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And is it not true

And is it not true,
Waiting a while in darkness
There blooms a sky
Once blank
Now full more and
More of stars?

And so, too,
in silence waiting
We see thoughts roar and multiply,
Emotions self-arise, endlessly,
and, fecund, roll
To oblivion.

It happens without effort,
This stretching, purring cat close by,
These hillsides echoing
With wild cries of foxes.
This air, motionless, cool,
A taste wrapped in grass and woodsmoke.

Without edge,
Without distinction,
Mind fills up all space.

The world, a cup
Half empty of sorrow,
Is half full of joy.
Yet we thirst
And must drink
Regardless.

Gulping life,
A taste to keep us,
A withstanding
of emptiness.

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CONFLICT (The Old Fight)

The green grasses heaped and peaceful,
as they always are,
Steeped and shaped by nibbling sheep,
bowing, pausing, moving on
Like writers, like painters, considering the sound,
Chewing over the bitter and the sweet,
The limp sorrow, the tight-wound grief,
The bound and binding pain not forgot:
Not forgot though buried deep in heaps across the hills.

The buzzard cries and red kite wheels for the recklessness of princes.
Ancient trees so uprooted, excised, their long shadows lost
And peasant weeds happy for short moments in sunlight once more,
Before the whining scythe of war steals life and land
That cannot ever be owned.

This sorry foreign tongue wanders uncertain paths
Around lost sound and buried names.
Those gone before now hood their eyes to listen by the warm hearth of God.
I await, as always, their sure narration, its flow and lilt as if my own:
A habit of work and weather, of sewing in twilight,
In beer that eases ache of long labour
And puts by for a while the winds of winter
And the haunt-eyed want that loiters,
Hanging its dark shade by every byre and door.

I know where I myself would be
To soothe and polish the grain-edged slate of sorrow.
Down with the world’s roar at Pwll Bo,
Its throat of rock slaked and scoured.
I would be rain-cooled, too, in the smoke cloud of Cwm Dwfnant,
Forever under the big hills staring bare into God’s blank blue face.

I would crouch, nostrils spiced with fern and fir
And the damp drip from the birch, itself turning silver and gold
From each and every early frost.
Below where the hidden boys are ever hunting their courage,
Learning to kill for bitter whim of distant government,
Watched by raven eye and silent nested hare.

All beaten down, we have flocked to the cities to be sold for pennies.
Huddled there believing safety is numbers from the wilds and curves of the world.
All winnings, though, are desolate or requisitioned,
Elbowed out, of course, by the mighty.
Rephrased, remapped, remade,
The hills are worn down by the measuring,
(Though they clutch still their gold, their own cheese and milk,
Their own paths downward to certain golden summer
Where the hounds, red-eared, hunt the dreams of heroes.)

Crouched like God’s old hound, the church of Llangammarch,
Perched on its very own hill, push-toed between streams,
A confluence of dark and light, washed in gravels, the quick dippers and lowing cattle.
There above the porch, cut deep in fragmented stone is carved
The old fight between the four corners of the world and the spiral twist of eternity.

And we look on, tangled in, amazed,
Forever wanting what is neither this nor that.
But listen:
There is no more to fight for
Where we have found our home,
Where we breathe in and out all weathers,
The hills of rolling meaning
And the churchtops of exaltation,
Asleep in sunlit valleys,
Companions with the living and the dead,
A ripened mulch,
A song worth singing.

Forgive the reposting, for some reason some of the like and share buttons did not show on the original post, and I don’t believe it reached many people. I hope this one works….

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Should We Look

Should we
look for answers,

forcing that fragile seed
of knowing
to sprout?

Or simple,
garden our questions,
the burgeon of complexity,
the fertile stretch
for light,

and delight
in tangled undergrowth,

hoping one sunny day,
for a fine
unexpected
perfect flower,

whose curves inward
drown all words,

a nectar to dance about,
coordinates to silent perfection,

a perfumed breath
in and out.

—-

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The Old Fight

The green grasses heaped and peaceful, as they always are,
Steeped and shaped by nibbling sheep, bowing, pausing, moving on
Like writers, like painters, considering the sound,
Chewing over the bitter and the sweet,
The limp sorrow, the tight-wound grief,
The bound and binding pain not forgot:
Not forgot though buried deep in heaps across the hills.

