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Posts Tagged ‘landscape’

The green grasses heaped and peaceful, as they always are,
Steeped and shaped by nibbling sheep, bowing, pausing, moving on
Like writers, like painters, considering the sound,
Chewing over the bitter and the sweet,
The limp sorrow, the tight-wound grief,
The bound and binding pain not forgot:
Not forgot though buried deep in heaps across the hills.

The buzzard cries and red kite wheels for the recklessness of princes.
Ancient trees so uprooted, excised, their long shadows lost
And peasant weeds happy for short moments in sunlight once more,
Before the whining scythe of war steals life and land that cannot ever be owned.

This sorry foreign tongue wanders uncertain paths
Around lost sound and buried names.
Those gone before now hood their eyes to listen by the warm hearth of God.
I await, as always, their sure narration, its flow and lilt as if my own:
A habit of work and weather, of sewing in twilight,
In beer that eases ache of long labour
And puts by for a while the winds of winter
And the haunt-eyed want that loiters,
Hanging its dark shade by every byre and door.

I know where I myself would be
To soothe and polish the grain-edged slate of sorrow.
Down with the world’s roar at Pwll Bo, its throat of rock slaked and scoured.
I would be rain-cooled, too, in the smoke cloud of Cwm Dwfnant,
Forever under the big hills staring bare into God’s blank blue face.
I would crouch, nostrils spiced with fern and fir
And the damp drip from the birch, itself turning silver and gold
From each and every early frost.
Below where the hidden boys are ever hunting their courage,
Learning to kill for bitter whim of distant government,
Watched by raven eye and silent nested hare.

All beaten down, we have flocked to the cities to be sold for pennies.
Huddled there believing safety is numbers from the wilds and curves of the world.
All winnings, though, are desolate or requisitioned, elbowed out, of course, by the mighty.
Rephrased, remapped, remade, the hills are worn down by the measuring,
(Though they clutch still their gold, their own cheese and milk,
Their own paths downward to certain golden summer
Where the hounds, red-eared, hunt the dreams of heroes.)

Crouched like God’s old hound, the church of Llangammarch,
Perched on its very own hill, push-toed between streams,
A confluence of dark and light, washed in gravels, the quick dippers and lowing cattle.
There above the porch, cut deep in fragmented stone is carved
The old fight between the four corners of the world and the spiral twist of eternity.
And we look on, tangled in, amazed, forever wanting what is neither this nor that.
But listen. There is no more to fight for where we have found our home,
Where we breathe in and out all weathers, the hills of rolling meaning
And the churchtops of exaltation, asleep in sunlit valleys,
Companions with the living and the dead, a ripened mulch, a song worth singing.

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The image is from an old early medieval carving now above the doorway of the church in Llangammarch Wells

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THOU ART

this earth
breathed upon
(the warm breath
of love and lust)
holds for a little while
in wonder
then retreats
to sighing earth.
its breath
passed on.
a whisper
in the forest,
a gust
below the rocks
and the high heather.
where the kites
and ravens wheel.
and the sun and stars,
too, kindled, embers,
by that offered air.

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ENCLOSURE OF CONFLUENCE

The dead roll and slip downhill
Chasing their bouncing heads,
Big as cheeses, down to the midstream island,
Fish-shaped and floundering in summer shallows
(it not having rained a whole day yet).

A hullaballoo choired
By the black flung jackdaws
Skimming the tiles, sound bouncing
Off the echoing bells.
Low droop the days.

How jolly the dreams
Of froth and fuschia bud
Dripping red from garden walls.

So quiet as to hear every noise,
Here in the round mouth of eternity:
The splitting rock, the lichen creep,
The self-taught letters silent mouthed
Born such and such, died such and such,
A good day ended, ne’er forgot,
Bearing many loving children.

Where now our utter quiet and wild-eyed saints?
Perched on their hills, blessing miraculous waters,
Passionate for the bigness of God,
Spread winged and leaping
Into skies of echoing praise.
Turn serpent-like to the steady pilgrimage,
Our certain roads,
These small piled eggs of pure white quartz,
The sign and signature for hard days
And steady hearts – an offered hope.

All here where two streams mingle,
The inner and the outer path.
A melancholy garden, neat kept and bordered.
Beyond the quiet lanes and clean swept steps
Another place altogether
Blowsy and careless with candles and dust,
An accumulated pigment, sun faded.

The glorious stars, an ocean
Upon which a silver bowl
Of tipping moon
Will late, near dawn, arise.

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Twilight now
no certain edge
no end nor beginning of it,
an inperceptible slide.

Colours smudge,
blood turns black
(its bitter colour)
lost in peeled shadow.

All ruins stir-
a swung memory,
tacit rhythm,
mumbled sight pitter-patters.

