screen to screen….

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1
The underside of heaven
A grey rolling, folded softness
Pushed gently, refiguring the light.

Messenger birds slide between worlds.

Settled and slow, layered in shells of skin,
Webbed, skeined, we solidify, objectify,
Await outcomes, anchor the ineffable.

2
Soon, and suddenly, there shall be green leaves.
A day or two of sun, a change of wind.
This pale stretched time will melt.
Hatched and brilliant will be the morning sun.
We shall remember what we have forgotten
And forget the simplicity of folded light.
Birdsong, bright edge and shadow;
The scent of hyacinths, the scent of mown grasses;
The roar of beauty as time flickers.
A brimstone butterfly in golden morning.

3
These words: a map back to my soul
Perhaps for another to discover
Where cold ashes still mark the place
I could not remain.

These words: a map back through dream to memory,
A resuscitation of hours and senses.
What is lost, gathered again –
A tide scouring, reforming the sands,
Never to be the same, though not so much changed.
The roar of time as beauty flickers.

4
Rain-wet morning
Cool on my brow
The blessing of doves

The blessing of doves
Soft chanting from treetops
Grey, heavy clouds

Grey, heavy clouds,
What is there missing?
Only the voice of the cuckoo.

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Here are a couple of haibun inspired by the Ligo haibun Challenge for this week
(http://yourligo.weebly.com/haibun.html)

PEACE

The rising wind scours the walls, all four. Swings down and sings in the chimney, brightening the small flames. It is late. The cats are attentive, but unwilling to stir. Content will the small silences of the house. If I wait, the tumble of the day will subside. Thoughts will scatter, settle, lilt into corners like leaves do in autumn. Perhaps one or two shall remain to keep the company.

afterglow of single malt
bees dozing in noon sun
something important, forgotten

PEACE 2

They turn so carefully, the cats. First one way, then, after some thought, the other. Winding up to relax. Taking just the right angle for air, for warmth, for watching. Not a hair out of place, their senses, too, sleek and flowing.

still rivers of wind-
inside the house
not silence, but listening

fire roars
sings and whispers
longing for wind’s freedom

slow, long voices
wind and rain-
dream language

soon the fire will falter
though the fast winds run
we turn, fall into dream

**

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7
VOTADINI

Sun, becoming burnished, cherry red,
Rolls up that hill,
A golden road to golden day.

This is our land, none better
For our long days,
As days stretch and darkness glistens.
A rich land for rich hearts.

We rise upon our high, green seats,
Our green thrones, rise towards the sky,
Lifting the land, a cloak, a wing, a song.

This vast curve of life:
A shield against all dismay,
A pool, heaven reflecting.

Islands arise from the morning,
Hearth fires radiate into the dusk.
This is our birth,
Rolling up the glorious hills.

*

I forgot about this one that I scribbled down a few days ago as dawn came up.
The Votadini were a tribe inhabiting South East Scotland up to the Firth of Forth, present day Borders and Lothian regions.
Their territory is characterised by big hilltop enclosures with large walls and banks ,(examples are Eildon Seat, Yeavering Bell and Trepain Law in East Lothian, which was probably their primary seat until it moved to Dun Eidyn (Edinburgh) in the 5th century).
The name probably means ‘fort dwellers’, though has also been interpreted as ‘those of the wide places’. Their name becomes transformed into the Early Medieval British kingdom/confederacy Gododdin ( ‘w’ sounds change to ‘gu’ in many Celtic tongues), well-known for the Welsh/British poem that records the disastrous defeat they suffered at the Battle of Catterick.

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6
BRIGANTES

Soaring over whin and wild barley,
Watched and watching,
The eagle, cloud-friended, glorious.
The small ones, still, bright eyed,
Amongst the grey rock, stoat and hare.
The grey rock, the grey rock,
Still they stand, scribed and measured,
Sky-loved.
A dancing floor, a gaming board,
Dyed bright as day, mist-cloaked, wild.
We claim the heights,
For they are hers.
The Highest, folded, pleated,
A plaid of keeping.
Bright, uttermost, tower of light,
Our home, our name.

