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Posts Tagged ‘mind’

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BLINK
(for Nathan)

How is it some patterning of the familiar, some phrase turned this way, that way turns more than echo, enlarges, exponents, fractures into its own chaos pattern?
We blink and the world disappears. We sleep and the universe unravels. We talk to the distance, converse with the invisible, as if our thoughts had pulses. And then there is that silence, in that forest, where that tree falls, unhindered, unremarked, unwitnessed. And the question marks the doubt.
What will be missed?
Slowly turning, slow breezes of distant breath,
We are enwebbed,
Weightless, waiting our turn.
A sweep, a cascade,
A clamour, a whisper,
A yes, an and but,
A slight widening of eye,
A lick of tongue to lip,
A spark, a cinder reseeded.
Upon an ash of dull vocabulary, a sudden dust devil dancing, acrobatic heretic, acrostic cross-stitch. And there it is, temporal flux. Gravity well. A siphon, a vortex, a cascade of neurons inventing new species. A bloom of bacteria basking in the bright futures of near-death.
Nothing is further from the truth, it never crossed my mind, a creature of habit, transfixed in the headlamps. A tumble of the banal: our raw matter to tease out, to squeeze.
I am winged yet
And spinning,
Woven somewhere,
Laced, enbroidered,
Pricked out,
Sketched.
Not quite becoming,
Hesitant.
You were and are a mirror of sorts, silvered, distant. A moon sailing through cloud. There, intimated, expressed, uncovered. A lapse in time. Time-lapse. Shutter speed. Blink. Blink. Forgetting,
Remembering,
Forgetting.
To whom belongs the face in the mirror?( Always looking a little surprised, a little disappointed). Of all the voices in my head, strange rainforest bouquet, there was, is, will be, one more calm, one more complex, a careful equation. News from Nowhere.

” Matter
is merely
mind
deadened
by the development of habit
to the point
where the breaking up
of these habits
is very difficult.”

Stubborn, fixed. It is alchemical. I, alembic, a host of raven wings and a lost crown of kings.
Here, it grows late. There: later or earlier. Those who watch, watch over the sleepers. Those who sleep, dream the waking world. Blink. It begins. Blink. It ends. The mirror remains a mirror reflecting upon what it is not. Blink. Turn away, it ceases. Turn back, it re-appears.
As if never gone away. As if never gone by. As if never gone.
Even, even, they say,
In a complete vacuum,
In a complete darkness,
No matter how dark,
No matter how hard they try,
They say,
There always, always, seems to be
Half a photon
Somehow
Remaining.
Light
Persisting.
(Just
A
Thought.)

—–

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Illustration is ” bone white hollows”, a sketch for a piece of silver darkness.

A DEEPENING LOW

It shall return to silence soon enough,
So let the railing vent and blow.

They fall into nothingness:
Grains of irritation
That might turn to pearl
But instead accumulate
And smother for no good purpose
But decay.

And decay is within
That treasured storehouse,
That defining hall of measurement
Where all apparent becomes fixed
And sure.

All, all, fairy gold- dust and sticks.
No ell, no cubit, but all chains,
All a measure of inappropriate approximation,
Misreadings, misjudgments,
Missed, missing persons,
Never identified, lost;
Posted posters “Gone Missing”,
Abraded, disfigured by time
And unkind passings.

The subtle arc of self-destruction
So like flying, not falling.
But there it is:
A matter of perspective,
Parallax and doppler.
Red shift
As one by one
Certainties flicker out
Beyond reach.

I am, after all, it seems,
Defined by the shape
Of emptiness,
And maybe only that, too,
Is borrowed.

“And we scatter,
The many millions of us
In different directions,
Self-absorbed,
Constantly muttering
Our own names
Lest we forget ourselves……”

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Illustration is “bone claw moon”, a sketch for a silver design that may one day emerge from the mirk

