Feeds:
Posts
Comments

LLYM AWEL verse 10 (part2)

3
Snow falls.
Mountains:
A white edge to the world.
Cold, immaculate heaven
Against clouds,
Storm dark.

4
Their distant gradient dusted,
Every dip delineated,
Each crest remarked.
Imperious white they rise,
Impervious to height,
Clearly distant.
Lines of light icing horizons.
Bright as cloud, accumulated,
Tumbled upwards, whip-walled,
A cold sigh, a sharp hawk
In diving dip: the cowering valley.

5
These slim masters of earth,
Pines roar as ocean waves
Unrigged, sail-stowed,
Or broken-topped.
Rolls, the folded swell of soil,
Solid, wind-rocked.
Wet, desert reaches unwalkable,
Unpathed lost fragments.
Summer days torn away.

6
They stand
Against storm
To no good purpose
But stubborn will.
These teetering mast-trees,
Tied to their harbour,
Unfit to roam.
Spearmen huddled in a forest,
Shorn of reason to stand firm,
Yet standing together still.

7
Ghosted flesh gnawed by cold to bone.
We stand tall not from choice- our bitter fate.
Sore is the storm: it seeps within without surcease.
Sliver, shard, we shiver still.
Holding fast – a downward slide.

—-

2015/11/img_1702-0.jpg

The Long Rain, Grey

The long rain, grey,
Has dissolved a fragile distance.
With the wind, it comes and goes.
A silent room, a flutter of words.
A curl of incense, a bitter tea, warms and dries.
Perched above joy and sorrow
A ribbon road turns endless,
With only two steps,
Left and right.

A monk dips his quill.
He has become half-uncial.
A steady curve delights,
One syllable at a time.
A river of knowing
And forgetting.

Though the skin he writes upon
Is his own,
A compassed scratch,
A foliate curl,
Heroditas, Avicenna, Merlin.
A history of mirrors,
A rotated wheel.
A willowed sigh,
This river ink.

—-

2015/10/img_1738.jpg

Llangammarch lies golden,
Autumn tumbled.

Moss grown green
On slated roof.
Slate skies
Silent with holding light.

Patted butter,
The maple leaves.
Bronzed, the curled oak,
Birch, a spattered copper.
The lank drip, the bloodied cherry.

Through its towers,
The river runs,
Light and cold.

A long distance opens up
Through wood and hedgerow.
We are laid, once more,
Naked and glorious
To the hills.

An easy folding land,
Smoke-blue
And tinged with
Sweet and bitter.

—

2015/10/img_1737.jpg

LLYM AWEL verse 10

Ottid eiry, guin goror mynit;
Llum guit llog ar mor;
Meccid llvwyr llauer kyghor.

Snow falls, mountains are fringed in white;
These bleak trees: masts on the sea;
A coward has endless excuses.

1
Knowing what we know
What should be done?
We ask ( fearing the answer).

The cold clear cut,
The slow scribbled signature
Of snow.

Timber shattered,
The mast trees weep.
Stripped fingers
They have nothing to say.
The cry, long dry cry of winter.
Glass sea, glass sky,
Broken.

2
What is slight
Sustains us.
Rills and ridge
Croak under snow.

A laughter cough of ice.
Harsh is the wind on the edge of the valley.
No kind words for the hesitant.

—

2015/10/img_1690.jpg

—

All the Waters

ALL THE WATERS

I cannot stay and I cannot go.
My heart melts like ice
On the high valleys in April
And I am given, melted to crow
And the cry of curlew.
Taken up and laid down:
All cool rain on the grasses
Of the rolling meadow,
A drift of cloud, a mist,
A risen vapour turning,
An Ascension to light,
A transfigured condensation.

All the waters of the world
Are one river.

By the bent and tangled hawthorn
We wait and wait long
For the return of blossom.
Yet we always are surprised-
The wealth of cream incense
Laid upon it, arching down,
The fragrant dew,
The hum of bees,
The expanse of growing summer.
The heart bursts open
To the horizon’s edge of light.
Warmed and belonging
A simple home
A simple return.

