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Finally, I have got round to putting “The House of Trees” into format for e-publishing on Smashwords. Please go and have a look. You can download the first 20% for free, and the whole darn thing is only $2.99 in whatever format you would like.

House of Trees cover3a

http://www.smashwords.com/profile/view/Simonhlilly
Book page to sample or purchase The House of Trees: http://smashwords.com/b/302318

Here is the foreword to that book:

“FOREWORD

This long poem was composed in the late autumn of 2012 and through that winter into January 2013. It was conceived on the Isle of Skye, Scotland, during a short visit there. The main themes emerged from elements within that spectacular landscape, and became woven together into an exploration of the nature of freedom. At this time Scotland was again considering whether it would be better off as an independent nation, planning for a referendum in 1214. The history of Scotland, as with most small countries, is full of external pressures and influences. The yearning for freedom is palpable, as much as its strong sense of identity, but seems to be tightly knotted together with nostalgia, pain, suffering, the past and the mythic presence of its Celtic inheritance. My heart opens and relaxes whenever I return to Scotland. Although I was not born there, (and my traceable ancestry is largely rural English and Welsh), I lived and studied in Edinburgh for six years during the 1970’s and 80s, and always look forward to breathing its air again.
Everything we know, every place we cherish, is mythologised and overlain by countless personal coincidences. Significance and resonance colours all our perceptions and memories, often without our conscious knowledge. Poetry is maybe the most precise and accurate means to explore and record these deeper tides of the mind. When we make judgments, when we are asked to decide, it is not the rational mind that pulls the strings. That sensible voice of justification is merely the storyteller that weaves more stubbornly held beliefs and preconceptions into a political statement of policy. The past is not just a record of events. The past maintains itself and evolves through the present. The present, it might be said, is merely the visible tip of the submerged iceberg that is the past. It is in the same way that, amongst traditional cultures, the visible world is conceived as being a reflection, or an elaborate set of clues, to an underlying and much more powerful realm of spiritual beings.
“The House of Trees” is a weaving of these levels of mind: my mind, the mind of the land, the mind of its peoples and the powerful dreams that haunt every pool and rock. The outer always mirrors the inner. To attempt to differentiate the subjective from the objective may be thought by some as the noblest goal of science, a compassionate climb out of foggy ignorance into the clarity of certain knowledge. Indeed, the failure to make the distinction between inner (imagined constructs) and outer (perceived objects) is regarded by some as a sure sign of mental illness in this civilised world. The paradox, the mighty joke, is that both in our most detailed examination of the nature of matter and in our more hesitant exploration of the functioning of the mind the deeper we delve, the less substance we can find. Certainty evaporates like an ice cube in the sun. Each horizon is a dream illusion can never be attained. We yearn, reach for and remember stories that placate or vindicate us, that tell us how we got to where we are, that tell us the roads by which we can go on a little farther.
Simon Hughes Lilly
Exminster, Devon, England. Spring 2013″

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DOBUNNI

Darkness sinks into the earth.
The mountains rise up:
Horizons of light.
Our shadows leap
To the far distance,
The cauldron that is time,
The cauldron that is space.

It branches dark and branches golden:
The tree from which we spring.
Black ash, bird-filled, singing.

See in the deep valley floor,
The slow wide valley floor,
The light-reflecting rivers,
Sky echoes, draped across fields.

This is the deep cup: our land
Filling with a rich wine of light.
We drink and remember our distance,
Our road here, the long miles,
The union of footfalls, the meeting of strangers.
A land of meetings, a land of unions.
Dark and light
Rivers, waves, shadows.

***

ICENI

The wide sky roars with white cloud stallions.
The wild, graceful horse whose name is wind.
The land lies folded, calm as a foal in sleep,
Mare’s milk full, it is gentle, replete.
Bird-bright is the morning,
Their song, the jingle of harness and rein,
Bronze, red, golden blue, the wheels upon us:
The sunlit world, green pasture, filling wheat.
We are the riders of the world, the horse people,
Proud-maned, stepping lightly.
Walking, running, galloping, moon-footed.
The golden horizon we place upon our necks,
Wound, wrapped, a promise of return,
A promise of returning.

