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Drift

DRIFT

A half moon wanes,
Floating on birdsong.

The world spins towards darkness,
And spins towards light.

Clouds stretched, skeined,
Soft-edged, rippling.

A drift, a slow drift
Into day.

This quiet time,
Twilit, a gift given
Before the goad of doing.

—

Veil

VEIL

Here, embedded in small, lapsed
Suspended moments,
(Gossamer, silk, turning)
Too early, too late,
Webbed with inconclusive dream,
Stirred spirallings, seed of wind and light.
A weighing and disregarding
(The shallow confusions of purpose)
Sense and organs of sense
Bow to slow breath:
The fine, high transformation:
Time into space
Dissolving to time once more
(A thin cloth, this melting memory).

They sing,
Though there is nothing
To sing about,
They turn and wander
Unaccompanied, perfect,
These angels, these spirits,
These exhalations of earth.

A moist dawn air-
News from the sea,
Too soon for Spring,
Yet Spring has begun.
Moving on from now:
An arc of returning gravity
Held, pulled, this roaring love.

The eloquent have learned to
Separate and divide,
A weighing of threes
(These simple roads forgotten).
Coleridge would stir in sleep
Mud, slow drying, on coat and boot,
One fading leaf, one budding stem
Has all the answers
We shall ever need
An we blink
An we stay awake.

The slow sonority-
An old man tastes
The luxury of ancient language,
A fine whiskey
Sweet with smoke and bitterness.
His rhythm is a road across hillsides,
A road into morning.
A fine line
Dividing weeping
And contentment,
As it always is,
As it always
Is.

—

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Storm Days

STORM DAYS

This hollow, unrevealed sky.
Dipping, a magpie attempts a new meridian,
A straight flight to food or shelter.

The dead elms’ reaching fingers quiver;
Power chords, the cables roar.

We each and all must huddle and endure,
With the sparrows, with the ever joyous,
Garrulous sparrows – delicate and subtle
In their design, a clutch of heartbeats,
Warm, communal.

No malevolence in the weather.
No malfeasance in the storm.
Another day to sing about.

Returning Song

RETURNING SONG

Before daybreak,
In quieter airs,
A smaller dawn.

As a blackbird sings,
Before the hint of light,
An old man settles,
Rises,
Releases,
Returns.

Leaving the complexity, leaving the overlay of moments,
We are a simple tune, one or two notes,
A nursery rhyme, guileless,
Needing no elaboration.

Leaving the moments, leaving the overlay of complexity,
We are, always have been, a little dance, a gesture,
A ripple, delighted perturbation,
Needing no justification.

Yesterday on a distant coast,
Storm waters uncovered footprints
Left and right, made by wanderers
Nine hundred thousand years ago.
Traces return, unexpected,
Vanish, unexpected.
These roaring tides, these sands,
These comings and goings,
Noticed, unnoticed.

Storm Morning

Four pieces from early this morning, ancestral mutters: sky crowns and words from the Anglo-Saxon.

SIGNIFICATOR

The whispers of the stars of dawn,
Rooted in deep paths, seated mind.
Mind that seeks names only,
Seeks genealogies, plumbs down fathoms,
The pitch of rightness.
To themselves they whisper,
Remembering the weave and twist of gold,
The movers in the shadows,
The movers of twilight,
The flickering torchlight,
The muffled, shuffled feet of steady procession,
Of circular dance taking up positions,
Constellations of mirrored geometries
Winding up time before babes yawn,
Before the aches of morning stretch and sigh.
Before the biting cold, the stirring of embered dawn.
Before has passed.
Before has misted away.
The whispered eloquence of now,
A tranquil moment turned and knotted,
A place remembered on a silent road:
Signpost, crossed paths, significator.

—-

FIRE PRAYER

I kneel, cold water,
Before the fire to kindle,
A prayer for light and warmth:
Cold water, flying cloud.
For spark and roaring:
Cold wave, cold tide.
For return of belonging,
For reason to remain.