A moth wing trepidation
vibrating mica dust,
dew singed,
a collapse in certainty.

A heavenly moment
of relapse.
cascading inconsequence.
silent dice tumbled,
bounce and settle.

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THE OLD MAPS

These threaded paths, it seems, fade first
As the stones are scattered,
hearths humped green and cold,
Byres split, lying sky open,
No more the warm breathed huddle.
No more the feet trampling bracken down the hill.

The roads, though, weave on, either greater or slighter.
They follow the slopes of land and hedge,
Over ford, under the woods, around murk and mud.
Ropes between names that remain much the same.

On the old maps the boldest lines are given to hills and rivers,
The certain land, the shaped sky, the body’s eye for how far to go.
Bold are the mountains names,
and all the rivers and streams called out strong.
The railways proudly curved,
each cutting marked, each bridge, each station.

The nested churches, so many of them,
on river washed promentaries, round walled yards,
God’s garden planted with the patient dead.
All the departed flock silent to wake and watch
The gaudy tombs of the living, their leaden lovely flesh,
Their thirsts unquenched, drowned even, downcast even,
Lost in a mistaken world, old maps redrawn,
The roads lost, the roaring wind, the bleak days.

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This land,
The land of the dead,
A second skin, translucent,
Golden.

At the centre of each apple,
The sign of love:
The fivefold mutable, son and mother.

Over mountains a cream and violet fog,
Rolled, undulous, attentively folds.
A mysterious union,
Somewhat secret and holy.

The sky, a long vowel, holding its light.
A fluent time,
A tickled, breezeless sigh.
Not so still as to be nothing.

For the tiny roar
Of valley trees, a whispered thing
Measuring miles.

Vaporous drop,
Drip, congealed,
A reflected skin of nothing,
A silver round fruit,
Womb, belly, dream.

This skin
Is our beautiful horizon,
An inner organ.
Our own birdsong:
A poetic heart.

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veiled
though we sleep
dream or wake.

the world wrapped
in its own light
soaked in whispered
breath.

a fountain of waters
a tree, a river,
wondrous emergent

a circular thing
a pearl gently
warmed in fire,

dawn misted,
floating.

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A CERTAIN BLEAK BEAUTY

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1
Endless rains
I wake early before dawn.
The dreams I recall
Are of loss and confusion.

2
The bonfires burn blue and bitter.
The mantra of compassion rings hollow
When all harvests have failed.

3
News from home is slow to arrive:
The roads often impassable,
Slow and winding
Through the hills.

4
My bones are weary.
I turn restless, from side to side.
The flies circling the room
Slower and slower each day
Fail to find the open window.

5
Though we are far
from the borderlands
Everyone fears invasion.

6
A song from the past
I cannot quite remember,
Of the moon and a girl
And a river.

7
Wind from the mountains
Tastes of snow.
The grasses are lank
and yellowing.

8
There is a certain bleak beauty
In the dark night,
Filled only
with the echoing cries of foxes.

9
News from the capital
Is dreary and unconvincing:
Familiar, lazy formulas.
The treasuries are empty,
The halls smell stale of old food.

10
Only this small thin cat is content
Paws flicking in sleep,
Curled up warm.

A collection of fleeting images, reflecting the present, but echoing the laments of those border guards of Ancient China

.

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Sure of this Sorley has spoken
His sweet scouring gravel words
Pure paced, precise grey grinding stones
Pouring splendid golden grain,
Eloquence of earth.

Though few have heard
Or paid him heed.
Old, tweeded, sharp-eyed scholar
Wandered, windblown on
Steep lined western shores
Between deserted croft
And sand-scoured macha.

His mountains named
One by one,
His steadings remarked,
His memories buried safe,
All buried under stone,
The language of remaining
Despite scorn and spittle.

A path half-made
Through hillside rocks,
The prints of deer,
Silence is the heather.
These winds whistle
Through an empty heart.
These words, a whisky
For the tongue that is parched,
A decent medicine
Against the clean sin
Of city streets,
Their promise to forget
Cold and weather,
An unceased consumption
Of time and art and loveliness.

Without the cry of curlew
Without the wheeling hoodie
Without the slap of salt wind
We think ourselves gods
Who are short, soft animals
One moment from bleached oblivion.

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TWO BY BEULAH

1
A break in the cloud:
A mouth of light
Drifts slowly over Beulah.
Dawn cannot be long.

Bats flicker vision,
A fluttering heartbeat.
Warm air, rain-wet
And rose-heavy.

2
The road sways soft
Down to Beulah.

Drowsy with valerian,
Hammocked easy
On sweet drift meadowsweet.

Awake the spired, serry willowherb,
And betony: scatter of exclamation.

We float light upon
Our own bright shadows.
The afternoon sun
And cloud valleys singing.

The road down to Beulah
Under the mountain.

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