**

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**

( The Dobunni were a confederation of peoples living between the Malvern Hills and the Cotswolds in the southern Midlands of England. Their name has been related to roots such as ‘dark’, ‘cauldron’, ‘black ash’, ‘people of two origins’, ‘people of the cauldron’, ‘people of the black ash’.

The Iceni were a powerful tribe occupying Norfolk. Their name can be translated as ‘people of the horse’. They are renowned for their working of gold torcs, large neck rings that signified the empowerment of the spirit and allegience to the deities of the land.)

**

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THE GIVING OF NAMES ( continued, part three)

5
CANTIACI

We are the people of the corner lands
The ones dwelling at the edge,
Catching the first of the sun.
Rippling out into the waters
The ribbon ocean wrapped.
White walls our fortresses.
White walls and long pebble walls,
Walls of rock, walls of water.
First home is our home,
First land is our land,
Nooked, swathed, sun-warmed
Honeyed. A hum of bees
In the woodland,
A hum of birds at roost.
Harboured, wave-rocked,
Sea-light our hair, sea-bright
Our faces. Wind-cradled.
The gulls on the tide,
The rushes hiss rippled light.
The forests silent now,
The deer move out to graze
In twilight. Our moon scythe,
Grains of stars, ripe, fall
To our winnowing.

6
CORNOVII

The horned ones
Gather together.
The delicate, fierce ones
Tree-headed, call
Into the dawn air.
A clash of antler,
A clash of bone on bone,
The learned dance, the wild dance.
Sap-sweet, Spring’s blood
As it rises. An arc of lust,
A braying horn, a mighty host.
Dappled, we move in silence.
One by one from shade to sunlit pool,
Grazing, given grace, guardians
Of the deep wood. Stepping light,
A crown upon us, a host of spears,
Scattered glory of light,
We emerge, we disappear,
Inviolable.

( the Cantiaci give their name to the county of Kent, in the SE of England. The name means ” peoples of the corner land”. The Cornovii occupied the middle west of England, towards what is now the borders of Wales. They are one of many tribal peoples who name derives from something along the lines of “the horned ones” or “people of the horned one”. In Staffordshire the Abbots Bromley Horn Dance is still performed, where the dancers wear caps attached with sets of deer antlers.)

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THE GIVING OF NAMES (continued part2)

4
DUMNONII

Wrapped deeply
Within the green fold,
The red red bones
Of the mother beneath us.
We, the ones of the deep,
Self-buried in rich soil, become the world,
Who are the world, who recognise the deep,
Resounding valley, water fed, oak shaded.
We are the sound of deep drums,
The rolling thunder on the high moor
Where the red soil rolls back to wrapped valley
And all is weathered grey earth bone, and
The high, wild airs where the dead still live,
The ones who watch, sturdy, rooted.
We are the ones who return, who sleep deep,
Pile on ourselves, ourselves, mulched, turned.
Who feeding, feed the land when we sleep,
Who climb the steeps and cry the clouds down,
Raven -bright our eye, hawk -sure our grip.
We sound, resound, reverberate

( the Dumnonii of Devon in the SW of England, where I live, and the Damnonii of the rolling lands of western Scotland inland from the Ayrshire coast, both derive their names from the root words for “deep” and “earth”. The Dumnonii were unusual at the time in that they buried their dead, rather than using cremation.)