The buzzard cries and red kite wheels for the recklessness of princes.
Ancient trees so uprooted, excised, their long shadows lost
And peasant weeds happy for short moments in sunlight once more,
Before the whining scythe of war steals life and land that cannot ever be owned.

This sorry foreign tongue wanders uncertain paths
Around lost sound and buried names.
Those gone before now hood their eyes to listen by the warm hearth of God.
I await, as always, their sure narration, its flow and lilt as if my own:
A habit of work and weather, of sewing in twilight,
In beer that eases ache of long labour
And puts by for a while the winds of winter
And the haunt-eyed want that loiters,
Hanging its dark shade by every byre and door.

I know where I myself would be
To soothe and polish the grain-edged slate of sorrow.
Down with the world’s roar at Pwll Bo, its throat of rock slaked and scoured.
I would be rain-cooled, too, in the smoke cloud of Cwm Dwfnant,
Forever under the big hills staring bare into God’s blank blue face.
I would crouch, nostrils spiced with fern and fir
And the damp drip from the birch, itself turning silver and gold
From each and every early frost.
Below where the hidden boys are ever hunting their courage,
Learning to kill for bitter whim of distant government,
Watched by raven eye and silent nested hare.

All beaten down, we have flocked to the cities to be sold for pennies.
Huddled there believing safety is numbers from the wilds and curves of the world.
All winnings, though, are desolate or requisitioned, elbowed out, of course, by the mighty.
Rephrased, remapped, remade, the hills are worn down by the measuring,
(Though they clutch still their gold, their own cheese and milk,
Their own paths downward to certain golden summer
Where the hounds, red-eared, hunt the dreams of heroes.)

Crouched like God’s old hound, the church of Llangammarch,
Perched on its very own hill, push-toed between streams,
A confluence of dark and light, washed in gravels, the quick dippers and lowing cattle.
There above the porch, cut deep in fragmented stone is carved
The old fight between the four corners of the world and the spiral twist of eternity.
And we look on, tangled in, amazed, forever wanting what is neither this nor that.
But listen. There is no more to fight for where we have found our home,
Where we breathe in and out all weathers, the hills of rolling meaning
And the churchtops of exaltation, asleep in sunlit valleys,
Companions with the living and the dead, a ripened mulch, a song worth singing.

2015/09/img_1718.jpg

The image is from an old early medieval carving now above the doorway of the church in Llangammarch Wells

The Woman Who Would Dance

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THE WOMAN WHO WOULD DANCE

The woman who would dance on treetops;
who would walk with trees,
Tell me:
What is the shape and form and extent of the tree?
What is its roots, and what its height?
How can its girth be encompassed?
How can its wisdom be translated?
There is, you see, no merit in finding answers.
Answers are not how this, or any other, universe functions.
Multiply the questions.
Each a branch, each a root.
Questions. Spreading, holding,
Illuminating, transducing.
The word for tree
Is the word for truth,
And it is not one thing
Nor many.
To wrap it around an ankle,
A web around a bone, around skin
Around a scent, around a movement.
To wear a tree. To be worn,
Within and without.
Smiled upon, an ocean waved and rippled.
To be cast out upon a twig,
Without a name,
In a bag with no name,
In a basket with no name.
To forget one name, a touch of light,
A trembling on starlight,
A passage between attractors.
Begin and continue:
That is a tree.
An umbrella to worlds
A clamour of tongues
Green and cymbal-sharp,
Their little edges are questions.
To find an image
One must not seek an image,
(we need no other backwards mirror things),
To scribble and allow the dust
To coagulate, drip and remember
That all the waters of the world
Are one river.
The slightest, remotest puddle,
Slowly drawn upward, freedom
Within gravity to become cloud,
The tiniest thing, the thing most free,
Falling with accumulation,
Flowing with urgent weight,
Becoming all else by need.
A fountain of water held upright
By the will of the sun.
An urge to delve darkness,
To send out messengers,
To converse with all the syllables of scent.
This becomes another tree, so you see.
A one, a self, a many, a one.
Passionately, she wishes to become inscribed,
Pictured, illuminated, to become aligned,
Limned, re-limbed.
Chosen, loosed, re-booted,
A future unveiled, woven around.
The past taken up, enthroned
And unfolded. Truth made real
In arching bough, the only dance there is,
A bounce up and out from ground
And a certain, graceful, impossibly slow
Decline.