We hear the voices from the deep dwellings.
The liquid tumble falls towards the dark centre,
Scouring the grey smooth, a constant choir
Feeding the stone, feeding the soil.
From the heights we descend
And return spiralling, victorious.
Radiant cloud, rainbow mist, sharpened rain,
A slingshot of ice, a glance of gold.
Exultant, we look down, we look down,
We who dwell within the Highest,
Look down, reach down, sweep up.
Clasped firm, swinging, sky-borne.

****

The Brigantes were a powerful confederation of peoples across the North of England, specifically focused on the high lands of the Pennines, the central limestone lands that run down the centre of the country as far south as Derbyshire. The name means ‘high ones’, ‘upland peoples’, ‘people of the High One’. Brigantia is the name of a deity, translating as ‘Highest One’ or ‘Highest Goddess’. Limestone country is characterised by exposed platforms of rock, water-eroded into ‘pavements’, and deep sinkholes that open into complexes of water-carved caverns.

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BITTERER

The insane
Present lucid arguments.

The sane babble
Dribbling incoherence.

Imprisoned and safe,
Citied in utilitied minds
Neat, swept clean.

Wolves and monsters
Hedged outside.

There are no doors allowed
This perfect construction,
And hardly a window,
So satisfied we have become:

These mirrors, these fashion items,
Neoned and bar-coded
Safe for consumption
( ever it was, ever it
Will be the name
Of a bitter disease).

Wake up, leave and
You will be naked
In front of all your lovers,
Starlit,
Glorious.

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TIED

My heart is tied to the swell of time.
This tide of days, this wash of seasons.
This breath, this slow explosion,
This unfolding, this revealing and concealing.

Unfurled, I am stretched elastic
From dawn to dusk,
From horizon to horizon’s edge,
Surprised by cloud and bluster,
Swept up in flock and murmur.

Chimed, cascaded,
Catapulted into distance,
Collapsed to dancing, molecular dust.
Sun-caught, moon-cooled, star-pierced,
Tumbled through grasses and shadows,
Shorn by cold, wakened by ice,
Shaped and turned, lathed, formed,
Reduced, concentred, made real,
Made utterly real, made whole.

Gauged and runnelled,
Flooded in memory,
Eroded in seconds and hours,
Made into the new,
Then back to familiar, dust.
A rise and fall,
A breath, a heartbeat,
A word
Whispered.

*

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The Giving of Names (continued 5)

SELGOVAE

A space between the stars.
Dark, we are wrapped, wringed,
Unnamed even,
A smudge in the night,
Inked, marked, shaded.
Climbing from mud
No thoughts of our own,
Blameless we destroy,
Blameless we create.
A shadow of the master,
A wish of the mistress,
A whisper down the dark glen
A breeze turning a cold cheek.
Iron in our word,
Iron in our hand.
Our word is iron, our grip, iron
Cold, certain, untainted.
Our way: a dance, a mesmeric shimmer.
Holding serpents, owl beaked.
Our silent gift a sudden end.
Blue grey the steady eye,
The black red bite of blood,
A howl at the throat, stifled.

We writhe through the night,
Shadow dance and skitter
Inhabiting the corner edge
Breathe on your smooth neck
Assay, test and mark the footfall.

In and out this world
A quick needle sewing new days.
In trance we enter in and out
Flow water-curved, spiral-tuned.

If you do not know our language
If you do not know our ways
If you do not sing the fierce heart’s song,
It will only be fear and endings for you.

Ghosting through dawn’s slice
Nothing but a dream we were
Returning, filtered, fading,
Explained away, laughed off.
It is you are deeply severed,
Surely marked out,
Stripped of doubt,
An offering, a promise.
The sign cannot be mistaken,
It cannot be washed out.
We who were chosen, have judged
And chosen. No backing away.

At dusk it will be the dreams.
At night fall, the voices begin.
The nightjar shall call you,
The fox mark your path.
Delineated, made edge,
An invisible will
You shall move silent,
A hush,
A fireside tale,
A moth’s flicker
A tremor of dust.
There and not there.
Depiction,
Painted warrior.

**

This arrived late last night. I wasn’t sure which tribe was ‘speaking’, except that it was probably from Scotland. The Picts (Pictii), was what the Romans called these peoples: ‘the Painted ones’, because of their use of body art. Body art was common amongst Celtic and Germanic tribespeople, so the Scottish tribes must have been in a league of their own in this regard. The Selgovae inhabited the Southern Uplands of the Scottish Borders, around the Upper Tweed basin. Their name means ‘hunters’.

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