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DARK PATHS

Weighed down,
dragged down.
The dreary shadows of Hades.
Evaporated, become vapour,
a sigh, a damp complaint.
Tumbling or attaining
A natural level, gravity grave.
All the Wise Ones. Look! They have the heads of animals. All the guardians of the Hours along the River of Night, they all have the piercing eye of hawks, the sharp noses of dogs, the cunning of crocodiles. Look! The Sky Dancers, the holders of secret clarity, flying cloud-free, singing rapt with heads of horse, lion and vulture. Elephant-headed is the vast Remover Of Obstacles, librarian of memory. This is the meme, the clue, the thread. ( this thread, shallow steps into dark cornered gloom, where the monster, of course, is waiting, of course, with bull’s head.) Follow the dream meme to the shadows.
Six weeks respite
from relentless rain.
Now it drives down.
Wherever it falls:
the same streams and rivers fill.
They brim and gurgle
above the howl of wind
in their long, worn familiarities.
The waters rise up, and I am sunk down, becoming nothing. Abandoned. Lost. Forgotten, misplaced. Having lost the long lists, the fabricated descent, step by step, blindfolded, to here. In sepia, well-presented, motionless, in Sunday best, they are staring out nameless. Forgive us our forgetfulness as we forget those who are silent. Forgive us or forgive us not. For it is only the slicers, the severers of arteries, the disdainful destroyers, the meticulous murderers whose names we remember. The blameless, the harmless, all failures unknown. It is to the entrepreneurs of tyranny that we look up adoringly. Those who lead us to the precipices of dogma – it is to their simplistic gravity we tumble into darkness, grateful for the black and white of damnation.
These are the dark paths
through the deep forest,
shadows cast darker,
deeper by whatever light is shone.
From here, from there,
those shades cannot be driven.
They adhere to form and fact,
for that is their way.
However bright the light,
though they may shrink and shirk,
they spin and do stretch to find the corners.
Only if they should self-ignite, bloom,
flare up in glory of their own natures,
ceasing, then, to be the other,
will they become all radiant.
Each speck, each curse,
each scar luminescent.
Offered a single choice, here or here, we set off down the wrong path, at first hopeful but soon abandoned, suspicious of irredeemable error, fated, doomed. Each turn incised, carved in those shadowy lanes, brushed by insect antennae. The rasp of quiet, scaled, coiled flanks. The drip, slow drip of cold poisons. The hero, the fool, the hermit, along the path of crushed bones, dry, marrowless, to the castle of skulls, cemetary of good intentions, of careful planning.
No matter how one thinks of it. How eloquent, how elaborate, how sapient. They will become expunged. The soul is woven from these dark paths, these cul-de-sacs, these alleys. Even, even, without a name, without a body, their tracks will whisper that same pattern, draw along the same lanes, the familiar valleys into oblivion, the pathways of your soul. The slight impression of each signature, the names chosen to be ours. Mind matter cascading along, funneling down the worn crevices, fingertips wearing the print from crumpled maps.
But that is not all. There is no simple black and white (should you still think it so). These dark paths are the roots that feed us. Now and ever. The strings that knot the random into puppet dance.
That shadow identity.
There it is:
that, and this,
shadow
identity.
Vast and strong, stronger even than seems goodness, than polite graces, than washed out, mealy-mouthed heavens bright with weak wonders, bloodless fancy. Left behind to thrive, to wait, to build armies of reasons why: the roads that were rejected, the masks felt to be inappropriate, the behaviour reprehensible, the lusts out of step, the loves and hates unjustifiable. Building our building on the dead, who live yet, who live in the corners, the alleys, the shades, who steer us showing the way ( for they know the light so well, where the limitations dwell). And should you think yourself attempting holiness, or at least well-intentioned, trying hard, socially responsible, you will ( and this is most certain, most true, most shocking, rocking, roaring your slick foundations, my dears), run most, run fastest, run longest, deny the most vehemently what is also the golden, radiant best, the limitless possibles, the unfathomable depths of glory, screaming from it as if it were utter darkness, an ending to, a melting of.
Haunted will we be, relentlessly, drowned in guilt pretending to be good intentions
will we be. Hunted, will we be. Slain over and over.
Dark paths.
Visit the interior
Of the earth.
There shall be found…
There all shall be found.
The source, the spring
That can flow pathless,
Requiring no other truth,
No other choice.
A silver cup
On a fine silver chain
A dip, a sip,
To become
Unchained, dreamed, folded, woven, returned, unharmed, whole.

