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Posts Tagged ‘drawing’

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Verse 13

Guenin igodo, oer agdo rid;
Reuid rev pan vo;
Ir nep goleith, lleith dyppo.

‘Bees in cover, a cold covering has the ford;
Freezing frost comes when it will;
Despite all evasion, death comes.’

1
All withdraws, thrall to frost, that covers all.
Fast it holds cold windings.
No one, no world, can wriggle free.
So we become still, a huddled, humming tribe
Unable to forage, to find food.
A cease of movement
Falling white frost covered, frozen.

2
Nothing can prevent a fall of freezing frost
Falling on all: the hive, the water, the hall, the blood.

3
Bees in their halls, drowsy and dreaming.
The tribe is huddled, hungry and silent.
The ford is wrapped in cold, a bleak vein,
Mist-chilled, brings no succour to the valley.
Ice teeth tears its edges.
Fogged with frost, water turns metal,
Metal turns ice, cold shrouds all flesh now,
Or when it may, or in the end.
Wriggle or writhe – no escape is there anywhere.
The white winding cloth awaits, none can avoid.
A fog, a mist, an icy frost, it descends on all.
It is as it is, a bleak thing maybe,
But sharp enough to wake a tongue to song
With honey words, a rippling stream of song,
A lullaby to the living, elegy to the dead.
We all await a Spring, a way across the water.
To be led homewards, the priest’s plainsong,
The warrior’s dance, the summer flowers blossoming.
The watchful wake, the blessing of silence.

4
Rimed, it will collapse
Regardless of wishes,
Of urgent wriggling.
All the living become silent
In the end.
The ease of winter:
Ice, frost, freezing when it will.
Effortless, it falls on all.
Bone white with cold teeth,
With sharp tongue
It sucks marrow
From a broken world.
Lord Winter commands
And stillness falls.
Rasp and murmur,
Our ice breath chatters,
Edged at darkness
A distance from the hearth.

5
A cold flow it is,
Draining warmth from blood.
Frost-hollowed, fog-bound,
The valley river, a tusk.
Sudden or slow,
Ice will eat us.
A falling frost freezes all,
Moving or still.
We tumble wordless
Earthwards,
From a bleak
Empty sky.

6
In the perfected chambers,
In the golden chambers,
Silent the queen,
Silent all the host
Drowsy and dreaming,
Hungry, huddled in their halls.
Through and within
Is an echo
With the single moment,
A cold breath,
A wandering , whispered ending.

7
The stars in their millions
The forest’s edge
The river’s roar
The cold darkness,
The ice air.
Muffled is the coming
And going of the ford.
Weighed, constrained,
A limitation of frost
Crust cold, heavy
Sliced iron moments.

8
It shall stalk all halls,
The stars, the cells,
The covering dreams of all
Whilst we sleep, whilst we walk.
Neither frost nor snow,
Not in anger, nor in carelessness.
Within the song.

9
From these strict geometries
Our dances express wriggled sweetness,
As if it were possible to dream away
The stillness behind it all,
The cold between breath and heartbeat,
The petal bloom of mist
Flowering on frozen air.

The way across is covered.
Lost perfection falls
And will not tolerate us.
So we must dream, be still
Or break and burn,
Then crystal clear, rimed, lost.

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LLYM AWEL verse 11(part2)

So we pass it round and drink
It round, drink the short day,
Block out the storm, the raging heart,
The dying, trembling roads.

All narrowed, tunnelled in,
The golden liquid cools the breath.
Tunnelled in, proud thunder,
A slap of light, a daybreak.

The circle of the fire:
A harbour, a warm twilight.
We turn inward, away from the wall.
The wild fields of weather
The clatter of cold, the fall of night.

