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The Woman Who Would Dance

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THE WOMAN WHO WOULD DANCE

The woman who would dance on treetops;
who would walk with trees,
Tell me:
What is the shape and form and extent of the tree?
What is its roots, and what its height?
How can its girth be encompassed?
How can its wisdom be translated?
There is, you see, no merit in finding answers.
Answers are not how this, or any other, universe functions.
Multiply the questions.
Each a branch, each a root.
Questions. Spreading, holding,
Illuminating, transducing.
The word for tree
Is the word for truth,
And it is not one thing
Nor many.
To wrap it around an ankle,
A web around a bone, around skin
Around a scent, around a movement.
To wear a tree. To be worn,
Within and without.
Smiled upon, an ocean waved and rippled.
To be cast out upon a twig,
Without a name,
In a bag with no name,
In a basket with no name.
To forget one name, a touch of light,
A trembling on starlight,
A passage between attractors.
Begin and continue:
That is a tree.
An umbrella to worlds
A clamour of tongues
Green and cymbal-sharp,
Their little edges are questions.
To find an image
One must not seek an image,
(we need no other backwards mirror things),
To scribble and allow the dust
To coagulate, drip and remember
That all the waters of the world
Are one river.
The slightest, remotest puddle,
Slowly drawn upward, freedom
Within gravity to become cloud,
The tiniest thing, the thing most free,
Falling with accumulation,
Flowing with urgent weight,
Becoming all else by need.
A fountain of water held upright
By the will of the sun.
An urge to delve darkness,
To send out messengers,
To converse with all the syllables of scent.
This becomes another tree, so you see.
A one, a self, a many, a one.
Passionately, she wishes to become inscribed,
Pictured, illuminated, to become aligned,
Limned, re-limbed.
Chosen, loosed, re-booted,
A future unveiled, woven around.
The past taken up, enthroned
And unfolded. Truth made real
In arching bough, the only dance there is,
A bounce up and out from ground
And a certain, graceful, impossibly slow
Decline.

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LLYM AWEL Verse 9

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Ottid eiry o dv riv;
Karcharaur goruit, cul biv;
Nid annuyd hawdit hetiv.

“Snow fall on the side of the slope;
The horse is prisoner, the cattle thin;
It is nothing like a summer day today.”

1
Snow leans on the low slopes
Rain slants here in the valley
Cold slides from the hillsides,
Shades the day, the bitter night.
For weeks now no grass grows,
The horses stamp and mutter.

2
The world is hobbled
Stalled by snow
Nothing can be done
But wait
Counting ribs
Thin in hunger chains.
Cold airs slide white slopes
The valley’s continual rain slant.
In the dark
A horse lifts up a foot,
Puts down a foot.
Time is that slow,
Rolling down to emptiness.

3
We ache
With soft remembrance:
The scents of summer.
Mudsplashed and wan
Our churned meadow,
The heavy roof.
Huddled,
We long
For long sleep
And a dream or two
Of love and feast
And brightness.

4
The skies billow like oceans,
The stars, a long blizzard.
We are roofed in darkness
And a sunless weight.
The manacles of iron cold,
The chains of frost.
Bitter is the taste of winter days,
An ivy crown, a holly bed.
Poor animals, all of us,
Declining.

5
We can not dream of summer –
Those few, spiced, long days.
Souls float free from skin,
All the sky to move within.

We can not do but what we must
To flick off the gnaw of cold
And bite of hunger.

We cling to the swirling skirts of winter,
Dare not let go.
To fall too far,
Too thin to rise,
Too far to hope.
We must stay
Within our means
And shrink our dignity
Day by day.

—

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Grief

GRIEF

emptied,
fully holed
and sinking down
she becomes grief.

no hull, no bow,
no sail, no anchor,
she admits the sea
and that sound
is all of her
a calm roaring.

a swell upwards
failing
for too much weight,
so reclines
in dark deepness
unlit
with glowing ghosts.

—

Thou art

THOU ART

this earth
breathed upon
(the warm breath
of love and lust)
holds for a little while
in wonder
then retreats
to sighing earth.
its breath
passed on.
a whisper
in the forest,
a gust
below the rocks
and the high heather.
where the kites
and ravens wheel.
and the sun and stars,
too, kindled, embers,
by that offered air.

—

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Enclosure of Confluence

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ENCLOSURE OF CONFLUENCE

The dead roll and slip downhill
Chasing their bouncing heads,
Big as cheeses, down to the midstream island,
Fish-shaped and floundering in summer shallows
(it not having rained a whole day yet).

A hullaballoo choired
By the black flung jackdaws
Skimming the tiles, sound bouncing
Off the echoing bells.
Low droop the days.