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SPRING EQUINOX MORNING

For this
one instant
A radiant pink
Squeezed and bright
Between hill and cloudbank.
Set round and sure
In circled gold
Dawn sun
Ringing
Time.

On the back of my eye
First flash of morning sun
Dazzles still.

Turning around
First flash of sun
Drives out thought.

Small promise
A moment of radiance
Before clouds close in.

It is the colour
Of heated silver
In a burnished silver sky,
Warm and cold balanced both
Tasting equinox.

A claddagh ring
This dawn:
Heart sun
Held safe
in year’s
Two hands.
Promising
Spring.

Promising spring
Dawn soon waylaid
A party of snowclouds.

A party of snowclouds
Cautious at first
Racing drunk and wild
Across neat fields.

Across neat fields
Light sparkles on dewfall.
Birds chasing each other
Pause a moment.
Spring dance.

Spring dance.
Changing partners
Their feet flattening daffodils,
A whirl of wind and hail.

A whirl of wind and hail
Is the news from the north.
All is silent in the garden.

All is silent in the garden
Dawn sun has vanished
Deep
within the daffodils’ trumpets.

Deep within the daffodils’ trumpets
Is the sound of spring to come
A bright fanfare.

I cannot describe
The colour of the dawn sun,
But perhaps
A blush of fire,
Burnished warm
By the fingertips
Of infinite patience.
Smoothed glow,
Delicate, cherished.

Sun hidden.
Collecting firewood.
The hearth
Still our closest companion.

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COUNTING MOONS

The moon tonight gliding through the eye of the Bull.
On the horizon light is still holding,
And thrushes, too full of Spring to sleep,
Echo song across the valley.

Why should I record this?
One day among many.
Nothing remarkable
In this new season’s freshness
( except our own common forgetfulness
Lost in weighted, judged moments).

I could give you a year of moons,
Some seen, some clouded, some serene or dreadful,
Meticulously recorded, patinated silver,
Its light cold, warm, diffuse, reticulated.
Its shape swinging this way then that,
Its rising between house and tree, hill and hedge.
Its mirror face reflecting clearly every tide of passion and despair,
Its mirror face pulling eye and heart to hold all souls aloof,
Quietly cooling, pulse and breath shifting, shivering slightly,
As if a gong brushed by a breeze, sounding sounding low.

A pool, silent.
A way in and a way out.
A door, a window, swinging open, slamming shut.
Lightening, darkening, reasonably equinanimous.
Unconcerned, ineffable, a mouth trying out new sounds,
Consonant and vowel shaping words that all mean silence,
That all mean liquid, that all mean holding, pouring, filling, emptying.

Just now, I can think of nothing more full of satisfaction,
Nothing more worthwhile,
Absolute evidence of time well spent,
Dutifully attentive, a garland for creation’s gifts,
Harmless, meaningless, a simple offering,
A counting of breaths, proof of life.

—

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FOGGED

Inlaid with birdsong,
Lost in fog
Brightening white and slow,
This damp still morning.

Dog distantly barking
(pointless metronome),
Counting moments,
A question never answered.

Distance cancelled, hushed.
Everything pools close,
Strange and familiar,
Owned, disowned.

We are become the sky
Clouded and vaporous.
Dew, web-hammocked,
Anaesthetised, drowsed,
Awaiting the sun and
Its breeze from the sea.

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CLUES NAKED, REVEALED

Spit it out
These nails
This dust
These flowers
Spit it out
And move on.

The soles of my feet
Wedded to dust
Spit it out move on.

This naked morning
This clarity of frost
Say it.
Unsaid, it is not.
Spit it out
Like nails.

Seeing is sewing.
Speaking,
A song of noise.
Birdsong
In the mist.

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THREE BREATHS

This morning:
A broad, bright estuary.
I, little boat
Resting on reflected light.

With the rain,
Its sound between grass blades,
Fresh vapours
Savoured.

Grey and green
Laid out calm.
Sewed voices:
Harmonic doves.

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