It runs in circles
It runs between dark and light
It runs, unacknowledged, between the company.
Cold are the dark paths to night.
Cold are the long, twisting ways.
No peace in the restless bending treetops.
No rest in the sparkling sky worlds.
Time runs screaming, piercing the light.
All dawns, a false dawn.
A cup never refilled,
Bright the days
That drip and scatter.
The fires gutter and chill.
Senseless and forgetful we sleep,
The few hours of dulled grey,
The storm that is coming.

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And is it not true,
Waiting a while in darkness
There blooms a sky
Once blank
Now full more and
More of stars?

And so, too,
in silence waiting
We see thoughts roar and multiply,
Emotions self-arise, endlessly,
and, fecund, roll
To oblivion.

It happens without effort,
This stretching, purring cat close by,
These hillsides echoing
With wild cries of foxes.
This air, motionless, cool,
A taste wrapped in grass and woodsmoke.

Without edge,
Without distinction,
Mind fills up all space.

The world, a cup
Half empty of sorrow,
Is half full of joy.
Yet we thirst
And must drink
Regardless.

Gulping life,
A taste to keep us,
A withstanding
of emptiness.

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A DEMON’S ADVICE

But trust not your sighs to angels, ever.
They shall take each warming gust of breath,
Snatch and sew them swiftly to their own leaden wings.
So booted with heavy lustre and drunk on praise,
They hardly rise, flapping fiercely,
Singing golden geometries, scattering fiery alphabets.
Phosphorescent spinning flies,
Web-caught in luscious word.
Spider He bejewels them, soft and silk wrapped.
Dumb and fearless, a multitude of choiring gnats.

Only one thing the gods themselves fear, and that is disbelief.
And laughter, maybe, certainly, laughter.
And a free vote.
Not big on democracy are these deity.
No countenance for suggested alternatives.

If it’s a viewpoint you want, a demon’s your man:
All the angles, all the catch, all the numberless ins and outs.
Tried them all, tested, weighed, annotated, risks assessed.
Goat footed and fleet, we nibble nimbly across the cliff-faces
Of most portentious Glory, around the storm-flared nostrils,
The beetled brow, the forest eyebrows.
Ignoring the ineffable, we lick the salt of the particular,
The delicious and peculiar answer.
Down to earth, most rational, mathematical.
Solomon knew a thing or two, and that he got from us,
Smart man. You could do worse than converse.
Here’s a taste. A word or two in your ear….

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Motionless

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1
In motionless dark shivered with starlight
A low roar not from road nor wind.
Ten thousand firs in stillness stirring,
Twined convocation a thousand valley oaks
Or little river Dulais its rippled bed piled up
Become two miles accumulated rush.
Or whispered leaving souls rising, losing weight,
Drawn towards new light, free, tumbling
Between branch and bough and cold airs

2
Scoured hollow the heart, diminished in each small death.
Close by the hedge an old dog lain below frosted ground
The weight of winter, time worn thin.

3
Night sky frozen cold
Stuttered shivered stars
Worn thin, restless

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These hollowed mountains, older than God,
Silent as Sundays, nursing rain and cloud,
And a clamour of downward waters.

Their slopes and sides are vowels,
Gutteral consonant: their crags
And rock-roofed alleys.

Hunched hands, their deep, rooted grasp
Throwing off spin and galactic centuries.
Time themselves do they assiduously weave:
Long blankets of brown and green,
A heathered tweed and bluebells,
Cried through, a thread of kite and hawk.

Long the slope that spits splintered bone.
At evening, those sharp-eyed fires
And the watching dogs that greet and howl
The name of each ghost, every whisper from the wood,
The long and soon dead, the turning, slow, small folk.

Jarred boughs here do never bend in pain,
Tracking sun’s warmth, laying memory in circles,
Pooled and stretched out beyond year on year.
A balance of the in and out, dawn and disaster.

This rise and fall of heaven, slap of compassion,
A weight waiting to awaken, a spark of circumference,
A hedge to the commonest sense.
Ground down to grit and simple soils,
The grey slate washed midnight clean,
Scoured sinless and unexpectant,
Eyes ever upwards,
Each glorious dawn.