How jolly the dreams
Of froth and fuschia bud
Dripping red from garden walls.

So quiet as to hear every noise,
Here in the round mouth of eternity:
The splitting rock, the lichen creep,
The self-taught letters silent mouthed
Born such and such, died such and such,
A good day ended, ne’er forgot,
Bearing many loving children.

Where now our utter quiet and wild-eyed saints?
Perched on their hills, blessing miraculous waters,
Passionate for the bigness of God,
Spread winged and leaping
Into skies of echoing praise.
Turn serpent-like to the steady pilgrimage,
Our certain roads,
These small piled eggs of pure white quartz,
The sign and signature for hard days
And steady hearts – an offered hope.

All here where two streams mingle,
The inner and the outer path.
A melancholy garden, neat kept and bordered.
Beyond the quiet lanes and clean swept steps
Another place altogether
Blowsy and careless with candles and dust,
An accumulated pigment, sun faded.

The glorious stars, an ocean
Upon which a silver bowl
Of tipping moon
Will late, near dawn, arise.

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They Flee

THEY FLEE

moonlit cool
light edges foam
a small rain.

pray for forebearance
and mercy
and an end to
the rage firing
the city worlds.

there is no
righteousness
does not belong
to the devils.

do right, do right,
despite the weight
of it, despite the
spite of others.

let each breathe
cool in moonlit nights
and bless the light
within darkness.

—

In the Beginning

In The Beginning..

Words bent to prayer
And bent to slaughter
(A willow woven, hazel bent
Sturdy, slight vessel folded to itself).

Sounds imprisoned
And sounds emboldened,
The revolution of meanings.

Howling words that bite bone,
Whistle through rock, a melting wind.

Gaseous, methane bubbles rising,
Of things rotted down, forgot,
Recycling weightless vapour
From a deepest mind of mud.

Not mine, not thine,
Suckled in time and savoured
For the very sound of themselves.

They will neither be hunted nor chivied.
They may be shorn, dyed even,
But remain stubborn, feeding only
On the green thin skin of the earth.

Herd and flock, making mock
Of each desire to eloquence,
They will (most likely) only settle
Where silence is, when attention
Is elsewhere, in wasted moments
Where careless scattered seed is overlooked.

These words wash up on longer waves,
Rolled together out of reach,
Worn and riddled, broken shells,
Tumbled, tide-swelled
Moon-pulled
Meaning.

A Chance Thing

Twilight now
no certain edge
no end nor beginning of it,
an inperceptible slide.

Colours smudge,
blood turns black
(its bitter colour)
lost in peeled shadow.

All ruins stir-
a swung memory,
tacit rhythm,
mumbled sight pitter-patters.

A moth wing trepidation
vibrating mica dust,
dew singed,
a collapse in certainty.

A heavenly moment
of relapse.
cascading inconsequence.
silent dice tumbled,
bounce and settle.

—

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The Old Maps

THE OLD MAPS

These threaded paths, it seems, fade first
As the stones are scattered,
hearths humped green and cold,
Byres split, lying sky open,
No more the warm breathed huddle.
No more the feet trampling bracken down the hill.

The roads, though, weave on, either greater or slighter.
They follow the slopes of land and hedge,
Over ford, under the woods, around murk and mud.
Ropes between names that remain much the same.

On the old maps the boldest lines are given to hills and rivers,
The certain land, the shaped sky, the body’s eye for how far to go.
Bold are the mountains names,
and all the rivers and streams called out strong.
The railways proudly curved,
each cutting marked, each bridge, each station.

The nested churches, so many of them,
on river washed promentaries, round walled yards,
God’s garden planted with the patient dead.
All the departed flock silent to wake and watch
The gaudy tombs of the living, their leaden lovely flesh,
Their thirsts unquenched, drowned even, downcast even,
Lost in a mistaken world, old maps redrawn,
The roads lost, the roaring wind, the bleak days.

—

Tir na n’Og

This land,
The land of the dead,
A second skin, translucent,
Golden.

At the centre of each apple,
The sign of love:
The fivefold mutable, son and mother.

Over mountains a cream and violet fog,
Rolled, undulous, attentively folds.
A mysterious union,
Somewhat secret and holy.

The sky, a long vowel, holding its light.
A fluent time,
A tickled, breezeless sigh.
Not so still as to be nothing.

For the tiny roar
Of valley trees, a whispered thing
Measuring miles.

Vaporous drop,
Drip, congealed,
A reflected skin of nothing,
A silver round fruit,
Womb, belly, dream.

This skin
Is our beautiful horizon,
An inner organ.
Our own birdsong:
A poetic heart.

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