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MAGATAMA SAYS

Magatama says this is what you are, a wriggle in time, a wriggle in space. An eye that is hollow, a mind that is hollow, a space where, a vessel where, sentience pools and flows through. Embryo spinning round sun yolk. A distinction, a seam, a pebble, an accumulation of used data, a debris, a morraine, a momentum of moments lost, not quite forgotten.
A tube, sealed at either end with only hope. It will not suffer to remain. It too will distort amd become formed, reformed. The spin of horizons never long denied. A new in and a new out. A new edge, a new world, given names from somewhere else. The hollow eye, for the hollow eye does not see except what it has seen before. Somewhere there was a beginning, but it was not here, not here. Each key becomes a door, each door a wall, each wall a cell, each cell a wondering of me and mine, a selfish small delight, a harbouring of dream. Now the tide slips, the shattered, polished brilliance fades. We are left high, drying, the long keening of gulls, sandflies and bladderwrack. No more words. Day becomes day.
Scatter, scatter,
Ye stars!
Scatter,
Ye manifold living beings!
However so far
This home
Shall never become lost,
(though misremembered,
Though mistook),
So wrapped, so folded,
So entangled it is
Within your sheer fibre,
Your fluid, your feeling.
Flee as far as
Beyond the named,
Further than edge,
Farther than form.
Digging foundations for what walls exist, reconstructing our noble and grave histories, mirrors and clouds, equations, flocks of reasons seeking a roost, a reputation. The sun has hidden herself in a cave. Where is the sly shaman will entice her out with curiosity? Shiny things, laughter of others. Wrapped up in, wrapped around and upon ourselves. In becoming out, out in, the curve of edge, empty but for its own density.

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The scratching, sketching reveals magatama is also an ear, an orifice that listens, that absorbs…..and so too, turns doodling into that ubiquitous Celtic mysterious icon, the ‘trumpet spiral’, or for the more botanically minded, the mushroom divided, or for those who watch the way waters weave, the rippled surface vortex……but the doodle as doodle, as gesture, as delight of wrist, it is an outward sweep, a slow arc, an inward sweep, conch consciousness, two shapes from one line, an ineffability, a mystery, a going out and a return, the shape of a soul. Spirit language. It is always tricky, always says more than it says. Clouds conversing with hills………

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SUMMER RAIN

Summer rain.
It can almost be forgiven:
Warm, green air.

—-

Storm grey weight
Flowing grasses
Rabbit’s ears twitching.

Darker by degrees
Still air cooling
The first drops
Shiver.

—-

Still life
Hidden sparrows
Slow rain

—-

Slow rain
Hits every leaf
Syncopated greeting.

—-

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DREAM SUTRAS

Something here in Japan, perhaps the lightness of the summer mornings, perhaps the way the land subtly shivers and sways, perhaps that we are intruders unfamiliar with the nuence of its neural patterns, make night dreams here more vivid. Certainly I awake more often from fright, or from discomforting imagery than at home. An alien technology, or maybe the sake!

in Japan
these eloquent dreams:
still completely mysterious.

Last night, a strong constant wind accomapied us through the entire night. Sometimes I would wake and wonder if a rainstorm was passing overhead, the roar was so steady and insistent.

the long wind
fuelling strong dreams.
mysterious purpose.

Of all the dreams that night there was one particularly convoluted and long-lasting, (or so it seemed). Based around an old man, something of a genius, both an artist and a scientist, as well as an amateur sleuth or criminal investigator. He was involved in many complex layers of research, but was the bane of those who loved and cared for him as his health was failing fast and yet he would not take rest nor ease up on his schedules.

Long wind,
who is the dying sage
so eloquent and ancient, in my dream?

dragon wind
dreams of sages
utterly bemusing.

An interesting point I saw recently on a post about haiku was that amongst the many ‘rules’ was one that stated that a haiku should make no comment. Haiku as a record of perceptions that can evoke numinous emotion without explicitly saying what the emotion should be. Like a haibun, a haiku can lead to endless mazes of commentary and extrapolation. A thought motif, a riff, a theme, can lead to jazz-like improvisations. Now, this rule is not one of simple objectivity. The poet is always objectifying the internal as well as external. Perhaps it is the avoidance of the passing of judgement, not reinterpreting or making a second or a third judgement, that makes haiku resonant, that prevents it simply becoming a commonplace sentence divided into short lines. Who knows…

how many miles is this long wind?
night-long it roars through the curtains.
even my own dreams
are a complete mystery to me.

Haiku, seen as a child-like entrancement (entrancing entrance), a fluidium between self and not-so-self. Paying attention to when nothing is happening, we discover that something is…

roaring dragon wind
how many miles
do you traverse?

as wide as the moon:
this long wind
over hills and valleys.