For all the waters of the world
Are one river.

And all the lost and drowned,
Flesh taught as dolls,
Roll now to and fro
In the breakers
On the tourist beaches.
Their last breath unheard,
Surrendered to the waters.
Their names and origins
In the thick, green weeds
Feeding tides and fishes,
Rolling, sightless, a little more,
Til they, dissolved in bubbles,
And rising now, meet the air they were refused
In the lands of milk and honey,
The brambled cliffs,
The stain of fallen fruit,
The rag-tag remains.
Bitter will be the tears, bitter and salt
As they ever are,
Dubbed with senseless poisons
And reasons and reasons why
And why not.

How long
before we learn
All the waters of the world
Are one river.

—

2015/10/img_1652.jpg

—

Sorrow mountain

sorrow mountain

sorrow mountain
its dark weight
rain wet,
peopled with sunlight.

where purple cliff relents:
green heaped meadows,
hawthorn amid sheep.

such light is distant
a rolling soil
held down by boulders.

endless are the empty paths
upon its heaped up head.
pressed and rich as butter
the pastures bedded.

the silent road
a blink in daylight
lost around dusted corners.

we move on
silently from above
where the sky’s eye
waters a tragic blue.

—

2015/10/img_1724.jpg

And is it not true

And is it not true,
Waiting a while in darkness
There blooms a sky
Once blank
Now full more and
More of stars?

And so, too,
in silence waiting
We see thoughts roar and multiply,
Emotions self-arise, endlessly,
and, fecund, roll
To oblivion.

It happens without effort,
This stretching, purring cat close by,
These hillsides echoing
With wild cries of foxes.
This air, motionless, cool,
A taste wrapped in grass and woodsmoke.

Without edge,
Without distinction,
Mind fills up all space.

The world, a cup
Half empty of sorrow,
Is half full of joy.
Yet we thirst
And must drink
Regardless.

Gulping life,
A taste to keep us,
A withstanding
of emptiness.

—

2015/10/img_1674.jpg

CONFLICT (The Old Fight)

The green grasses heaped and peaceful,
as they always are,
Steeped and shaped by nibbling sheep,
bowing, pausing, moving on
Like writers, like painters, considering the sound,
Chewing over the bitter and the sweet,
The limp sorrow, the tight-wound grief,
The bound and binding pain not forgot:
Not forgot though buried deep in heaps across the hills.

The buzzard cries and red kite wheels for the recklessness of princes.
Ancient trees so uprooted, excised, their long shadows lost
And peasant weeds happy for short moments in sunlight once more,
Before the whining scythe of war steals life and land
That cannot ever be owned.

This sorry foreign tongue wanders uncertain paths
Around lost sound and buried names.
Those gone before now hood their eyes to listen by the warm hearth of God.
I await, as always, their sure narration, its flow and lilt as if my own:
A habit of work and weather, of sewing in twilight,
In beer that eases ache of long labour
And puts by for a while the winds of winter
And the haunt-eyed want that loiters,
Hanging its dark shade by every byre and door.

I know where I myself would be
To soothe and polish the grain-edged slate of sorrow.
Down with the world’s roar at Pwll Bo,
Its throat of rock slaked and scoured.
I would be rain-cooled, too, in the smoke cloud of Cwm Dwfnant,
Forever under the big hills staring bare into God’s blank blue face.

I would crouch, nostrils spiced with fern and fir
And the damp drip from the birch, itself turning silver and gold
From each and every early frost.
Below where the hidden boys are ever hunting their courage,
Learning to kill for bitter whim of distant government,
Watched by raven eye and silent nested hare.

All beaten down, we have flocked to the cities to be sold for pennies.
Huddled there believing safety is numbers from the wilds and curves of the world.
All winnings, though, are desolate or requisitioned,
Elbowed out, of course, by the mighty.
Rephrased, remapped, remade,
The hills are worn down by the measuring,
(Though they clutch still their gold, their own cheese and milk,
Their own paths downward to certain golden summer
Where the hounds, red-eared, hunt the dreams of heroes.)