—-

WANDERER

The lament of the dispossessed –
The long diminishing curlew.
The urgent, soft cries of lovers –
Wild geese, wild geese.
The road is a way but not a home.
The footsteps of others, small consolation
When they have vanished to the horizon,
Gone on before, singing the old song.
Cloud-cloaked wanderer tasting salt.
His children, weighed metre,
The lilt of left and right.

—

ACHE

Raked by claws
(This wolf cold).
Blood stain tumbling
Clear watered pools:
These clouds of squall
In dawn skies.
World’s ribs sigh
And shiver –
The ache
Of onwards.

—

Two for Imbolc

VALLEY SPIRIT

Over the last hill
Our prize is the view

Where the village nests,
Wood wreathed, woodsmoke.

Gathered fields almost,
Almost ready for spring

But patient, cautious,
Unhurried.

As unhurried as the morning.
Its grey lambswool clouds,
A blanket for Imbolc.

—

CROSS-HATCH

Imbolc morning:
Clouds like wolves,
And sheep.
Sun on all.

—

DAWN CHORUS AND MOMENTS OF FROST

As if this feather, slow-turning, falls,
One breath of ice, branching blades
Arcing ghosts of fern, arced ghost of forests.
Pinioned cold, eager, aware, edge fractured.
Fingertips feeling for pattern, the familiar
Stretched pale, translucent.

As the scattered, sprinkled pierce of sound,
Woven between moonlit pale dawn wind,
Tumbling, cascades and choirs,
A flurry of beak and breast-soft down.

As all life joined up by song,
No less, no more meaning than this.
Small hearts full and pouring,
The vessel, vehicle, of the world.

No more and no less than this:
The opening of small mouths,
The fast tremble of accepting hearts.
Light now, and slow revolutions through space.

This place, placement, placid, pellucid.
Transcendent fingers frosting fine feathers,
Growing, though not grasping,
Water flowers framed in ice.

Small time, halted, crystalline.
Slow arcs of how things are,
How they happen.
Seen, unseen, diverted, amalgamated.
Dawn chorus and the moments of frost.
Suspended breath, then
Light and song.
No more, nor no less
Than this.

—

On Long Tides

On long tides
The rivers rest.

Longer than
Long moments
Of memory.

Swaying words
Swinging between meanings.

Lost days
Remembered and forgotten,
Sweet details, seasons.

Tallis Exultant

TALLIS EXULTANT

Golden moon rests
Upon a throne of low cloud.

All night long-
As bright as day.

Dawn shall not diminish her:
Sinking radiant
Into new lands.

A long music,
A choir of days.
Tallis exultant.

—

TANGENTIAL (stumbled sketch)

There: art, not a thing,
not a, not owned.
Flown.
A consummation not consumed.
A mirror mirrored. What gods do.
Play innocent of consequence.
What childen do ( when they forget to be good or bad):
Follow the trains of thought noise feeling echo memory dream back back oh back.

Mr. Young,
Dr. Cold
seasoned by dust of science,
almost right, but then again…
Too serious to see the truth.

Tap the words, metaphor, semaphore,
Heirophant, hieroglyph, sign, sigil, psychopomp, or
Orpheus walking in the singing mists.
It is not this, but only just.
It is almost here, and then again…

A blurring.
Ink does it, that small spidering reach,
The small fibres sucking, new chaos stretching,
Mycelia of thought reaching out from meaning.
What Taliesin knew
( the bards struck speechless by
His seed syllables),
It is so nearly thought,
So nearly speech,
So nearly, nearly silence.
A catch of breath, a sigh.
Shall we turn round to look
Whose warmth stirs
The neck’s nape?
And will they then vanish,
Or us, ourselves, dissolve?
Unclothed before the tree,
Giving names,
Bestowing edge.
From where
The seven rivers
Mellifluous flow.
Sprung from the root
Of our moist tongues.
He, the seed.
She, the fruit.
Both vessels hollow,
Ringing.

—-