There is a shamanic, primal sort of awareness in the best haiku. An overlay of worlds. A denial of incorrect or correct ways of perception. Juxtaposition, significant only because it is juxtaposed. For an instant, in this mind, and then in the mind of the reader, sense data and interpretations hold equal value, are equally valid, equally ephemeral.

long wind,
aching bones.
mysterious dream
of ancient sages.

maybe it is my aching bones:
dreams of ancient sages
and steep hillsides.

long night wind.
my dream too,
arising from distant lands.

dream sutras
though inexplicable,
endlessly fascinating.

Finally, the long hours of the night begin to move away, light edges between things, but the wind, having blown away most of my thoughts, still remains.

long wind
blowing away night
to other lands.

In daylight, the warm airs sweep yellows and golds. The palm tree still shaking its dry fronds between the houses, laughing, dancing, bending, chanting.

cats in the sun
eating, sleeping,
composing haiku.

—–

dragon lantern

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AN INSTANT OF MIDNIGHT

Fragments of midnight
Drip.
Fears congeal.
But wait and watch,
Hold,
Turn not away.
See them stretch
Long shadows,
Return to only
Small knotted memories,
Hopes lost, misplaced,
Strategies discarded.
The grooves of tears
Gnawing cascades
Down ravines
To the slow, dark plateau,
The lake of now
An instant of
Midnight.

****

Move past the words
And there is just
The pumping songs of blood.

Down velvet streams to pools
Where washed cells
Glow golden in caves
Of pleasure,
Delighting in organic dance.

Enwrapped,
Swing upon the breast of being itself,
Resting in motion
The way a leaf belongs
The way a star belongs
The way a moment belongs.

In eternity
Held forever.

****

The names of night
Are scribbles
Within its own darkness.

Scattered fragments
Of midnight
Glint, investigating
Endless variations:
One pattern, one sound
A horizon to hollowness
An edge, slurred, smudged,
Scumbled.

Each form extruded
Attempting definition.
Continuous recitation
A rope between emptinesses.
Each, despairing, spins
Vanishing to void.
Choosing a new name,
A new path,
Emerging, bubbled into being,
A roar of foam,
White noise of silence,
Ocean vastness
Vast, holy darkness,
Rumbling hum.

****

one thousand
And eight names
Of returning night.

****

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Finally, I have got round to putting “The House of Trees” into format for e-publishing on Smashwords. Please go and have a look. You can download the first 20% for free, and the whole darn thing is only $2.99 in whatever format you would like.

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http://www.smashwords.com/profile/view/Simonhlilly
Book page to sample or purchase The House of Trees: http://smashwords.com/b/302318

Here is the foreword to that book:

“FOREWORD

This long poem was composed in the late autumn of 2012 and through that winter into January 2013. It was conceived on the Isle of Skye, Scotland, during a short visit there. The main themes emerged from elements within that spectacular landscape, and became woven together into an exploration of the nature of freedom. At this time Scotland was again considering whether it would be better off as an independent nation, planning for a referendum in 1214. The history of Scotland, as with most small countries, is full of external pressures and influences. The yearning for freedom is palpable, as much as its strong sense of identity, but seems to be tightly knotted together with nostalgia, pain, suffering, the past and the mythic presence of its Celtic inheritance. My heart opens and relaxes whenever I return to Scotland. Although I was not born there, (and my traceable ancestry is largely rural English and Welsh), I lived and studied in Edinburgh for six years during the 1970’s and 80s, and always look forward to breathing its air again.
Everything we know, every place we cherish, is mythologised and overlain by countless personal coincidences. Significance and resonance colours all our perceptions and memories, often without our conscious knowledge. Poetry is maybe the most precise and accurate means to explore and record these deeper tides of the mind. When we make judgments, when we are asked to decide, it is not the rational mind that pulls the strings. That sensible voice of justification is merely the storyteller that weaves more stubbornly held beliefs and preconceptions into a political statement of policy. The past is not just a record of events. The past maintains itself and evolves through the present. The present, it might be said, is merely the visible tip of the submerged iceberg that is the past. It is in the same way that, amongst traditional cultures, the visible world is conceived as being a reflection, or an elaborate set of clues, to an underlying and much more powerful realm of spiritual beings.
“The House of Trees” is a weaving of these levels of mind: my mind, the mind of the land, the mind of its peoples and the powerful dreams that haunt every pool and rock. The outer always mirrors the inner. To attempt to differentiate the subjective from the objective may be thought by some as the noblest goal of science, a compassionate climb out of foggy ignorance into the clarity of certain knowledge. Indeed, the failure to make the distinction between inner (imagined constructs) and outer (perceived objects) is regarded by some as a sure sign of mental illness in this civilised world. The paradox, the mighty joke, is that both in our most detailed examination of the nature of matter and in our more hesitant exploration of the functioning of the mind the deeper we delve, the less substance we can find. Certainty evaporates like an ice cube in the sun. Each horizon is a dream illusion can never be attained. We yearn, reach for and remember stories that placate or vindicate us, that tell us how we got to where we are, that tell us the roads by which we can go on a little farther.
Simon Hughes Lilly
Exminster, Devon, England. Spring 2013″