Crouched like God’s old hound, the church of Llangammarch,
Perched on its very own hill, push-toed between streams,
A confluence of dark and light, washed in gravels, the quick dippers and lowing cattle.
There above the porch, cut deep in fragmented stone is carved
The old fight between the four corners of the world and the spiral twist of eternity.

And we look on, tangled in, amazed,
Forever wanting what is neither this nor that.
But listen:
There is no more to fight for
Where we have found our home,
Where we breathe in and out all weathers,
The hills of rolling meaning
And the churchtops of exaltation,
Asleep in sunlit valleys,
Companions with the living and the dead,
A ripened mulch,
A song worth singing.

—

Forgive the reposting, for some reason some of the like and share buttons did not show on the original post, and I don’t believe it reached many people. I hope this one works….

—

2015/09/p1120608.jpg

Should We Look

Should we
look for answers,

forcing that fragile seed
of knowing
to sprout?

Or simple,
garden our questions,
the burgeon of complexity,
the fertile stretch
for light,

and delight
in tangled undergrowth,

hoping one sunny day,
for a fine
unexpected
perfect flower,

whose curves inward
drown all words,

a nectar to dance about,
coordinates to silent perfection,

a perfumed breath
in and out.

—-

2015/09/ts3-holly-cradle.jpg

The Old Fight

The green grasses heaped and peaceful, as they always are,
Steeped and shaped by nibbling sheep, bowing, pausing, moving on
Like writers, like painters, considering the sound,
Chewing over the bitter and the sweet,
The limp sorrow, the tight-wound grief,
The bound and binding pain not forgot:
Not forgot though buried deep in heaps across the hills.

The buzzard cries and red kite wheels for the recklessness of princes.
Ancient trees so uprooted, excised, their long shadows lost
And peasant weeds happy for short moments in sunlight once more,
Before the whining scythe of war steals life and land that cannot ever be owned.

This sorry foreign tongue wanders uncertain paths
Around lost sound and buried names.
Those gone before now hood their eyes to listen by the warm hearth of God.
I await, as always, their sure narration, its flow and lilt as if my own:
A habit of work and weather, of sewing in twilight,
In beer that eases ache of long labour
And puts by for a while the winds of winter
And the haunt-eyed want that loiters,
Hanging its dark shade by every byre and door.

I know where I myself would be
To soothe and polish the grain-edged slate of sorrow.
Down with the world’s roar at Pwll Bo, its throat of rock slaked and scoured.
I would be rain-cooled, too, in the smoke cloud of Cwm Dwfnant,
Forever under the big hills staring bare into God’s blank blue face.
I would crouch, nostrils spiced with fern and fir
And the damp drip from the birch, itself turning silver and gold
From each and every early frost.
Below where the hidden boys are ever hunting their courage,
Learning to kill for bitter whim of distant government,
Watched by raven eye and silent nested hare.

All beaten down, we have flocked to the cities to be sold for pennies.
Huddled there believing safety is numbers from the wilds and curves of the world.
All winnings, though, are desolate or requisitioned, elbowed out, of course, by the mighty.
Rephrased, remapped, remade, the hills are worn down by the measuring,
(Though they clutch still their gold, their own cheese and milk,
Their own paths downward to certain golden summer
Where the hounds, red-eared, hunt the dreams of heroes.)

Crouched like God’s old hound, the church of Llangammarch,
Perched on its very own hill, push-toed between streams,
A confluence of dark and light, washed in gravels, the quick dippers and lowing cattle.
There above the porch, cut deep in fragmented stone is carved
The old fight between the four corners of the world and the spiral twist of eternity.
And we look on, tangled in, amazed, forever wanting what is neither this nor that.
But listen. There is no more to fight for where we have found our home,
Where we breathe in and out all weathers, the hills of rolling meaning
And the churchtops of exaltation, asleep in sunlit valleys,
Companions with the living and the dead, a ripened mulch, a song worth singing.

2015/09/img_1718.jpg

The image is from an old early medieval carving now above the doorway of the church in Llangammarch Wells