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Posts Tagged ‘nature’

VOYAGE OF BRAN (1)

For what reason

Does she call the Raven King,

Arcing over the waters to a safe land?

She is wedded to the song, blossom and fruit,

Calling from afar.

No matter where we turn

The music is invisible.

It sinks so deep that we sleep

And see what we cannot see,

Wish what we cannot know,

Set sail in hope on small boats,

Our lives no longer holding us

On their certain courses.

Cast adrift to find joy,

To measure it and move on

As the visions shift

And prophecies grow stronger.

We, in turn, become more, and less,

Floating above, sinking below.

The Raven sung by love to rest.

And restless shall they be

With and without this world.

The taste of the tree,

Never quite enough.

Never seen again,

Melting into the music.

Oh! Silver Branch!

VOYAGE OF BRAN 2

I turn back to see the future,

To see what has been missed.

A silver rent sings across the sky,

Laughter that only a world can make.

I know we dream, but do not know how to awaken,

Or if it is wise.

Water birds are screaming lies,

Hearts sink deeper into permafrost.

The smudge of sneers on too many faces.

Truth that was struggling is dead.

Best not to speak at all.

Let the world in, though,

That impossible branch of song,

To new pathways, new biologies.

Look back.

Has it not all been written of before?

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BRYN

Bryn does not care

Whether it is ice or storm.

It does not care which angry voice

Strides the world to call for war.

It rises as it always has

Making a horizon towards heaven,

Feeling the deep, slow pulse of the seasons

That is the heartbeat of the earth.

Feeling the downward blessings of rain

That trickles its poetry through

Heather root and bracken arch.

Bryn, that is no name at all.

Singing itself to itself.

The throne, the Elders, the Hosts,

The shining voice, itself to itself.

Holding its counsel, abiding in silence,

Resting alone. An island above the mists,

Above the green glow, moving the stars

And giving each its shelter

In its own dark womb.

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UPLANDS 3.

(Wellsprings of the sea)

It all begins from here.

Next to nothing.

With thoughts unrooted, heady.

Pulled out and upward to limitless blue distances.

It begins moving on the edge of the sedge-grasses;

On the uncertain, treacherous ground;

On the coolness of the wind that carries the spice of death

Deeply within its folds.

It begins on the copper whale-backs of time,

Arcing out of the valley floors,

Carrying scorched stars and the ink of jet certainty

Into the unknown orbit of delivered time.

It begins with a line of trajectory,

An abandoning of nicety,

An allowance of ululating song

And purposeless joy.

It begins with bones, begins with nakedness,

Begins with scattered remnants and piled stones.

It begins with remembering and forgetting,

And a pure tenacity to continue on.

It begins with a circulation of tears,

A saturated weight desiring heft.

Waters moving together, ribbons rippling out of sight.

Peat, brown as beer, iron-rich, blood of earth.

It begins before sound begins,

before the names arrive.

And then the names carry it into our own belonging,

Mapped out and pinned down steady.

Here and here and here,

we dwelt, we smiled, we died.

Always there, hinting blue, lost beyond reach.

Always yearned after, hazily recalled.

Always one step further, one crest away.

Always more real than the real,

Freer than freedom, a weightless soul flight.

There, with the buzzards, with the kites.

There with the patient grumbling stone,

With the stumbling cloud, the hissing mist.

A dream, really, of how it was, of how it will be.

The uplands of heaven, void and singing.

(40)

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Pirate jay swings high through his dark wood,

Eye on falling gold.

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Day gives out early now, evening inks the cooling world.

The sun is warm, but shadows cool the slowing sap.

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What have we omitted in the long summer days?

What remains undone? What forgotten?

.

Late roses fall, beans fatten.

Soon the frosts come, green pushing faint and failing.

.

Gather in now, and wait for winter.

Inevitable increments, time winds it all up.

.

Pirate jay, his eye accomplished,

Swings round the rolling decks of weather.

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The hills crowd darker dressed in cloud,

The woods velvet coal, a dreaming nest.

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This land, boy, is called history.

And she sleeps naked to the sky

And dreams of heroes.

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This land wades through its weather,

Wrapped in stories, warmed by its belonging.

We are gnats here for an hour or two

Dancing above an eternal pool

Reflecting the sapphire deep skies.

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This land stretches from shore to shore,

From sea to seabed, one continuous cloak,

A net of heart fires.

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IN THE TEETH OF WINTER.

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The sun, it is hanging in the holly.

It is tangled in the oak tree.

It feeds what creatures it might.

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The year, made of fruits, made of blossoms,

Is yet a cauldron of melting snow,

Barely born, barely breathing.

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Kindled and crackling, the day spits shadows.

We are all storytellers when we can do little else.

Telling of deceit and guile,

And how the great sun could be brought so low,

Our saviour bound, hostaged.

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A song to return our hopes.

A song to fend off darkness.

A song to teach the children

That all is not lost.

Though we fear it is.

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CERIDWEN AT THE ECLIPSE (25/10/22)

Crooked as the moon, as the moonlit river.

Silver to the horizon and daylight’s tempered glow.

Above our heads, a cauldron full of seething stars.

We are dipped head-first, dyed blue and golden,

White as bone and new again.

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A still pool of light that waves lap.

Connected, the moments coagulate,

Combine under wisdom’s gravity.

One drop contains all, and all that is needed,

Not perfection, but the headlong dance of life,

Falling into itself, lost and rebounding.

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I have forgotten everything but my name,

And now that, too, is slipping away.

What remains is not matter but memory,

Sly, sliding dreams, seeds stirring.

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My song all things sing.