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DARK PATHS

Weighed down,
dragged down.
The dreary shadows of Hades.
Evaporated, become vapour,
a sigh, a damp complaint.
Tumbling or attaining
A natural level, gravity grave.
All the Wise Ones. Look! They have the heads of animals. All the guardians of the Hours along the River of Night, they all have the piercing eye of hawks, the sharp noses of dogs, the cunning of crocodiles. Look! The Sky Dancers, the holders of secret clarity, flying cloud-free, singing rapt with heads of horse, lion and vulture. Elephant-headed is the vast Remover Of Obstacles, librarian of memory. This is the meme, the clue, the thread. ( this thread, shallow steps into dark cornered gloom, where the monster, of course, is waiting, of course, with bull’s head.) Follow the dream meme to the shadows.
Six weeks respite
from relentless rain.
Now it drives down.
Wherever it falls:
the same streams and rivers fill.
They brim and gurgle
above the howl of wind
in their long, worn familiarities.
The waters rise up, and I am sunk down, becoming nothing. Abandoned. Lost. Forgotten, misplaced. Having lost the long lists, the fabricated descent, step by step, blindfolded, to here. In sepia, well-presented, motionless, in Sunday best, they are staring out nameless. Forgive us our forgetfulness as we forget those who are silent. Forgive us or forgive us not. For it is only the slicers, the severers of arteries, the disdainful destroyers, the meticulous murderers whose names we remember. The blameless, the harmless, all failures unknown. It is to the entrepreneurs of tyranny that we look up adoringly. Those who lead us to the precipices of dogma – it is to their simplistic gravity we tumble into darkness, grateful for the black and white of damnation.
These are the dark paths
through the deep forest,
shadows cast darker,
deeper by whatever light is shone.
From here, from there,
those shades cannot be driven.
They adhere to form and fact,
for that is their way.
However bright the light,
though they may shrink and shirk,
they spin and do stretch to find the corners.
Only if they should self-ignite, bloom,
flare up in glory of their own natures,
ceasing, then, to be the other,
will they become all radiant.
Each speck, each curse,
each scar luminescent.
Offered a single choice, here or here, we set off down the wrong path, at first hopeful but soon abandoned, suspicious of irredeemable error, fated, doomed. Each turn incised, carved in those shadowy lanes, brushed by insect antennae. The rasp of quiet, scaled, coiled flanks. The drip, slow drip of cold poisons. The hero, the fool, the hermit, along the path of crushed bones, dry, marrowless, to the castle of skulls, cemetary of good intentions, of careful planning.
No matter how one thinks of it. How eloquent, how elaborate, how sapient. They will become expunged. The soul is woven from these dark paths, these cul-de-sacs, these alleys. Even, even, without a name, without a body, their tracks will whisper that same pattern, draw along the same lanes, the familiar valleys into oblivion, the pathways of your soul. The slight impression of each signature, the names chosen to be ours. Mind matter cascading along, funneling down the worn crevices, fingertips wearing the print from crumpled maps.
But that is not all. There is no simple black and white (should you still think it so). These dark paths are the roots that feed us. Now and ever. The strings that knot the random into puppet dance.
That shadow identity.
There it is:
that, and this,
shadow
identity.
Vast and strong, stronger even than seems goodness, than polite graces, than washed out, mealy-mouthed heavens bright with weak wonders, bloodless fancy. Left behind to thrive, to wait, to build armies of reasons why: the roads that were rejected, the masks felt to be inappropriate, the behaviour reprehensible, the lusts out of step, the loves and hates unjustifiable. Building our building on the dead, who live yet, who live in the corners, the alleys, the shades, who steer us showing the way ( for they know the light so well, where the limitations dwell). And should you think yourself attempting holiness, or at least well-intentioned, trying hard, socially responsible, you will ( and this is most certain, most true, most shocking, rocking, roaring your slick foundations, my dears), run most, run fastest, run longest, deny the most vehemently what is also the golden, radiant best, the limitless possibles, the unfathomable depths of glory, screaming from it as if it were utter darkness, an ending to, a melting of.
Haunted will we be, relentlessly, drowned in guilt pretending to be good intentions
will we be. Hunted, will we be. Slain over and over.
Dark paths.
Visit the interior
Of the earth.
There shall be found…
There all shall be found.
The source, the spring
That can flow pathless,
Requiring no other truth,
No other choice.
A silver cup
On a fine silver chain
A dip, a sip,
To become
Unchained, dreamed, folded, woven, returned, unharmed, whole.