—-

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ADVENT

Bran’s tousled head hangs eloquent
From every night-burned alder.

Rust red are the wounded bracken hillsides,
Sour the long sedge.

Steep is the road,
All distance vapour.

Every hedge, a calligraphy of secrets
Taught by italic rains, slanted weather.

The trees stripped to syllables,
Each a sharp tongue and a scourge for empty vastness.

All glory hidden,
Sunk into the small, warm hearts of huddled things.

In barn and byre,
A shuffled silence,

Summer days mulled over,
Scented green against the cold.

Anointed, we are, with slow light,
Awaiting an older cermony:

A star in the east.
A sure opening and a soft, certain closing.

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Llym awel 3, improvisations.

The third stanza contrasts the atmospheric tumult of winter with the motionless, perhaps frozen, lake and the lifeless stillness of the remains of vegetation around its shore and in the woods. The complex sounds and rhythms of the first line give way to the stark alliteration and simple rhymes of the second and third lines.
The overwhelming impression is of a stripped hollowness, everything destroyed by the storm. The key is “cold bed” conjuring a flat, unwelcoming expanse of coldness. All the emotion of the narrator is summed up in those two words.

Oer guely, lluch rac brythuch gaeaw;
Crin calew, caun truch;
Kedic awel, coed im bluch.

“Cold bed, the lake in winter’s tumult;
Withered stalk, broken reed;
Violent wind, the trees stripped bare.”

For now
It is, surely, a cold cauldron-
This seething winter sky
Within the mute
And broken vessels
Of the earth;
Hollow, rounded,
Iron still.
Held
The grey lake,
The naked wood
Stripped bare
( the suitors of the sky
Voracious for space),
Ripped and opened
To uncaring wild heavens.

Cold bed this lake, death-still,
Through winter’s rage;
Withered is the stalk,
Broken the reed;
Violent the wind
That has stripped bare
The trees.

Broken withered still the soil,
Still cold the unmoving expanse of lake,
Cold as death.
That which bends is broken,
That which yeilds is bare.
Nothing moves
But winter’s endless roar.

Winter’s roar.
All, broken.
Slapped down, the lake,
Cold, folded, comfortless.
Hollow the woods,
Ripped of leaves.
What was, is remains.
Severed, the warmth
Of summer

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Llym Awel, second stanza. Improvisations.

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Ton tra thon, toid tu tir;
Goruchel guaetev rac bron banev bre;
Breit allan or seuir
.

The alliteration of the first line rolls and rumbles like the waves that are described therein, then stutters and becomes harsh as the roaring sound is described, followed by a diminishing gentleness of the vanquished sloping land. The last line has a shocked gulping sadness, or an amazed sorrow. It frames and positions the narrator in an emotional as well as a natural landscape.

“Wave on wave, covering the side of the land;
Very loud the roar against the high hill;
A wonder anything remains.”

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Wave tops wave.
A coupling clamber
A mating roar,
cast seed
spray spume.
Before one, before all,
up sloping land.
Seige unopposed,
howled hunger thrown,
A wild encroachment,
a burst breach
Long and longer reach,
a tumble.
The high hill groans.
What can stand,
what can stay?
From this slide skywards,
From this steep,
utter submergence?

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In the mist at daybeak:
Ghost of whitened
mountain
Climbs thunderclouds.

Under eaves,
through slow rain spatter,
Small bats chase,
wings squeeking.

Still is the air.
We tumble
and totter
through space.

We are now such
A tower of cloud
And rain.

A roar,
A drumroll,
A whisper,
Percussed silence.

Leaving glistening
Green skin:
This world.

As she sleeps
I find her slopes
And gullies.
I love the
Familiar folds.
A rising mountain
I become
And she,
The deep greens
And valley dark.
No distinction:
One rising breath,
One landscape.
We, a loved land
Clouded and clear.

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