My cooking pot bubbles gently.

You run by my rules, my rhythms.

Child, you are as dark and you are light,

And raucous as starlings, as flippant as seagulls.

Hawk hunting, hare racing, Time devouring,

So you can grow your own wings.

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THE COMPETITION

( 2. The Prophecy of Flood)

Tell me, then, that there are no gods of weather

Now everything is measured, everything explained.

That we can go about our business safe and sane,

Not wondering what shall befall us if we anger or stray.

That knowing vanquishes fear.

That naming disarms the fact.

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I would not pit the gods of cities against the gods of the world.

Though the god of money enchains us to its tumbling promises,

Though we are comforted here by the law and order

Laid out in concrete streets.

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The breath of time we measure, but the god of Time is not of us.

The god of storm, the god of light, the god of life, the god of death,

The god of twilight, the god of decay.

They are all no smaller now than they were before.

Tame the weather, and there is a greater weather.

Cage Time, and there is a greater Time.

The gods are those against whom we dare not compete.

The sky towers we have built of swaying, rickety philosophies are no match.

The chiselled, honed words, all the equations, mean nothing

But a murmur dream.

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Is there anything more poisonous to the soul than competition?

The battle for worth, the war for best?

Listen! I am the best at sorrow, the best at melancholy.

I am forty days of rain. My bitterness, a pointing finger

That wipes the slate clean. Above all. Below all. Separate. Distinct.

In the flood I am the spark that burns down the one remaining boat.

Sneering at lesser things is my entitlement.

First among the angels. Too great to fall.

The Elders lined up there on their thrones, counting points, counting scores.

Chosen by the chosen to join the ranks of the chosen.

Offer up your pious praise to God and deftly gather up the gold.

We honour the first, the second, the third (with a shrug)

Wave through the beautiful, wave through the best.

Wave off the rest. Judge and separate.

Gwion was a pauper, grabbed by the ear and told to watch.

Afagddu, the soot black sullen shadow, was the chosen one,

Born for greatness, a certain destiny.

Taliesin: best at bragging –

I was. I am. No one better than I.

The stunned poets casting up their eyes to

The heaven he says he comes from,

Packing their bags, looking to find less glamour-filled halls.

He knew a thing or two:

Please the crowds and praise the kings.

A bawdy innuendo, a prayer, a vision of glorious death,

And for the quietly watching intellectuals, ambiguity in spades.

A foundling of dubious parentage, brought up by rivers and seas.

A certain affinity to water, like Moses: cool fountains and dowsing

The springs in burning deserts, slaking thirst with words and glory.

How many streams are there? How many rivers?

Following the frightful pillars of smoke, the pillars of flame,

The burning bushes, the falling star.

There is a green land, and a green hill far away,

And the best of the best shall find peace there.

Across the river to the green lands for your sorrows.

A green hill of suffering for all your good works.

You shall become forever now, a constellation

Of the revolving fortress of glorious night.

I, not I, the river that is your awen,

The best, displayed in shining light,

A rainbow promise.

A slight and glorious

compensation

for past and future horror.

This is the second poem that was written with Llanwrtyd Eisteddfod in mind. Not one of the finals I chose to submit: too long a rant and not so obviously following the theme, though it continues and develops some of the threads found in the other seven parts.

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THE COMPETITION

(1. Prophecy of Fire)

I, not I, cannot lean against this luscious, deadly heat.

We are not roses, to drop our heads, to scatter petals,

To grow again as rain again splashes the dusty leaves.

Our grief all adds up, all weighs down.

These winds, these fires, these bitter, clever bombs, we cannot fight.

There are no winners, just braggers who will fall as well, soon enough,

Choked on the unguent of their profit, the poisons they excused.

Our shades shall not even cool us,

not as the forest shade does at Crychan, at Cwm Henog.

There shall be no violets in that twilight we surrender to at last.

There shall be no streams of delight, no wells of peace.

No tumbling nant at Nant yr Onnen nor crouching Ceirios.

The mists at Cwm Dyfnant:

they will be a smouldering of bracken and barbed wire.

Shadows, shadows.

A weather of shadows. A cloud of shame,

Claws of rock clambering from sunless cleft to cheer the last demise,

The victory of heat and blood,

The will to win, whatever.

The old, the ever, the same.

The truth of prophecy, the dregs, the well-worn path.

There shall be no competition then.

No mastery. No tenderness.

No tongue to sing the rhythms of praise, (the eloquent lies),

not to man, not to God, not to the primroses, not to the speckled thrush.

There shall be no golden chair on the hillside, then.

No crown. No applause.

No reply when the question is asked.

No one left to call for peace.

The sword unsheathed, the petals falling, the kites spiralling,

The fields bare and thistle-browed.

In the end, we shall see that there was nothing,

After all, to chase after, nothing to win.

The great blue skies,

piercing blue once more, over all,

And the cuckoos returned to Garn Wen,

the curlews to Cefn Gast.

This was one of my entries for this year’s Llanwrtyd Eisteddfod. In the end I submitted two poems from a series of seven on the same title. I shall be posting them all here soon enough.

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YOUR JOY

It is the time of year when dreaming bleeds into daylight.

All the roads turn green and make their way back home.

The thrush is singing loudly in the budding ash tree.

The nature of art is to tell truth through lies:

This smudge is not a butterfly,

This hill, you cannot climb,

This moment is long gone.

Crows and cuckoos, the bleat of lambs,

Sunlit grass and the dark uplands.

We war to keep things safe, to keep things the same.

Not even one day will survive into the next.

All the gods are here, waiting for your joy.

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