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COUNTING MOONS

The moon tonight gliding through the eye of the Bull.
On the horizon light is still holding,
And thrushes, too full of Spring to sleep,
Echo song across the valley.

Why should I record this?
One day among many.
Nothing remarkable
In this new season’s freshness
( except our own common forgetfulness
Lost in weighted, judged moments).

I could give you a year of moons,
Some seen, some clouded, some serene or dreadful,
Meticulously recorded, patinated silver,
Its light cold, warm, diffuse, reticulated.
Its shape swinging this way then that,
Its rising between house and tree, hill and hedge.
Its mirror face reflecting clearly every tide of passion and despair,
Its mirror face pulling eye and heart to hold all souls aloof,
Quietly cooling, pulse and breath shifting, shivering slightly,
As if a gong brushed by a breeze, sounding sounding low.

A pool, silent.
A way in and a way out.
A door, a window, swinging open, slamming shut.
Lightening, darkening, reasonably equinanimous.
Unconcerned, ineffable, a mouth trying out new sounds,
Consonant and vowel shaping words that all mean silence,
That all mean liquid, that all mean holding, pouring, filling, emptying.

Just now, I can think of nothing more full of satisfaction,
Nothing more worthwhile,
Absolute evidence of time well spent,
Dutifully attentive, a garland for creation’s gifts,
Harmless, meaningless, a simple offering,
A counting of breaths, proof of life.

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THOUGHT FLOWERS NAMED

The lamp is lit.
I would return to some calm
Abiding.
But here they come, first a whisp, then wraiths, now raucous echoing gamboling up from the buzz and chink of that wild banquet below. These beeezes: where do they gather their names and faces, become recognised, familiar? Back around what corner do these thoughts cease to be words, and what do they then become?
Sharp and edged,
Glinting bright,
Defined and cherished,
Tools of tongue and eye.
Who and how have they been refined, clothed, acquired status? Language clothes thought, but it is not thought. Simply three noticed feelings: attraction, repulsion, indifference, (atomic and galactic habits, too), the sum of them all. Feelings are what? Pulses of light and reaction along cellular lanes, a dance in a ring, unwatched at twilight. Goblin market, a tumble of shadows.
A web spun
By a spider world
To catch and hold fragments
Of itself.
I am food. I am food. I am food.
I am eater. I am eater. I am eater.
Precocious, petulant they are. Give them no attention! Primadonnas, show-offs. The more you react the more they will play up. Tinnitus, endless ringing, blood and heartbeat, breath, bone. The motor running, only the motor running. A drift of exhaust in the cold, frosty morning.
Underwater streams,
Deeper than worms,
Darker than pleasure.
An instant of dreaming,
A startled crowd of starlings
Take shape, wheeling away.
This river, were it to stop. This wind, were it to cease. And whence did it arise?
Coming over the hill’s smooth crest:
A green forest of birdsong
Spread draped in shaded valley.
Dive in, become lost, cooled and tongue-tied,
Dappled, aimless.

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