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LLYM AWEL Verse 9

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Ottid eiry o dv riv;
Karcharaur goruit, cul biv;
Nid annuyd hawdit hetiv.

“Snow fall on the side of the slope;
The horse is prisoner, the cattle thin;
It is nothing like a summer day today.”

1
Snow leans on the low slopes
Rain slants here in the valley
Cold slides from the hillsides,
Shades the day, the bitter night.
For weeks now no grass grows,
The horses stamp and mutter.

2
The world is hobbled
Stalled by snow
Nothing can be done
But wait
Counting ribs
Thin in hunger chains.
Cold airs slide white slopes
The valley’s continual rain slant.
In the dark
A horse lifts up a foot,
Puts down a foot.
Time is that slow,
Rolling down to emptiness.

3
We ache
With soft remembrance:
The scents of summer.
Mudsplashed and wan
Our churned meadow,
The heavy roof.
Huddled,
We long
For long sleep
And a dream or two
Of love and feast
And brightness.

4
The skies billow like oceans,
The stars, a long blizzard.
We are roofed in darkness
And a sunless weight.
The manacles of iron cold,
The chains of frost.
Bitter is the taste of winter days,
An ivy crown, a holly bed.
Poor animals, all of us,
Declining.

5
We can not dream of summer –
Those few, spiced, long days.
Souls float free from skin,
All the sky to move within.

We can not do but what we must
To flick off the gnaw of cold
And bite of hunger.

We cling to the swirling skirts of winter,
Dare not let go.
To fall too far,
Too thin to rise,
Too far to hope.
We must stay
Within our means
And shrink our dignity
Day by day.

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Grief

GRIEF

emptied,
fully holed
and sinking down
she becomes grief.

no hull, no bow,
no sail, no anchor,
she admits the sea
and that sound
is all of her
a calm roaring.

a swell upwards
failing
for too much weight,
so reclines
in dark deepness
unlit
with glowing ghosts.

Thou art

THOU ART

this earth
breathed upon
(the warm breath
of love and lust)
holds for a little while
in wonder
then retreats
to sighing earth.
its breath
passed on.
a whisper
in the forest,
a gust
below the rocks
and the high heather.
where the kites
and ravens wheel.
and the sun and stars,
too, kindled, embers,
by that offered air.

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Enclosure of Confluence

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ENCLOSURE OF CONFLUENCE

The dead roll and slip downhill
Chasing their bouncing heads,
Big as cheeses, down to the midstream island,
Fish-shaped and floundering in summer shallows
(it not having rained a whole day yet).

A hullaballoo choired
By the black flung jackdaws
Skimming the tiles, sound bouncing
Off the echoing bells.
Low droop the days.

How jolly the dreams
Of froth and fuschia bud
Dripping red from garden walls.

So quiet as to hear every noise,
Here in the round mouth of eternity:
The splitting rock, the lichen creep,
The self-taught letters silent mouthed
Born such and such, died such and such,
A good day ended, ne’er forgot,
Bearing many loving children.

Where now our utter quiet and wild-eyed saints?
Perched on their hills, blessing miraculous waters,
Passionate for the bigness of God,
Spread winged and leaping
Into skies of echoing praise.
Turn serpent-like to the steady pilgrimage,
Our certain roads,
These small piled eggs of pure white quartz,
The sign and signature for hard days
And steady hearts – an offered hope.

All here where two streams mingle,
The inner and the outer path.
A melancholy garden, neat kept and bordered.
Beyond the quiet lanes and clean swept steps
Another place altogether
Blowsy and careless with candles and dust,
An accumulated pigment, sun faded.

The glorious stars, an ocean
Upon which a silver bowl
Of tipping moon
Will late, near dawn, arise.

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They Flee

THEY FLEE

moonlit cool
light edges foam
a small rain.

pray for forebearance
and mercy
and an end to
the rage firing
the city worlds.

there is no
righteousness
does not belong
to the devils.

do right, do right,
despite the weight
of it, despite the
spite of others.

let each breathe
cool in moonlit nights
and bless the light
within darkness.